The Trick According To Remarkable Jones

Once upon a time at the corner
there was a man loudly explaining 
how to change your weight by changing your name.
Look at me, he says, I once weighed 438 pounds
as John Quinones, changed my name to Remarkable Jones
and became a 260 pound tiger of svelte grace. 

I changed my name at his suggestion
to Natasha LaShotgun and ballooned to 3,438 tons.
I developed a gravitational pull of my own that worked
in concert with that of the Earth and began to levitate
quite pleasantly three feet off the ground. Reverting
to my birth name gently grounded me again.  

The trick according to Remarkable Jones
was to never keep one name for too long 
once you’ve learned the process. Shift constantly
between identifiers and you’ll never get pinned down
or rise too far above where you want to be.  

So I dug the advice and dug the doing for a long time.
Gained as John Smith, reduced as Almond McGillicuddy.
Shrank as Penny, grew as Penelope, swelled to substance
as Monster Don, slipped into feigned normalcy
as Smoky Face Butts Patel, DiRienzo Delmonico.  Sometimes

I just went with titles: the lightness of being Mister,
the unbearable lightness of being Hey You. The gravity
of Your Honor, the unbearable honor of being Reverend,
Officer, Boss. Honey raised my toes ten feet off the dirt,
Asshole sunk them pointedly six feet under. If I took

a name I was given, a title, a slur? How I tossed 
and rolled and laid about based on the massive potential
of those words I did not myself own, how difficult it became
to find a name that gave me back to my self at a size
I could work with, huge or small,
offering whatever peace I most desired. It all became so much
that I ran one day, shedding names as I ran, all the way to the corner
where the man sat waiting as if he knew I was coming. 

I knew you’d come, he said. 

The truer trick according to Remarkable John Quinones Jones
was to find a name that you could completely own, 
no matter how long, no matter how many syllables
it required, no matter how hard it was for someone else
to pronounce — in fact, that might be your best tell
that you’ve found the Right Name with the Right Weight —
that no one can dismiss it by saying it wrong,
that only you can teach its correct sound.  If you find that,
you will forever outweigh whatever name they try to hang upon you
no matter how big or small you become…

oh, he was right. How right he was.
I say it out loud when I’m by myself at night,
and I fill the whole damn sky.


Schooled

In the town where I grew up
I was put right away into
the smart box, the weird box,
the known quantity box.
I was not expected to be normal.

Still, like every other boy I was schooled
in basic manhood
: he who smiles best
smiles least and with a knife.
A man isn’t half a man without
a way and a need to fight; in my case

I got an extra dose of that,
made to live up to warrior codes
that expected me to fight
all the wars my forefathers ever fought,
and in the same old way. 

I learned the wrong very well.
I lived the wrong very badly. To this day
I sweat my fright at life each morning
before work. I live by half-measures
just to be safe, just to keep things safe.

Damn the town, the knife,
the history, the basic training
I was born to. I have no sons.
That’s my contribution, the least
I could do to change the world.


Slowly (fragment)

Slowly,
body slips aside and

this day becomes
soil, turns into

garden, changes
from struggle to

memory of
struggle. 

Slowly, body
fails the day,

closes till
tomorrow

with neither sadness
nor regret, just

a hope for 
soft open,

a wish for 
sunrise,

a longing 
for growth 

for days upon
days yet to come.


Brown-Eyed Handsome Man

with one Gibson one ego
and ten live genius fingers

flying across the desert
toward the next show

where he’ll be paid
in cash for a precisely timed set

with a local pickup band
who had better know every song

and there had better be
a girl backstage

fit for an icon’s status
and predilection for all

to bend before him
because this is what 

this brown-eyed handsome man
can get away with now

though he didn’t always
get away with it

but ten genius fingers
a Gibson and an ego

dropped into the right place
at the right time 

wrung a new world
out of an old one once

and once that happened
even people inclined to hate 

a brown-eyed handsome man
felt compelled to shout for him

saying go go
go be good

or bad-ass as fuck
brown eyed handsome man

on a plane
aimed at the next show

next bag of cash
next nameless band

to stare at his backside
contracted to kiss it if he asks

and who would have dreamed
that would happen 

back when he started
back when it all started


This Sequence Of Words Is Nothing

This is a sequence of words
plastered together with tears
for what is likely to happen tomorrow.

Tomorrow, one of the wrong people
is likely to triumph, and one of the right ones
is likely to suffer.  Two excuses for this

will slam into each other
and the air around them will be bruised. 
Someone will put together

a sequence of words as explanation 
and bruise the air further.  Tomorrow, 
one of the words in that sequence will be stolen

for another purpose. The thief will sharpen it
to a point, whittling away
the good intentions it bore originally. Tomorrow,

a slip of a tongue will trigger a bone saw
and dust will fill the lungs of an innocent,
choking them to death.  This is a sequence of words

hard at work doing nothing to stop that. Tomorrow
they will mean something and nothing will happen.
Someone will repeat them and nothing will happen.

This is a sequence of words about nothing happening.
This is a sequence of words about tomorrow coming
in spite of nothing happening. These words

are nothing. The bone saw and the choking
and the dust stuffed lungs
and the whittler and the bruised air? 
Those are something.

but a sequence of words
about something
is nothing at all.


Dominion Of The Dead

fuck zombies and
fuck vampires

it’s the truly dead
we should fear most

their dead hands
come up out of their graves
grab us by the ankles and
plead with us  
to keep everything the same

demand that
we keep the same laws and industries
they had when they were alive
hold the same prejudices and illusions
follow the same religions

everything’s changing
and they want us
to live stale 

fuck the fascination
with vampires
and zombies

fear instead
grandma and grandpa

and our other departed heroes
who remain dead yet
in death work so hard to smother
the dynamics of life

fear instead the tug
of our love for them
our wish to honor them
that keeps us from change

that holds us
too long in thrall

to the dominion
of our beloved dead


How To End War

You say, don’t call these unpleasant days

wars.  You say, it makes the struggles
seem so violent.  You say,
from such words come the violence.
You say, the violence is so
unnecessary

but what you do not say is

there is no “us” and “them”
that you will continue to accept.

You claim to see no “us”
and “them” but

when the war is on,

you sit yourself right back down in 
your own seat and call us 
“them” and talk about us as if we
made this battle. As if the way 

into your fantasy world
of no “us and them”

is for us to utterly forget
that you are as always
sitting elsewhere, far from where
we perpetually bleed;

you look violent there,
sitting in an armored section filthy
with velvet rope
that you (and only you) call
“home;”

and from where we are,
from where we must war,

we see no sign
that the rope
will ever come down
without the help
of a sword.


Stooges

Larry, Curly, and Moe have become
childhood-eating ghosts. They taunt,
they haunt, they still slam heads with
an overhand fist, still gouge eyes,
still teach the young to giggle at pain.
I recall everything they taught me
about how art doesn’t always imitate life — 
something I learned by hours of backyard practice
of every Stooge-stunt on the neighborhood kids,
just as they learned by trying things out on me.  

We went out into the bigger playgrounds
allegedly having learned the difference between
a staged massacre and the real thing.
It’s hard to believe that now.

Maybe we learned a different lesson:
one about how little it hurts
to inflict mayhem on another, or one about
how quaint such ancient comic savagery appears
when given enough filter through time and grime

to forget how much we loved it once, how hard
we worked to perfect every noise they made
as they suffered so hilariously,  how well
they set the stage
for the world
we now call our own.


If You Have To Ask

There are people who think
it
is one thing and other expressions of 
it
don’t matter.

Some would seek to bind
it
by law or custom, some desire the death of those for whom
it
is defined differently.

Some can talk about
it
endlessly, saying
it
deserves endless talk, all agree
it
takes a village to make
it
happen.  

Did we sell
it
out to save our systems the effort of living
it?
Is there any reason to maintain 
it?
Do we need 
it?

I can only take processing 
it
so far. I can only discuss
it
for so long.  I grew up in a swamp of confusion about
it.
I live in a jungle of worrying about
it.
Was my divorce from the magic of
it
required for me to get this far? 

I can’t take
it
any place 
it
hasn’t been already, so I will leave 
it
here and walk away, a solitary sad dancer;
it
defeats me by its singularity.

That’s how
it
wins —
it
always wins by default.


If (Mother Of Moons)

If a window opens in a wall
where there has never been a window.

If you are standing there at that moment
and watch it open.

If a second or so before that
you fuzz out and cannot afterward describe how it happened.

If no bricks appear to have been displaced
by the appearance of the window.

If no sound accompanied
the appearance of the window.

If you do not show amazement
or fear upon the opening of the new window.

If the opening of the new window
seems as normal to you as the breathing of your newborn.

If you hold your newborn up to the window
to let them see the moon.

If you hold the moon up to the newborn window
and let it shine, shine, shine.

If you look out the window
and observe a maze of walls, windows, light from other moons.

If you recognize that none of the walls and windows
look anything like your own.

If the light from the other moons
changes you.

If you begin to call yourself
Mother of Moons.

If you have always been this 
yet are naming this for the first time.

If you go out 
to seek other windowless walls.

If you stand in front of them
until they change.

If every examined wall
becomes a window.

If all the windows
spring open at once.


The Search For God

People I know and love
kept saying there was no God.
I didn’t buy it. Could have sworn 
I met God once or twice.

I went over to the former God-place.
No one was home. I let myself
in. Looked through scattered papers
for a current address. Admired

some old family photos. There was a lot
of unopened mail piled up under the slot,
though not as much as you might expect.
Nothing offered a clue as to

the present whereabouts of God. I did see
an oak tree failing out back, a garden
of dried-up stems, a pile of brush
by a cold circle of ash. Began to realize

that God must have moved on long ago from
such settled addresses. Maybe God
bought an RV on credit and took up
a nomadic lifestyle, campground

to campground, put faith in
long ribbons of road under holy black wheels
in pursuit of happiness. Maybe no one
had ever offered God happiness. Come to think of it

God was never smiling when I ran across them
on those strange occasions when we met.
There was a grimness to those
moments. I was unsettled. Perhaps 

God was as well. I don’t blame God 
for putting distance between us,
now that I recollect that appalling neediness.
I cannot imagine how long I’d stand for that.

I left the former house of God and walked
a long way down the road seeking their tracks
until I came to my senses.  Let God be happy,
I decided. If I believe anything, I believe

they’ve earned a right to restlessness
in the face of our constant pressure — 
and I’ve got a home of my own. So
I turned back. 


Hopeless

It’s hopeless, you know —

everything is
pointless, there’s no
fault pinned on the right backs;

who is in charge, who pulled the pin,
who do I see about this, there’s no
good, what is this poison we’re being fed,
what is in the water, why are you
shooting me now and aiming later
or claiming hate, what’s this smoke
unchained to an obvious fire;

how is it that the news
has become an exquisite corpse,
a new exquisite corpse daily, and
why are you staring into such dead eyes 
while asking for solace — 

stop. All the same while,

people ask and talk
and cry about all these same things — 
people you’ve never met.  Let me
take you to them. When you meet them
you’ll embrace, you’ll clasp hands…then,

slowly at first
but with gathering, giddy speed,

you should stop calling
this pointless world
hopeless

and set to work.


Jim’s Rescue In Three Parts

1.
You are sitting on the edge
of a just-drowned firepit
waiting for the ashes to stop smoldering.  
Everything you own was in there
and most of it is damaged beyond repair,
by firehose if not by fire itself.
The firefighters are ignoring you
but the paramedics are beginning
a gentle interrogation,
determining their next steps;
here you are
shivering after having had
your gas soaked clothing
torn from you before it could ignite.  They’ve put
a blanket around your shoulders.  They’re telling you
you’re going somewhere,
they’re putting you on a gurney,
it’s fine it’s fine it’s fine — it’s going to be
fine.  You didn’t burn the house down,
you’re getting the help you need —

and then you look into my eyes and ask,

who are you, describing
what’s happening out loud like
I can’t deal?  I don’t know you.
You aren’t any help
at all. Go away. 

That’s a little hard to take, Jim —

it’s like you haven’t noticed at all
how much like a mirror
the night has become
since you dropped that match.

2.
You’re going away, you know,
and the wife and kids are staying
far behind, a whole continent behind —

you won’t be able to count on them coming
to see you, unless the movement
of tectonic plates counts. You’re going away

and your parents are staying far behind,
so far behind — how much of a lifetime
do you want them to spend on you? You

are going away and where you’re going
you are going to be alone with just yourself
and the gentle staff and the medications

and anyone they room or group you with —
and don’t forget me.  Don’t forget me, Jim.
We’re going away. It’s going to be fine.

3.
Would be sniper,
dream herder, monster
gardener, born to wonder
about God’s hands
and mortality.  Jim,

I keep telling you,
you’re going to be fine

with a pedigree like that.
It’s practically normal.  It’s 
all-American. It’s

just a question of building
the appropriate size firepit
when they let you out,
and then only burning our life down

a little at a time. It’s going
to be fine — we’re
going to be fine.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

NOTE: If you’ve ever heard the Duende Project, my poetry and music band, you may have heard us play one or more pieces from a suite called “Jim’s Fall,” about a suburban dad having a breakdown that involves a worsening psychotic break.  (There is also a suite of related poems about a woman Jim knows named Sondra, but those have never been set to music or even performed solo.)  

I always knew there’d be more to the story…maybe rewriting the music recently got the juices flowing again.  

Here’s the immediate follow-up to the last poem in the suite.


How We Winter

Keeping our eyes focused upon

trees that have turned on 
their other street-signal colors,
that have passed green for go,
gone deep

into slow, caution,

stop. Noting

that it’s not far now
to no color at all on those limbs,
save for here and there
an odd shot of rust 
that will not fall. Noting

that it’s cooling at night, though
not quite enough for the furnace;
thermostats are yet untouched, although
the batteries
have been checked.

We’re bracing for car care,
yard care, window sealing,
pulling out layers of clothes
and warner bed linens…now and then

watching the faces of those
who panhandle 
on nearby streets,
mouths tight
upon cheap cigarettes
cupped in still bare,
sun brown hands;

blessing them now and then
with thin coins and thinner bills
handed out the car window
before driving away.

This is how we winter,
how we warm ourselves.


The Store Manager

When the body decides it’s time to shut down,
it shuts down.  I can sleep fifteen hours straight
yet still wake with dead hands and feet

from the stubborn effects of how my blood 
stopped handling sugars well
some unclear number of years ago.  My brain’s

got more than a few holes in it from pure age
and all those drugs and all those depressions,
all those whipsawing snaps from high to low;

I can’t even speak to the ears failing, the eyes failing,
how weak I seem even compared to how weak I’ve always been,
how unsteady I am when facing up to where I’m going

and how fast I’m getting there. Waking up now
I feel like…a store manager.  Like I’m in for the early shift, 
walking from door to door, opening one after another —

or rather, trying to open all the doors and finding
the once reliable keys aren’t working or 
are even missing from the ring

where they’ve always been. I can run the place
just fine with what’s left but all day long
I’m wondering: what happened?  Where

are those damned keys? Stolen, lost,
or am I making them up and they never existed?
It’s enough to make me think about quitting.  Enough

to make me think about
fifteen more hours of sleep — the only time
I can’t feel. The only time I feel good.