Tag Archives: death

The Last Lecture (Revised; was “The Last Talk”)

It was around seven at night
when I finally got out of my mother. 
I started talking at once. 
The family was astounded. 
“Keep it up,” they urged,
and I struggled to think of things to say. 

There was a time when I considered
myself
the best talker in a family of talkers. 
Whatever.  It was a means to an end. 
That end was that I talked
myself
out of everything. 

Myself.
I used that word a lot.
It was a ratchet handle,
could be switched
from install to extract
with one motion.
Slap any socket,
any word on it,
and I’d make it work.

Myself,

I don’t care for legumes.
Myself,
I’m indifferent to rockets.
Myself,
I’m a big fan of radicchio
dipped in sea salt.

One evening
I made a mistake
and stopped talking for a moment.
It didn’t bother me
but a lot of the family thought I was nuts
and I ended up in a bare room
with a cheese grater wall to lean on,
in a pleasant sense of dislocation
without my usual tools at hand.
There was sand under my tongue.
My breath smelled of comic books
and colorfield theory
and it was so nice,
for once, to not speak
unless I was spoken to.

I got out and found a living
that made the talking
not so much a tool but a brace. 
The ratchet handle
slipped in my hand as easily as ever,
and I could talk about
myself
endlessly,
even when I used borrowed sockets to make
myself
seem like a chokehold. 

The family soon fell asleep —
why listen to things
that didn’t concern a fact at all?
I found new families to bore. 
I found new nuts to turn
and kept using
myself
to gain leverage.

Over time, I lost the urgent sense
of sand and blood in my palm.

Over time there was
too much wolf,
not enough sea snake.
Too much noose,
not enough bowtie.
Too much pistol,
not enough summer squash.
Too much fuck,
not enough no touch at all.
Too much rain of monkeys,
not enough snow of shillings.

This was so easy.

The alley girls,
the backstage boys,
those who called
from the shadows for the opportunity
to hear my disturbances,
they all wanted to eat the same things
every night, and I let them.

It was so easy.
Who was I to say I was not what they thought?

I though I could talk my way back to
myself.
I tried, but now the power’s off
at seven at night
and I’m sitting in the heat
of a small room
built from smooth, sweating walls. 
There’s no money
to speak of. 
Every dollar is a laugh
giggling good bye
and the cat is barely moving without the AC. 

I’m barely moving.

The wrench called
myself
is splintering, the receiver for the socket
worn, the switch that changes direction
finally swinging free and no longer engaging.
I talk more and more, trying to gain purchase,
work the bolts on what I need to construct or destruct
in one slippery increment at a time. 

Right here, on the desktop of this old computer
is a document named
“Everything I’ve Learned.”

The lessons themselves are scattered
around a lot of places
that exist in public and only in public.
I didn’t have a private thing to put in there.
This is what I get for a career in talking

The family would get a chuckle out of this if they could see me,
but I keep
myself
a little far from them these days. 

They don’t want to see
or hear me like this, the wrench rattling useless and repetitive
on steel. I can respect that. 

I sit here at seven every night
and strip my threads trying to make
myself
so useless
it’ll be understood and even appreciated
when at last I choose silence,
and throw myself away.

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To See the Northern Lights Tonight

There may be a moment tonight
when I will be able to see the Northern Lights
without traveling far to see them;
though I do not mind travel to see things
I’ve not seen, or visits to places
with a single focus for the journey,
it is rare for the Lights to come this close to home
and I am ill tonight and in need of them.

I am not so vain to think of the Lights
as being staged for me.
It’s not as if I was made sick
to give me the night at home
and not as if I wanted this pain,
or believe that such a sight will heal me
and that this was preordained.

But I’m thinking a lot these days
of what is yet undone.  The words unsaid,
or said and unretractable.  The love not given
or reciprocated.  The lasting moments
that should have been immortalized
that now sit like unsprung bulbs
under a mile of concrete.

So to do this, tonight, seems
worth doing.  Worth dragging my body
out to see the coincidence that is a visit from the Lights. 
To go out, a little way out of my way,
and come back and be able to say something other
than “someday, I’d love to see the Northern Lights.”
I am eager to give them some other name
that comes to me upon first sight of them,
to invent my own language for that moment
and only then, perhaps, to nurse their bloom in another’s eyes.
To be knowledgeably immodest
and pretend not that they are here for me,
but that I am here for them,
and to pretend amid all the contrary evidence
that all that I believed was unworthy in me
can still be made worthy somehow.

I cannot just be here to miss them
when they are so close;
I cannot bear to keep thinking
that such an awful thing could be so.

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The Last Talk

It was around seven at night when I finally got out of my mother.

I started talking at once.  The family was astounded.
“Keep it up,” they urged, and I started to think of things to say.

There was a time when I considered
myself
the best talker in a family of talkers.
Whatever.  It was a means to an end.
That end was that I talked
myself
out of everything.

Myself.

I used that word a lot.
It was a ratchet handle, could be switched
from install to extract with one motion.
Slap any socket, any word on it, and I’d make it work.
Myself,
I don’t care for legumes.
Myself,
I’m indifferent to rockets.
Myself,
I’m a big fan of radicchio dipped in sea salt.

One evening, at seven again,
I made a mistake and stopped talking for a moment.
It didn’t bother me but a lot of the family thought I was nuts
and I ended up in a bare room with a cheese grater wall to lean on
and a pleasant sense of dislocation without my usual tools
at hand.  There was sand under my tongue.
My breath smelled of comic books and colorfield theory
and it was so nice, for once, to not speak
unless I was spoken to.

I got out and found a living that made the talking
not so much a tool but a brace.  The ratchet handle
slipped in my hand as easily as ever, and I could talk about
myself
endlessly, even when I used borrowed sockets
to make
myself
seem like a different chokehold.  The family soon fell asleep —
why listen to things that didn’t concern a fact at all?
I found new families to bore.  I found new nuts to turn
and kept using
myself
to gain leverage.

Over time, I lost the urgent sense of sand and blood in my palm.
Over time there was
too much wolf,
not enough sea snake.
Too much noose,
not enough bowtie.
Too much pistol,
not enough summer squash.
Too much fuck,
not enough no touch at all.
Too much rain of monkeys,
not enough snow of shillings;
it was so easy.

The alley girls, the backstage boys,
those who called
from the shadows for the opportunity
to hear my disturbances,
they all wanted to eat the same things
every night, and I let them,
it was so easy.

What I said was
myself
was theirs to think on
and misinterpret,
and I let them,
it was so easy.

Who was I to say I was not what they thought?

I though I could talk my way back to
myself.
I tried, but now the power’s off at seven at night
and I’m sitting in the hot darkness of a small room
built from smooth, sweating walls.  There’s no money
to speak of.  Every dollar is a laugh giggling good bye
and the cat is barely moving without the AC.  I’m barely moving.

The wrench called
myself
is splintering, the receiver for the socket
worn, the switch that changes direction
finally swinging free and no longer engaging
and I talk more and more, trying to gain purchase,
work the bolts in what I need to construct or destruct,
in one slippery increment at a time.

On the desktop of this old computer
is a document named “Everything I’ve Learned.”
It’s empty, save for the names of the lessons.
The lessons themselves are scattered around a lot of places
that exist in public and only in public.
I didn’t have a private thing to put in there.
This is what I get for a career in talking
The family would get a chuckle out of this if they could see me,
but I keep
myself
a little far from them these days.  They don’t want to see
or hear me like this, the wrench rattling useless and repetitive
on steel.  I get it, so I respect it.  I sit here at seven every night
and strip my threads trying to make
myself
so useless
it’ll be understood and even appreciated
when at last I choose silence
and throw myself away.

Seven at night,
still light for now.
But not for long:
the U-turn that has loomed from the beginning,
that has been implied in every turn of every screw,
waits there in the bitter, salty summer night.

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In A City Where The Night Can Only Do What Must Be Done

this mad jerking
of my lip
is the projection
of my anxious mind
just before the just-past-prompt arrival
of expected guests

it reflects the white dirt flavor
that is coating my tongue
the chest pains I feel daily
and my forever aching knees

which I am certain
all presage something final
or at the least devastating
that is coming soon

when the friends were late
I was sure something wicked had happened

when they arrived it was as if
a bullet had whizzed by my ear
meant for them
and for me

it took a long time
to relax
and enjoy their visit

and I worried about them
when they left
could not sleep
or even lie still

then a gun or firecracker
went off somewhere
in the yards down the hill
suddenly
at the height of my panic
and I knew
however much I fretted
I would not know the moment
when it came
and I did stop worrying
and settled in to wait
calmly for any of whatever
was destined to happen

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Funeral Rites

Escort the dead
past their former homes,
stall the weeping
from inside those walls,
set the fallen at peace
with their new plane,
lay them into their holes
and then release all the pain
that has been pent up
to fly and cling to the stones
you set above the dead.

A monument needs those traces
to wrap it
for a monument stripped of memory
is nothing, just another rock
on a pool of earth
that holds something
now quite different from before
and not to be cherished
as anything worth consideration;

the stone and the memory
are where they have left themselves
for you.  What lies below
is returning to the greater whole,
is of no consequence, and in fact

what clings to the stone
will fly off eventually too,
to drift on wind and seep into streams
where it will be taken in by breath and sip
and so infiltrate
the living that still weep
now and then, a little less
now than before, until
what remains in the living

is less than a memory, more a belief
in the past as prelude
to the present, a small token
of the control and presence
that once walked and now flies
away from the pitiful leavings
we will revere for such a thankfully short time:

corpses
that will not hold us for long
as they are.

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Recycling

A Bible and a wallet together on the nightstand.
Glasses (repaired many times) as well.
A body unmoving on the bed beside them.

Stop thinking of this as a tragedy.

That the Book is currently not being read is a case of inconvenient timing.
That the wallet contains only three dollars is a case of simple timing.
That the glasses may still be used in their condition is good timing.

Consider the body on the bed beside them as token spent upon a future.
It originally passed into sleep with the expectation of waking.

Inside the body, spilled oil and unending war combined into a greasy swirl.
Inside the body, scent and noise and smoke will be alive and thus contradictory.
There is meaning to be drawn from them in the unstirring body.
It sleeps because it cannot be awake for that to happen.
It remains asleep because it has not found what it sought.

The body was a piece on a board to be moved.
Movement was the domain of the money, the book, and the lenses in their glued frames.
When all were combined a man existed.

Do not imagine that because the man ceased the remainder is of no value.
Each is a section of a puzzle.
Each is one clue.

Bury the body where it can sustain something as it grows.
Give away the Scripture and the glasses.
Pay the Ferryman with the money.
All will be of use in the effort to solve the world.
That this man has stopped solving means nothing to the solution.

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Fear Of A Stupid Death

The fear I have the most trouble shaking
is not the fear of death itself —
I have no fear of inevitable things
like rain or sun or sagging in my chair
with a clogged heart.

It’s the fear of a public and stupid death:

choking on a paintbrush
in a bizarre art accident.
My stomach lining slit
by an errant bay leaf.  Stabbed
with a compass flung
by a petulant eight year old.

I know I’ll laugh about it in the afterlife
but if it happens, if one of those incredible
but embarrassing things takes me out,
in the seconds before I succumb
I know I’ll be thinking,

Christ,
all those years of smoking
and drinking and eating
fried bologna after midnight
were a total waste.

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Dance Hall Days

You dance with perfection
now and then.

She tugs you forward, flirts you onto
the floor for a twirl, licks your earlobe
and says, “come with me.”

You beg off and she winks at you,
certain you’ll be back.

She knows that you know
that the only path
to loving her
means leaving this world permanently behind.

It does thrill you when perfection says,
Simply close your eyes and melt
into my sweet arms.  She smells of gardenias
and is soft as hollyhock pollen
on a bee’s leg.

It’s no wonder
you count pills into a ring box
and tie it a noose for a bow
after a turn around the floor with her.

But then you consider the impending poppies,
the fuschia regaining strength
after you brought it in from a blistering sun,
the cardinal couple on the feeder, the joy of
the three legged dog upon your arrival.

Last night’s mad music
fades.  Perfection blows you a kiss.
She’s the everlasting love of your life,
but she steps back to her table.

She’ll be there, her kiss as reliable
as a single shot shotgun
when you’re ready.  She’s on
your dance card and she’s sure of you
even as you fall to your knees
to bathe in the wind through your window.

You both know it will bring rain
eventually, a beat as smooth
as brushes on a cymbal,
that can’t be denied forever.

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These Sounds, These Holy Songs

My favorite sounds:

The clapping together of the halves
of an open book
because I realize
that it no longer matters to me
how it ends.

The sudden hum of a guitar
when struck by an errant hand,
as if to say a mistake
can lead to music.

The puff and crackle
of the end of a cigarette
as I inhale, simple fireworks
at a not too distant memorial.

The squirmy abrasion
of my fingers rubbing my closed eyes,
distant sand dancer in his box
on a stage in the past.

The rustle and creak of the bed
when I have been sleeping alone
and I am joined there by my lover.

My planet turning in space,
in orbit, constantly explaining
the nature of inevitability
(this one so rarely heard
I am amazed by it
as if for the first time
each time I hear it).

The whistle
in the back of my raw throat
as I drift into sleep, singing of persistence
and a hope of morning.

These are the sounds
of end time,
of my last lingering pleasures
in life, all speaking so softly
I might miss them, and I often do;

they move me enough to imagine joy
at hearing them again.  Keep me
alive, wonder-filled, straining
my ears for more.

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Cursing That Genie

Walk into a store full of junk
and start looking
for your fortune.

Rub the wrong lamp
and get
the deeply messed-up genie.

He grants one wish with the stipulation
that you can only ask for a secret blessing.
No one can ever know you have it or you’ll die.

The request for the large penis
is right out the window, along the ones for good looks
and wealth and health and everlasting youth.

You think for a moment and choose the ability
to put into words exactly what you’re feeling
so you can understand it yourself.

You walk out the door of the store
not changed, except that people start calling you
“Nick Drake.”  Confused as to who that is,

you start writing and singing about the confusion —
again, mostly for yourself, but one day
people hear it and start to talk, and then you die

for a moment, and you come back
when they start calling you “Ian Curtis,”
and it happens again and they call you

“Kurt” something, and then “Elliott”
something, and another name
and another name

until you barely know what to think,
but you’re going to keep writing about it,
cursing that genie the whole time.


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Tiro De Cuerda

Tiro de cuerda

Spanish for the perfect tension
of a guitar string,
the strain that lets it
cry.

Over time, tuning and
retuning to that pitch
will weaken the string.

I have more than once
sat in an audience
and seen a player, rock god
or flamenco acolyte, snap one
and keep playing, finding
a new course among those
remaining;
but have never heard
a recording that included
that sound —

why?  Are we not most thrilled
when we can hear
death cheated
in any language,

even one we cannot pronounce?

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Red Shade

Close my eyes
and once again
rolling gun-metal gray
spheres intersect seamlessly
rolling through each other
like a sea-surface
on a background of red shade

No meaning in the dream —
how welcome
that always is

Upon waking
though
the spheres become gun barrels
and the first thing I do
in the moment before full awareness
is shove them into my mouth

and again at random times during the day
it happens

unbidden, they appear
and I shove them into my mouth

I am exhausted from the effort
of pushing them away

but to close my eyes and try to rest
is just to begin once again

I do not keep a gun in the house
for this reason

but I’m thinking about it

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Delta Point

Each choice leads
to another.

First,
yes or
no?

Then,
today or tomorrow?

After which:
poison or gunshot?

From there:
where to do it?
Home, or motel?

Then:
note or not?

Pen,
or pencil?

Apologize,
or justify?

Signed or unsigned?

Yes or no?

A flowchart
of possibility
that ends at
yes, which is also
no.

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For Lorena

Once, while speaking with me
of a recently deceased mutual friend,
Lorena said,

“I have never stopped speaking
to anyone who has died; that would be rude,
don’t you think?  I find the dead to be cordial
and content with their new lives
and indeed, seem to feel that
there has been no interruption worthy
of the name; who am I to mourn those
who feel no pain in their own passing?”

I looked at her, so
ordinary, so calm, sipping coffee
as if it were the most normal thing
in the world to talk this way
of communing with the afterlife,

and it all seemed possible,
even probable, at least on that morning
in June, a few months before she herself
died quite peacefully in her sleep,
before we laid her away in a floral dress
and went back to our own lives.

Shortly thereafter, over coffee (again),
the two of us sat in our customary seats
and spoke as if there had been
no intervening passage for one of us,
and I poured her cup after cup as always
while we looked out over the lake

and discussed the nature of light
and its persistence, how it would change
during a day,

how it can play and shift itself
through the laurels and over the granite ledges
and yet retain the same intangible quality
of being “light,”

how it keeps faith with us
and never completely leaves us,
even on a moonless, starless night.

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Rockdale

I gave a woman a baby once —
It was only a small one
but it felt tremendous

Didn’t foresee me turning into
Bobby Responsible
over that
but I did

For a while it worked well
Then that baby died
Left a baby shaped hole — a very small one
We leaked fast from that baby shaped hole
and dissipated

I came alone to Rockdale
to peel wallpaper
and beer labels

In a Rockdale apartment
down by the old mill
I think about that baby
who is somewhere babies go
when they’re not alive anymore
and about her
wherever she is now

I think she would not know me now
I don’t know what to call myself
Bobby Responsible may still work

but not the same way

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