Category Archives: poetry

Their House

After the murders and fires
had cleared the land,
I was strenuously invited
by the arsonists and killers
to enter
Their House
and stay.

I looked in through
the back door —
the only one open to me —

at stains,
smoke-sullied windows,
a clutter of weapons
and waste,

then turned back toward 
the ruins of the countryside
where green and gold
were preparing to run riot
after timid beginnings.

From inside they called after me
with hope and threats
as I walked
a good distance from 
Their House
and began to tend 
to wounded land
and water, doing

what I could do,
knowing what was to come
would likely take me
but would still be better than 
how I would die
in Their House.


That Revolutionary Style

Love those social media posts
with the guillotines and shiny blades
With the red and the brown and the clever names

You’ve got that Revolutionary Style

Never touch a gun, never touch a knife
Wave a little banner, paint a little sign
Locked to a front door while they open the back

You’ve got that Revolutionary Style

Gotta dig that T shirt, gotta like your scarf
Gotta get me a whole bunch of stuff like that
Gotta get the right look for the march or the war

Gotta get that Revolutionary Style

Call it out lock him up lock him up lock him up
lock him up lock him up LOCK HIM UP
Incarceration is a crime but there are exceptions

when you’ve got that Revolutionary Style

In the haze of a burning planet
In the haze of a burning city
In the haze of the thickened gunsmoke
over bodies not yet cold
In the cries of the people seeking relief
In the steam of the oceans filling with heat
In the fear of the white fog filling the streets
where the future is bought and sold
In the moments before it all falls down
In the hours before you can’t and won’t
It’s a mystery to me how good you look
as you swing for the whirlwind cross

You’ve got that Revolutionary Style
and there’s gotta be a meme for that


Ancestor

Having been pushed
so many times
as far onto a ledge
as I can go
without hurtling off into 
the quick void before
the dead Void,

I have learned
how to wrap my toes
so tightly onto stone
that I could break it apart
through stubborn will 
alone; 

learned a little about how
to reach back into evolution
and summon an ancestor,
an animal I need
to help me survive: this is why

as you face me you feel fear
in spite of your apparent victory
when you see I have been pushed
as far as possible, when you see my
yellowing eyes, when you feel 
the ground crack beneath you
and talons in your arm —

ah, I can see
that you see 
my sudden wings.


Yes And No

Used to feel 
yes, yes;
now it’s more 
no, no, no;

used to be 
young, young —
and now?
Not so.

Had harsh words,
once, for
age and space;
agreed to disagree.

I lie here now,
choking on dust
from a life
I used to feel.

Did you, like me,
assume the best
of how your time 
would flow,

only to sharpen
and shatter within
when it moved 
toward stop from go?

My cocky shell
now broken up.
It pricks me,
and I bleed.

No matter that
my blood’s grown thin;
what little I have,
I need.

I bind my wounds
as best I can,
step back toward
yes and yes;

although the pull
toward no and no
is strong,
I will resist.


Skin Or Flag

We depend upon
a fog of hope 
to keep us from 
having to admit

that we are tied to harm
with each step we take
and our march
to a better world
will kill someone
regardless of our intent

as the nature
of our privilege
is to keep us
from understanding
what level of poison
is required to maintain
all this glory
for our benefit;

even if we 
go to the right meetings,
the right parades
and protests; even if we
talk and walk
the proper talk and walk;

even if we are 
good and pure and
say our prayers at night,

the simple facts of
skin and flag
can shift us
from caring human to
unwitting monster
whether we walk
in dark or light.


Unboxing

Revised.  Originally posted 11/22/2017.

I made a box
in which I keep the work
of my whole life:

how to be this divided
self, how to speak of it,
how to stay alive.

In the box I keep my races,
my bad brain, the sticky moods
that won’t wash off;

stars and scars,
every ink-bitten mistake, 
each triumph over a mistake.

Sometimes I have to
crush what I put in 
to make it fit,

but it’s all in there, 
I promise. All of that;
all of me, except that now

someone has kicked it
and a side has split.
Someone has kicked it

and it’s not holding.
It’s all out there now.
I’m in danger of spilling out.

That which has been
crushed down and down and
compacted for long years is 

now visible. In this light
some of those triumphs
look now like mistakes,

have been so pressed into
one another for so long that 
they might ignite when exposed.

I can’t tell you what
is about to happen, 
other than that 

what’s spilling out
is possibly ugly and 
if it burns it may burn

toxic and if the box
goes too we’ll all
see me for real at last.

I stare onto the world
through the now-fractured corner.
It looks like a slot canyon, a space

between walls or bars.
It looks straight
and narrow. Surely

it’s better in here
than it is
out there

but I’m about to see
if that holds true
and for how long.


Gardening

I planted the right vegetables today
to be prepared for the summer
as long as nothing happens to kill them all
or me for that matter although they’d likely last
beyond my departure for at least a little while

If so someone will likely do well by the eggplants 
and tomatoes even if I’m not here for them
Someone will get the peppers and the cukes
that will come in heavy if I’m gone by then
The butternut squash will be there waiting
and the summer squash will taste as fresh
in my absence as in my presence no doubt

Things shall happen with and without me
or with or without me
My presence or absence means little
to the bounty of the earth


The Mistake

Here is an overgrown boy
who cannot hold
his sick father’s hand.

Mistake, he whispers
in the car.
I was his greatest mistake.
I cannot take
more comfort from the man,
and how could I offer him comfort
when my existence was
his greatest mistake?

Here is that careless boy
all the way home listening

to his car rattling like bones
dug from lost graves,
telling a horrid story
of imminent failure.

Mistake, he says.
This car was a mistake.
The breakdowns, the rattles,
the whistling in the trim at 
highway speeds. I am never
comfortable, never feel safe
on the road.

Here is a fretful boy — 
at once too old and too young for this — 
trying to think of his father’s hand
and how it would feel to be 
touched, to have his hair
stroked while someone
spoke to him of mistakes
and forgiveness, of 
how to forgive; of how

some mistakes
fail upward
in spite of themselves.


One Thousand Cuts

if we find
after the last act
that in the end
all it would have taken
was one thousand people
with tiny scalpels
crowding in and each
slightly nicking that Demon
till it finally
fell weakly down
we will die wondering
why we did not
issue a blade
to anyone who
could get close enough

if we realize too late
just before the last stroke
of the closing bell
that one full shout
from a million throats
could have blown the prison doors off
and rendered the cells
obsolete
we will wail in the afterdust
wondering why did we not
encourage folks
to gather and scream
bloody triumph
into the faces of our jailers

if as we die we recognize
that all it would have taken
to win
was to fight as dirty as they did

if we become extinct
because we were not willing
to pay it forward with small crimes
against the flesh of the big criminals

we will perish
having deserved

what we are getting
right now


This Body In Which I Dwell

This body in which I dwell,
this animal in which I ride,
is not your animal to decorate, 
load with your baggage, 
steal, or kill. 

You ask me why
there’s no talk of beads
or buckskin in my words?

This animal in which I ride
is not yours to decorate.

You ask me why 
I never speak of drums
or sweat or feathers?

This body in which I dwell
is not yours to steer.

You ask me why
I do not look upon myself
as you do, translating blood-drops
into culture without a care?

This animal in which I ride
is not yours to load with your weight.

This body where I have made my home
is not yours to open and occupy,
this animal in which I ride
is neither your prayer nor your prey.

How you see what I show you
is not my concern
and if this journey takes me
into the harmful path of your illusions,
if my ride fails and this animal
falls as a result, know

that I will free myself
from that flesh and rise and find 
new passage, and
it still will not be one
for you to understand, much less one
to make your own.


Possible Songs

Shouted angers,
sobs, hates.

Lovers’ soft oaths,
the barking of 
distant dogs, unknown
stirrings in night kitchens.

The whizzing-by of fate’s 
unstopped bullets. Hiss
of last breaths.

All to be found
on a road
to a country named Music
through which
all sound passes 
at some point
to wait until chosen
for its place in song.


Boudin Noir, Boudin Blanc

It’s not enough
to just say sausage
in a world with
boudin, andouille,

sujuk, saveloy,
bratwurst, kielbasa, 
chorizo, linguica, 
mortadella, and more;

or to speak of booze
in the presence of

arak, poitin, tiswin,
pulque, Calvados,

lager, pilsner,
Henny, MD-2020, aquavit,
absinthe, corn liquor,
and whiskies galore;

this world is built
on specifics, motes 
of savor and flavor
and all manner of tastes

pulled from local waters
and land and legend.
To condense them
only leaves you wanting;

to turn away from soft words 
toward ones with gristle
is to humble yourself
until you can sit

at rough tables
with tough people,
listen to them
speak of joy and pain,

sucking the burn
of andouille, or
debate, laughing, between
boudin noir or boudin blanc;

wash a thick meal down
with strong bock followed
by shots of schnapps or korn;
perhaps hear someone tell

of how they came from some place
where the old folks made one thing
that put all else to shame, and
hear in that a cry for a lost home;

a home where the right words
open the right doors
into where and how the world 
is made right.


How To Pronounce The Name

In the mornings, disciples argue
about the right way to pronounce the One Name.
Some stand strong upon there being no Name

for what doesn’t exist, so why discuss it 
at all? They bicker and now and then
come to blows and bitter silence.

These many descriptions of God,
even the ones that deny a God at all,
all feel like wounds left untreated.

The flies buzz around the possible names.
Sometimes they sound like threats.
Sometimes they sound like laughter

and the scent floating in the air above them
is like flowers stacked on a grave
not entirely filled with earth.

A strong breeze brings healing
blowing in from all directions at once.
When the air clears behind it

there’s nothing to hear, nothing
to sense at all. The disciples begin to dance
to what they think is the drumbeat

of the True Name being spoken at last
but it’s only the wind stretching the grass,
bending the trees, shifting the ocean onto shore.


Making Fists

If you do not see
why some of us
are making fists,

consider that 
our open hands
have been slapped away,

handcuffed,
bound to stakes for burning,
even cut off so often

that balling them
into stones that cannot be
so easily moved

seems to be
the last choice left
to us.

We reserve the right
to open them again,
buds becoming blooms,

once we can trust
that true spring
has come.


An American Prayer 2019

1.
cursed be the past in repose upon its legacy whether true or false.
cursed be the imagined landscape of plenty and peace.

cursed be the flag of mistake and protection of the one at the expense of the Other.
cursed be the song performed upon occasions of contest and symbolic war.

cursed be the paint by number picture of normal and right and ordinary.
cursed be the faces made up to seem divine and honorable.

cursed be the banners of cowardice and treason made to seem virile.
cursed be the weapons borne openly into street and school and synagogue.

2.
holy the color of truth seen in spite of prism and lens and curtain.
holy the strength restrained by robbed wallets and pockets sewn shut.

holy the fullness of the body in defiance of the shame of expectation.
holy the strength of the body when taxed with reluctance and sorrow.

holy the ground full of origin bones waiting to be dug up and displayed.
holy the diggers of bones as they lie awake in the storm of disturbed ghosts.

holy the mascots and caricatures donning their own skin again at last.
holy the snake in the deep crust writhing and preparing to break through.

3.
we lay the prayer upon the day whenever and wherever we wake.
we lay the prayer down on the table before the selective feast.

we lay the curse before the blessing as it shall be swept before it.
we lay the curse out with eyes open and skin ablaze from centuries of flame.

we can only be quenched when the fullness of the fire is revealed.
we can only be healed when the darkness in the center of the wound is illuminated.

we claim the curse as our own to bind it to our work.
we claim the blessing as our own and free it to go where it must.