Poems About Love

The man claimed
his poem was about love
but it was about 
fucking and only fucking.

We wanted love poems that smelled
of bullets and instead got this 
rose and mountain stream,
fresh bread and snowdrop scent. 

We wanted to hear love poems
about Babylon falling
and fires in the streets,
but instead got this wordy mess

about hydraulics and heat transfer, 
not at all the same as the fire 
we longed for. Love sometimes demands
a war song. Love is often

a hand up to a streeted body
and a slap across authority’s 
mouth, or at least it should be.
Love sometimes looks like 

riot wounds and how we tenderly
clasp another’s tired hands
in our own after a revolution,
but all this poet can say

is that he wants to be inside,
inside, when all we want of love
is for someone to bleed alongside us
as we fight to come in out of the cold.


Snippets

That which is recalled
is incorporated; snippets
making one whole. 

Two bars of a 
commercial jingle.
Slap-burn on the face.

Wet socks, cold wet socks,
snow-soaked cold wet socks,
badly buckled boots brimful of snow.

Three bars of 
a one hit wonder. Every word
of a different one hit wonder.

How they laughed,
how you cried, how you were
alone most when surrounded.

A tree long ago harvested by 
age that you never climbed. Your fear
of ending the same way.

Scents unidentified to this day
that still bring you to nighttime
among rocks near a lakeshore.

Your name, your given name,
your family name. Your skin
full of disguises. Your mask.

That which is recalled
remains. That which is recalled
is at the least your flavor,

is at the most your savior,
might be your demon: snippets
you cannot name, stuck in your choking throat.


President Icebreaker

This country once,
to some or perhaps most,
looked solid and white from above,

much like a blank paper, perhaps like
the back of a page in a history
text book or the back of a facsimile
of a foundational document,

or most of all, like a sea of deadly cold
covered by an ice pack.

When the Captains of Industry
and Control finally decided 
it had gone on long enough and
brought in an Icebreaker,
when they finally chose to lose the illusion
and let everyone in on the open secret,
when they decided they simply
didn’t care anymore about hiding the truth,
started breaking the ice wide enough apart
to make their greed work less difficult
and thus made it so folks could see
deep cold ocean beneath,
killer ocean that had always been there,

it staggered those
who’d been fighting drowning all their lives
while stuffed below the ice forever and a day

to see how the broken floes
who’d thought they were solid and safe
gave up their volition and sense
to get behind the Icebreaker itself
as it portrayed itself as
a savior of the great white pack,
who thought they’d make it when the ship
got through and showed
how thin the ice had always been,

how the solidity had been fragile from the start
and the fact that it hid the cruel sea under it
was the only reason it had been allowed
to last as long as it had.


Thirteen Ways Of Looking At A Tyrant (after Wallace Stevens)

I

The tyrant is not himself magical.
The tyrant is nothing himself but
the result of a spell.

II

There are some who say
his name is magical. They say
he cannot remain a tyrant
if we do not
say his name.

III

There are some
who call him
by his grandfather’s name.

They
agree with the tyrant
that some names
are less powerful
for their foreign origin.

IV

The tyrant is
utterly himself. The tyrant
is always present, in the moment,
a bruise or fresh gash.

V

Dare we admit that
something in us is thrilled
that the tyrant has unmasked
the perpetual tyranny
that preceded him here?

VI

The tyrant’s mood
is easy in the morning,
easy in the evening. The tyrant’s mood
is always easier to read
than predict. 

VII

The tyrant walks among men
as if he were thin and everything
about him were golden. He 
walks among women as if
he needs, when among them,
to stretch an arm, to reach out.

VIII

The long game, the short game.
The endless hours riding around
outdoors. The sun on his scalp,
yet the tyrant will not believe
in the sun.

IX

While wringing their hands
over the tyrant’s deeds and words

some fall into a shadow
and never come out again.

X

A tyrant, any tyrant,
must breathe the same air
as everyone else, but

more of it. This tyrant
draws like a furnace, 
chimney gone wild with flame.

XI

There are not yet enough songs
to suck air from under the tyrant’s wings.

XII

The tyrant sits up late, 
speaks to the dark, never dreams
without acting out the dream.

XIII

What a tyrant does, says,
what a tyrant is, is nothing new.
What’s new: this tyrant 

on a branch above the schoolyard,
staring at our children.  This tyrant
in the doorway of the bedroom, drooling
over us.  This tyrant bedecked

in a throng of blackbirds
adoring him, waiting for us
to take our hands

from our eyes.


Freedom Of Choice

Sometimes it’s good 
to give up and become
a camera in order to

choose a long view over
a close up, deciding upon what
to focus to the exclusion

of all else.  Sometimes
it’s better to shrug and become
a microphone hooked to a 

recorder and catch all the noise
for you to sift and edit to your tastes
later.  Sometimes it’s best of all

to write yourself a role in a grand play
and play it in context, with measured,
mannered voice.

Then comes the moment 
when you cannot transform into
the tool or medium of your choice

and you are forced
to be human, 
finally aware of how much

you have been privileged
to experience life
on whatever terms you chose,

and next you may rage and roil in pain
or fall into a swamp of tears,
but that is when you will begin to understand

that from then on, whenever
you are moved to reach for art,
art will no longer be a choice.


Mythbuster

A dire wolf in winter, strong
and thick with frost-hung fur.

A unicorn, its coat
a cocaine-dyed feast.

A dragon cloaked
in ice, in shards of flame.

All your fantasies
are white — but a white man?

A man as white
as these myths, a man

who is also alive, and real,
and in the right place in this world?

Such a being would be so cold
its heart would freeze and its blood

would become a static avalanche.
Such a being might long for 

green, yet green life
would shirk its presence

and slink back
into the earth to hide,

and how then
would such a white man

live, thrive, populate
beyond its own death?

It’s not possible. No such thing
exists. Look at yourself, look at me:

skinned in shades
of warm pink or brown,

hues of sun and ground.
No white here — so why then the myth?

Some are made
to explain, 
some are made

to enslave, some are made
to explain enslavement

then tempt away any warmth
of the heart toward those enslaved.

We’re left with a white shroud
on a body gone cold,

hiding its shrunken frame,
its jutting bones. Then,

a sound breaking
the white silence:

howled recognition.
Pierced veil. A necessary burning.


whitenoise

from birth
you were walked
blindered into 
forest
forever bumping into
trees

stumbling off path
into a swamp
(as was intended)

your steps
sucking so loud
can’t hear a way out

and not like it’s easy to 
grope a way back
hands on trees
you can’t see
in a forest 
you can’t see
all you’ve got is your ears
but once you’re out of
the worst of the swamp
it’s all one white blur
of whitenoise

you’ll need a good brown voice
in your ear to find your way
outta here

and it will tell you
the first step
is to open your eyes
and see where the whitenoise
is coming from
and the second step is
to shut up

it must follow
that the third  
is to listen


What It Takes To Break Them Down

The grand mistake
of thinking you can do this in short order,
the grand mistake that gets you going.

Burning through shoe leather, and 
having the willingness to face
eventual bullets.

The entertained thought
of your own need for 
eventual bullets.

Shaking it off, then
letting it come back to rest
near the ancestors’ graves, if needed.

Shoe leather, again.
Cardboard for signs,
short money shared for bail.

A promise to take care of 
kids if…A promise to keep going
if…promises to…keep promises…

Wary eyes
on supposed alliances
made from necessity.

Hunger, thirst,
comfort, vinegar, bandanas,
holy lies, selective deceit, stealth.

End of the world as we know it.
End of the world we don’t.
Lying down to sleep in a world no one knows.

Hope? Honor? Success?
Don’t hold your breath looking for it
in a mirror. A telescope, maybe.


“The Great Man”

often portrayed smiling
with hands outstretched to all
and sundry

historically 
has almost always been
also a hangman
in some sense

hooded

holding
someone else’s noose

putting it over
someone else’s head

pulling someone else’s
lever

he smiles in public
in order to get
the hangman’s job

he wears the hood
so you can’t see
he’s still smiling


Every Noise At Once

My base tongue is
rock, even more foundational
than English. My dialect, punk
underlaid with classic,
smatterings of metal. I know
a few words in prog. 

Old blues and country and basic folk
are a second language to me,
mostly because I have a passion for
etymology that led me to 
learning them to better understand
my root and seed.

I know enough jazz to do more
than get by.  It’s a language
I love; I’m swiftest to translate fusion
in my head, but nuances may
slip by if couched too deeply in bop
or swing; most excited when I hear
free being spoken, though I cannot
say a word.

Orchestral? Fine. Chamber?
Fine. I grew up surrounded,
immersed in these and opera too,
but have lost the taste for them
and now it’s like recalling 
childhood as it was before my memory
was solid enough to track.

I wish I could speak hip hop
better than I can now.  I know
what I love of it and how it fastens
to poetry, my first and best craft. 
I am resolved to any facility
I may yet develop being 
strictly rote, merely mechanical;
I am serene in knowing hip hop
is now and forever will be fine
without me.

I turn it all off

and face the world:
salsa, son, bachata, merengue;
rai, reggae, reggaeton, dub;
Breton, Irish, Scottish, English;
K-pop, J-pop, EDM, trance;
drum and bass, raga, township jive;
how much noise do you want me to love?
How many tongues can this old man learn?

Then there’s this:

somewhere on a beach
with no musicians around for miles,
the ocean, the drummer,
is still beating time 

on the earth itself.


Song Of The Stone Around My Foot

My age’s lately been 
a stone tied to my foot.
Waking up daily feels more and more
like 
I’m standing poolside,
bound in weights, afraid 
to jump in. 

I’ve got
a tremor in my leg
that might be more of 
the sugary damage my feet
are already feeling.  I’ve got
lungs like sponges and 
honestly, I’m damn tired of
all of it.

That old devil
suicidal ideation — it almost 
sings, doesn’t it? 
“Sue is idle?” Tell her to get back
to work then! It’s a song of sorts.
Makes me want to yank my larynx
to keep from singing it.

You think that’s extreme?
It’s extreme, alright. Extremely
hilarious in the face of doom.
It makes me laugh
as I’m hovering over
a recreational drowning.

My leg keeps vibrating
and I could despair over
the progression of the disease
all day long, but then

who would do the dishes? Who
would do anything around here
if I let myself die early rather than
on time, naturally at the end
of all this decay?

I step away
from the pool, laughing. Plan
to keep making ridiculous music
as long as I can, no matter how heavy
my steps become.


Unsaid

I will not say
they are animals.
Their behaviors are
far too human. 

I will not call them
stupid as what they’re
doing seems to be
focused and working.

I will not say
this is temporary,
that at heart I’m sure
they’re fine people.

I will not say
they have some
good ideas. They do
say what many

are thinking
but until this were
afraid to speak aloud.
They aren’t afraid anymore.

I will not say 
there’s no hidden
agenda. Someone’s
certainly not talking

about something,
because somehow
certain people win
regardless of public

knowledge, regardless
of apparent opposition
by the powerful. Regardless
it always seems to work out

for the same people.
I will not name them.
You know them, I know them,
they don’t care who knows.

All these ideas and words
I’ve left unsaid are things
people know, and they
either detest them

but despair of changing them
or they dismiss them and think
they will be gone soon or
they love them and are

sitting pretty with those ideas and words
in their laps as if they were darling
children with full sets of teeth
from birth to go along with

their deep yellow eyes.
I will not call them by their names
but I will not avoid those eyes,
I will not refrain from cracking their teeth

if I get the chance
before I am devoured.

 


St. Vincent

“…there is a certain amount of writing that can only come from a monastic space.”  — St.Vincent

 

Alone. A lost tree
seeking a forest — thing about
trees, though, is they

can’t move so is it lost at all
if it’s living where it’s 
been planted? Perhaps

solitary is a better word
if it is a happy tree. It stands by
itself, seeking best words.

All of its time caught in a web
of slow growth and searching.
Speaking of best words,

happy doesn’t enter into
a lone tree’s vocabulary. 
Say instead it’s self-contained

and always fixed upon 
what it grows from: it grows
from matins through lauds

to vespers, morning prayer
through to night prayer. Speaking of
St. Vincent, musician and not

saint, it is always possible that prayer
may become song. Speaking 
as man and not tree, I refuse

to see difference between those
words. Speaking as a solitary,
i am not ashamed to grow bark,

resolve to be rooted,
settled without patronage.
St. Vincent non-musician was

patron saint of poor people and vintners.
Never an extra word for poets. I am
poor and I am drunk on my assets:

I speak of course of words, prayers, 
songs, monastery walls,
vows, oak, bark, and bite.


The Depths

Take the Grand Canyon, for instance.
It swallows your head. It breaks
your dimensions apart. If
you’re on the edge of it and
you toss a stone here
it may travel over a mile 
before it stops. Where else can you 
say such a thing —

except perhaps when 
anchored above the Mariana Trench?
A stone dropped over a ship’s rail there
can travel seven miles straight down
with no effort on your part
other than whatever it took
to get there in the first place.

Get to the right place 

and if you just let go,
you can watch it fall away
as far as it’s possible
for a burden to go.

Skip climbing.  Everest
is only five miles high and
it’s not strictly, purely vertical.
You feel stuck? You feel low?
Here’s the totality of what I know:

the depths can offer 
all you need. If you’re
already there, let go.


A Closed Eye

A closed eye, shut tight
by choice, fallen
comatose or dead,
having willed itself blind
or having shifted suddenly,
involuntarily, into
darkness.

A hand gone limp,
crossed over another like it,
resting on a chest
which may or may not 
be moving up, down,
slightly.

A body, small enough
to be overlooked if one
were to walk by in a hurry,
lying covered in dry leaves
by a main street but in a stretch
where there are few homes
and few who walk by.

How I know
this is my hometown:

I reach gingerly down
to the body and touch it,
almost tenderly, and when it
stirs and raises its head,
I look closely into the face
and say,

“Hey. Joe. Getting 
cold out here. Go home.
You need a ride or something?
I can go get the car.”

How, when this improbably
happens for the second time in 
my life, I know I have come
very far from home:

I reach into my pocket
and pull a phone from it
and call the emergency number
and stand to one side
and wait there for someone to come
and raise the body up and 
see how the person is,

and never get close enough
to see for myself, 
to touch, to feel.