Tag Archives: poems from prompts

Same Old Used To Be

I used to be a little man.  Now, I’m fat

as a good pancake. 

 

Used to be I could slip out

of sight in a crowd of three people

in a living room; now,

everyone pretends I’m not there

but they know.  They know.

I catch them staring at my excessive gut.

 

I used to be a quiet man.  Now,

I’m noisy as a gas demon in church.

 

Used to be that when the choir sang,

I opened my mouth and only God could hear;

now, just try and speak over me.  God knows

everyone else does.  I catch them raising their voices

to drown me out: polite SOBs pretending social deafness

to the blurting heap in the corner.

 

I used to be a wanna be.  Now, I’m what

I thought I might end up as.

 

Used to be.  Now, I’m not. And

everyone’s obviously in agreement about that.

I catch them smiling once my way

and then I’m not even a memory.

What I gained in mass and volume

never developed density. 

I should have known.

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In Such Small Words

It is said that
once,
we had
myths
we lived by.

One myth told of a rock
that shone in the dark
as if it held a star.

All wished to see this
but it was thought
that to view that stone
was to die.

But one night,
back when we lived in camps,
a young girl found it
and took it home
for all the tribe to see.

Its glow,
a wine on which
they grew drunk,
raised them all to joy.
They danced, they fell down,
they were spent.

While they slept,
a thief came and took the stone.

At dawn the tribe rose,
still drunk a bit
on stone wine and shine of myth,
and in rage and grief
surged out from camp to find
and kill that thief,
take back the glow
and the source of the glow;

but he was not found.
We seek him still.

In such small words as these
we tell all our truth:
if the girl
had not found the stone
we would not have known
joy, if the thief
had not seized the stone
we would not have known grief.

We still blame the girl
and kill her each time the dark falls.

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How I Like My Poems

From a prompt by Laura Yes Yes…

~~~~~~~~~~~~~~~

i like my poems
like i like
my people:

twisty.

ready to back water
when necessary if the stream’s
strong and running
in circles. 

contrary
as a summer storm
in the hours after the heat’s
gone down, way down.

with perfect eyes.

with stented hearts
nonetheless faithfully
pounding their red burden
of oxygen and waste
around and around.

i like my poems like i like
my men, my women,
my children, my badger gods
burrowing flat and angry,
my beggars and socialites
sticking out in the city’s gray,
my farmer beloved of his crops,
my low tide waiting to rise:

slotted to go one way,
going another, snarling
or tranquil in turns,
staring into the dark
of crematory urns
and blowing the ashes into motion
as each word works past their lips
and stirs the past into the future.

i like my poems, your poems,
any poems by anyone,

to be the sex they choose to be,
to gender at will and to change their minds
without betraying their nature,
in fact to change their minds is to obey their nature
and if i falter before them,
if i am startled at how they turn,

i like them all the more.

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The Chicken Speaks

I crossed the road,
punk,
because it was there.

You bought it
when someone said it
in reference to a mountain,

you bought it when
that Frenchman
walked between the Towers,

so I can only conclude
that it’s because I’m a chicken
and you’re prejudiced that you keep cracking wise

about why I did it.  Lemme
tell you something: I
can’t fly, and I enjoy

risk as much as the next bird —
more in fact: I wasn’t waiting around
to become soup or Sunday dinner.

I’ll go on my own terms,
and that road
looked as good as anything I could think of…

I made it, but the attempt,
that’s what counts.
I took a chance.  I wlll again…

so listen, punk,
think of that next time
you gnaw on a drumstick:

you are what you eat.
Laugh all you want,
but you’ll never get me.

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The Suicide Machine Speaks (revised)

— from a writing prompt by Curtis Meyer

Let me start by just saying it:  I love this guy.  Sure,
the music is always too loud, but I do my best
to keep the exhaust screaming, to drown it out,
but he just turns it up. He’s a man
and he needs that noise, I guess.

Even when he loads me up for a night
with friends and guitars,
I know he’s secretly lonely,
just like me.  A muscle car,
no matter how big, is really made for two;

no matter how I try,
he never sees me as his better half.
I’m just a way to help get to what he imagines
will make him whole:
a permanent passenger.

In the meantime, while he’s yearning,
he’s got a good (but randy) heart.
Always talking to lost women, trying to get them to ride.
I’m OK with that; having to carry just him on those empty runs
down Route 88 always seems a little sad, so

I can tolerate every groupie he pulls in,
him always thinking this one will do it for him,
though she never does.  Afterwards, he writes songs
about someone else. I like to think I’m the great love
he’ll never openly acknowledge, the denied Other he pines for

on those shore drives, those trips to Madam Marie’s.
Once, cruising from Freehold to the Shore,
I tried to express what I was feeling. 
“Boss,” I said (working his ego), “Boss,
you know you’ll never get anyone who purrs for you like me.

We’ll take it on the road together.
Open us up and let’s just go. Forget Wendy
or whoever else you’re thinking of right now. 
We’re born to run, baby,
you and I…”

I don’t care that he stole the line.  I don’t even care
about him calling me a “suicide machine.”  He knows
any death we might find together
would be an accident and I’d never hurt him, no matter
how I hurt. No, if there’s anything I resent,

it’s not the girls — it’s that guitar. 
I think he loves it more
than I could ever love him,
and I know it’s not the same for her:
snarly little bitch, ingrate,

making him work for it,
always taking credit for his fame —
lemme tell you: I think we all know
which Fender really
made his name.

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The Desert Island Question

I’d take no vocals with me
to the desert island
and no music of the moment:

just water sounds looped endlessly,
birdcalls,
heartbeats recorded at various times
in utero,

at moments of stress and serenity,
on the occasion of slowing down and ceasing at death.

And movies?  Why bother?
With all that sky above and
a global ocean before me,
I might learn something at last.

As for books:
well, there’s one cliche
that makes sense: I’d bring
ten thick blank books —
but just one ultra-fine point pen.
The ink might run out
long before the pages did,

or perhaps not. Perhaps
I could devote the time
to conservation: placing one
small, perfectly printed word
in the center of each creamy leaf.

When they come for my bones
they will puzzle over them —
why they are the words they are,
why the last word of all
on the final page of the book
is “saved.”

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Everything Is Being Repaved

— for Gary

Everything is being repaved.
There’s no easy way to get anywhere.
They promise it will be easier when it is all done.
They promise a smoother ride.

While you’re waiting, your hair will grow back.
You’ll take a lot of bubble baths.
Apples will bloom, lose face, harden into fruit.
Countries will go through changes.
Jobs will be lost and found and cursed and ignored.
Traffic will wax and wane like a moon full of cars.
You’ll spend more time at home.
Music will be eagerly sought and soon forgotten.
The radio will explode from the weight it is holding one Sunday morning.
You will neglect the clean up in favor of painting with the splatter.
You will throw a party so everyone can help.
Everyone will figure out a way to attend in spite of the repaving.
It will be loud and go on into the night.
The police will be called.
The party animals will scatter.
The cops will knock on your door and ask if you saw
where everyone went.

You will cross your fingers
and say yes
but because everything is being repaved
the roads are shut down
and it’s pointless to chase them.
Besides,
you could not be disloyal to the road crew
who have worked so hard
to ensure that no one gets through.

They will shake their heads and let you off with a warning.
You’ll go back to touching up your walls.

Everything is being repaved.
There’s no easy way to get anywhere
until you make one. 

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100 word slam in Worcester tonight…

I’m not going, so I thought I’d post my effort.

The deal is that you get two rounds, and the two poems used can only use 100 words.  It’s ok to repeat words from poem to poem, but each occurrence of the word counts as a word (so you can’t use "fish" ten times and count it as one word.)

Have a good time, y’all.

Round 1:

"Antidisestab-
lishmentarianism."
Leaves me ninety-six.

Round 2:

This world, this blue
stony planet, carries us
without concern for us,
surging through dark matter
toward unknowable ends. Consider

that all the pain
and all the beauty
you have ever known
is hurling itself headlong
through directionless space, where

up and down negate
each other, where north
and south are meaningless.
How petty, how small
our inflated trivia becomes

once we realize this.
Love, hate, disgust, fascination
at the affairs of
humanity shrink to pinpoints
when we lie back

and think of how
this began: a moment
on fire.  Everything
in a pinpoint —
then…everything.

 


The Wasp Queen

While some wasps
are solitary and have no leader,
birthing females and males by deliberate choice
in holes and crevices, others

survive by the dictates of a queen
who started the nest alone and then created
her country through her children:  one nation
under the eaves, in the crook of an azalea,

high up in an oak.
They do not mean to encroach on us, but they do,
so one day I took a pole saw and brought a nest down,
a paper ball damn near as big and grey as my head,

dropping it into a metal barrel. Before the war cloud
could form around us, my next door neighbor
laid down a stream of poison and we charged in,
poured gasoline into the barrel, and set it off.

Queen wasps aren’t much like bee queens:
they move, take part in the struggle, and are not less mobile
than others of their kind. 
When our fire came, it brought to her

a break from that responsibility: no time to assign
blame, no time to scour the landscape
for the ones who were far flung and far away,
calling them back to fight for one and all;

so I assume that as the heat took her,
crisped her into just one more shell
undistinguishable from the rest, she simply died
without a thought for all she’d made and lost.

The soldiers buzzed around for hours, angry
and small, untethered and willing to die
for something that no longer existed.  We watched and killed
when necessary, keeping the kids and pets indoors

until we were sure that all was right with our world.
Then, we ordered pizza, popped beers, congratulated ourselves
on a mission accomplished; not seeing that one survivor, one new queen,
in a bush not far from the ruins of the old world,

was chewing leaves,
making more pulp,
and preparing
to build again.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From a writing prompt by louiserobertson  .


short poems from writing prompts by scott

scottwoods has been posting poem prompts. Here are a few I’ve done.

PROMPT: Write a poem using the following phrase (or derivation of) somewhere in the poem: The shock alone would have killed him.

Samuel watches Rebecca (that was
her name, right?)
leave in the morning
after six months of sleeping
by himself and as he turns back
toward a hasty breakfast pulled together
from the dregs of the fridge before
having to dress for work he succumbs to relief
that it’s over: the dreamless, powerless
comas he’d strived for all those nights
after his wife left have come to an end.
He leans against the wall numb from the shock.
Alone would have killed him if it had gone on
one night longer.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

PROMPT: Write a poem about: A person who owns a collection they love, but that another person hates.

Under the bed in a box designed for Christmas wrap
he keeps the knives he has adored for years:
the ones his father gave him, the ones he’s bought for himself,
the ones whose origins are now lost to him; the switchblades,
the military blades, all the handiwork of those
who wed beauty to death, who love the play
of form fused to function.

Yes, he tells her. He knows how to use them.
Yes, he says. He has used more than one, and some more than once.
No, he says. He will not say more.

They lie there in the company
of all their secrets. (Everyone knows there are secrets
under every bed.) No one speaks of them
because it’s understood that the where and when
of those secrets is not in play anymore,
or at least right now:

still, he pulls them out from time to time
like a snooping child in early December
who can’t leave his presents alone. He pulls them
out of the box, one by one, when she’s not home.
He tests them against his skin, remembering their history,
visualizing their potential.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

PROMPT: Use the following phrase as the basis for a poem, utilizing as much of its inherent or potential imagery as can be culled from it: world of hurt

We’ve come all the way across the universe
to orbit this planet,
imagining that we will at last be safe here.

When we see that from here it’s as beautiful
as our own world was, the sight
begins to terrify us as we suit up for the landing:
unspoken among us all is the knowledge that
there’s no way to explore other globes
without taking our own
with us.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

PROMPT: First line prompt (or variation thereof): She gives him the finger

She gives him the finger.
He takes it gladly. Some days,
any validation that he is not
invisible
is enough.