Tag Archives: meditations

Kid Fishing Versus The World

Kid fishing was the one thing
I had, back when I had
so little.

My awkwardness
with the girls I liked drove me
to the pond in the woods
to be alone. I’d stuff my pain
down in my rucksack with the pad
I was starting to carry everywhere
even then. I’d thread a worm onto
a snelled hook and cast out beyond
the drainpipe into the cove
and almost always bring up
a scrappy perch to be tossed back
like a bad pickup line, over and over,
all afternoon, every afternoon,
all summer long.  
I wasn’t happy
but I was less sad.

Adult fishing? Now
that’s different, softer,
less serious. I don’t go often
and when I do I mostly drink, 
cast a line now and then
for the sake of the art, never
catch a thing, and
write down stories about
what got away,
even though I’ve no idea 
of what lives here.

Still awkward?
Not so much. 
The most awkward
I feel when I fish these days 

is when
I dip into 
the so-cold-it’s-hot stream

to pull up beer and brandy
from where I stash it
in the deeper pool behind
Lion’s Head Rock, just out of
the main current, and I drop 
the bottles, sometimes
even breaking one — that’s

a bad day adult fishing,
which is still better
than a good day
doing almost anything else I can name

with the exception of kid fishing,
which I can never do again,
which (when I was a kid)
I never thought of as happy,
though it is all I can ever think of
when I’m asked for a happy memory.


Talking To My Children About The Night

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking:
what do I tell my children
about the night?

Something wicked these days
stirs in the night,
and I cannot lie to them
and say shh, be still,
all is well and safe.

I will tell them the night
contains both darkness
and light.

What shall I say to them
of darkness?

Darkness is a young man
holding a knife to a lamp.
He adores how it separates 
skin from flesh,
sinew from bone.
He knows that when it is sharp enough
he can see the body’s coherence
fleeing before its edge.

Darkness is a woman
leaning out of her window on her elbows.
She sees something she does not favor.
She slips out the back door
to carry her gossip to the slaughterhouse.
Someone there will take the news
to the mechanics who will adjust the wheels
of the juggernaut for maximum kill.
On her way home
she will wipe her face with a stolen liver.
Behind her
she will leave a trail
of rumors and cartilage.

Darkness is a gaggle of children
trapped in a dream
where they are made to suckle straws
filled with their own blood.
They purse their pale lips,
draw the red up, columns red rising,
red cresting in their mouths,
falling red into their stomachs,
such sharp nourishment,
such a simple lesson:
living through the night
requires such a meal, 
a simple meal for a simple terror.
They have learned
to devour themselves.

We stink of rich meats, phobias, fires,
restless pride, secrecy. 
We inhabit our stereotypes,
slowed to the speed of custom,
houses crawling with indignation,
ferocity unbridled by logic,
atomic proverbs to live by —
a man decides to force himself
on the next random passer-by,
a boy slits an ancestor’s throat;
we shake our heads, we cry out
for the light, we get the darkness,
violent, clean cut, simple, fast:

darkness is thinking
that we can live forever
by living this way.

And after that?
After that, what can I possibly say

of the light?

I will say to them:
children, it is slander
to speak of the night
and only note the darkness.

I will say to them:
children, my children,
look at the stars.

I will say to them:
children, my children,
whenever you despair
of this world,
lie back 
and look at the stars.

I will say yes,
there is horror afoot in the night,
but always, always,
we have the stars.
I will say that one star
may singly pierce the darkness
but that one star
cannot cut through
the darkness alone.

I will say that there is
a forever beyond the darkness.

Then I will say,

children, my children,
if ever you despair,
look up at those hints

of the hoped-for forever
behind the darkness
waiting to be torn,

and tell yourself:

I am a star, 
and I do not
shine alone.


Fragile

Wednesday morning, 6 AM.

Long low whistle outside.
Not a bird I’ve heard before.

Open a window to clarify:
there it is, a rich trill,
tones descending,
in near distance.

In full view
fat sparrow, fence-mounted, fluffs herself.
Cat whines softly and I step aside
to let her leap up, settle, 
stare.

There’s that whistle again. Clearly
not made by this sparrow or any other.  
Something’s out there  
I don’t know —

squirrel scolds as usual, sparrow
fluffs out as usual, cat stares as usual,
I have to take out trash as usual.
It’s bagged and I’m ready

but I hesitate, fearing I might
break something 
simply by stepping into 
this.


Howler

Sometimes the only wind I can feel
is a howler churning inside me.

I lean to the left, then the right,
fall flattened to the floor.

It seems impossible
that nothing in this room

has been moved
by such a storm but it’s true.

It’s as still as a ghost
in here. Meanwhile I’m shaking, 

shattering within.  Every nerve
waving like grass, 

blood white-capped and frothing, 
so loud I can’t think,

can’t pull a single word out of my lungs,
yet you sit there and mouth the usual,

that one must suffer for art,
that this will be material

for me. All I can do
is breathe 
and try to lie low enough 

to let the twister pass,
and you’re saying this. Believe me

when I say I don’t want the poem
that’s in here with me, friend;

I don’t want this poem
at all.


Nothing Worked

Seeking peace,
absolution,
redemption,

I slept for hours.

It did not work. 

I awoke unchanged.
I lay down again
in the still-dark 
of the post-dawn
bedroom; lay dreaming,
wishing myself  
toward some penance
to excuse myself,
some vision
to explain myself, 
some pain to serve
as sacrifice
and re-admission fee;

nothing worked.  

I was not released though
I flew, long flights
over grand countries
where I could not touch down,
cities and forests
full of safety below;

nothing worked.

What works?  
I ask the sky and 
all the soil, I ask
all the waters.

If I have to sleep
longer, I will. If I have to 
wake into fire, I will.
If peace is only to be found
in a crash
and my own ashes,

I will burn,

for I have been flying 
in my sleep seeking
what works 
all my life
and half into

the next
and I do not think
I can believe 
in a safe landing
anymore.


Sparrow

The God says,
I am so sick of people!  

The Human responds,
I am equally sick of the God.

A sparrow, small-hopping,
picking in the mulch for food.

Leaving after a few seconds
to follow a better path.

As healthy as can be,
oblivious to the chattering.


The Garden

They came to me where I lay
in the poisonous bed,
center square of the rejection garden.

They came to me and said
if there were any real danger
we wouldn’t be here.

They came to me and said,
you can take it, friend.  Said,
you were born for this.

All I wanted was to suddenly find myself
somewhere else, in another time,
perhaps in another world, 

and they came and stood over me
and told me to endure and to wait
and to see the blooms above me

as some show of hope for the future.
They said a lot of things.  I tried to explain
that the flowers they asked me to love

were killing me, that they themselves
had planted them in my flesh,
that they fed upon me,

that they were rooted in me
and tore me, that I lay and thrashed
and screamed, that I did not see

how they could be blind to this,
how they could be deaf to this,
how they could not see me dying

in the poisonous bed,
the center square
of the rejection garden.

They walked away saying,
see how lovely the world is? See how 
the wind bends the garden to and fro?


In Transition

Originally posted 8/3/2013.

Currently I am in transition
from easily visible, solid, and present
to softly hazed and hard to see.

You offer sympathy? 
I turn it gently aside.

Nothing painful to this. I am, rightly or not,
beginning to fade from view,
preparing to sleep through 
the obvious slow apocalypse.  

All the signs point to an end coming,
from the hot wind and the scarce bees
to gray water in the Arctic
where permafrost is relinquishing its hold.

The sequence of expected events is not important  
and how my time will slide out from under me 
is not important.

I am in this moment, called now,
remember my history, called then;
none of us own any of it
and none of us will decide
what happens after us.
Most of us are going to be forgotten
the moment we’re done.

When it comes, that ending, that curtain — 
when it comes it will come in obliquely.
It will not be swift. It will take a long time to happen.
It has taken a long time already.
When it comes, that disaster, that shaking off,
when it comes I pray that I will be asleep
and I will not be dreaming.

Currently I am in transition,
waiting in the now that will erase the then eventually.

Perhaps I am a whore or a broken seal
but I am no horseman riding frantically, no multi-headed beast,
certainly not a soldier in any army evil or righteous.
See instead this body bloated and sluggish
and this mind resigning position after position.

See how hard it is becoming 
to lay a finger on me.

 


Cursing That Genie

Originally posted on 6/10/2010.

Walk into a store full of junk.
Start looking for your fortune.
Rub the wrong lamp.
Get a deeply messed-up genie.

He grants one wish with the stipulation
that you can only ask for a secret blessing.
No one can ever know you have it 
or you’ll die.

So much for
the perfect cheekbones.
Forget wealth and health
and everlasting youth.

You think for a moment
and choose the ability
to put into words exactly what you’re feeling
so you can understand it yourself.

You walk out the door
of the store not changed,
except that people start calling you 
“Nick Drake.” 

Confused
as to who that is,
you start writing and singing
to chase away the confusion.

One day 
people hear you,
they start to talk,
and then you die,

but you come back.
They start calling you “Ian Curtis.”
It happens again.
They call you “Kurt” something,

and then “Elliott”
something,
and another name
and another name

until you barely know what to think
but you’re going to keep writing about it,
cursing that genie
the whole time.


Words From Murdered Poets

Did we bow down, crushed, when told we would lose our heads
for uttering our few precious, fiery words?

No. We stood upright, put our backs to the wall, 
said our last words:

“Come toward us, swing those swords, impose the sentence:
we will hold you to your corrupt words. 

“Take our heads from us as we stand upright to face you.
We will not speak again. You deserve no more of our words.”


Straw Hats And Scrubs

They sell straw hats at the supermarket
and in the seasonal aisles of drugstores.

They sell surgical scrubs in the seasonal aisles of drugstores
and milk and cigarettes in the gas station mini-mart.

There’s jerky and coffee on sale in the gas station mini-mart
and guns being sold from the trunk of a Mazda on A Street.

There’s illusion on sale from a Mazda’s trunk on A Street
and salvation on a rack in the storefront Lighthouse Church next door.

The whole damn nation is a storefront.  
A merchant God compels us to commerce.

We’re outfitted for the part — half cowboy, half doctor.
Well armed, undernourished though stuffed,

jacked up and hacking, righteous,
and dressed for bathing in blood.

They sell lottery tickets everywhere
because while hope is still free and not easily found, 

it’s the only thing
some of us have left.


Hymn For Failure

Originally posted 7/12/2010; original title, “Hymn For No Purpose.”

In your first moment
of God
there were commands

GATHER WITHIN YOU ALL THAT CAN BE SPOKEN
CONTAIN ALL THAT IS IMAGINABLE
ONE DAY YOU MUST GIVE IT ALL BACK TO ME

How far you’ve fallen behind
in answering
that urging

Consider the gospel of Bacteria
suited to living anywhere on or under Earth
What could they teach you

The white bloom on your tongue
embodies a colony of unspeakable beauty
Within that paste they know just who they are

When slime molds crown
they are the exalted seat of Paradise
forging their future from wreck

It is time now
to lie down and decay
At last you are the perfection of Acolyte

Though you think you failed
the God
you always denied

in favor of 
One given to you
who already had all the answers

Who told them to you
Drilled you on them
Locked you into a box of their dust

Though you think now
you did not serve
the first One well

rest well knowing
you were perfect
and honorable to the end

for you have learned
how one thing
follows the other

and now you smile
as in death
you give the other life


The Narrative

Originally posted in August 2011.

Eventually I do want to get home but for now, 
I’m content to sit here in contemplation of this peach.

It’s a story all its own. The seed within is both past and future 
while the flesh is the present, so wetly present.

It is all I want right now, 
a solitary moment free of nostalgia and anticipation.

This sweet ball of interruption!
I reach for it and let the narrative go.


Old Books

It’s hard to breathe
when immersed
in this scent.
It’s a man’s scent.  
A patriarch’s scent.  
The Patriarch’s scent.

So man-scented
the question must be asked:
were there any women living
wherever this paper was printed?
If there were
they aren’t present in this smell.

Maybe
they were busy
holding up that world
so a man could write this.  Maybe
they were busy dying
holding up that world 
while thinking of new ones.  

That was a hint of them
just now —  
fouled wood smoke
and a whisper,

burn them,

like the crackling of pyres.


Obscurity

 

He never got to be

a one-hit wonder
because that’s lightning’s job
and he was instead
the steady drizzle
that glooms all
and never seems
to end.

She never got to be

a regional favorite but 
unknown elsewhere
because she was busy
being unknown
right here.  

I never got to be 

the object of devotion
from a small but loyal
group of fans because
loyalty is for the worthy.

We never got to be

cult artists toiling
in obscurity because
we barely toiled. It was all
so easy.  It all came so 
easily we could not 
define work, never mind
put it in.

As many reasons 
as there are drops of blood
in the soil.  

As many reasons
as there are pieces of art
no one’s ever seen or
cared about beyond the day
they were complete.

As many 
failures and masterpieces
as there are drops of blood
in the soil
on the graves
of people no one bothers
to recall

for longer
than a brushstroke
or a single word’s hang time
in the constantly remixed air.