Tag Archives: meditations

Last Hawk

Originally posted 8/30/2013.

The last hawk in this town
just lifted off from the Town Hall roof

and flapped straight over the river,
rising as she went.

I know somehow she won’t be back.
I know somehow we’re somewhat doomed.

I get an itch in my limbs just thinking of it.
It’s not going to be the same here without the hawks. 

I’ve been trying to empower myself
with other animals’ symbolic value

but they all insist on living their lives.
How dare they! They really ought to be

useful.  The hawks
have never understood that well.

Far beyond the river, a dim sighting
of many hawks plunging and soaring.

Such teases.  What are they telling us?
How should we respond? 


Auction

stiff-standing
antique figurines
are being sold
at auction

one’s an iron jockey
holding a hitching ring
clad in red and white
and blackface paint

another is 
offering cigars from a wooden hand
the old wood’s
brown through and through

people are bidding them up
for (they say) the sake of
historical preservation
and the marking of bad memory

hard to believe
the prices such things command
among people who profess
to understand the offenses they bear

it seems the privilege
of being able to buy and sell
the past
is not cheap


Charles LeVasseur, 58, Of Bridgeville; May 17.

Originally posted 5/18/2012.

Stupid you, cold drunk crashing
right through the knee-high fence
in your own front yard
and planting your face

among the weed-strangled old tulips.

Through the old weak fence
right on your old weak face 
in the front yard where the neighbors can see,
and you don’t seem to care enough
to run and hide in shame this time;
you seem content
to lie there ass up
for all of us neighbors to see.

You’ve been stupid since you were a kid,
a drunk since you were just past that,
and none of us can count how often
you’ve tripped over that fence stupid drunk.  
Stupid drunk, that’s what you are —
our object lesson, our signal disaster;
face down in the dead tulips with ass sticking up.

You’ve been in that position for a bit now,
at least an hour, and we’re all still laughing because
it’s likely the best job you’ve had, the perfect job for you —
no real effort required: just lie there,
let the neighbors point and laugh
and say things to their kids
about being drunk and stupid
and a public spectacle.

Now a crow, a real live crow,
has landed next to you and is inspecting you
up close and personal.  

Never gonna let you live
this one down, asshole.  
Priceless.  I’m gonna see
if I can get close 
and snap a picture —
if you can’t get up on your own,
you deserve this.


Lights

New poem.

This afternoon light,
picking up dust in the air
and the unmasked 
then hidden at once
secret sadness
in the faces of
co-workers — 

over the weekend,
the sudden spill
of light in the bar
at
closing time
that illuminates the writing
on the wall that says
“too long at the party” —

no difference in the light,
no difference

in the message.


Colonialism (Plastic Shaman)

New poem.

The road 
from my ancestors
to me
is grassy and grown,
as green as it ever was,
still kind to the feet of those
born to it.

I don’t recognize
this toll road you’ve made,
the one
you are calling
“The Way Of The Elders.”  

You read a book
of some half-understood
road maps
and made a turnpike
from it.
You’ve decorated the road 
in trappings you don’t own,
maybe tricking yourself into full belief,
at the least
into believing others
will pay to travel it

and maybe they will
but I’m not one of them. 

Those aren’t paving stones,
those are chunks of asphalt.
Those aren’t standing stones,
those are concrete falsehoods.

I know this weight you sell
and it’s not the solidity
of the spirit
but that of
a plastic shaman’s boot
upon my neck, upon
my ancestors’ necks.

Don’t,
says every gene of theirs
in every cell of mine.
Don’t.
Don’t pretend this is real.
Don’t pretend
that by stepping on me
and by stepping on them
that you are walking
any ancient path

except the one 
that led you to our soil
in the first place.


Traveling

New poem.

We travel too often into places
where deceptive shadows
promise mystery and romance
only to reveal teeth
when we lean in, eyes closing
before an anticipated kiss.

We travel too often into places
where springs that bubble forth
from those shadows
are cold and quenching but taste 
of that blood-filled ground 
in which they rise.

We travel too often into places
where we eagerly seek a home
before we understand
how where we’ve arrived 
is exactly like where we came from
and how much we brought with us from there.

There’s no moral to this. There’s no
simple lesson. We travel to places
that promise those things
because we cannot recognize 
that they will never be given to us,
that we have to take them where we find them.

To do that,
we have to stop traveling,
constantly traveling, in the hope
that what we find will be
well-fed, kindly, satisfied,
and waiting to meet us on our terms.


With Fever

New Poem.

In meditation to starve
my greatest fever, I

realize suddenly
what folly this is

and lift my head from 
pose to say: not

for nothing is there
such fever. Not for nothing

do we let a little of it in
to raise us to just under

boiling point — a small
concession but

with that concession
comes relief from full fever,

relief I never found before this
when I denied that fever existed,

or by claiming that
it could be forgotten

by rejecting outright our true need
for at least a little bit of such heat.

I return to meditation
more easily now that I have

told this truth.  I am calmed,
whole, sated, and safe

knowing that full denial
of an appetite for what is natural

is neither my continued aim
nor my future false hope.


Strike (A Lesson From Afghanistan)

Originally posted 10/6/2012. Original title, “Drone Strike.”

Early fall,
window has been open for cleaning.
A fly’s gotten in,
sounds like 

one last big bluebottle
for the season with a voice like 
a Dangerbee.  Should look
twice to be sure, but no time for that;
I klll it with one smack

of an already read,
soon to be recycled
magazine.  
Done.  And lo —

it was a
Honeybee.  

How did it seem
so huge?  Tiny, golden thing…

quick: brush it
into the gutter of the window
and then push it out

onto the ground
along with my small regrets,

telling myself 
this would have been done
differently
had I recognized it.


My Dance, My Bad, My Deep

Originally posted 2/7/2013.

I give a sorrow
opening.  I
loose it on
a gap within. Soon come

ornery, tantrum, layabout and cry.
Going to victim this whole long day:
grow kudzu, a funeral bouquet
for neverending grief show.

Still, I got rocker hips,
roller hips, jazz groin and jazz lips:,
joy ends up somewhere
when pushed from head and heart.

Still, I end up one sad grinder.  
End up bad into more bad sinking,
but still with one way
to set it off and hold it back — and so,

on to music. Still in the hole, I give
my dance, my bad, my deep
some resistance. Rhythm’s a big mole digging in 
under the roots, a charged up winner

rubbling the dark; my earthly body
quakes cracking in the light.  Whenever
I, frightened, shake fear, I gotta dance
my dance, my bad, my deep — 

it’s my gotta happen.


We Shall All One Day Gladly Pass From This World

Originally posted 2/27/2014. 

Caught napping, nebulous, infirm,
soft edged, cloud-conscious.
You snap back to semi-solid — 
did someone knock?  

Jump to that door and pull it wide open. 
No one’s there but a wisp, bowing near invisibly.
You can see it only because you’re still
waking up, mostly wisp yourself right now,
so it’s kin.

It straightens up, slides
past you to the couch, and takes

your spot.  

You step out into the hall.
The door locks behind you —
what now?

Everyone for miles is sleeping.  

Start knocking on doors and bow
when one opens for you,
even if the occupant can’t see you;
slip by, take their place on the couch,
and begin again.

You are learning to be comfortable
as one of the cloud-caught,
as more thought than flesh.

When you jump from that couch
and are in the cold again,
you go out to the street and recognize
that the spirits out there with you
have the same indistinct and tender face
you now wear and you lose any desire
to ever knock on a door and change places
with the sad life of flesh ever again.


Chant For Hard Times

Originally published on 11/14/2009. Original title, “Mantra For The Hard Times.”

It’s easy to weep, to be sad — 
praise, instead.

Find a purpose to the day.
Praise, instead.

Raise your dead upon your shoulders.
Praise, instead.

If you are cut, paint the gray trees with your blood.
Praise, instead.

If the crow slips into your veins, cackles, and you die a little —
praise, instead.

Flight into the desert, no water, no sign of shade?
Praise, instead.

Open a moth-haven billfold in the presence of a feast.
Praise, instead.

Love splits and draws away from your hard skin.
Praise, instead.

Praise, instead,
the levers that move you,
the gears of your throbbing head,
the dinky children born from your fears,
the light of fires burning the spars of pirates,
the hats of soldiers riddled with flowers in the long battlefield grasses,
the red charlatan’s grin as he slops his hogs with your fortune,
the skulls of ancestors empty of expectations,
the diversion of hunger,
the urging and prodding of want — 

all this is brought to you by the machine of living,
you are taut and combat tested,
you are honed to contest and create.

You can lament or

praise, instead,
the pain of painful life.
Lamentation is 
the snuffing of 
a lone candle —

praise is a fire set 
to feed on the joy of 
survival.

Praise, instead,
this work called life;
chant for it, burn with it
and
light the way.

 


A Little Cup Of Coffee

Originally posted 4/12/2010.

A little cup of coffee,
hot, black and unadorned,
would be good right now.

Now and then I’ll take a little milk
to ease it down, but not today; and I’ll never
use sweetener — no, not at all,

because I like it bitter and I like the heat.
I like the way it stains my teeth
so my smile’s not as happy-kid bright.

I like how it opens my eyes
to the day
as it has been made.

God may trouble the waters yet
and if so I’ll have to wade them;
that little cup of coffee will help me go.

A little cup of coffee now.
Perhaps another later, and then another,
depending on how deep and swift the water;

a little something to remind me
that the sweet life
is not the only one worth living.

 


Cartography

New Poem.

Set your pen upon
the following points
and draw lines

connecting dusty walls
to corners full of hair from long-dead pets

Draw a line from high-piled tables
to near-empty pantry shelves
and sparsely populated refrigerator

From bills in a heap
to nothing in the bank
with small hope of ever having more than that
from week to week

Draw those lines and
you’ll end up with a map
of seeming disintegration

that will somehow
never touch upon
how the people
who live in this territory
manage to smile
care for their children
imagine joy
and build toward a future
situated somewhere within
these borders


Whiteness

New Poem.

I’ve taken to calling it
“Whiteness,” that 

low hum,
that cloud of unknowing.

It just keeps running.
I don’t know how to turn it off.

It’s caused amnesia 
at a cellular level.

Try to put a finger on Whiteness
and it slides away

like mercury:
liquid, metal, baffling.

If I spoke magic I’d conjure it thus
and try to hold it still: come, be bound,

tsunami of broken mirrors,
snowfield of washed crosses,

tangle of lilies, thicket of oleanders,
angular dramas, spoiled seeds…

Can you truly say
it is not its own distinct thing?

It cannot be defined any longer
as absence or default.

If I stare into Whiteness
long enough and hard enough 

I lose myself in it — no surprise;
it was built in such a way

that one can’t help
but stare into it:

the far end
of a hall

of locked doors.
A television permanently tuned

to a news station that promises
your story will be read soon,

right after this word,
right after this word from our sponsor.

It’s not about the nature
of individuals, exactly,

except when it is —
except when

one of them doesn’t see how
they’re soaking in it;

except when they call it
“the norm”

to cancel out
“the other.”

It’s not about how hard or soft
someone has

or hasn’t had it, exactly,
except when it is —

except when
it silently opens a stuck door

and things are even a touch easier
for someone who denies

or doesn’t even realize that they
carry that key with them everywhere.

It’s not about
anything other than 

itself, really, and that
is the problem: how

slippery it is
with its privileges, how slick it is

without admitting it,
how invisible it is to itself.

But I can see it tonight
as I stand under the eaves

of my father’s house, rain coming down
just beyond my nose; there’s

Whiteness in my face, in my ear,
in my blood, all over me

whispering,
be one with me…

I don’t know.  
Maybe

it’s that flag
of bones it’s wrapped in,

maybe it’s knowing how many bones
were abandoned

in deserts far and near
under that flag, 

maybe it’s knowing
how many bones drifted down

to the seabeds
of the Middle Passage. 

Maybe it’s
the long goodbye 

I’d have to make
to my otherness

once I accept
the name for my own, 

or maybe it goes back, all the way back
to those childhood Saturdays 

where the question at playtime
was always

whether I wanted to be the cowboy
or the Indian

and I always chose what felt closest.
It was fine until

one day
someone asked

why I always wanted
to be the bad guy

and never
the cowboy.

Hello, Whiteness,
is what I should have said then

but I was young and uneasy,
afraid not to play along.

I hung up my cap guns
soon after that for safety’s sake — 

but we were just getting started,
Whiteness and me.

Whiteness started haunting me, needling me,
kept repeating:

why do you always want
to be the bad guy?

in that supple voice.
It spit that

a million different ways
and they all meant the same:

why celebrate
difference? why you gotta 

be like that? calm down
and sink into me

like you would a milk bath, 
like you would surrender to

a horizon wiping blizzard.
Go to sleep. I promise

it will be warmer
eventually.

That voice eventually faded into
a low hum, a cloud of unknowing.

Whiteness, let me tell you,
maybe I’m wrong, 

maybe it’s amnesia
at a cellular level,

but maybe I fear you so much
because

I can’t recall anyone
ever saying 

it made them warmer
to die a little.


A Master Of All You Desire

Originally posted 5/27/2010.

I made beautiful meals
which fell apart —
overcooked and fussy dishes
that crumbled into fibers and mush
as I set them before you,

so I made harder, plainer foods.
These curdled into leather
and hardwood — they proved
impossible to chew,
and you turned away.

I made an effort after that to balance
the artful and the hearty
in one meal, tried to be 
master of all you desire.
You just looked at me and said,

“It’s…interesting…”

Now, we just order out.
You seem happy. 
You seem to like this better. 
I am trying to consider this an improvement
although to be honest,

I’m feeling more than a little unnecessary.