Category Archives: poetry

A Grand Stone

A grand white stone on the bed
of a familiar pond

seemed to be
in shallow water

but then you remembered
as you reached for it

this pond is clear
but deeper here

To retrieve it
you had to plunge

your arm in almost
to the shoulder

So cold
you were disabled

for a while
in terms of being able

to feel and hold 
the desired stone

to heft and bounce it
in that hand as you tried

to understand better
the reasons why it drew you

which had seemed obvious
until the shock

of seizing it
snatched your breath

It seemed so close
and easy to grasp

It looked
so perfect down there

Now all you’ve got is
this cold rock and

a longing
left unexplained

swiftly drying 
into mere memory


Being Neither, Being Both

from 2013, revised.

Being Native
and White
on Thanksgiving

means being tired
of plowing the six weeks of stupid before this day.
Tired of explaining. Tired of walking on Pilgrim shells.
Tired of having to justify marking the day
as painful or joyful or neither

or both. Being Both on Thanksgiving
means I get to give myself the ulcer
I richly deserve. Means being hungry
in every sense of the word. Means
I want to give thanks for something
I stole from myself, or perhaps I did not;

being Both on Thanksgiving
means nothing is simple. I am thankful
for the tightrope, thankful for the mash-up
problems, thankful for looking like
I ought to be oblivious, thankful for
a good talking to. Being Neither, fully,

on Thanksgiving means I ought to give me
a good talking to. I am angry enough
to ignore much and fantasize more
over the boiled onions only my Dad eats
and the meat stuffing with chestnuts only my Mom eats,
angry enough to lose my appetite in public,
angry enough to be redder than the damned canned
cranberry sauce. Being Me on Thanksgiving

means I sit down to the table and eat like a fat man,
a continent’s worth of overkill, filling my dark gut
till I have to shed something to be comfortable
by the fire in the too-warm house of my parents
who are long past caring about anything but making sure
that the peace holds till night falls and we all go home

carrying the leftovers with us to feed on
for another whole year. Another harvest festival
passed, no guarantee of one next year, maybe
we’ll starve over the winter while being Native, being White,
being Neither, being Both, being the kind
who thinks it matters when you are choking on
so many bones.


Yellow Apple Skins

Long night recalled
only in fragments.

Yellow apple skins glimpsed
in a refrigerator drawer.

A voice as clear
as cirrus clouds in sunset.

A remnant lust
fading into regret. 

What needs to be
retold for a different world.

Instructions on
how to be old. 

Sickness and health
interchangeable. 

Hard words: love,
damage, porcelain. 

The same old “used to be” 
shifting: is memory

credible, imagination
no more than a broken cup?

The pattern on the tablecloth.
The tablecloth on the floor

and whose eyes are those
watching from the pantry?

Fatigue in the form
of question marks.

I had better get home
before answering any of this.

Want to lie down
silently and let doubt

slide away like a kid giggling
in a downward mountain stream,

all the way into an icy pool
then coming up for air. 

A yellow apple for breakfast.
Afterward, cleaning up

the broken cup. Afterward,
memory kissing me back

to just after childhood
and the eyes of an early lover. 


The Work Undone

Five in the morning
has always been my time
though I haven’t seen it
in a while. Sick as
a sputtering candle, 
sleepy as the old dog
I am, I’ve been keeping
less funereal hours of late
as once it gets dark
this body says go, sleep; 
get used to it, soon enough
this is all you will have.

So to bed
after dinner I go, hating
myself for succumbing.
But somehow the graceful lamp
of Work Undone
relit itself tonight and now
before dawn I am here: back at it;
uncertain of the time left;
I am here aroused
into sword time
with the old weapon of choice
at hand. I ask:

what am I supposed
to do now, dimming body —
pretend to joy
while I stare at despair? 

It shouldn’t be a pretense,
retorts the body half-lit before 
the Work Undone.  So much to do
before you drown. You are
out of the dark and joy is
out here, somewhere, waiting;
pretense is for false warriors. Go.
You are not
allowed to fade without 
at least making a stab
at finding it. 


Trigonometry

You thought your life
was going to be deep,

imagined you’d have thoughts
as large as whales
moving sine-cosine through you
all night long, all day long,
from wake to sleep and after death.

You thought that at this age
bills would pay themselves, 

imagined you’d be soaring now
far above dirty and mundane,
that such small things would be beyond you
as you plunged and rose and plunged again
upon thermals, updrafts; flying upon the fullness
of cycles, the vast majesty of understanding All. 

You never doubted that by this age
throngs would look to you for wisdom,

imagined yourself in whale-speak 
sharing the meaning of tender, sharing the falcons’
long vision, imagined yourself
nodding at the seekers, shrugging when
needed to maintain mystery.

You thought this morning
about all that nonsense,

imagined yourself instead no longer hungry
and cold as you sat in your sad apartment.
The whales no longer passing through you
sine-cosine; you have no sky to fly,
nowhere to go. Deep thoughts
you once hoped for have left you adrift.

Instead you think about your empty shelves,
pretend you recall hearing songs in the ocean;
it seems so far from here
to the top of that last wave
but it’s really no farther now
than it has ever been: how simple it seems now:
shallow or deep, high or low, rich or poor,
hungry or sated:

sine, cosine;
cosine, sine…ah.


Graveside

It was sweet of you
to agree with me
when I said I mattered
 
Was sweet of you
to let me lick
your plate

Sweet as
hot candy
on a car floor
Sweet and soft
as shoveled earth

If I could I’d get up
from this shady grave
and hug you and pray
that you wait
until my back is turned
and I start to walk away
before you scrape off

the dirt that adhered to you
when we embraced

the dirt
you put me in

before you shudder


An American Poem

Revised from November 2021.

To write an American poem
insert
nature image here;

purple up those mountains,
you god.
Then chew

the scenery
until there’s nothing left
to suck from it. The

American poem,
a rigged dance
of myth and cynicism.

Right outside the poem
is where we step on
toes

until the pain becomes so strong
they cannot help but kick at us. Inside
the poem is where we apologize.

An American poem
should be brimful
of exuberantly shaded ghosts

and their decorative babies,
crying, screaming — playing dead. 
If you write it someone will say

no no, not the babies, please.
Leave the babies out of it.
So precious, so beautiful. 

Bah, humbug, you say, 
though it’s not Christmas, it’s
the Fourth of July and the Fourth

of July is built on dead children.
Uses fireworks to justify
a war everlasting.

What’s that about the ghosts? You
don’t recognize yourself in there?
Still cheering, still writing,

strangely inverted? A good mirror
shows you your other side.
A better one shows you more than one.

An American poem
usually holds an America over half
of its readers cannot recognize.

See the babies
before their mirrors,
either clapping and laughing

or screaming, wondering
where we went wrong
that this is how we look now

from wherever
you find yourself
when you come near

an American poem.
The fireworks are done.
Sulfur and sizzle hang in the air.


Stella

You live
between animals
in a studio apartment
pretending your daughter
is not so far away.

One side
of the room belongs to 
a dumb cat named Cat
who sleeps
for more hours in one day
than you usually muster
over two nights.

The other side of the room
belongs to an alarmingly smart dog
named Toby or Tsunami or
something else beginning
with a T you don’t care
to use or recall
as he never comes for it
which proves he’s smart
as there’s no need to answer
in a room this small. 

Your daughter
lives in New York
and neither calls nor
answers your calls.

You live
between animals
and look from time to time 
at the yellow wall phone
you can’t quite give up
for a mobile device. 

Feed the animals,
sit near the phone.
Don’t bother with the television.

If there’s ever a tsunami for real
they’ll never find you after.
The animals will survive
and go to shelters. 
Your daughter won’t bother 
trying to adopt either one.

You used to have a name,
but why bother with that now?
You were at last just
The Lady Between The Animals.
It’s not an easy one to forget,
but it will happen.


Rude Awakening

Soon enough
I hope
we will retch

when on some lucky morning
we finally taste workers’ blood 
in our orange juice

and after that move on
to sweeping the television
into a trash can

and after that recognize
that some so-called
“opposing political viewpoint”

is in fact
the smirk of a well-fed predator
seeking its next meal

and while it won’t be soon enough for all
I hope we will find the key
to the dusty old gun safe 

and after only the briefest of stops
for unlocking and retrieving
step out into the day

with a hot spring
in our step
rude awakening behind us

and something resembling
a red but needed future
before us

and some
will moan about violence
but how you can think

they’ll stop smirking
without us being willing
to wipe that away

as a consequence
for them
feeding us blood with a smile

is beyond me


Be Sweet

be sweet with yourself
while donning your arms and armor
for the day.

drink fruits newly juiced
from a cup fashioned from
the skullcap of yesterday’s enemies.

be fierce as a broken daisy
not yet browning
as it droops toward decay.

ask yourself: if you are not
a warrior, 
how are you still here?

in your shelter
as night, whether ripped tent
or bungalow, dim tenement

or high glitz studio:
are they all not 
battlements? lay your hands

upon your sleeping beloved
and swear the only oath
a warrior should take:

here is what I am, here
is what I love. may I not let
this coarse need for war today

grind away my words 
and my deeds. may I
recall the sweet even as I 

traffic in the bitter.
may I come home. may I
sleep there. may I not be alone.


A Song Too Far

Low enough today
to be unable
to reach my guitar
even though it’s 
right there hung just
above eye level 
on the wall. 
Forget about the amp,
I’m carrying enough
already. It’s not like
I have any place to go
and play tonight
so I’ll sit and think about
how I’ve got
nothing going on
and even if I did
I’d have no reason
to stretch out my hand.


Anything But Fine

I’m dying I say
and you say I’m going to be fine
and I’m dying I say and you say
fine. You’re going to be fine. We’re all
going to be fine. You’re dying
and I’m dying and that’s fine.
Nothing that inevitable
can ever be anything but fine. 

I’m scared I say and you say
I’m going to be fine and 
you are going to be safe. I’m scared
I say and you say there’s no reason 
to be scared. I’m dying I say 
and you say fine. I’m fine, you’re fine.
It used to mean fuckable, now it means
dark is the night and cold is the ground
no matter how fine you are so you can’t be
anything but fine.

I’m cold I say
and you say I’m going to be fine
and I’m dying though and scared and now
I’m cold and you say fine. You’re fine
and are going to be fine. I told you
the ground would be cold and 
look how fine you are even on the ground
coming up to hold you. Your planet
longs to take you in. You can’t be
anything but fine.


The Buffet

1.
Imagine your sins were laid out upon
a buffet table.  Where would you begin?

Would you save the best for last
or plunge your face and slobber it up

first thing? You know if you do the rest
will pale in comparison and you

will lose your appetite. Then what? 
You’d likely sit there wondering

if you missed out on subtleties 
by falling into such gluttony. 

2.
Imagine your sins have been laid out
upon a table short but wide. The dishes

holding them are few but they are vast.
You’ve sampled throughout your life 

but the rib-sticking ones, the ones
upon which you based your diet

and sustenance, are in deep bowls
covered with drip. Where to begin

is the big question. How to finish
is without question. You will finish

eyes open and unable to swallow
one more bite.

3.
Imagine your sins had never fed you.
You still wouldn’t have lived forever.

You’d have sat there wasting away
without one smile on your skinny little face.

You’d have been one clean bag of bones
but you still would have no clue about 

how to eat right. How to digest
the hard stuff. How to add spices,

how to know all the differences between
evils and indulgences,

how to thrive
in the gap.


Neuropathy, 4 AM

Obsessed with what I hope exists
but am too lazy to research:

a method for knowing when this water
was last opened and poured.

A method for determining 
when the bottle was last taken out

of the refrigerator,
how much was in it,

how much was consumed
before it was

put away. How many hours have passed
since the light last went on and then off

as the door was opened,
then closed. If it does not already exist

there must be someone in a lab
working on formulas, testing

hypothesis after hypothesis
for considering the movement of 

molecules, the conservation of energy,
how to know from the state of now

what the state of then was
and how long ago then was. 

It must be measurable. People
measure things. I measure things,

or wish I could: the progress 
of how my nerves are dying, for example.

How pain grew from a tingle
in my big left toe to that full blaze

in both feet as if I’m shoeless on asphalt 
in a beach parking lot

that comes pouring into me
at four AM when I’m just lying there

trying to sleep till the alarm.
There must be a measure of how much

that takes out of me as I lie there
already worrying about money and 

the limits of hope and how clumsy
I’ve become when I wash

a dish or a spoon; how difficult it is now
to pull a shimmer

out of my guitar
with my numbing fingers as I used to.

In the dark I can’t even recall
the state of then. All I have 

is the state of now. There must be
some way to measure the distance,

the decay, the way back to the core
of the memory of being whole.

What if I am the measure? What if 
it’s all been an experiment to see

how then becomes now? I want to talk to
the whoever in whatever dark lab

wherever it is to understand
why this is so. Wasn’t it enough

to see how I was already
damn near empty

before deciding
to change the parameters?

If not, I want to hear
what’s been learned from this;

people measure things
and someone has to know.


Reflection/Epitaph

It’s been enough
to have been here.

Built my home
on this lot you offered.

Moved here from
a busted shack.

This made me work.
This made me wider.

Gave me more rooms
and all outdoors.

The home is not
a spacious place.

Neither great in width
nor wild in depth.

Either one’s
too grand for me.

It’s been enough
to live this place

and call it home
as I am called

so many things,
though none that simple.

As far as I can know
I’ve been completed. 

It’s been enough
to have gotten this far.