Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Gulf

If you are a native
speaker of digital
or
if you were born analog 
and learned digital
or even
if you’re analog still
pure
analog

no matter what
I’m still your people,
your people, don’t leave me,
don’t leave me,
please don’t go away

if
when Jay-Z and Kanye are mentioned
the room glows neon gold
for you
if
when KRS-One and Chuck D are mentioned
the room glows fire-red warm
for you
but
if Mutubaruka is mentioned
if Blowfly is mentioned
if Linton Kwesi Johnson 
or Lee Scratch Perry are mentioned
and you find yourself sitting in the dark
they’re still your people, your people;
you can know them, your people, your people;
don’t leave them, leave them, your people,
please don’t go away…

There is nothing easier 
than ignorance
in this country
that enables ignorance
as a point of pride

I spent the 80s ignorant
of Michael Jackson
When I say this
people are amazed

It was easy

Easy enough to disappear left of the dial
into an alternative punk rock
world music classical folk-friendly hole
where it was required that you sneered
at what everyone else was doing

Segregation 
was easy there
Still is

So don’t leave me, don’t leave me
I’m still your people, your people
Please don’t go away

Let’s play a game
You say one thing, I’ll negate it
At the end we’ll see who wins

You say
Kerouac 
I say  
co-opted rebellion
You say Bukowski
I say
drunk
I say
Watchmen
you say
unwatchable men
I say 
Geronimo
You say
bin Laden
You say
baseball
I say 
what the hell is that

And someone will validate you
And someone will validate me
And we’ll find boxes where we can hide

but don’t leave me, don’t leave me
I’m still your people, your people
Please don’t go away

above all
the quietest division
that we are not the same
at all
that we are unique and suffering
and ecstatic
each unable to understand each
each unable to speak to each
generations and communities juxtaposed
and bound away from touching
because we each say we do not know
the truth of the other side
or deny the truth on the other side
we are more than our pop culture
my trivial penstroke is your vital document
your passionate gold is my aluminum trinket

please
don’t go away
because there is a gulf between us
please
don’t go away
because they don’t teach swimming around here
please
don’t go away
my people
I reach for you
you’re a sight for blind eyes
please 
don’t turn away

 

 

 


A Hymn Of Particulars

A prayer of full love
is a prayer aware
of flaw, perfection,
shade, sex, and 
skin.  It is solid —
sweet as agave nectar,
firm as rose-pink fruit:

and it is particular. So

when we speak
in adoration of being, of voice,
can we dismiss such details as
the gender of gums
and the way in which 
they hold
teeth, form words,
support
the bite? 
Is blood clear
when it pours from those
wounded
in struggle?
Is there
any satisfying hymn
to bones
that praises them for strength,
but does not note
their appearance?

When I hold my arms out to you —
colorful,
fleshy, ripe
for complete embrace;
when I take you in the same way,
the whole of you
for my sustenance, and I offer
my whole as well…

when this hymn is sung,
it is sung for the details.

 


Courtship

Tomorrow, I’ll drop Serenity freely. Instead I’ll court her sister
Discord, who sweeps all before her. Offering her
my life in portions, giving up a third at a time until I’m gone,
details I’ve cherished will fly from me, dirty and disembodied.

For counterbalance I’ll hold to this thought: once I’m licked
I’ll be nothing but a tight core. Then, I can rebuild, can craft myself,
tools gripped tight in hand. This is how one paves the path to a New Self.
One allows oneself to fall apart; then, the small remainder —

no larger, perhaps, than the pit of and apricot or cherry —
will recall Serenity and will glow again, first feebly yellow
then strong, hard, hot white. And I will then let Discord go
but let her down gently, in case we may have need to love again.


Frost, Revisited

“Whose woods these are” — whose woods?
This is a God-damn parking lot.
If there were ever woods here,
it must have been a while ago.

This is a God-damn parking lot,
and a dull little patch of asphalt too.
It must have been a while ago
when this was forest. Just a mall now,

and a dull little patch of asphalt, too
trimmed and flat to make it easy to recall
when this was forest.  Just — a mall, y’know?
I’m not saying it’s better, but sometimes

trimmed and flat makes it easier.  Recall
the woods where tough decisions were made?
I’m not saying it’s better.  Sometimes
it was life or death

in the woods where tough decisions were made.
Now, in the mall, it’s pink or black, linen or cotton.
We ought to think about it.  Life and death
are still important thouugh we don’t decide that as obviously everyday

as we do with pink or black, linen or cotton, in the mall.
In the woods the choice was wolf or bear, get home or get eaten.
It’s still important.  We don’t choose that everyday, obviously;
still feels like the woods sometimes, that’s certain,

so we make everything a wolf or bear.  Get home, get eaten;
office full of sharks, city full of teeth, kill or be killed.
It’s still.  It’s important.  We choose, every God-damn day,
whose woods these are.

 


Predictions

1.
Inside little Johnny’s head, what were once
“learning experiences” are being remodeled
into “failures” and “mistakes.”
That’s not his head’s fault;
you might blame his parents
or peers or even his teachers for it.
And in a few years, someone will. In fact,
affixing blame for what goes on in Johnny’s head
is going to be a national pastime
a couple of years from now.

2.
The man in the yellow shirt
is not a suspect in the disappearance
of the young mother.  At least,
not right now he isn’t.  Give it time.

3.
The combination of long term consumption
of particular brands of pickles — sour or dill — 
and tap water from old municipal pipes
causes virulent cancers.  No researcher
is ever going to discover this. 

4.
As a symbolic gesture in the fight
for equality,
we’ll eventually give up
numbering things — why commemorate
what came first?

A lonely man
is going to write some poems.
Another lonely man
is going to read those poems
and say, “That guy
really gets me.”  
One day they’ll meet
and their loneliness
will form a black hole.
Everything they know will disappear
into that hole,
which will be renamed
“a school curriculum.”
It will be widely used,
and will be in use
at the school little Johnny —
you must recall little Johnny —
will attend.  
Little Johnny will like the lonely black-hole poetry
and will write some lonely black-hole poetry 
of his own. Some of it will eventually be published
in a psychological journal, and on the front page
of The New York Times.  

 


War And Love

Hot-faced
from a pickle of warring words
I step away

They say war’s 
not the answer, but if
one wars for love

of something else
If one puts oneself between
hate and the beloved

And if a weapon’s close at hand
why not strike back
They say it kills your soul

breeds more violence
sickens the air but
then one walks away

And there is another chance
and another
and the beloved lives on

As do you
hot faced but cooling
tool discarded

What is done once
can be done
only once

There’s no reason
to become addicted
Do it and step away

for the beloved’s sake
Do not become comfortable
but do not hesitate to do

the necessary
for the beloved
That’s your being there — so be

 

 


All Of It

All of it — say it all,

contradictions, comments
that lay you out as crapvendor,
avenue directions through hell,
heaven’s cleaning instructions,
owner’s manual, acknowledgements
for the book of your treaured sins,

all of it.

All of it.
Slip slider portraits.
Solid affairs.  Sordid
footing.  Answers
to the pig questions —

the moments
of delicacy, the taste of
nostalgia broth, the last time
you were an agent of nausea
and that cleansing purge
leaving your breathless at the feet
of a first lover.  

All of IT!  All the extinctions.
All the lust for crushed windpipes,
blood-wrapped hands, baths of
stink and shame, decay cologne.

All of it includes and all of it
describes.  All of it art and all of it
the detailed icon of oily leavings
on the skin you claimed to honor.
All of it excludes nothing, there must have been
a good thing or two as well among the refuse.

Lay it out, all of it
as if you were a flea market blanket.
Trader in the garage junk you’ve accumulated.
Lay it out, someone will buy your mess
you think, all of it, thus emptied
you move homeward lighter,
more room for more junk now, lay it out,

all of it, garbage in and garbage out
a religious slogan is it not?  Is it not
all out there to be worshipped — is that why
you did this, you wannabe God of scraps?
You damn poet who lives in the clutter?
Who made clutter a living?  
All of it a clutter of your worst
dressed in gilt
and now set upon an altar?

 


Your True Face

It comes to you
slowly, and not early;
years go by and the mirror
shows it to you only from a distance,
as if you were in the air above a flood, 
watching thick dark water 
rise above levees to fill
once-safe streets, overwhelm
homes, flow into unprotected spaces.

Then one day you’ll see it
looking back at you.
All the debris will have risen to the surface,
random scraps gathered together
in one place at last, swirling slowly
in the glass.

You’ll ask yourself
what it means, how it is possible
that the mess staring out at you
is you at last; 

but you’ll recognize yourself
regardless, and have to decide
at that moment how comfortable
you will remain with it

because it will never be anything else
again except
a pool full of wreckage 
that once were stored away
which now are visible to you,
no matter how much you wish
they were not.

 


Sun And Haze

What a day
of sun and haze.

What it led to: digging out
shorts, sandals.  

What I felt like:
old man, old man.

What I know about
old man: I’m

settled into this age,
this body.  What I may do:

modify it some, clean it up
a little, make it more sound.

What will not change:
its confirmed age, how good it feels

in the sun and haze 
when the breeze tickles

the hair on my legs,
curves around my stuck-out belly.

What is untrue: that cliche about how age
is just a number.  That’s the mantra

of those terrified by age, 
who deny the real changes and wisdom

and sense that only comes with aging.
What is a payoff: how much more I love 

the edge of experience, now that I know
how far I can lean over when I’m on it;

how much I know about what it feels like
to fall.  What is true:  I am old man,

fine old fatty.  I look stupid
when I say I am not, but I’m not stupid.

I can count very high.  And
I count.

 


On A Killing: May 1, 2011

First,

I’m not embarrassed to say
I’m glad he’s dead.
I acknowledge the hyena in me.

Next,

I’m not embarrassed to say
you embarrass me
by choosing from among
so few sides
when there are so many
to choose from
when looking at this.

I’m looking at you
with your flag and your beer
and your three-letter chant
and your brave,
brave sneer.

I’m looking at you
with your Truth fliers
and your semi-conscious racist
undertone:

no way those brown bastards

could have done that to us.

I’m looking at you
reciting the ritual retelling
from the teleprompter
to make sure
we feel enough fear
to fall into joy
upon clinical description
of the wet work involved.

I’m looking at you
beat down by deceit
for so many years
you won’t believe a thing
till you can personally stick
your oft-betrayed fingers
in the bullet holes
and now you won’t get the chance
so you won’t believe anything,
anything at all.

And yes, I’m looking at him —
first surprised, then not at all,
then blind and deaf and
dead.  See him slid into
a body bag, his skin scraped,
see it all slide into the sea,
his body breaking surface
and sinking into a singularity
that will suck us in for a long time
yet.

I end up looking at myself
in a tall, tall mirror.

I’m wondering if I
look much as I did
ten years ago.  I can’t imagine
I do.  I take in all
that’s being said, and
it feels like shrapnel’s
remodeling me.

I don’t know how not to believe
in karma, but I try
by seeking to know all
the names of God, for I know
you can only expect God to answer
if you say them all at once.
I don’t know how to do that. When I try,
it just comes out
as the scream of a hyena.


Assholes

Assholes
who divide, who eat
starch spread with blood,
who crawl, who creep,
who ghettoize, who rationalize,

who do not see pain,
who trivialize, who are of
the cold Lizard Brain Tribe;

assholes who stroll human
and strike viper, who racialize,
who cleave and shred and opine,

who liberal/conservative lie,
who black and white everything,
who insist on filing everything,
who smile steel and sing molten lead;

assholes who claim they do not defecate
except as pure Godhead,
who alien outlaw,
who char the undeclared blasphemous,
who discount self-explanatory;

assholes who are you
and are me, who stand beside us
in grocery lines,  who sneer at something
we ate, who shit on the floor
and call it floor wax, who tender
the skulls of our ancestors as payment
for the sins of today —

bless them.  Bless them, the assholes
who will not learn they are always
behind, who treat Life as a pushpin 
on a piechart marking their progress,
who will not be stanched in their flow,
who will be God’s chosen always, who knew God
way back when and think God will remember them;

bless them, I say, with your tears;
bless their horned response to this world
that knows their crap and will call them on it 
someday when the percentages shift.  

And bless ourselves.
We are assholes with them,
claiming the same things, claiming to see ahead
when we are always in fact bringing up the rear —
we are a place to sit and hold up the Light Body
of Creation as it contemplates and accepts,
yet are such assholes
that we cannot see that it’s enough to be still
and carry weight
and offer comfort to the effort. 

 


Apples

He was finishing lunch
when the Beast approached
and leaned in like a tornado
to take him.

He looked into the face
of threat
and then calmly used his pocketknife
to slit his own throat,

letting the green apple
fall from his hand,
its peelings trailing from it
like battle flags.

No suicide — a warrior
who denied the enemy his prize.
A man doing his best
when there was no hope:

sometimes retreat
is the best part
of a broken life.  How
do you like them apples?

 


The Promise Of Risotto

On a sick whim, I lean in
to suck the hissing gas
instead of firing the burner,
just to see what that’s like. 
However, I stop quickly.
I’ve got good food to cook,
good enough for a last meal
in fact.  And if I get past that,
there’s decent dessert too.  So
I will stop.
I will not place my face so close
to death just yet.

It’s the little things that always,
always do the trick.  The cat
hovering nearby with sacred fur,
the promise of risotto, 
the desire not to leave a mess
for loved ones.  I take what I can get
from the bag of small miracles,
treat them as talismans.  Anticipation of dark chocolate,
pear cider, cool night air on open skin;

I try always to fill my hand with whatever makes it hard
to grip a razor.

 


You’re Right, That Party Wasn’t Any Good

Step up, 
don’t pout, don’t
fret.  You are, I assure you,
worthy of remark.

All that kissing,
and nothing to show?
Not much to say about that,
true.  But as for you —

head down and tripping home
doesn’t cut it, but it
sees you through to the stairs, 
so go ahead and indulge that

gloom.  Once you’re home, though,
banish it.  Stick it outside 
the door where you keep 
the shoes that still need to dry,

the ones you won’t wear inside
for fear they’ll muddy and mark
the whole house.  Why would you bring
similar gunk into your spirit?  Exactly —

you wouldn’t.  So give up
melancholy.  Put on
a little music — puff a little Parliament,
a small taste of bubblegum, settle on

rocking out or whatsoever else
works.  No prescription
except one: party you up.
You are always worth that.

You may not notice, always,
but you’re always noticeable.
Put up a banner
that says just that.

That party really wasn’t any good. 
All that kissing? A total waste.
No grooving going on there.
Not without you.

 


Drunk Tale

On the road for work and drinking on an unexpected dime tonight
in the luxury hotel, having come into solid cash courtesy of

a lucky roll of the dice, I call a friend to come and join me, sharing
wealth I didn’t plan to have; it seems just and right.

“Come and drink with me,”
I say to him.  “Tonight we will consume

in quantity, drink like rich white men:
without regard as to cost, on money that came to us

unearned, and with a cavalier disregard
as to damage we may cause or aggravate.”

So to the hotel comes my ragged friend Joe the painter,
decked out in a Lakers jersey and a scrappy beard.

We burn good cigars out on the deck,
fill our hands and hearts with top-shelf booze;

laugh loud and pay no mind to the stares
of those seated all around:  him in the oversized purple and gold

and me in a too-tight Misfits T
that had seen far better days, by which I mean

it is just perfect.  We drink like any old drunks tonight:
swearing we won’t have more to drink and then drinking more,

not knowing how hammered we are until we stand up
from the sticky, squeaky leather seats and almost fall over.

I pour Joe into a cab and pray I’ve got the address right,
then head upstairs to sit in a cold shower for an hour

before crawling to the bed and trying to sleep enough
to make the morning flight ahead less onerous;

it’s a failure, and while I’m strong enough to hold my puke in
until I’m safely on the ground back home,

there’s not a question in the world that I’m not strong enough
to hold it past the baggage claim curb.  I let it go

in the trash can, then straighten up and get to my car
and drive home to collapse in my own bed,

dead to the phone and the mail and the daylight.
When I rise that evening, I say it out loud to my empty room

the thing I have wanted to say for hours:
we really drank like poets last night —

with a full if disguised awareness of what torture we’d soon endure
as a certain and necessary consequence

of holding such windfall gold
in our too often empty hands.