Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Smoke Tail

A sudden tail
of smoke twitching
away and to the left,
moving contrary to the patterns of air flow
you’ve long observed in this room,
sets you to considering
that a window may be open
somewhere
that was not open before;

it tells you that you may not be
the only actor
in the house,
that another may have been here earlier,
opening windows
or shutting doors
without your knowledge;
you are not even certain
that you’re alone now.

That errant smoke is such a tease:
does it promise
death or seduction?
Is there, possibly,
either a thug or a lover
in the next room?

It’s a relief to think
that one way or another,

loneliness may not be permanent.

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Middling

It is not at all
in the shape
you planned for.
It is a plastic rendering
of what was meant for bronze.
Plaster over paint chinking off.
Scar story of measured failings,
but not a whole failing. Not that.
You expected whole failing and this
is not that.  More an
improvised recall of what was
intended. 

Seeking that mold
that was not used you will find
it was cracked through.  This is
better, a sentence away from
incomplete fashioning
of original thought.  It is made
up, dashed off, strokes of genius
crossed with kindergarten theory,
intersections of lost paths
in childhood weedlots retraced
by graying men looking at losses.

Remarkable stars still above it.
Unsurprised streams.
Ponds not as deep when measured
against longer shins
but just as cold, muck as sucking
as ever. Easier to take —

it is not what was planned
or expected.  It is what’s
passed into present.
It is. 

Allow for it.
Pocket your silly sorrow, it lives
and is yours
and you own the germ of
a next pass at the shape
it should be.

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On The Rope

Rappelling:
a first step, then

a horizontal stand,
a leap,
a swing and
a fall,
a collision,
a leap;

repeat.

And all backwards
without looking
to see what is rising
to meet you.

Is it
because you know?

Yes.
It is because
you already know.

How important you feel,
controlling that approach
while not looking to see it,
not directly;  how
divinely inspired the fall
you’re taking.

And at the bottom,
how imploded.
How wasted the journey
since all you can see
is where you were.

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Intruder

A ruptured bottle
of what may be clear soda
in the middle of the floor
is tantamount to a declaration
of the End Times
if you encounter it
unexpectedly upon returning home.

Search every corner of the house
with a Louisville Slugger
and your uncle’s Marine knife
from World War II, hoping to save yourself
from the Satan, the Antichrist
dressed as local crackhead
or desperate soul awaiting battle and death
though justifiable mayhem on your part;
how the papers will honor you if you do this,
this one allowable kill.

But there’s nothing, no one here,
and you’re forced to conclude
it was some feat of nature
that dropped and burst the bottle,
or perhaps it was the cat making mischief.

You drop and tug the bewildered cat close,
your weapons on the floor behind you,
heart askew with relief
and regret. You soak up the regret
with the cat held close, returning yourself
from the killing field.

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After A Dancing

About an hour ago to them
a dancing appeared.
It spunked and spun
and then flung, whirred
a top, laid stone stomp,
rippled it humming a full stop.

Then, a reverse hurdle —
both fell down.  Slumped
pile of seem, slipped
a noose of silent, some breathing,
a tad of stir.

It was the beam of
what’s after.  Binge
hearty, the long bodies
wrung out and still.
Dilated eye, ruddy
arm and flow underneath.
They were enough for
the night, and were done.

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Santa Fe, Madrid, Paris

Pretty things
in Madrid, in Paris,
in Santa Fe. 

Missing them all
for the pursuit of
now, here, present location.

I don’t see
a clear road to
Madrid, Paris, even Santa Fe

from here. Maybe I’ll see them
someday, maybe not.
I still have to learn a million things

about here, now,
where I am, before
I discover them, so while

I still keep an eye on the road,
will take a ride if it shows up,
I will recite their names —

Madrid,
Santa Fe, even Paris — let them
drift through me, salt me

as I toil here, now,
where I am, becoming
the world beyond by standing still.

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The Big Hole

Abner and Jeremy poke
around a hole they’ve found
in a vacant lot.

Jeremy says,
what used to be here?
I don’t remember much about it.

Dunno, says Abner.
Maybe a post office? There are
a lot of flags and messages
on the fences.

You’re an idiot,
retorts Jeremy.  They don’t
keep holes where post offices were,
they rebuild them.  It’s not like
post offices aren’t a dime a dozen,
anyway.  Look at how many there are.
You can’t walk ten blocks without passing one.

Well, I don’t know, says Abner.  Looks like
some government thing.  It’s been a while
anyway, it seems, from the look of it,
so who could know for sure?
It’s a big hole, though.

That it is,
says Jeremy.
 That it is.  Deep one.

Eh.
Someone will put something up on it,
land’s not cheap and leaving it empty
won’t be an option.

Pity, shrugs Abner.
We could use a little light, some more space,
a few less buildings. 
All you see is buildings these days.

I hope it’s a good one, says Jeremy.
Something to look at, maybe some nice apartments?
A school maybe?

Not likely, says Abner,
nobody wants to build a good home
for anyone anymore
unless they’ve got money and a lot of it.

Eh,
they both say,
wait and see what they build.
A good bet we won’t like it.

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Rules Of Thumb

We sit over the end of a comfortable dinner and discuss the state of all things.

A study has shown that exceptions to popular proverbs, laws of physics, rules of thumb, common knowledge, sensible notions, and given assumptions are becoming more and more the norm.  Geometry is shifting.  Angles, never before provably trisected, now regularly fall into neat triplet piles.  Shelter is losing its place in the hierarchy of needs.  Soon, it will be forgotten entirely. 

It appears to knowledgeable observers that knowledgeable observation is becoming a lost art, akin to alchemy and divination by gut of pigeon and pig. There are suspected reserves, not measurable, of container ships laden with butterflies who are waiting to change the world’s climate.  If there are ghosts, they wear visors and lean deep into ledgers with our very dimensionality at their calculating mercy.  Nymphs, fauns, and revenant Pan himself establish Websites and collect scores of followers, who fondle tokens of their avatars while staring at doorknobs, thinking of the potential for rattling entry in the dark.

My love, this world is slipping away into an immeasurable mystery.  Nothing we have known to be true is certain.   We should sleep with our eyes open now, scanning the dark for signals.  And then, when we think we have seen enough, it will be up to us how we choose to live.  What we choose to measure.  What we count on.  How we refine and define the terms.

So if a butterfly comes close, hold your breath.  If a god possesses you, count rapidly to one hundred seventeen.  If the door rattles in the night, we’ll cast a cold eye on it, pass through the walls, and escape, carrying nothing with us.  Not even the meaning of love, or of home.  We will come back for them later, or make new ones while holding up our thumbs to plead for rides to new places.

Our thumbs — once the measure of punishment, as the story goes — will become our transport. We will have to depend on each other to carry each other.

Eventually, we’ll forget the old origin of the term and say: a “rule of thumb” measures the distance you were carried before you decided you could live where and how you are living right now, and is only fixed until the next departure.

And then we’ll say: Love is the vector of human travel.  We’ll say: Home is the fare humans paid for the transport. 

And when we say human, what we will see is aluminum pie plates — when full, flaky and soft centered; when empty, easily flung into flight, shining as they fly.

We polish off the last of the dessert, and leave the clean up for tomorrow as we hurry off to bed.

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After The Baker Left

Surely,

says Abner,

you didn’t want her
to leave? That “Get out,
you make me sick,” it wasn’t
what you wanted?

Eh,

says Jeremy,

no,
not what I thought I wanted.
But the flour on her hands,
grrr…like sand, and all the time.
And I couldn’t stop coughing.

You’ve been coughing
since I’ve known you,
it’s the cigarettes,

says Abner.

Jeremy
pulls hard first on his beer,
then his short still-burning butt,

says,

Eh,
the flour didn’t help.

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Overforgetting

I want to overforget.

Not just not recall,
but live as though
the thing
never happened.

To get in practice I’d
overforget
bunches of
movies, a lot of songs.
A lot of books.  Certain lovers.
Meals taken with those lovers.
Details, mostly.  Details
no longer attached to lovers
but which rise and disturb
and damn me to recall —
hell yes, overforget all that.

You say,
there was a movie about this.
I say no,
there wasn’t.

I would then overforget
a lot of animals I killed
individually and by species
whether by bullets, neglect, over-consumption
of resources — no matter the method of their murders,
I’d overforget them.  Suddenly
nobody has fur coats, photos disappear
from calendars. I’ve overforgotten them,
you can’t have them either,

for this is not the complete mind-erasure
of legend — I would choose what to lose
and once I had chosen
all trace would disappear from the world
for all.  Overforgetting would leave nothing
to stir even a ghost.

You say,
this would be so cruel to the rest of us.
You say,
we’d wander around with our own memories
and wonder if we were crazy to think these things
had ever existed.
You say,
how could you think to rob us like this?

I say,
who are you?

You ask me why I yearn for this?
Really?  Haven’t you ever walked
a street in an unfamiliar place
and been rocked by a scent or sound
and dived into your pocket
for the money to buy the cab fare, the flask,
the pipe or the pills
to carry you away from the suspicion
that something you’d forgotten at last
after years of work
was returning
and though you couldn’t quite place it
you knew it was awful and that you’d want
to dig your eyes from their sockets
and rip ears and nose from your head
to keep it away from you?

You say,
but you would lose who you are now
and what doesn’t kill you makes you stronger,
you’re the sum of…etc., etc.

I say,
have we met?
Do you know who you’re talking to?

You say
ow, no, not this,
not this scent of bitter-burnt orange
and sick-sweet wires, raw ozone, dirt of bones,
auras on the wind here,
time to flee;

I say, oh, good, it’s working,
overforgetting,
I don’t recognize that —
isn’t it sweet,
and tangy, and so thick on the tongue — say,
where are you stumbling off to so fast?
Don’t you want to know what really happened here?

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Retired Hands, Working Mouth

When my hands retired,
I learned to lift things
with my mouth. 

Why bother, said
my friends?  You know
you’ll drop them, leave them
lying around, and give up entirely
after a while.

It’s good for me, for all of us,
I replied — I let my hands
work hard all my life
and let my mouth run free
and lazy, talking up stupid things
and adding nothing to society.

Now I have to think — how to bite
and hold, how to raise weight,
how not to break teeth and tear lips
and gums…and of course,
far less needs to be said,
or even can be.

I’m committed to this, I continued.
I’ll give my hands a rest, they deserve it,
I’ve abused them so, and as for the dropping
and eventually giving up —
well, that would have happened
anyway, someday; and isn’t it
nice to have the quiet?

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One More About That Day

The sky’s never looked the same since then

I often look up without breathing
I memorize escape routes
I travel light
I have named all my guitars
I eat carefully
I open doors for dogs and breezes
I dress for running and sitting on lawns

The highway’s never been slicker in the rain

I hydroplane on purpose often and have learned to adjust my skid
I love others when it is comfortable
I forget where the speedbumps are right after I cross them
I stream planetary influence
I articulate every word to ensure understanding

Forward motion’s become a mere suggestion

I sleep on the couch a lot
I’m afraid to sleep too long
I flash the news anchor though she cannot see me
I hear rodents in the corridors of power whispering

When the anniversary comes around I dance frantically

I am certain of the time at all times
I watch the hard freaks as if they were prophets

If there is a place to stand I conceal myself nearby

For I am unable to imagine a time
when I will place the day in perspective
and allow myself an instant to proclaim my witness
or let myself forget the ongoing ruin in my gut and groin

I cannot imagine how I will ever
Let myself fall into the symbolism of flag and anger
Admit empire into my smoldering eyelids
Dust myself back to clean gray flannel and silk tie uniform
Make myself believe I’ll return to being an innocent fool
who doesn’t know how to run and duck and cover and choke
or who has forgotten that such skills are necessary lessons
of the years that have passed since then
as monstrously as the burning of once-privileged skulls
saying to me always
that for some
there will never again be
unquestioned safe passage

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Observation

reflecting upon myself
in the puddle that always spans
the bottom of the street
after a storm

according to this
I’m unstable

but my feet seem to be
holding the ground

here comes a car to stir the waters
and wipe me out

my feet hold their ground
as I’m drenched with the spray

I don’t care enough to move away

feet on the ground
soaked through
it’s tuesday
rain’s over
car’s gone by

still here

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Snow Gum Trees

the snow gum trees
in the backyard

continue to tremble
though the wind has stopped

they know
their time is coming

the bare time
when their blanched limbs will blend

into the white that covers the ground
that will then sleep for months

a reflection of what they maintain
all year long

seasonal tribute they consider their due
for holding up against a world

that does not love their steadiness
preferring inconstant green

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Into The Light

No matter;
none at all.
All light,
waves of light.
Hostas along the walk,
light; cat sleeping on the couch,
light.  Every last particle of this house,
light.  Even the dark
releases light the longer
I stare into it, and though
I’m no beacon myself
I am light still, dim at times,
blazing at others.  Every matter
I’ve lent weight and mass and density to
is light, only light turning
back into the light I am,
and while I may forget this,
I do not cease shining.

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