Tag Archives: death

Wreckage

1.
Shattered whelk shell on the shore,
brick rounded from waves alongside,
wood from ship or dock long destroyed;
algae clinging to them all says
that origin doesn’t matter anymore —
all that counts is here and now:
here, in the wreckage; now,
in the moment of wreckage.

2.
Vines are growing through
the stripped, twisted frame
of your car in the junkyard.

3.
The solstice sun strikes the stone
it is designed to strike
every year.

Or perhaps the earth
has shifted,
the megaliths have moved,
and it’s hitting 
the same unintended stone 
every year in the same spot.

4.
That sound from the beach?
My low wailing at the end
of the longest day of the year.

I’d hoped you’d be in the waves,
in what the waves bring to shore,
but I haven’t found you yet

though I’ve seized on small things
that seemed to offer hope until
I saw them in the right light.


Death

I wonder what it’s going
to be like.  

Will there be a path like a 
trail over a mountain pass?

Is there a darkness
that will be lifted, or

one that will fall?
How will I know 

it’s happened,
how do I know

it has not already
happened once, twice,

a million times
in a million years? 

I want to know
but am scared to learn

although I expect that
when I do learn, it will be

as if nothing has happened
and I’ll shrug it off, say

I wonder if I’ll know
when the next thing happens

after this one, or will I 
remain as always

in this state,
this bewildered push

through the mist around
Truth and Understanding

until the Wheel stops
and I stop as well

and stand there, quietly
waiting for Someone 

who may never come
to explain it at last?


Tomatoes

Lost poem that keeps nagging me.
Dates to 2000 or so following the death of a close friend at Easter that year.
This is an attempt to recreate it, knowing I’m no longer the person who wrote the original. 
RIP, Terry…

I come home
thinking of fall and 
craving tomatoes.

I go to my backyard beds
and pick whatever’s ripe
for my favorite summer meal:
thick-sliced plum tomatoes,
Gorgonzola cheese,
a few shreds of basil, 
balsamic vinegar,
light on the olive oil.

You once questioned me:
why not traditional Mozzarella?
I said it’s because I feel that 
strong blues make flavors pop
and without strong flavors,
what’s the point?  You tasted it,
agreed, told me later
you could no longer imagine 
not using a strong blue cheese
in a tomato salad, and I was 
as well pleased as I could be
that we’d fallen once again into 
the same place on something — 

I remember this as I stare into
strong blues and bright reds
in this bowl, stare into oil bubbles, 
a brown slick of vinegar, remember
you weren’t here to help me
plant this year, to plant the beds
scant weeks after your passing;
weren’t here to help me weed
and toss and water and feed;
realize again, as if for the first time,
that you aren’t here to help me savor
the likely last summer salad of the year,
picked ahead 
of the inevitable 
killing frost.


Daybreak

Last night
came and went and
I’m still here
at daybreak. 
A bit of a 
surprise: never sure
these days if I
will be, but so far,
I’m holding on.

Not sure why
I’m so certain 
that when it happens
I’ll die in my
sleep. Just as possible
that I’ll fall face first into 
the dirty livingroom

or be discovered
sitting upright
and quite stiff
on the couch,
laptop hibernating
with a mediocre new poem
unfinished under the darkness
on the screen,
the cat anxiously
weaving her fear against
my legs and the window
still open,
some small breeze trickling
through my hair.
Will my eyes still be open?
I would hate to think so.
Whenever I visualize
my demise,
I’m asleep. I don’t want
to see it coming.
Would rather be surprised
to wake up, if in fact
this is how it happens,
in a new existence
with no sense 
of impending transition.
I mean, when I die 
it should reflect
how I’ve always lived: 
shiftlessly, a lazy drifter, 

shocked by things
everyone else
sees coming 
miles and years away.


Going To Wait

A gun, a mouth,
a hot farewell.

A moment on the lips
and then,
the long missing begins.

After it’s done — in 
less than a split
of a second of noting
the start of the roar of 
the gun — 

after it’s done 
is there anything? Regret,
joy? Release, terror, a welcome
blankness?

Insatiable curiosity
is not enough to take me
there and fear is barely enough

to keep me here. I tug 
and am tugged but I am

going to wait.


Mercy

Asking, for a friend, for there to be a fast end.
Asking for a beloved to lower those crepe-paper lids.
Asking for a mere handful of tears, barely enough to water a seed.
Asking for the door to the dying-room to close firmly behind with barely a sound.

Asking for the body to be washed clean and gently smudged with herb-smoke.
Asking that it be dressed in its customary work clothes, so that it is familiar to those who saw it daily.

Asking for a swift service, a musical show, a feast, a dance.
Asking for there to be no long and loud mourning unless it changes into laughter and back again.
Asking for there to be no burial on land.
Asking for it to be raised on a rough platform and left in the open air.
Asking for the bones to be picked and gnawed.
Asking for the remains to be bleached and powdered in the gold-white sun.

Asking that whatever is left be placed into a river near its delta.
Asking that we spare those bones the tumbling from source to the sea.
Asking for enough time to let them dissolve before swimming there again.
Asking that the name be slowly forgotten.

Asking for someone to open the dying room someday.
Asking, for a friend, that this only should be done

so a baby may be born there.

 


Nothing Worked

Seeking peace,
absolution,
redemption,

I slept for hours.

It did not work. 

I awoke unchanged.
I lay down again
in the still-dark 
of the post-dawn
bedroom; lay dreaming,
wishing myself  
toward some penance
to excuse myself,
some vision
to explain myself, 
some pain to serve
as sacrifice
and re-admission fee;

nothing worked.  

I was not released though
I flew, long flights
over grand countries
where I could not touch down,
cities and forests
full of safety below;

nothing worked.

What works?  
I ask the sky and 
all the soil, I ask
all the waters.

If I have to sleep
longer, I will. If I have to 
wake into fire, I will.
If peace is only to be found
in a crash
and my own ashes,

I will burn,

for I have been flying 
in my sleep seeking
what works 
all my life
and half into

the next
and I do not think
I can believe 
in a safe landing
anymore.


Cursing That Genie

Originally posted on 6/10/2010.

Walk into a store full of junk.
Start looking for your fortune.
Rub the wrong lamp.
Get a deeply messed-up genie.

He grants one wish with the stipulation
that you can only ask for a secret blessing.
No one can ever know you have it 
or you’ll die.

So much for
the perfect cheekbones.
Forget wealth and health
and everlasting youth.

You think for a moment
and choose the ability
to put into words exactly what you’re feeling
so you can understand it yourself.

You walk out the door
of the store not changed,
except that people start calling you 
“Nick Drake.” 

Confused
as to who that is,
you start writing and singing
to chase away the confusion.

One day 
people hear you,
they start to talk,
and then you die,

but you come back.
They start calling you “Ian Curtis.”
It happens again.
They call you “Kurt” something,

and then “Elliott”
something,
and another name
and another name

until you barely know what to think
but you’re going to keep writing about it,
cursing that genie
the whole time.


Looming

New poem.

The blessing 
I’ve awaited is 
not yet in sight

but there is
a promise of it
in a shadow ahead of us.

I shall not
rush toward it.
Instead,

let’s see what birds
come toward us
from that potential home,

let’s see what the sea
offers us 
as we tack closer,

let’s feel something
like hope and regret 
co-mingled

until we are ready to land
and shift from past and future 
into present.

I have waited this long
to see it looming there;
so little time to wait now,

so little to fear now
as we approach, and I will not
speak for all of us

but I will say that
I am curious enough
for all of us. Lend me your eyes,

lend me your ears
if you are afraid;
lend me all your senses.

I can take it all on for you 
if it will ease 
your remaining way.


Phoenix (for Blair)

Originally posted 7/24/2011.  

The cut on my arm reminds me
that after the phoenix has flown some
always gather around its birth-hearth
to stir the ashes with dirty sticks.
What do they expect will come of that — 

is it the same thing
I expected
from the blood
I drew from myself
when I heard he was gone?

Did I think that if I drew enough,
the phoenix would rise again
from where my blood
had pooled? I don’t know.
I’m old enough to know better

but for a second there I became young again
and fell in love with childhood magic,
believing that if I gave enough
and hurt enough,
the phoenix would return.

I am old enough
to know better
so I bind the wound
and listen as I do
for the song.

The myth says when the bird flies
he sings, and the song
burns the air behind him
with the fire 
that released him.

A myth becomes a myth
not because it’s a lie,
but because it is a truth
that cannot ever
die for long.

It rises again and again.
It flies blazing
up from the ash.
It is never in the ash.
It is in the clean, bloodless sky.

— for David Blair


Overpass Banners

Originally posted 7/31/2009.

Overpass banners
in red white and blue lettering
flapping above the commuter traffic:

Welcome home,
Sgt. Orozsco,
Private Kenney,
Major Dent.

Love you,
Corporal Bronson.

Thanks, 
PFC Rodriguez.

I pass under them
almost daily
without much thought.

But then,
one this weekend

with black letters
and black borders
simply said

Sgt. Conroy,

and when I close my eyes
I can still see
how it was fastened tightly
by each corner
to the fence
and did not move at all.

 


Celebrity Deaths

Originally posted on 6/28/2009.  

our rules say

mourn the famous
and those made famous

by dying

so I shall write a poem of mourning
in which I confess that I
do not mourn them
except in the sense 
of mourning those things 
they are no longer
here to produce
which I might have enjoyed
or employed
for my own purposes and 
satisfactions

behold
the tears of a consumer

those times I can use
a celebrity death
for my own purposes
are when I feel
most American


Feeding Columbus

Originally posted on 11/29/2010; original title, “Squirrel.”

Columbus, fat and matted cat,
half-feral neighborhood terror,
is killing a squirrel on my front lawn
and I have come outside to stop the noise.

I chase Columbus off.
He does not go far,
sits and watches
from the sidewalk.

I bend over the small screaming body.
The squirrel gets up
and tries to climb the maple three times,
getting no farther than four or five feet up

before there’s a clumsy tumble
and now he is squirming on the ground,
panting, squeaking softly
like a balloon losing air.

I am glad my knife is sharp.
I lean in and set the point
on the ground near the neck,
then draw it firmly across the leaking wound.

I wipe the blade on the rough grass
next to the curb. I step away from the body.
Columbus is still there,
waiting to see what has happened.

Once back inside I wash the blade
for ten minutes
under the hottest water I can stand,
then do the same with my hands.

I can’t stop shaking
though I know I have done
the right thing. Console myself saying
that this is sometimes what it takes; then

I put “cat food” on the grocery list
and find a small bowl I can spare
for the back step, for I have just now resolved
to feed Columbus in the dark starting tonight.


tommy hope

Originally posted on July 4, 2005.   Formerly titled “tommy l’esperance.”

tommy hope
was eddie hope’s brother

eddie hope
was my friend

who died at ten
when a big dodge caught him
tipped him ass over head
dragged him from here to ramelli ford
and that was pretty far back then
pretty far to us at ten

tommy hope
eddie’s brother
had two other brothers on smack
a father on the bottle
a mother who looked sixty at thirty-five
they all died early too

tommy hope
eddie’s brother
got killed a week ago
shot by a homeowner who caught him
falling out of the second story window
onto the back porch roof
trying to hold onto a microwave
during a half-assed burgling

i went to tommy’s funeral
there were some fat guys
with stringy hair
and short ties
a couple of tommy’s kids
all snotted up and whining
while his girlfriend kept going out
for a smoke

when i was ten no one was my friend
the way eddie hope was my friend

so i went to tommy’s funeral
because tommy was eddie’s brother
and eddie would have wanted me to go

i looked into tommy’s face

if when alive
he’d passed me somewhere
or robbed me somewhere
i would never have known him
all i remember of him 
was that he was a sometimes annoying
little tagalong
who hung around me after eddie died
until they moved to woonsocket
and i never heard from them again

after the car dragged eddie
his face remained intact
he looked like himself
when they put him in the ground
thus rendering him 
the only member of his family
to remain forever
beautiful
uncorrupted and
beyond my judgment


William Stafford

Originally posted 10/22/2012.

The last poems
of William Stafford
fill this room with light
when I open to them.

There are
poets who noun verbs
and verb nouns,
who never met
adjectives they didn’t
absorb, who know mostly
how not to be themselves
when they write; they praise themselves
endlessly for their own cleverness.
I can find their poems anywhere.
I often trip over them in the dark.

Reading the last poems
of then-dying,
now-dead
William Stafford, searching
for any darkness in there
that he certainly
would have been allowed
to express, but
it’s missing.
All that’s there is
light and
William Stafford.