Tag Archives: heritage

Westerns

The Westerns
always had us calling
the President 
“The Great White Father.”

All my dreams tonight
have been Westerns
but nobody called anybody
great, or white, or father.

My early evening Western
was of a snowglobe
being shaken close to my face.
Milky background, inside
brown bits like clods of earth
swirling, irregular sizes;
perhaps these were oil clots,
or the rotted organs of the dead,
but they were just out of focus 
and I was too afraid to squint
and make them clear.

My midnight Western:
nothing to see, my ears
filled with chanting: 
broken, broken, broken…
Did this mean the snowglobe
had broken,

or did the fact that this was
a different dream
mean the earlier one
had never happened?

The next dream, I think,
will be another Western.
Fear of it is keeping me awake.
I expect a great White father
waits there, shards of glass
in his hands, ready to embrace me,
to open me from groin to throat,
to fill a snowglobe with my grease and guts,
to ride with my pieces into the sunset;

Can’t imagine what could follow that one.
I’m certain it will make sense to someone.
All Westerns run together into one long story,
after all; I don’t expect I’ll be in the next chapter,
or that any of us will, in fact — not as we are,
not as we ever were. 

He was never our real father, you see. 


This Mess

It occurs to me
in the crisis of the moment
that if I shave myself clean
and grow my hair long
and suck in my cheeks
and buy the right feathers
and bind some part of me
in leather and movieland’s
expectations of what the 
Indianness of me 
is supposed to look like
I still won’t be any closer
to exposing my true self
than I am tonight with this unruly 
stiff curled head and 
this gray bush upon my chin
as the nation
on fire as always with its own
blurred questions of identity
and never funny joke morals
tries on another uniform and
plans for another set of 
massacres and considers
what genocide
will work for good this time
so I begin to laugh 
certain that with my being
I embody the great mistake
of the Founders in that
when they were planning
to overspread and exterminate
and absorb 
they did not take into account
how stubbornly we would remain
outside of their definitions and
no matter how hard they tried
to change us
no matter how hard they tried
to snuff us
no matter how hard they tried
to mascot us and put us
to their own mythic use
in the end 
they were manifestly
destined to fail and thus

in days like these
a half-breed like me
with no apparent touch
of their stereotypes showing 
can still be a pure and straight up
middle finger from
all the Ancestors to
this mess of theirs of which
they’re somehow
so inexplicably proud


The Deer Woman

In the corner a remnant
of a vision pulled up
in half-sleep, pulled from
memories of an old man telling
a story near a communal fire. 

In the corner, 
a blistered sack of a human-like
thing with hooves and a black hood
covering its face. I fell asleep
thinking of the past and

an old man telling a campfire story
and now this looks like it was
pulled from that fire, but not fast enough.
It has deer-feet. It has a black hood
and I think now it is a woman

and I think in half-sleep that makes
perfect, drowsy sense. I don’t know
if I should speak to Her but when I try
the voice of an old man telling
a fireside story comes out of my mouth
using words I understand but do not 

recognize. I am
aroused enough to know 
She must know this.

This vision is now
floating toward me. I’m still 
half-asleep and half old man
by the fire when 

She comes close. I feel Her
grass-fed, smoke-blister breath.
The old man council fire story
upon my neck now.
The hooves dangling.
Her name on the tip
of someone else’s tongue
in a language I don’t recognize

but which I understand too late,
just before I fully wake; awake
forty years too late to tend
the fire.

 


Story Of You

— for the protectors at Standing Rock

This is a story of you

as mad as spirit locked away
in a stale church for centuries,
itching and swelling to break down
your sanctuary prison,

with beautiful open hands
and gray stone in your eyes, 
standing up to smoke and wind
and flame not far behind,

dancing among threshers
mowing down fields of grain,
daring scythes to take you,
mocking approaching reapers.

This is a story of you

responding: turning poison flood
into wine, turning heads
away from murder toward
birth and bloom. 

This is a story of you

removing: shifting brick
from wall to path and then
following that path to a place
without walls.

This is a story of you

and your beautiful open hands
and stone eyes, your dance
against death, your laughter,
your breakout, your miracle —

you.


Targets

Originally posted 7/16/2016.

1.

At 5:45 AM
I took out the trash
and did not startle
when a neighbor spoke to me
while my back was turned
because I am not a target.

I watered the container garden
when we were done speaking
and then sat right down
on my own front wall
in the high humidity
and, in the name of
going back to bed
and getting more sleep,
took a few hits off half a joint
and wasn’t too worried
though it was full daylight
because I am not a target.

I could have been a target.
I could have been but almost
in spite of all my handsome
paternal ancestors,
I pass for White and always have
and thus regardless
of my own thoughts
and obsessions and internal
maladjustments to the way
my frame doesn’t fit my picture,
I am not a target.

I can love and rage
and live out loud
because I am not a target.
I can walk a street
with my eyes set straight upon
the eyes of others
because I am not a target.  

I can watch every video of targets,
and target practice, 
sit there staring,
crying out and raging up and falling out,
then turn them off or turn away
because I am not a target.

2.

No one and everyone
knows what’s coming.

No one and everyone
understands what will not stand;

no one knows how it will
fall. None but the targets understand

how that’s going to feel.
Everyone’s going to learn something —

at the very least, how
not to turn away;

at the very most, how little it will be,
has ever been, about them.

3.

I went back inside
and was ready to sleep
until one of my handsome
paternal ancestors

rose into view,
right through the floor;
she hovered there,
her regalia soaked in blood;

she shook her head,
she would not look me in the eye;
as hard as I wanted to be before her,
I could not be hard. I instead fell

to the same floor she transcended
so easily, and saw then
how difficult it was going to be
if I wanted to claim anything

of what I thought myself
to be; and when I looked up
she was gone, and the blazing eye
of a bull bison hung in her place

for a second only
before leaving me alone 
to choose.


Demi-monde

In Europe, one hundred years ago,
good folk used to speak of
“the demi-monde” — French for

the half world. 

Class of those unafflicted
by established social codes.

The first resort of starving artists.
Last resort of misfits and such.

Shining examples of how not to be.

The half-world,
where some felt 
fully present for the first time
in their damned lives.

A woman of the demi-monde
was known as a “demimondaine” —
by which the good folk meant

prostitute,
even if she was not —

by which was therefore meant,
fair game.

By which was meant, 
there is some use
for that half of the world.

In Paris
the good folk once called their worst thugs

“les Apaches.”

By which they meant,
this particular part of the demi-monde
is dangerous.

The French 
pronunciation softened
the hard edge of a tribal name
stolen for a savage badge,

by which was meant
face one and you will get
the storied treatment you’d get
if you faced our awful dreams of

Apaches.

Two dance instructors once prowled
the bars and cafes of the demi-monde
to bring back to the good folk
a dance called 
“La Danse Apache.”

A man, a woman, 
playing at pimp and whore,
man striking her down,
woman fighting back,
a tango of sorts ending 
with the woman carried limp
from the stage.  

By which was meant,
here is how “les Apaches”
are.

The dance became all the rage.

By which was meant,
here we honor all our dreams of savagery.

In the USA
during that same time,
professional sports teams
began to be named

Braves, Indians, Redskins.

By which was meant,
here are our mascots, 
here are our fighters,
here are our dangerous men.

They are still called that.

By which is still meant,
here is something we can use.

By which is meant,
we’ve already stolen
slaves, gold, cultures,
entire continents,
a whole half-world —

why stop there? 

There is a German word
from the world of opera
for a song lovers sing
as they die together,
tangled in passion:

“Liebestod.”

By which is meant,
there is nothing now
but this final desperate
clutching.

Turnabout is only fair.

Liebestod is beginning.

There is no savagery
in those syllables — 
or at least, none worse
than all that has come before —

by which is meant,

dance, Liebchen, dance.


Give Me Back

Give me back, please. All of me.

I do not know where, exactly, to address 
this supplication.  I do not know how to petition
an entire culture for redress of grievances
which, if redressed, would make it a different culture,
which might just kill it. I have to harden,
have to look past that, have to ask knowing
it is not likely to be heard, yet knowing as well
that asking is survival
and not asking is extinction.

Give me back, please.  All of me.

Everything I cannot recall.
Every experience I never had.
All the language I never learned,
all the language I have not heard
since the last familial speakers died
and ended the need to to speak it.
Each voice I could not hear, each word
that fit into a hole I now carry
and cannot explain, each song I have translated
into howl, each prayer I have learned
from the flow
of my lonely blood.

Give me back, please.  All of me.

I do not know who is listening.  I do not know
if anyone but me is listening.  Someone
is likely to tell me to toughen up and struggle up
and give it up to swim upstream
like all the dying who seek to continue even if
they turn to rot and fodder on the way.  Those,
they will say, are your names, your destinies
to choose from.  

Give me back, no please this time;

I recall enough to know I was not made
in your image.  I recall enough to know
what I was or should have been 
is not what you would prefer me to be.
I recall enough to know
I will have to take me back from the mouths
of your traps, from the teeth of your maw,
from the edge of your bayonet, from the depths
of your hoods and jails and well-meant 
blood-percentage definitions.

Give me back
as I was meant to be
before I have to come digging through you

to find me. 


Schooled

In the town where I grew up
I was put right away into
the smart box, the weird box,
the known quantity box.
I was not expected to be normal.

Still, like every other boy I was schooled
in basic manhood
: he who smiles best
smiles least and with a knife.
A man isn’t half a man without
a way and a need to fight; in my case

I got an extra dose of that,
made to live up to warrior codes
that expected me to fight
all the wars my forefathers ever fought,
and in the same old way. 

I learned the wrong very well.
I lived the wrong very badly. To this day
I sweat my fright at life each morning
before work. I live by half-measures
just to be safe, just to keep things safe.

Damn the town, the knife,
the history, the basic training
I was born to. I have no sons.
That’s my contribution, the least
I could do to change the world.


My Face Is Historical Fiction

Post pictures of three fictional characters to describe yourself.
— Facebook meme

If I were to post 
three pictures to describe me,
pictures lifted from fiction,

I’d have to reckon with
the fact that my face
already is itself historical fiction,

average white
superimposed upon
brown churning within — 

by which I mean that I already
look like Mom at first glance
with traces of Dad underlying that,

together creating this face
that I get to call My Own,
this more-or-less real face,

one mild pile of melting pot,
assimilated mask. This face
was already made from scratch

a long time ago, and now
I am being asked to find
three more fictions to name this — 

this half-and-half
all-American mistake of history.
So many to choose from —  

Lone Ranger, Tonto; Don Corleone,
Apache Chief; Mario from Donkey Kong,
Tom Sawyer’s Injun Joe — 

but what of that third picture?
That’s the choice that keeps me up 
at night, that keeps me sickly awake really late.

Calm down, you say.  It’s just for fun.
It doesn’t mean anything. It’s 
just a little something to pass the time —

but when your face
is historical fiction

and it feels like

there are only
twenty pages left,
you’ll try anything. 

It’s only natural.
I’m dying
to see how it ends.


Cut Bone

This artifact
dates to 1493,
seems to be

a response to some
discovery
or something.

A message
cut into
a bone

by steel, a sword
or pike
perhaps.

It almost 
took the bone
apart but

somehow
it’s held up
a long time.

We assume
this was
a killing blow

by lack of new bone
on the edges, and
considering

the angle of the cut
there was likely
a flood of blood.

Still,
the bone remains
in conversation

with discovery
and subsequent
conquest.

Does it
speak as Taino,
Arawak, Carib? 

In life, did it perhaps
speak Yoruban, Spanish,
Portuguese for a time?

It doesn’t matter
that much now. 
All you need to translate

is that huge remnant
of that unkind cut
and the sheer stubbornness

of the bone 
for not having dissolved
or crumbled. 


A Teachable Moment

Yes,
I considered it an insult
when you called me “White;”

not so much because
you knew my father and
my mother and knew otherwise,

not so much because
it was not the first time 
we had spoken of this,

not even because
of those times
when I see myself

and say to myself
“ah, there 
I go
being more White than not…”

and in those moments I see
my incomplete nature, recognize
that I am what

the genocide desired 
most of all, see myself
as the hated objective —

no. No,
I considered it an insult
because you so clearly

meant it
as
a compliment.


Standing Rock

very well, he said,
we will let you
demand your place.
it’s only fair to let you
ask.

very well, he said,
we’ll provide one too —
go and live on the gravel,
the wide banks of rounded stones
around the stream, the part
that floods with ice
in spring — rush of water
so cold your heart and lungs
may stop when it comes.

very well, he said,
you may also
name those places. call them
home or exile, it matters not
to us. if we need them, though,
expect them to be
renamed once taken
and don’t imagine the fishing
will remain in your hands
either.

very well, we said,
we shall do all those things,
even the heinous ones, even
the deadly ones; we will call
the gravel home, exile, death-
land, life-line, whatever is needed.
we will own our place regardless
of your threats and we will own
it all very well indeed

and when you come
to take what is ours
we will stand upon it
and hold it and even if you wipe us
with oil and fire, even if you
starve us or take the very water
itself from us, we will remain.
we will become
the rocks that sting your feet
and the names
you cannot forget, the names

that will come unbidden
to your children’s tongues
as they look at you cringing
before them, the clouds
rising from pyres
and scorched earth,
the names they will cry out to you
when they ask you 
what you said and did
to make this.


Targets

1.

At 5:45 AM
I took out the trash
and did not startle
when a neighbor spoke to me
while my back was turned

because I am not a target.

I watered the container garden
when we were done speaking
and then sat right down
on my own front wall
in the high humidity
and, in the name of
going back to bed
and getting more sleep,
took a few hits off half a joint
and wasn’t too worried
though it was full daylight

because I am not a target.

I could have been a target.
I could have been but almost
in spite of all my handsome
paternal ancestors,
I pass for White
and always have
and thus regardless
of my own thoughts
and obsessions and internal
maladjustments to the way
my frame doesn’t fit my picture,

I am not a target.

I can love and rage
and live out loud
because I am not a target.

I can walk a street
with my eyes set straight upon
the eyes of others

because I am not a target.  

I can watch every video
of targets, and target practice,
sit there staring,
crying out and raging up
and falling out,
then turn them off
or turn away

because I am not a target.

2.

No one
and everyone
knows what’s coming.

No one
and everyone
understands

what will not stand;
no one knows how it will
fall. None but the targets

understand
how that’s going to feel.
Everyone’s 

going to learn something —
at the very least, how
not to turn away;

at the very most,
how little it will be,
has ever been, about them.

3.

I went back inside
and was ready to sleep

until one of my handsome
paternal ancestors

rose into view,
right through the floor;

she hovered there,
her regalia soaked in blood;

she shook her head,
she would not look me in the eye;

as hard as I wanted to be before her,
I could not be hard. I instead fell

to the same floor she transcended
so easily, and saw then

how difficult it was going to be
if I wanted to claim anything

of what I thought myself
to be; and when I looked up

she was gone, and the blazing eye
of a bull bison hung in her place

for a second only
before leaving me alone

to choose.


Knucklehead (Dig)

Dig the white behind
my eyes, white within
my heart; in the blood
enough of me is white
to mask what is not, 
but dig it, it’s there — mostly now
just a dark itch,
a reminder of fires
and bullets under the skin,
burrowed, shattering, 
leaving the path
by which white 
got in; dig 

a recognition
of how I will likely
fail at last — torn
apart by my parts,
split open, pieces
separating and falling aside
like halves of a body
in an old and violent
cartoon.  Dig how in fact I am
an old and violent cartoon

forever imagining
fictional demises
I come back from
in the next reel, different
but the same, same old
knucklehead, 
same old fucked up
half and half,
same old mess
everyone thinks
is playing for laughs —

dig that crazy headdress,
dig those big brown eyes,
dig those whines, those pains,
that history no one
cares to address, 
that incompetence 
which is only to be expected,
that blood with the dark tinge,
that white white scar all over him
and inside him, 
that white white being he is
never going to not be. Dig
how deep he digs to try and
get past it.
Dig the hole
where he lies down,
hoping to sleep.


Zucchero

In my late grandmother’s pantry
a leftover box of Italian sugar,
sole ingredient: “Zucchero.”
That is also the name of
an Italian blues musician.
I’ve never heard his music.
I’m ok with that, not because
I don’t want to hear it but because
I’m happy enough just knowing it exists.
I don’t have to experience everything
any more.  Not, for instance, planning
to dip my finger into the box —
I know what sugar tastes like.
I know what the blues are like, too.
I can’t know perfectly all things
in every detail, although once I slew
several of my better selves
and some worse ones
in the pursuit of such knowledge.
Driven to know everyone and
everything; such knowledge was all 
I had. I didn’t feel pretty or strong
or confident or human but the more I knew
the more I could fake those things. I bet
someone thinks an Italian blues musician
is faking it but I don’t. I don’t
know everything but I know 
blues, blues and sugar,
sour and sweet; blues e zucchero,
aspro e dolce. I got the blues
for my lost youth and my vain
pursuits. I got the blues
for my grandmother’s cooking.
She’d cook and then sigh on a chair
in her kitchen, wishing my grandfather
was still alive. He died the same year
Robert Johnson did. So did she.
It was long before I was born.
I missed so much.
I can never catch up,
I can’t be satisfied,
and I’m done trying.