Author Archives: Tony Brown

About Tony Brown

Unknown's avatar
A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Your Substance Of Choice

Your Substance Of Choice
hollers at ya.

It tells tales, says

stick with me
and live

forever.

As proof it shows you
your worst parent,
the long thought dead
mostly unmissed one,
waving at you
from inside a shoebox
you use to hold
photos,
odd linty pills, a penknife
with a bent blade
that won’t stay open.

See that?  Back
from the dead
like I said —

stick with me, kid,
and live forever.

What am I saying, you’re not
a kid anymore — what am I 
saying?

You’re grown, you got this —
hollaback
holla
back

y’all.
C’mon.

A penknife with a bent blade
that won’t stay open.  A brown crust
in the pivot point keeps it
from locking into place.
You won’t clean it.

Odd linty pills
for cold and flu, allergy,
sleep, pain.
You can’t even be certain they worked
when they were new and fresh.
You won’t throw them away.

Photos.  Not enough
and too many.  The tiny parent
waving among them,
a frond in funeral decor,
a skin tag gone horribly huge;
you won’t look.

Back from the dead
come the dead
you don’t wanna know

but c’mon,
you’re all grown up,
the dead can’t hurt ya,
you’re no kid anymore — 

holla back.

Shove the box into the closet
so its load can’t seep up
into your dreams.  Strap on
the getaway shoes. Get the hell
away from the house.

Your Substance Of Choice
can’t run. It can’t
fly.  All it can do
is lurk and lie
and beg you to notice it
lying there. That’s how it got
your worst parent.
That’s why
you never stop moving.


Facing Colonialism

He’s jerked awake in the morning
by a sound from inside
one of the dresser drawers.

Pulls it open to find
a tiny family living in there —
he startles them at breakfast, tells them
to keep it down, goes back to bed
to sleep some more
and not to lie in wonder
at the miniature panic he’s caused
across the room, not to lie in wonder
at tiny people scrambling to hide
among his socks.

That tiny people live furtively
amid his domestication
and it is not a source of wonder to him
is in itself a source of wonder.

He may think
upon rising again
that it was a dream,
his waking was a dream, the faces
upturned in horror a dream, the diving
away from the light a dream.  Or
he may believe he was awake.
He may now believe in the little people
quite sincerely
and decide that they
have been present for his entire life
and he only now sees them.
He may consider his sudden ability to see them
a sign of maturity.  He may tell himself
that these wonders that came to him unbidden
are wonders common to all
if they all would just open their eyes. And
he may fall back asleep pondering
the potential uses of such a family
to darn his socks, arrange his drawers,
care for his small desires, fulfill
need he will have to invent…
right now all he wants
is for them to be quiet
while he tries to sleep.

That’s a source of wonder.

That he does not care to know them
or learn more about them,
ask their names, apologize
for the interruption, offer
to make amends,
that he goes back to sleep
as soon as possible
is a source of wonder.

That this has all happened before
and happens over and over
is a source of wonder —
someone, anyone,
get to those little people somehow
and tell them
to run while he’s still
asleep.


Global Village

Here’s the myth 
of the new global village
exposed in a single fact:

if all you know of me
is what I post and 
what part of that you see,

when I die in real life
and stop posting
anywhere

you might not notice
for a week or two,
you might twinge

just a bit at my absence,
maybe a bit more if you then learn
why I’m gone,

and then, I know
you’ll forget me
soon enough.

No memorial, no stone,
no tomb to keep me
vibrant for you for a long time — 

oh, perhaps you’ll recall
a line or a picture,
a word or a comment,

but as for knowing my scent
or smile or touch — was I ever,
could I ever have been

real to you if you never saw
anything of me past
what I decided you should see?
 
How is this
different
from how it once was?

Forgetting each other
has become 
as easy as 

meeting each other
across oceans
and continents,

though knowing each other
is as hard
as it as always been.


Swinging Doors

A visionary
beyond the swinging Doors
signals to me
that from that side
he sees me
as I should be.

I tell myself it won’t be
a momentous occasion
at all to
walk through them
to meet him.
Without fanfare, without
ceremony, I step before him
and ask what it was he saw
back there before
I crossed over
to this space.

He explains
that it can’t possibly be
of any import now
for me to know that
since I’m on the side of the Doors
where the Angel Of Redefinition lives
and the nature of the passage
is that you are no longer who you were
before you came through.

When I demand to know anyway,
to have a complete explanation
for that past,
he shoos me back through
to wait my next turn.

Through fear
and a stubborn insistence
upon certainty
regarding my identity
I have lost
an opportunity to be
new,
and now I’m stuck here rueing
the desperation that drove me
to strand myself
in the muck of what
I’ve always been.

 


Angry Again

Angry at old women
whispering their racist views
in the checkout line at the store.

Angry at myself 
for putting my head in my hands
while listening to them.

Angry that I did nothing
because of bone fatigue
and a fear of my own harshness.

Angry again, switched to
default position: impotent
anger.  I put my head

back into my hands and weep
that what I am, I despise
and what I despise most, I have become.


Someday A Lullaby

in my throat
urgent profanity

my hands soaked with
imminent murder

in my chest
a blown up hammer

my feet itching to 
run toward sea to cool me

to keep me from
ruining myself but

how can I live
with such feelings left unused

they are so
necessary to my blood

they set my blood singing
like nothing else

in this world that so often
elicits anger

anger is truth
to be lived

and when a sage
says otherwise

says anger is unnatural
understand

that sage is
a fool

who likely enjoys
a peace attained

by rolling over
and playing death

like some untuned harp
loosely twanging

anger being a key which
when turned adds tension

to such strings
as are needed to lend

a volume to songs
hymns to a longing

to shift ground underfoot
of those seeking

to turn this all to shit — 
and so curses rise in me

and fingers curl
toward palms

and feet prepare
to lash out

because some songs
must be sung

in battle
if you want to stay alive

long enough to sing instead
someday a lullaby


Cafe Gospel

Dropped into a
small coffee shop
run by good friends
to see what was up
that day…

there were two Gods
with no obvious gender
on a corner outside
working miracles
for small cash.

Another One
watched them
suspiciously — written
on His face this question:
how could any de-gendered
Deity be? He stayed miserable
inside his car.

Found inside
a holy set of patrons
and there among them
yet another miniature God
having a cup of Yrgacheffe.
I took a seat and
spied upon Her
as she set about
changing things
in this one tiny world
She controlled,

then when she’d paid and left
stood and applauded my friends
for building a Heaven,
a Home
so easily attained.

Easy enough to bring
a deity to believe in here,
they replied, if you leave
your doors open
at odd hours
and stop judging
who shows up
and what shape
they take — I mean,

just look at yourself,
they said.
Go ahead.  It isn’t
blasphemous
to see yourself here,
belonging here.

It sounded
like what was needed,
like a Gospel,
like good,
good news.

I sat back down,
stayed a while longer.


Stunted

If I’ve left anything unsaid
to anyone who wanted
certain words from me,
certain expressions
on my face,
certain raised eyebrows 
or upturned lips,
I offer my sorrow for
those omissions;
my apologies

for having held back,
having depended
upon context to do
my duty for me, having been
paralyzed again and again
into a taciturn and morose
stick figure of a man, a thick
mistaken figure of a man;
my apologies

for not permitting 
those small reserves
of joy I held within
to seep out,
to leak into my face
and tint my space
in this dim world
more often with you,
more freely among you;
my apologies

for this offering 
which comes too little, too late
for some, I am certain,
I offer no excuse for it
or explain it other than to say
forgive me,

somewhere what I learned
of manhood
cloaked me in shadow
and now, at last, 
I see how this 
has stunted me
and held me apart
from too many
for too long.


Class Warfare: Opening Shot

You drive your big car
up to your big house.
I look through the window
after you’re inside
and see
your mink’s
been tossed
onto the chair —
damn, a mink coat?
Such an archaic tell —
don’t you
understand cruelty,
don’t you hear
the people’s disapproval,
or are you just too rich
to feel?

You and yours
are a problem to solve.
I and mine
won’t solve a thing
if we don’t choose
a little war from the tool kit.

I hate you, if possible,
even more
than I did before I spied
that coat.

I shall box you,
bury you in filth, then
bury your coat
in clean soil.

I’m going to feel alright
afterward.  A little right death
never costs that much

at first,

we’re just getting started,

and I’m sure that
unlike you,
we can stop anytime.


A note to the daily subscribers to Dark Matter…

Just wanted to give you folks, you 500+ loyal readers, a hearty thank you and a heads up.  

After 40 some years of writing new poems pretty regularly, I am coming to a point I am calling the Hard Stop.  I will be completing and posting another 19 poems, and then calling a stop to the writing and posting of NEW work.

I’ve got a backlog of over 2000 poems on this blog alone.  In other files and archives are roughly another 2000, dating back to early high school efforts (say, 1974 or so).  Many of them — perhaps the vast majority — are not very good.  But some of those might actually benefit from a second look and more editing and revision.  

I have decided that this will be my focus for the future.  I think I have enough material written to work with for the rest of my lifetime, frankly.

I will also be working hard on submissions to various journals and compiling one or more manuscripts as well.  There are some logistical things that will need to be worked out around those efforts — namely, finding journals and presses that don’t consider this blog a “publication” — but I’ve dealt with that before and no doubt will figure it out again.

I will continue to post “newly revised” poems as often as I can, so you may not actually notice a large reduction in posts.  I do hope you’ll see and appreciate any improvements I make no matter how often I post.

Your loyalty and readership have been a great comfort to me over the years.  I think every poet — every artist — needs a great audience.  You have been that for me, and I thank you yet again.

I hope you stay with me on this next phase of the journey.  I will understand if you choose not to, of course.  

Here’s to the future.  I think the next 19 new poems or so will be interesting to write and I hope you let me know how you feel about them and about this.  

Thanks, again.

Tony Brown
May 9, 2014


The Darkness This Time

during a process
a mistake
a break in routine
a darkness falls again
into my life
a stone of pure gloom
I know well

as that rock strikes
it hurts to breathe
as always the air goes crisp
and sharp

I am no Stoic

if there’s something
to be learned
from the darkness
this time
I must plead
for it to be
soft learning this time
let it be
a gentle lesson
let there be
no pain
no pain
at all


Urge

As soon as I can
I’ll strike the tent,
douse the flames,
set out on the path.
With the moon’s slant light
through the trees
to walk by
and stream beds
to lead me down
from the hills,
I will not be lost
once on the way.

I will step out of the woods
to the edge of a place
I once left in rage.

What will come next?

I can’t help it —
I must find out.
When this is in me
I can’t help but move
the way moths
strike at a hot light;

this time
I may come
to the same end
as a moth,

but as I said,
it can’t be helped.


The Divide

I want to go
to the top of that range
of mountains.

I want to look back
at my climb and be
satisfied, if not happy,
that I’ve gotten that far.

I want to look
along the crest
to the north and then the south,
to the mist at either extreme
where the peaks disappear
into distance.

I want to stare with longing
for a good while
at the other side
of the divide.

Above all I want the chance
to stand
upon the divide itself,

and to choose
whether to go
north, south,
back where I came from,
or into that far country
where I’ve never been.


More Than Full

I give my devotion
to an ecstasy induced
by observing how

the surface tension of water 
poured carefully
into a small glass

allows the top of the water
to dome slightly
above the lip, thus

revealing itself as neither half full
nor half empty but
more than full 

as physical law works wonders 
without requiring a suspension
of all I know.

Here’s the fingerprint
of a God I can desire:
Gaia allowing for astonishing things

without regard for my particular
presence.  My observation
and ecstasy are beside the point;

my place under Gaia’s skin
is not mine to decide.  Whether I delight
in being here or not is irrelevant.

What matters is not  
that my glass is more than full,
but that what allows it to be so

also allows the water beetles
and skippers to stand out there
on the pond like tiny Saviors

as if it were the most natural
thing in the world
to walk on water.


Product Placement

If I tell you
I’m sadly listening to 
the music of
my favorite band,
is that enough
for you to see 
all I’m driving at,
or must I 
name them? If I do
will you then have
enough information
that I can avoid
the hard work of
writing this poem?

If I tell you
I wear nothing
with a logo unless
it’s second hand
but will talk all day
about the brands
of guitar and computer
I prefer, and do not
hide their logos
when using them in public,
does that explain
my corner of
our bubble well enough,
or do I have to name
the logos I won’t wear
and the logos I will embrace
in order for you to have
a peak experience 
from my work?

If I lament 
art based in 
product placement
ironically enough,
am I sufficiently distant
from the practice
that you’ll allow me
to drop a name or two
as an anchor
to sink it?  Or will I have to
write this all again
two years from now
in order to get the juicy nods
from those sage enough
to understand

that the calculation required
to rage this way against marketing
is in and of itself

a brand?