Tag Archives: meditations

Brutal Word

A brutal word
has come to me.
It seems to hold some truth;
I don’t know for certain.
I didn’t invite it,
yet it seems to be
inside me,
digging itself
a home.

I am trying
not to think of it
or say it out loud. 
To do either

would be to allow it
to claim a place in my life;
even more dire,
if it required
a definition from me
I’d be forced to
give it more meaning
than is proper
for a man like me —

who would I be
if I understood
such a word, 
its use, its context-
making energy?

When the word
begins to chafe
against my resistance
and demand that I voice it,
I have to hold my tongue
in ice tongs I keep
for this purpose — cold
teeth biting into
stubborn muscle.

I sit in a standoff
with this rude particle
of language, hand clenched
around a torture tool, refusing
to yield to the word’s claim
upon me — its demand
for time and space
in my mouth and beyond.

If I cannot win
and the word triumphs,
burning itself  
into the hard poem it seems
to be made for,

I may be a better, 
humbler person.
I may in fact
have told the truth —

but that is
not at all
what I came here for,

and not at all 

what I came to say. 


Mystery Upon Mystery

Mystery
upon mystery,

how we force
some creatures
into becoming
our dearest symbols;

then when the symbols 
become extinct,
our mythology
grow stronger, as if
the death of eagles
is irrelevant to the death
of all that we have made
the eagles stand for,

as if we never cared
for eagles in the first place
beyond what we
could make of them.


Listening

Listening to
my old guitar
in better hands
than mine
causes no jealousy, 
only wonder;

it seems that every song 
ever played upon it
has been hiding in there
and all of them 
are now ringing
around this room

as if every yesterday
has found its voice again
in those hands and 
those strings.

If I let envy
stop my ears tonight, I fear
I may not be worthy
of seeking those songs
for myself tomorrow.


Every Everything

Every everything
An onion full of stench
Sometimes appetizing
No telling when or how

Every everything
A packet no one’s read
A black hole paperwork
An answer in there somewhere

Dream or how it just is
Fantasy or operating system
Direction or illusory urge
Did the land itself just heave

Every everything
A doctor with a Doberman face
A mistake on its knees for your pleasure
Doors that open on walls that move aside

Welcome to the newest of new
Every everything’s changed
Will you carry a daisy or a dagger
We will need both 


The Ghost

If you dance with The Ghost in
a miasma of brown and red
If you stumble whirl
into their pit of mad violence
If you have no love
for those fallen underfoot
If you cannot bring yourself
to lift those broken to safety
If your fear of The Ghost
stifles your love of Living
If you cannot kiss without panic
and The Ghost insists
on tonguing your twitching mouth
If you cannot smile without screaming
and The Ghost demands
both smile and scream
If you fall writhing upon hearing all this
because you know The Ghost
knowing neither name nor face
If you are not yourself The Ghost
how can you keep dancing
knowing you are dancing in blood

merely because it is easy
merely because you know this music so well

you need not even listen


Stepping Outside

Get out of bed
and step outside

in short sleeves today 

when only a few degrees
keep the rain 
from becoming snow.

Your skin asks hard questions
of you: why now, why today,
why is this necessary? 

It’s not that you are
deathly cold, but it is
raw enough out here

to drive you to full waking;
why, considering everything, 
in the midst of all things

being on fire,
did you crave
the routine misery of cold and wet?

Was it to remind you
of other
possibilities?


Anywhere But Here Looks Good Right Now

In this slim hole
named home

angels of discord
jostle for primacy, 
raise up fresh dreams,
conjure new hybrids, misshapen 
offspring of dreaded ancestors
and fearsome strangers
who somehow look familiar;
bring to mind names
we are afraid to utter
for fear of them turning,
smiling, nodding, 
calling us kin.

Do you find yourself
wanting to run away? Do you
long for new and open country,
unfenced, empty and clear?
Do you find yourself yearning
to move somewhere new
and become someone new?
To escape these bitter demons?

More to the point: are you certain
you aren’t one of them yourself? Are you
running from yourself? Is it possible
that you are at heart, when faced with
what you consider unspeakable,

a colonizer?


The Haunting

how are you
he said,
worming forward 
from the foot of your bed

to where he could
see you better, him being
almost blind from years
underneath 

the corner dresser
in the dust where 
you’d forgotten him
that time when he fell

off the bed and rolled
under there and now
somehow he’s back
as familiar and needy as ever

but you aren’t having any
and when he gets close enough
you toss the covers
and off he flies again

into the corner
where he has lived
although you thought
he’d gone away years ago

and now you see he’s not
so what does that mean about you
that he’s back haunting you
getting this close to the new you

you’ve worked so hard to create
how are you, he said blindly
as if he couldn’t see how different
you are now

proof of that being
how quickly you fall back to sleep
and how little he shows up
in subsequent dreams

but in the morning
you move the dresser
sweep underneath it
and everything else in the room

leaving the curtains and blinds
flung wide and the windows open
for hours in an exorcism
that’s worked before and you hope

will work again because
this is what you deserve
a night free of his voice
and a home as fresh as a good wind


Episodes

1.
I came to this moment
with my head in my hands
and my hands wet from years of sobbing.

It was not a journey’s end.
It was being roused
from dumb despair to find myself

in precisely the same place
and position I’d started from,
having mistaken

long nights
of shaking and staring into darkness
for progress.  

Now I see that of course
progress is relational
and depends on how easily

people take hold 
of those around them
in the dark. With my head

in my hands and my tears
drowning me, with no one
to shake me free of it,

how could I ever
have seen
that I was not moving?

I could choose to look up
and dry my face
now that I know, of course;

I could pretend I recognize
any of these concerned faces
and reach out.

But progress is relational
and this is not progress,
I think, but a change

of set-dressing. Still
the same place, faces
changed but still

not quite visible.
Reaching out from here —
my hands so wringing wet —

who can hold onto me long enough
to help lift me? It is practically
guaranteed that I will slump again

into this. Maybe
this time I ought to agree
with the dark that I should remain

invisible to all including myself, or maybe
I should try to stand on my own, convince myself
there is a path out, a journey

that will end up somewhere else. I cannot tell.
Hope or foolhardiness
look about the same from here.

2.
I pull my head off my shoulders
and bowl it into those before me.
They fall like pins, and this time there’s no reset. 

I’m still sitting, headless
in darkness. It’s better.
The crying, at least, has stopped,

or at least is happening
somewhere
other than right here. I can’t hear it anyway,

what with my ears
on the detached head
that’s vanished into a pit

somewhere.
It will come back to me
changed. I’ll be alone

when I set it back onto
my shoulders and leave this place
for a real journey.

I won’t have to cry any more
or lose my place. I’ll be alone.
I’ll be gone. Loose headed

and so far gone, I’ll be on
a return track the whole time.
Around the world and back again.

3.
I came to this new moment
with my head back in my hands
and my hands once again wet.

But it’s different this time,
or so I tell me. This time
progress can’t be relational

because I can’t see any faces
around me when I lift my own
to look at where they were. 

I remember the sound
of them crashing away from me
so well now. It’s traveled

around the world
and back again. So loud,
as if it was still yesterday.

So loud I wish
my head had never
come back to me last time.

I bury it again
where it was,
where I tell myself it belongs.


Gears

sand in gears

teeth scratched
cracked

gaps

hard stop

I hear 
breakage

I cannot look

anything there
still running

right
won’t be running
long

a failed machine
is such a common machine

I am full
of sand

I am
that common


Rising Now

rising now
you are 
leaf upon wind
lifting you
from where
you’d fallen

you dip and whirl

how can you possibly regret
losing your grip
upon the tree
that raised you

when this is how you are now
for however briefly
this last flight lasts


Love Song For The New Year

Originally posted 12/31/2011.

Every day starts a year.
Every day ends one.
Any day can be celebrated,
any day regretted.

Regret one day
for one day,

let celebration
of the next begin.

All I need for
any year or day: 

one with whom
to celebrate,

one with whom
to commiserate,
one with whom to share

the New Year of every single day.

Just one with whom to straighten
up after the labor,

one with whom to soothe
and be soothed;

one with whom
to start anew

each daily
New Year’s Day.


The Earworm Scripture

I’ve been humming
the worst song in the world
for hours now
because I heard it
in a convenience store
when I was unguarded enough
to let it in and now it’s burrowed
deep. (There is a reason
they are called earworms, after all.)

The Nagging God
who has been an earworm to me almost from birth
repeats incessantly (in time to the beat)
that I have no one but myself
to blame for this. That if I’d been
a little more diligent and not stepped away
from my desk to go get smokes
and a very big and very bad coffee,

I’d be sitting at home in silence
with nothing to do but write something 
much better than this pop-slop mess
I’ve got to deal with now. 

Nagging God, I say, how can
pacing my room and procrastinating
and cursing my deaf muse
get me this level of punishment?
I wasn’t hurting anyone but myself
and now i’m getting downright
homicidal, suicidal, even
deicidal over this constant barrage
of alleged music inside.

God says nothing, just keeps singing.

How can
anyone claiming divinity
be this off-key, I wonder…
which leads me to another 
blasphemy and then to a sudden
heresy, followed by epiphany — 

and wonder of wonders,
here I am with a symphony playing
out of the pen in my hand.


Don’t Break

If this feels more like
the end of all things
than the beginning of 
some new thing, consider

my cats in their respective windows
and the feeding birds a few feet away
on the other side of the glass;
how in spite of cold and sleet out there

and the impenetrable barriers in here
they all continue to feed and fly
and watch and hope from their
present circumstances. Consider

these perfect little killers
stymied every day and still waiting
for their chance; consider the sparrows
and nuthatches blithely perching

within an easy jump if only
the glass wasn’t there. Consider that —
then consider where you and I are, where
we all are in this moment — what if we are

not meant to be observers, but are instead
the glass between the killers and prey?
What if our place is between the end of everything
and the beginning of something new,

and all that is asked of us, really,
is simple: hold on, don’t break. Not yet.


Fate?

Anytime, 
call me anytime

I say to the 
shadow

hanging behind
me, tacked to

my heels 
as if this were

an old cartoon and
my shadow could be

stolen by the 
right thief.

This shadow
found me and

stuck itself
to me long ago.

I barely recall
the pain of that

but I know I left
permanent tracks in my own

blood all over
everything. So when

the shadow started
asking for permission

to stay with me
I fell apart almost,

almost shocked that
all at once it seemed

I had a choice
in the matter; I looked

at how many rusted
brown tracks I’d made

that had already ruined
everything behind me, 

looked at the thorough mess
I’d made and 

surrendered to it, so now
when the shadow comes begging

to stalk me and cut me
anywhere I could go from here,

I just give one odd
mock-affable nod and say

Anytime, shadow,
anytime you want,

never even stop
to adjust the nails

in my feet, never even stop
walking and messing, 

never even stop to think
I could rise to my toes

and run, make it hard
for the shadow to catch me,

stop leaving my blood
all over my traces,

get far enough away
from it to only hear it

as a far-off squeak, reminder
of a lifetime of haunted trails.