Monthly Archives: September 2025

Learning The New Words

I remember,
I remember —
what do I recall?

I recall
a man dying in Arizona,
falling to the earth after a hike.

I recall an old man dying
in Washington,
far from the New England hills.

I recall a young woman dying
from aggressive cancer
in Buffalo.

I knew a man
who died suddenly in the Catskills
in New York, again.

I think I knew a man who died
somehow by a gunshot
after he returned from Afghanistan.

I hardly knew a man,
more than one, dying of AIDS
somewhere.

I did not know a woman
who died of something, something
in Sacramento.

I did not know a man
who died on a street corner
in Florida, somewhere.

There have been
others, of course, who died in
various places, men and women,

young and old, famous and infamous
and not my friends or in deep closeness
to me.

All of them say nothing
to me now. Waiting, I guess,
for me to join them?

I remember,
I remember —
what do I remember?

The woman who died
in Buffalo told me, urgently
before she went on her way,

that there was something,
something she needed
to tell me, something vital,

something
she couldn’t recall —
and she never did.

When I go
I’ll be looking forward
to hearing it.

Of course it likely won’t matter then
and I will die forever ignorant
of it.

But I will be okay not knowing it
if I get to see any of them again,
if I can recall their names,

if I can speak their names,
if they even
remember their own names.

I will forget my own name
then. I remember, I recall —
what do I recall?

Nothing worth mentioning
to you, the living.
I close the door on all of this,

silently as if I am afraid
of these old words. I am not afraid
of anything any more,

and I look forward
to learning the new words
for all things.

~~~~~~~~~~~~~~~~~~~
onward,
T


Sharp

Society,
bloated
gasbag of a monster,
full-throated tooth-
grinding shape of vanilla
and old blood gone new
again, keeps me
sharp —

I need to be sharp
to know it and avoid
the parts it sends to
devour me —

take the case of an old song
that moves me toward tears,
take the case of the radio
in total —

I need to be sharp against it
so that I do not fall asleep
humming along to
the old song as if I were
sixteen again, seventeen,
eighteen and

I’m in my old Chevy
with no one beside me
and for once in my misery
I’m happy and joyfully
singing along and I sound
perfect —

in line with what society
would come to dictate
through clenched teeth,
soothing me nevertheless,
whispering sweetness in poison
as if there was no one
who could touch me
on my way to Nirvana
or Heaven or some such place —

eighteen again
and locked down
to what, I can’t imagine —

not in sixty five years,
not in a lifetime,
not in either
a dull future
or the sharpened, dimming
remembrance
of a brighter past.

~~~~~~~~~~~~~~~~~~~~
onward,
T



How I Learned

I was born to this

as if I was responsible for it;
as if it mattered that I knew it
like a brother, like a child
might know it.

I was born to this;

it mattered to it
just a little, just a bit;
it had its own corrupt life to live
and I was only a glancing blow.

I was born to this

and energy I lent to it
did not reflect upon me,
did not slip over me like a stole
and drape itself on my shoulders.

I was born to this

as a countryman, a citizen
of its lineage, and it sneered at me
and left me stranded in its wake
as it plowed forward over all.

I was born to this;

I fell for it; I learned
so much of it that I died
to anything else that might have
accepted me more readily.

I was born to this

and I cut myself free of it
and cut it off of me like
an unnecessary limb and felt
incomplete, butchered;

I bled red blood of my father
and red blood of my mother
and my own red blood filled the streams
and lakes of the land I was born to

until all around me was crimson
and I lay in the red of it and dreamed
it would wash out at some distant point
in a future I could not see;

I was born to this

and it took me until now
to turn and see myself in opposition
to it, to its corruption and filth;
to turn and say no more;

to take my leftover life up
like a rucksack
and set out on the road
to another place.

~~~~~~~~~~~~~~~~~~~~
onward,
T


The Sound

Gravel-grit, words
perhaps, under wraps
behind the TV. Maybe
no words, maybe no
sound. Just before
sleep it’s so easy,
there is such simplicity
in distorting facts,
magnifying trivia, of course;
it’s so simple,
playing illusory games
with facts. Under
gravel-grit, just before
sleep, just as I
fall away from
a conscious role
into a dark hole,
did I see things as they truly are,
or
should I let the sound go?

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Starless

I’m trying to reach for
the eternal brass ring,
just to show them
I am still capable and
I still want it.

The people
who own the rings,
who hand them out,
must be holding mine back.
Too old, they say

through dismissive hands,
and the sky goes starless
for a second. Too disabled,
they say as they turn from me to others,
to the profit of other affairs.

At least that is what they think;
some of it is true,
of course. Some of my actions
do want to soak in them,
do want to storm them

and tear a castle or two down.
To trade the brass rings over
and put them into iron cuffs.
Sometimes I have dreams
of their brutal, bent ends.

I clench my hands into fists
and sling them into the air.
I could throw them, I could,
if only I wasn’t disabled or old.
They turn their backs on me —

but the new moon is suddenly full
and crimson. The water is black
and rushing into the cracks
of the pavement and I am not alone
when this happens —

so clutch your brass rings, then,
you who hold them, who hold
keys to doors closed tightly
against us. We are coming: limping,
old, hearty; young and angry.

There is not a chance in hell
you don’t know.
Not a chance in your starless night
you don’t know
that we put the stars back;

yes, we took them back.
Their sky isn’t yours anymore —
thieves of hope, sneering
bastards of the privileged.
We took them back

and the night fills with hope
and stars, millions of stars.

~~~~~~~~~~~~~~~~~~~
onward,
T




Ghost Of Past Success

Morning,
and after completing everything
I usually do — testing my blood,
my weight, my pressure — and after
doing dishes and turning out
lights in kitchen and bedroom,
I come here and sit before
a keyboard full of shame and
possibilities galore and I wonder
which I will find today.

Ghosts of past success
haunt me. Demons
of past failure snicker
at my attempt.

Meanwhile outdoors
cars go by, people
walking their dogs speak
to each other. Somewhere
a bird lets out a long,
low song — not even a song;
more a cry to be seen,
to be noticed.

I don’t know what to think
of all this. It’s not
quiet but not bustling
or bursting with sound,
either. I’m in silence,
waiting for something inside
to pop, to come forth
one way or another,

and out there seems to expect me
to partake of it when I would like
nothing more than to close my eyes
and ears to it forever.

Out there, in here —
I should say they are
the same, but they aren’t.
Out there is freedom
from wanting everything
to come inside of me.
In here is…whatever
this is. This longing
to be elsewhere. This yearning
for a release that will not come
when I ask for it.

~~~~~~~~~~~~~~~~~~~~~
onward,
T


Still Life With Cat, Cricket, Cops, and a Dead Man

Miesha, sleeping
in a bookcase,
its doors left open for
easy access,
books of poetry above her.

I seize one from the shelf,
it’s a new and selected works
of William Stafford, leaf through
and find and read again
“The Animal
That Drank Up Sound,”

thinking of the single cricket
that made it all come
whooshing back.

Outside a million cops
or thereabouts
dealing with an accident on
the street that killed
someone.
I am sure I didn’t
know the dead man,
or the car that got him —

I don’t know anyone here,
just me and the cat dealing
with what comes our way,
sleeping when we can
and peering out the windows
until we get bored, shrug,
and go back to our quiet rooms
where we live
without a cricket to wake us.

~~~~~~~~~~~~~~~~~~
onward,
T