Tag Archives: meditations

American Oatmeal Parable

Forced to eat oatmeal each day
by my addled blood.  
Gotten so used to it
that a day without it feels like treason.

Once upon a time I liked it well enough. Still
sounds good right up to the first bite —  
a blues bowl of blueberries and cinnamon,
tan pulp gone purple with berry dye. Then

it becomes all bent notes until “good-for-me,
good-for-me, good-for-me” stops echoing inside
as I put empty spoon and bowl into the sink
with that sense of weary duty to a life I truly don’t love,

followed by seeking out morning news. Upon seeing it 
my addled blood so often becomes curdled blood;
all that weary duty feels heavier, and heavier, 
a weight in my stomach as dense as the cursed daily bowl —

but every day I force it down. I do what must be done,
take in boredom and pain and anger because
as much as it hurts, I must stay alive a bit longer;
because “good-to-me” means more than just feeling good;

it’s about doing what must be done 
to save my blood, my country, my life.
Whatever I choke down I choke down to do just that.
Gotten so used to it that a day without it

feels like treason.


The Unlimited Light Of Song

Waiting in fear
in this sudden,
moonless dark.

Lying alone all across
the country, some scattered 
face down upon stone;  

some of us clawing alone
at barn-board floors, 
gasping for air;

others huddled 
in city doorways,
watching our homes burn,

watching
everything beloved 
burn.

Tonight the fight
is at the door
and not of our making.

Tonight we fight back their way,
by the glowing rage
of uncounted flames.

But tomorrow?
Tomorrow, we fight our way,
illuminated

by the unlimited
light of
song.


Rhetoric

1.
Get out and vote
you anti American
Get out and vote
you racist bastard
Get out and vote 
you gun stealing liberal
Get out and vote
you rich little shitcake
Get out and vote
you uninformed minion
Get out and vote
you infowarrior
Get out and vote
you Christ-chanting dupe
Get out and vote
you Allah-loving Monster
Get out and vote
you atheist dog
Get out and vote
you pole-dancing street mom
Get out and vote
you staid little dingbat
Get out and vote
you celebrity annoyance
Get out and vote
you decent confusion
Get out and vote
you best intention 
Get out and vote
you came here to do this
Get out and vote
you were born here to do this
Get out and vote
you have blood on the ground
Get out and vote
you want oil in the ground
Get out and vote
you are shamed into caring
Get out and vote
you are a shame to the flag
Get out and vote
you are a shame to your mothers
Get out and vote
you are a scandal to your fathers
Get out and vote
you are an infinite number

an infinite number

a number

number

numb

2.
On a treeless plain in North Dakota
rubber bullets are voting
for stasis

On a street yet to be named in any given city
police bullets are voting
for stasis

In any prison in any given state
forced labor is voting
for stasis

On the New York Stock Exchange
the currency is voting
for stasis

3.
Get out
and vote

It gives you
something to do

Gives you
a place to stand

Gives them
stasis


Wisdom Path

Originally posted 11/3/2012.  

When apocalypse comes,
it will come slowly.
God will not have sent it.  

It won’t have been sent at all.
It will just come of its own accord
on its own wisdom path.  

If asked, it will say, “I came to be here
because this path that opened before me
brought me here.”

The mountains at the edge of town 
will nod,
almost too slowly to notice.

The long hair of meadows 
will wave in assent. The rest of earth
will agree with it at once.  

Then, as it serenely kills us,
we will be forced to accept
the expertise that pushed for this — 

Wisdom itself seems bent
on using catastrophe to instruct
as we seem unable to learn

that we are not
and have never been
at the end of that path.


Sunset

If I had
disappeared
years before today

into the hard
landscape of 
my greatest longing

and ended up as
anonymous bones
scattered along an arroyo

I would still be
better off than 
I am now. 

You don’t see
how that could be
possible. From within

your deep love
of life you
cannot see 

how such a blotting out
could be
desirable.

Look at the sunset,
which will be over
soon.  Look at

the way it reds
and then purple-grays
the west-facing slopes,

then think of 
never seeing it again
except in memory:

think of how
lovely it was and
of how its beauty

only existed
as a result of
its vanishing.


An Odd Occurrence

If any miracle
happens in this room
I will surely witness it
as I rarely leave
this room.
In fact, if any
odd occurrence 
at all stirs here
I’ll certainly see it.

Now, if I leave this room,
that will be
an odd occurrence.
If I leave this room,
I will myself become
an odd occurrence
in whatever room I enter.
If I become
an odd occurrence
I hope I can see myself
outside of this room.

I think about these things
so you won’t have to.
I stay in this room and think
of odd occurrences
and then write about them
so you can read what I wrote and say

how odd.  
What an odd character he is.
It’s a miracle that anyone
could think that way.  It’s not
as good as walking on water
but it’s a little like
raising life out of death.

I suppose that comes
from how he stays
in that room. I couldn’t do it.
It takes a special sort
of oddity to do that, I think.
I’m glad someone does it
but I couldn’t.

From my room,
so sticky thick
with oddity,
I can hear you out there
discussing me.

I can hear you out there.

It doesn’t make me
eager to leave
this room.

It doesn’t
make me eager for
anything out there.


The Rogue Effort

At the moment we realize
that we’ve been in 
the apocalypse 
for a while, 

we learn
as well
not to speak of it
to others

who may not
yet know
that this is
where we are

so as not to create
a general panic:
instead, it is revealed
to each of us

in exacting detail
so deep as to be 
unshakably true, 
and as we begin

to tremble 
at the impending
End, it becomes clear
to us that we must tremble

alone. Now and then 
we may see the eyes
of another who knows
and nod or perhaps

brush against
each other
in a crowd —
rogue effort

at sympathy,
comfort
in a swift
glancing touch —

then, we return
to the seemingly endless
beginning of the lonely
end. No fire, no pestilence,

no storm or epic war
in this: only the slow
madness of not being able
to share it for long with anyone.


Listening To The Proletariat (Events Repeat)

Saw a reunited punk band last night

they did an old song called voodoo economics
a bootstrap trickle down call-out
and it didn’t sound dated

they did a new song called scab 
about a liar snake class traitor
and it didn’t sound new

it was a band called The Proletariat
and I wondered how many in the crowd
knew what that means

before them was another old punk crew
called Neutral Nation
they did a song called apathy

lead singer said
you better not be apathetic
this coming election day

nobody responded

some people say
the greatest thing that ever happened
to American punk
was Ronald Reagan

The Proletariat have a song
called Options

bend my ear
twist my arm

show me the options

options
options

still looking for options
but while I’m waiting let me say
I’ve missed this
even though I’m afraid its time
has come to pass again
has slouched around again


For The Third Time

Just going to slip underwater
and listen for a second

to strong muffled echoes
of distant shouting,

sharp snap of stones
smacked together

by children in shallow water
near shore, delighted

to discover how crisp
such things

may sound when taken out of
this world into another. 

I wonder how crisp I sound
as I take myself 

from that world to this one.
I like it here.  I think I’ll stay,

even though I’m still holding
so much, so many words

tightly inside me, wrapped in
quickening, instinctual panic

at how natural it feels
to not be breathing, to be down here

instead of above water shouting
and struggling and splashing about

as I was just a few minutes ago.
When sooner or later

I do surrender, exhale,
and sink away from all this

I’ll say and be at last
what I’ve wanted to say and be,

and will understand 
how I was supposed to sound

all along: strong and echoing,
each word informed finally

by my trust that even if there
is no salvation to be had by doing so,

I will have let it all go
as I should have done long before.


Demi-monde

In Europe, one hundred years ago,
good folk used to speak of
“the demi-monde” — French for

the half world. 

Class of those unafflicted
by established social codes.

The first resort of starving artists.
Last resort of misfits and such.

Shining examples of how not to be.

The half-world,
where some felt 
fully present for the first time
in their damned lives.

A woman of the demi-monde
was known as a “demimondaine” —
by which the good folk meant

prostitute,
even if she was not —

by which was therefore meant,
fair game.

By which was meant, 
there is some use
for that half of the world.

In Paris
the good folk once called their worst thugs

“les Apaches.”

By which they meant,
this particular part of the demi-monde
is dangerous.

The French 
pronunciation softened
the hard edge of a tribal name
stolen for a savage badge,

by which was meant
face one and you will get
the storied treatment you’d get
if you faced our awful dreams of

Apaches.

Two dance instructors once prowled
the bars and cafes of the demi-monde
to bring back to the good folk
a dance called 
“La Danse Apache.”

A man, a woman, 
playing at pimp and whore,
man striking her down,
woman fighting back,
a tango of sorts ending 
with the woman carried limp
from the stage.  

By which was meant,
here is how “les Apaches”
are.

The dance became all the rage.

By which was meant,
here we honor all our dreams of savagery.

In the USA
during that same time,
professional sports teams
began to be named

Braves, Indians, Redskins.

By which was meant,
here are our mascots, 
here are our fighters,
here are our dangerous men.

They are still called that.

By which is still meant,
here is something we can use.

By which is meant,
we’ve already stolen
slaves, gold, cultures,
entire continents,
a whole half-world —

why stop there? 

There is a German word
from the world of opera
for a song lovers sing
as they die together,
tangled in passion:

“Liebestod.”

By which is meant,
there is nothing now
but this final desperate
clutching.

Turnabout is only fair.

Liebestod is beginning.

There is no savagery
in those syllables — 
or at least, none worse
than all that has come before —

by which is meant,

dance, Liebchen, dance.


Your Blade

I call you out for
helping to forge 

this dagger I’ve made
of myself.

I admit my own
role in the making.

I admit to upkeep
upon the edge.

I admit to putting in
long hours learning

to use it. I admit,
I confess, I fully

concur in your
description of my

willingness to
cut and carve. But

this is your time to
say as well that

all the fight in me
would have meant nothing

or indeed might never
have happened if

you hadn’t put me
through fire and beaten me,

tempered and honed
and hilted me, gave me

balance, proved me.
You weaponized me

until I reached
my full potential.

You started me
thinking to end me;  

instead I completed me
and now you stand surprised

at what I’ve become
and what I’ve done.  I am

neither proud nor ashamed
of myself. After all is said,

I am your blade.  
Your cold steel.

How you feel,
on the other hand,

something you ought 
to consider, 

is rightly no concern
of mine.


The Political Poet Explains

Sweating through my clothes
in the distant face
of no imminent danger.

At least I’m bulletproof.
I’ve covered my vital organs 
in a thick layer of poems.

At least I’m buoyant if I fall in
cold water. I’m clutching
a chapbook that turns into a life raft.

At least I’m fireproof. I’m
surrounded by an impenetrable wall
of verse.  

At least I’m well-documented.
If I die, if my heart fails me
with all this stress, you’ll know

exactly who I was. 


Always The Same

always the same

bang bang and after a rickety clack
sting box in a truck racing away
a bang again a click track truck
chock up with cops and 

always the same

long fire bang bang a short fuse as ever
a big old excuse as big and old as ever
a click track clack as rickety as ever
a bang again a body as cold as ever

always the same

blue snicker at one more snapped thread
a snap at a snicker and a fire to follow
a fire that follows the click bang bang crack
bang bang nursery rhyme for a cold kid

always the same

sneaked snaps from cell phones 
always the same cold kid always the same
roar of horror ghost rising ghosts rising
cracked cops and crushed crowns always

the same 


Give Me Back

Give me back, please. All of me.

I do not know where, exactly, to address 
this supplication.  I do not know how to petition
an entire culture for redress of grievances
which, if redressed, would make it a different culture,
which might just kill it. I have to harden,
have to look past that, have to ask knowing
it is not likely to be heard, yet knowing as well
that asking is survival
and not asking is extinction.

Give me back, please.  All of me.

Everything I cannot recall.
Every experience I never had.
All the language I never learned,
all the language I have not heard
since the last familial speakers died
and ended the need to to speak it.
Each voice I could not hear, each word
that fit into a hole I now carry
and cannot explain, each song I have translated
into howl, each prayer I have learned
from the flow
of my lonely blood.

Give me back, please.  All of me.

I do not know who is listening.  I do not know
if anyone but me is listening.  Someone
is likely to tell me to toughen up and struggle up
and give it up to swim upstream
like all the dying who seek to continue even if
they turn to rot and fodder on the way.  Those,
they will say, are your names, your destinies
to choose from.  

Give me back, no please this time;

I recall enough to know I was not made
in your image.  I recall enough to know
what I was or should have been 
is not what you would prefer me to be.
I recall enough to know
I will have to take me back from the mouths
of your traps, from the teeth of your maw,
from the edge of your bayonet, from the depths
of your hoods and jails and well-meant 
blood-percentage definitions.

Give me back
as I was meant to be
before I have to come digging through you

to find me. 


Talking God In A Dark Parked Car

Sitting in a dark parked car
talking about God. We don’t
have to agree, but we do,
somehow, considering 
how differently we came

to these conclusions.
This doesn’t mean
that we are correct in our 
assumptions; perhaps it means
we’re just equally dull at cutting
through the God-fog.  

They are talking
of the glow from God-walking.
I am talking of the shadow
tied to all our ankles. Read me
one of your God-poems, 
they ask.  I do, and they
respond in kind. We speak

in a dark parked car
of how we each use land
to find God — it’s not abstract
to seek God, there’s a place in God
and God is in places and
location is holy and physical
is sacred.  The dark parked car
is still running,

I finally turn the lights off as it runs,
as we talk of where we each are going
in the next hours — onto a plane for them,
up the street to bed for me, finding our ways
from the God here to the God there,

taking God with us from the parked dark car
to the next place, or perhaps not — perhaps
that will be a different God there, or at least
a different face of the same God.
Does it matter which is true
when 
a dark parked car
has already been a temple in our world?