Category Archives: poetry

Between

Originally posted 4/14/2004.

between flirt and affair
between laughter and terror
between the end of the backward rock of the chair
and the start of the backward fall

is the land where you live

before the light wakes up
when your sense is bridging
the space between
nothing and something

is the only time there is

it takes patience
to live this wholly incomplete way
to hang on the day’s pendulum
without falling off

what some call the great unknown

is there such a thing as a marigold’s prayer?
what is an antelope’s last thought
before hitting the wall at full run
unable to turn aside?

the way things are in
this vast continent between the poles
of being and not being
of static and fluid

if you are alive
you cannot win
you are dying in the moment
as fast as you can and

though the wind sleeps

in the blue trance before dawn
something is always moving
at once toward and away
back and forth and up and down

and it only appears to be something other than you


Leverage

Originally posted 4/23/2012.

Growing up in
Worcester, Springfield,
Lowell, Lawrence,
Fitchburg, or Pittsfield
gives us permanent
leverage
against pretense:
whenever we proudly speak
our hometown names

a seagull in Boston fires from the sky
and ruins an Acura’s windshield,
a raw wool sweater in Northampton
catches on an antique nailhead,
and somewhere on the Cape
an overpriced lobster bites back.  

We wake up some mornings
and realize how handsome we truly are.
It’s enough to make us empty a mill
and start a revolution inside.


I’m Your Best Shot At Love, Baby

Originally posted 9/3/2010.

I was tiny at first,
a germ of an idea
wrung from
one malignant synapse
firing wildly.
“There’s the bridge,
there’s the abutment, 
you’ve got the car,
consider the possibilities –”  

Right away you tamped me down
like a piece of garbage barely too large to fit
into the bag the rest of your garbage was in,
but like a paper cup that won’t stay crushed,
I forgave you, reshaped myself, and stuck around.
It’s been fun and games since then.
I wouldn’t have missed it for the end of the world.

You tell yourself I’m just a product of chemical tilt.
I tell you how you could right that in a second.
We tango, we party, we bullshit,
we know each other very well. 
I push your eyes to the knife in the nightstand.
You slip me a drink or a pill.
I settle down for a little while
until the storm or the money or the latest fight with family
gives me an opening to suggest

that a gun
isn’t that hard to get,
you know the right people for that, and if all else fails

there’s always the roof,
there’s always the car and a bridge — I’ve got a list
of them, how you could make the skid look accidental,
which rails look the most rusted and ready to break,
how the long fall to the river below would guarantee
a minimum of lingering pain. 

Nonetheless, you stubbornly stick around and treat me like dirt.
I can’t blame you. I’m a terrible flirt
and I know I drive you crazy — but still,
there’s something in the way
you always come back…c’mon, take me into your ruined confidence
for real tonight.  Let me whisper 
the good things I can do for you —

how I’ll buck you up 
and cuddle you
as we finally do what I want
for a change.

I was born to love you
all those years ago
in the moment I told you it was OK to listen to me,
and you did.  If only for a second,
listen to me again
and then show me how you love me. 

I’ve only ever had
your best interests at heart.  
When I say “it’ll be over
in moments and whoever’s left to clean it up
will get over it eventually,”
I’m not being selfish.
I’m just telling the truth. 

They’ll forget you after a while
in a way I never have,
never could,
never will,

at least not until
you forget me for good
the minute you let me
all the way in.

 


Dominion Of The Dead

Originally posted 9/15/2008.  Inspired by the book by Robert Hogue Harrison of the same title.

The dead man I was born to replace
sits up and watches me from a distance.
Hello, blueprint! It’s comforting to remember
how few of us are innovations,

how almost everyone’s a remake.
Some few are sequels, but each of us
drags behind us the shadow

of some more or less distant Original.  

I’d go talk with that dead man
but why waste time?
I already know
what he’s going to say: he’d remind me

that our monuments and buildings,
overstuffed with our plans, are built
to hide the horizon.
That’s how we keep things going.


Modern Apocalypse Rag

Originally posted, 8/31/2009.  Original version was found in old notes; apparently, this was written in 1976, when  I was 16 years old.  I’ve modified it very little, mostly to create end-rhyme breaks and clear up a little weirdly vague imagery that seemed like the result of youthful incompetence versus originality.

“““““““““““““““““““““““““““““““““““`

We all stomp round and round. 
We rage at sky, at ground. 

We hunt and peck and scream. 
We hate, we fear, we dream. 

We honor corpses’ names,
then rip ourselves with games.

The trees know we don’t care
for sea, or fish, or air. 

We strike at those we loathe.
We sleep we those we love.

We can’t tell them apart. 
We turn that into art.

We drink our salty tears. 
We do this all our years. 

We spend our time on pain.
Our children do the same. 

We hope, but hope’s a lie.  
We live, we wait to die. 

We lie down, glad to sleep. 
When we’re gone, few will weep.


Paper Plates

Originally posted 1/27/2011.

I decide it’s time
to open up and release
a secret to you
and tell you

that I often write
inspirational messages to myself
on paper plates,
then eat off of those plates
in the hope that hope
will soak into the food
and keep me sane and alive
till the next meal.

When I tell you this,
all you can think of to say is,
why are you killing all those trees?

This is why
I too often lower my eyes
in your presence
and grit my teeth; it’s my prayer
that you’ll stop asking
soon.  It’s why
I hesitated before telling you;

you can’t help but call attention
to the slaughter all around me,
yet still manage to entirely
miss the point.


Drowning In A White Man

Originally posted 9/12/2011.

I’m drowning inside
a white man.

It seems
I’ll have to grow
thin white gills
and survive though
I won’t thrive —
what I would have
to give
in order to thrive,
I will not give.

No one gets to name
whatever it is I am inside
except me
and I don’t know
how to name
or save myself
other than to say
I’m drowning
in some white man:

can’t breathe,
chest is caving;

need some
smoky air,
some familiar horizon,
the sound of singers 
seated around 
a big, solid drum.

 


Coming Down The Stairs

Originally posted 1/29/2013.

Coming down the stairs
to my sweet revolutionary friends’
upturned faces and bubbling voices
as they rise to the morning.

I love and hate them all at once
as I stumble into their cloud of hope
from my dreadful sleep.

I want to demand of the Powers That Be
that they turn from their affairs to see
those smiles pregnant with new holidays,
the street fairs waiting to break out when they sing.

Every movement of every arm
and every hair
is a banner

for a yet-unfounded nation,
a nation 
for the living, the joyful,
the loyal opposition;

patience,
once a virtue,
has no place
here today.

Coming down the stairs
I see smiles, I hear laughter,
I can feel the walls shake.

Their song and breath and wonder
draw me into
a world they are making new.
Give them a short track to the Powers That Be:

they will open up every door
that hasn’t been opened
in far too long.


Distractions

Originally posted 9/20/2011; original title, “Activism.”

tuesday’s struggle
forgotten by thursday
if it makes it to the sermon
by sunday at the latest

the monday after?
smiles, everyone,
smiles
fantasy island awaits

if we were honest
with ourselves
all would be wails
and frowns

but a little bread a little circus
a little zombie
a couple of dancing stars
some substitute vampires

we’ll bare
our teeth
with them
smiles everyone smiles

say men in excellent
tropical weight suits
with pockets of magical fulfillments
smiles everyone smiles


Caveat

Originally posted on 8/8/2013.

If I thought you truly loved people 
for the complex, contradictory,
dense ghosts they are

and not as symbolic husks,
bullets in your slide deck
of what’s wrong with the world, then

I could love you,
my activist, my firebrand; I could love you
if you could allow all of me in.


Maestro, Virtuoso, Aficionado

Originally posted 10/26/2011.

Maestro
play on

It’s said that in the hands of a virtuoso even an attic-bound instrument, ignored for years,
may make music strong enough to bend walls.

Maestro
my maestro
play on 

My history being its own reward and punishment at once,
I am expected to live entirely within the words maestro and virtuoso.

Virtuoso
Maestro

What do I call myself now when, my instrument all but played out,
I seek clarity in the use of a single string?

Aficionado
I am obsessed with the hunt

Maestro
I am forsaken

I’ve been told that nothing made on the single string is performable,
yet here I find myself facing an audience who expects performance.

Maestro
I am the impression of you only
Aficionado

Under command of the single best note.
In awe of the silence around it — 

ossessionato

can one perform silence?
As maestro, as virtuoso. I must try.

I am no longer maestro
I am aficionado

Am no longer virtuoso
I am aficionado

The audience sits on their hands, expecting something more.
But what could replace this?


The Rules For Being An Oppressor

Last posted on 6/25/2012, titled “Oppressing Them: A How-To Guide.”  Original posting 4/7/2010.

Dog them early while the scent of sulfur builds.
Maze the rules they must play by until loopholes become jaws.
Stack them till your God approves of the height of the pile.

Open their prison doors and pour in hot oil and lingering fame.
Approve their paroles in a voice of long chains.

Denounce them at the whiff of impure thought.
Relegate their romances to the dustbin of hysteria.

Imagine them as moldy bread.
Bite mincing mouthfuls from them till they spit back.
Reject their strapping response to infractions.

Blow them rat kisses.
Darken their doorsteps.
Assume their pleasures for your own.
Assume their pleasures are your own.
Burn their books.

Starve them.

Own them.
Remove them from their lands.

Speak of universal love only when they aren’t there to hear.

Steal their women for a cabaret of night monkey wars.
Splay their men’s genitals upon a flea market blanket.
Drown their children in salt.

Rend their garments.
Bruise their heels.

Revise their gods.
Bivouac where they pray.
Infiltrate them when they attempt to remake their own worlds.

Give them names to conceal the names with which they were born.

Carry a sponge to sop their servant blood from your white loins.
Blacken their teeth until yours are moonlike in comparison.

Honor them with caricatures while you shred their portraits.
Play their music in your nurseries.

Wear their feathered robes. 
Drop their bastardized secrets on the tiles of your temple.

Cut off their water.
Tell them the righteous can live on dew alone.
Suck their grass dry.
Watch their tongues get crisp.

Then, and only then, let your mercy rain down upon them as a mighty river.


Feather

Originally posted 3/31/2010.

feather
floating

a little this way
a little that

one current lifting
another driving down

will drop at some point
to the floor

where it will stir a little 
now and then

mostly will lie still
having found its level

like my head my truth 
my real face which

no matter how 
propped up with breath 

will fall full of dust
a discard 

don’t care
drift was movement 

was needed
for a while


If I Had Possession Over Judgment Day

Originally posted 11/28/2010.

Robert Johnson lived
where he died

(though he got around some
if the stories

are to be believed)

Robert Johnson
lived where
there were no arteries
only veins 
squeezing blue to the heart

Robert Johnson
lived where he could
condemn every last one of us 
to Hell 
with gusto and a song

Robert Johnson
lived and died
by pussy
bottle guitar and
one sharp suit

Cigarette boy from the suburbs
on the stage tonight in a sharp suit
You’ve seen plenty and gone far
but I can hear 
where you live

That smells like kind bud
on your lapel
I know that’s small batch bourbon
in your glass and
that’s one hell of a guitar

If I had possession
over Judgment Day
I’d cut you in your fretting hand
just to see
what thin color you bleed


Perfect World

Originally posted 11/25/2003.

The news speaks of Siegfried and Roy,
of terrible news that a beloved tiger
has turned upon them; also, I see
we are still
at war.

I am not Roy.
I am not Siegfried.
I cannot make any of this
disappear.
Therefore, I will give up. 

I will turn toward the headlines
that call out war and other savagery
and surrender my own head to that tiger.
Into his jaws, the ivory ridged tabernacle,
I shall commend my spirit.

I shall learn to speak in sitcom
and imagine in high definition 
what it’s like to be at war –
if my left eye opens,

I will wash it
in a pool of agreement
and dry it
with a flag.

Somebody teach me
the chords to a country song.

Somebody
pardon me for being slow
to resign myself
to the new reality:
this was supposed to be 
our century, 
our time to shine
with the glazed and handsome
Coca Cola sheen
of the skin on a roasted hog.

Everybody dies
for something these days.
Somebody, anybody,
give me something simple to hold
and I’ll pretend that I like dying for it,

even as I wonder why Roy wasn’t faster,
swinging the mike at the tiger’s head
and leaping back in time to laugh and laugh
at how those handsome teeth closed on air.

Why were our free will 
and his gleaming magic 
not enough to stop the blood?

Why isn’t history dead? 

Why are we still at war?