Monthly Archives: May 2014

Stunted

If I’ve left anything unsaid
to anyone who wanted
certain words from me,
certain expressions
on my face,
certain raised eyebrows 
or upturned lips,
I offer my sorrow for
those omissions;
my apologies

for having held back,
having depended
upon context to do
my duty for me, having been
paralyzed again and again
into a taciturn and morose
stick figure of a man, a thick
mistaken figure of a man;
my apologies

for not permitting 
those small reserves
of joy I held within
to seep out,
to leak into my face
and tint my space
in this dim world
more often with you,
more freely among you;
my apologies

for this offering 
which comes too little, too late
for some, I am certain,
I offer no excuse for it
or explain it other than to say
forgive me,

somewhere what I learned
of manhood
cloaked me in shadow
and now, at last, 
I see how this 
has stunted me
and held me apart
from too many
for too long.


Class Warfare: Opening Shot

You drive your big car
up to your big house.
I look through the window
after you’re inside
and see
your mink’s
been tossed
onto the chair —
damn, a mink coat?
Such an archaic tell —
don’t you
understand cruelty,
don’t you hear
the people’s disapproval,
or are you just too rich
to feel?

You and yours
are a problem to solve.
I and mine
won’t solve a thing
if we don’t choose
a little war from the tool kit.

I hate you, if possible,
even more
than I did before I spied
that coat.

I shall box you,
bury you in filth, then
bury your coat
in clean soil.

I’m going to feel alright
afterward.  A little right death
never costs that much

at first,

we’re just getting started,

and I’m sure that
unlike you,
we can stop anytime.


A note to the daily subscribers to Dark Matter…

Just wanted to give you folks, you 500+ loyal readers, a hearty thank you and a heads up.  

After 40 some years of writing new poems pretty regularly, I am coming to a point I am calling the Hard Stop.  I will be completing and posting another 19 poems, and then calling a stop to the writing and posting of NEW work.

I’ve got a backlog of over 2000 poems on this blog alone.  In other files and archives are roughly another 2000, dating back to early high school efforts (say, 1974 or so).  Many of them — perhaps the vast majority — are not very good.  But some of those might actually benefit from a second look and more editing and revision.  

I have decided that this will be my focus for the future.  I think I have enough material written to work with for the rest of my lifetime, frankly.

I will also be working hard on submissions to various journals and compiling one or more manuscripts as well.  There are some logistical things that will need to be worked out around those efforts — namely, finding journals and presses that don’t consider this blog a “publication” — but I’ve dealt with that before and no doubt will figure it out again.

I will continue to post “newly revised” poems as often as I can, so you may not actually notice a large reduction in posts.  I do hope you’ll see and appreciate any improvements I make no matter how often I post.

Your loyalty and readership have been a great comfort to me over the years.  I think every poet — every artist — needs a great audience.  You have been that for me, and I thank you yet again.

I hope you stay with me on this next phase of the journey.  I will understand if you choose not to, of course.  

Here’s to the future.  I think the next 19 new poems or so will be interesting to write and I hope you let me know how you feel about them and about this.  

Thanks, again.

Tony Brown
May 9, 2014


The Darkness This Time

during a process
a mistake
a break in routine
a darkness falls again
into my life
a stone of pure gloom
I know well

as that rock strikes
it hurts to breathe
as always the air goes crisp
and sharp

I am no Stoic

if there’s something
to be learned
from the darkness
this time
I must plead
for it to be
soft learning this time
let it be
a gentle lesson
let there be
no pain
no pain
at all


Urge

As soon as I can
I’ll strike the tent,
douse the flames,
set out on the path.
With the moon’s slant light
through the trees
to walk by
and stream beds
to lead me down
from the hills,
I will not be lost
once on the way.

I will step out of the woods
to the edge of a place
I once left in rage.

What will come next?

I can’t help it —
I must find out.
When this is in me
I can’t help but move
the way moths
strike at a hot light;

this time
I may come
to the same end
as a moth,

but as I said,
it can’t be helped.


The Divide

I want to go
to the top of that range
of mountains.

I want to look back
at my climb and be
satisfied, if not happy,
that I’ve gotten that far.

I want to look
along the crest
to the north and then the south,
to the mist at either extreme
where the peaks disappear
into distance.

I want to stare with longing
for a good while
at the other side
of the divide.

Above all I want the chance
to stand
upon the divide itself,

and to choose
whether to go
north, south,
back where I came from,
or into that far country
where I’ve never been.


More Than Full

I give my devotion
to an ecstasy induced
by observing how

the surface tension of water 
poured carefully
into a small glass

allows the top of the water
to dome slightly
above the lip, thus

revealing itself as neither half full
nor half empty but
more than full 

as physical law works wonders 
without requiring a suspension
of all I know.

Here’s the fingerprint
of a God I can desire:
Gaia allowing for astonishing things

without regard for my particular
presence.  My observation
and ecstasy are beside the point;

my place under Gaia’s skin
is not mine to decide.  Whether I delight
in being here or not is irrelevant.

What matters is not  
that my glass is more than full,
but that what allows it to be so

also allows the water beetles
and skippers to stand out there
on the pond like tiny Saviors

as if it were the most natural
thing in the world
to walk on water.


Product Placement

If I tell you
I’m sadly listening to 
the music of
my favorite band,
is that enough
for you to see 
all I’m driving at,
or must I 
name them? If I do
will you then have
enough information
that I can avoid
the hard work of
writing this poem?

If I tell you
I wear nothing
with a logo unless
it’s second hand
but will talk all day
about the brands
of guitar and computer
I prefer, and do not
hide their logos
when using them in public,
does that explain
my corner of
our bubble well enough,
or do I have to name
the logos I won’t wear
and the logos I will embrace
in order for you to have
a peak experience 
from my work?

If I lament 
art based in 
product placement
ironically enough,
am I sufficiently distant
from the practice
that you’ll allow me
to drop a name or two
as an anchor
to sink it?  Or will I have to
write this all again
two years from now
in order to get the juicy nods
from those sage enough
to understand

that the calculation required
to rage this way against marketing
is in and of itself

a brand?


Nation

when in the course of human events
it becomes necessary for one people to dissolve
the marrow from their own bones

spooning it as filler into holes in the ground
perhaps sneaking a taste if properly prepared
spreading it to dry to dust in sunlight

when in the course of human events
it becomes necessary for one people to dissolve
those empty bones that cannot hold them upright

once hollowed and lessened those bones shatter
people then limp along accustomed paths
stagger and tumble
slipping upon melted pools of themselves

when in that course of events
we humans gather to share our fears
we always light a fire 

last night we talked until late of our best intentions
rose as the fire burned down
tossed the last combustibles into the embers
watched them flare up and light green eyes
watching from the forest beyond the edge of the yard

we said

technically
those are our people too
 
better for us that they stay over there on the edge of the yard
beyond the edge of the light from the dying fire

when they’re over there we can make them into whatever we want
but when the fire dies they’ll be able to define themselves
we may not be included in their self-definition

for the sake of the nation and all that we call holy 
let’s not let the fire die

when the fire died
we limped inside
on our splinted ankles
our self shattered bones
the taste of our marrow
on our own lips

we listened to the tumult in the dark
the sound of parade and carnival
and took one secret moment
to admit we were justly accused
and also glad
for the celebration outside
and the dawn it portended
even as we feared it 
in what was left of
our porous bones


First Time You Heard

did you fall before the strings
stopped humming?  Did you fall
to your lowdown dirty knees and
cry while you were down there?
Did you wrap your arms around it
and beg for more?

Did you call that a prayer?
Did you call it a single hymn
or a whole hymnal’s worth
of a crawl toward glory?
Did you stop to think that blues
was as much a song of Paradise
as any grand chorus?

Did you start to
imagine that heaven wasn’t on high
but rooted in the rich soil?  Did you ever
think that God is as deep
as Deep Ellum, carries us
like a freight train carries
secret travelers, can bend a note
like an ocean bends the shore,
and when the last note stops humming
you’re always going to fall on your knees,

for the blues isn’t really  a devil’s method —

if it was how could it wake up your soul
again and again
one twelve bar run at a time?