Monthly Archives: November 2013

The Right No

If Eve had said

no thanks, Serpent,
I’m not hungry…but 
you intrigue me…let’s
talk again sometime…

God would have
gone to a neutral corner
and sulked at the thwarting.

If Abraham had said

are you nuts?  That
is my flesh and blood
and I’m not even going to
dignify that with a response…

God would have walked off
kicking the Biblical equivalent
of a can.

If Jesus had said

indeed I brought a sword, not a
figurative sword but a literal one,
these Romans
are killing us, let’s go…

what a world we’d have,
what paradigms would be different

if the right folks
had given God the right “no”
at the right time.


The World Series

The Red Sox
are about to win the World Series.

Ads and excitement and billboards and mouths
are all bubbling over in every Boston cafe, bar, and street

but you make a show of how you didn’t know
this was going on because 

you never watch TV, you don’t watch the sportsball,
you don’t watch the news, you don’t see the papers.

Is it still going on? That must explain those hooligans.
Such things are ten miles beneath your consideration.

I believe you believe this, I believe it’s all true — 
much as I believe in the moon fairies of Lingur.

You live in Boston, the Red Sox
are about to win the World Series, and you didn’t know?

Nothing overheard in the street,
no friends who care for the sportsball?

No one at work has mentioned it at all?
No customer, no client? No bus driver, no neighbor?

Hell of a bubble you’ve got for yourself, there.
Hell of a thing that you don’t need to notice the world

you’re in, or even the one next door
to yours.  Hell of a thing and hard to swallow

that not an ounce of whisper of this
has reached you at all.  

I think you’re just trying
to make a point

that you don’t care for baseball.
I can get with that — I don’t really either —

but I know enough of what’s going on around me
that I can speak of it to people who aren’t like me,

but if what you are saying
is in fact true,

if your vaunted and loudly proclaimed
distance from the day to day is true,

I’m frightened of you.  If it’s true
your detachment scares me to death. 

You live in Boston,
the Red Sox are about to win the World Series, 

and you’ve got a life so well-sealed
that nothing you dislike ever leaks in.

Somewhere in that detachment I detect
a echo that suggests that others eat cake,

an echo of the ultimate detachment:
the whistle and wet thunk of a guillotine.

Do you see yourself standing beside it, or kneeling behind it?
Are you the target or the mob?  Which position

will your detachment gain you
on the day the dirty world at last leaks in?

You live in Boston. The Red Sox are about to win
the World Series.  Take heart: 

soon enough everything will fall back into its place,
like a head falling into a basket.


Haves And Have Nots

Somebody
making me
unsatisfied

They say it
never can happen
Only I can do that

They never been me
or my like
Never watched me lose

Never watched how 
things were taken away
or denied

Somebody
making me
unsatisfied

You say
it isn’t true
Only I can do that

You say
a lot of things
that leave me that way

You do it
Leave me
that way

Someday
I won’t be
and I won’t have to ask

who did it to you
because
you and I will both know

Difference is
I’ll own it and
gladly


Return

A door opens —
no, more than that: the door
to your solid home is blown open
as if in a scene from a movie

and he’s standing there, the Missing Returned:
perhaps Prodigal Son, perhaps absent Father,
perhaps Great Lost Love, the One
That Got Away, last missing link in the chain
tethering you to Who You Used To Be.

What are you going to say?
You are different, not at all 
the same person.  Drink different tea,
hold your head differently, your voice
lower, your body weaker.  Maybe you’re
a parent now, perhaps a widower or widow,
perhaps divorced or never partnered.

What do you say to the One
who defined you once
when you are no longer
who you were
back then?

You say,

welcome.  Welcome
to my solid home.  
Can I offer you
some tea? It’s what I have
these days.  
You are welcome to sit,
and certainly we’ll talk,
but close the door 
behind you first as
I don’t want anything
that might have followed you here
stumbling in bedraggled
from Beyond.


Repost of question to subscribers…

I posted this a couple of days ago and got a frankly disappointing response — only three of the hundreds of subscribers to the blog answered.  Trying it one more time…it was the weekend, after all.

If I were to put together a manuscript of selected poems and have a book published of my work, would you read it or purchase it?  Or does the presence of the work online make that irrelevant?

If I were to do this, would you purchase a hard copy or an e-book?

I would especially like to hear from subscribers I don’t hear from often.

Thanks in advance!

 

Tony


It’s All Material

Ask yourself, the next time
you utter those words:

are you just another one awaiting
the Next Bad Thing to engage me
because my crazy
is your breakfast reading, my distress
your sustenance?  

I need a tankful of tears to run on,
a broken heart whose flailing pulse
powers a treadmill
that gives light —

that’s what you’re thinking, 
right?  That’s what you mean
when you say,

“Oh, buck up —
look at it this way —
you’re an artist and
it’s material.

“May you drown in material,
artist, may your splashing
churn up what we want — 

and may you starve as you create
because while we need you,
we need to keep our kids

from wanting to be you.”



Why I’m Not John Wayne

“Fill your hand, you son of a bitch.”  — John Wayne before a gunfight in True Grit

According to some
mine is
always full
and
every word of mine’s 
a pistol or grenade
and

while
they may be right
more often than not

they don’t see that 
the weapon and the atttude
are vastly 
self-directed;

that any damage to others
is incidental;

that the thought
that I’ve shed blood
with my words
on purpose

is as unfamiliar to me
as the Duke’s swagger,

which on me resembles
nothing more than
a drunken, stumbling tumble
to the rocks.


Question for subscribers to this blog

If I were to put together a manuscript of selected poems and have a book published of my work, would you read it or purchase it?  Or does the presence of the work online make that irrelevant?

If I were to do this, would you purchase a hard copy or an e-book?

I would especially like to hear from subscribers I don’t hear from often.

Thanks in advance!

Tony


Old-Fashioned

My old fingers say
a light bulb ought
to be hot when on,
but the twisted knob
in this bedside lamp
glows without.

My poor brain
can’t get behind
how the speed of
one person’s offhand thought
now shimmers through
a billion screens at once.

When I am gone
I’ll be at least
a bit relieved that
as my consciousness fades,
it will do so as it always has
from the savanna till now.

Also, I am thrilled
to state that my old heart
(as bloated and clogged as
it likely is) can still race
and rock me when I see
the eyes of one I love.

If it is the heart
that kills me it will do so
in the most ancient way:
through overexcitement.
Nothing obsolete about dying
for such a lovely thing.


Without Reins

Sing the way you do when abandon
has just pulled the bit from your mouth
and you’ve begun to dream without reins.

Sing the broken bell of the body
and of the careful hand that palms it,
attempting to shelter it from greater harm.

Sing the failing ring of its last note
and of the ear cupped to catch it 
before it’s gone forever.

Then sing the return, the rebirth,
the orbit swinging around. Sing the bloom
gone to seed, of the seed gone to fire.

Sing again the demise, sing again
the rebirth, sing the emblem of circularity,
the zero completing the round.

Sing the blue-throated love song,
dense jewel of the sun working
on behalf of misted concrete longing.

Sing this, this dark-tattooed work song,
faceted chant, revelation; sing this gospel
of opening, this echo of purest belonging.


Insomnia

If only the night would stop
arousing me —

if the dark was not so
filled with pinch and worry,
and the room was not so
armored and bristling —

if I could come back down to earth
and ignore how comfort is stolen
by the smallest sounds,

stop attempting to levitate
above this hard bed
to avoid the cycling through
bad sleep and horrid waking
that leads to living each day in haze —

if I could live each day in clarity and
vanish into dreams and sleep at night —

I might be considered normal,
I might feel less twitch and twinge,

I might be someone I could trust
and depend on to carry me through,

I might not need to do another odd thing
in pursuit of peace ever again,

I might not be this man,
might be another, or might not be at all,

and that keeps me up at night
wondering about how much of this
I am destined to take, supposed to take,
meant to take and was built to take
before not taking it
turns me something I am not,
robs me of the most pure bit of me.


Tough Going

Chewing
ancient hard taffy,
three meals a day.

Climbing the local
Dead Horse Hill
wherever I am.

Waking before dawn
to wrestle a fat
and angry angel.

These are the lives for me:

tough ones
where the easy stuff
takes forever to do
and the impossible presents itself
as regularly as church.

I’ve learned a trivium
fraught with weight 
and difficulty.
It’s all I know.

Some of us are meant
to be ground underfoot.
Some of us are meant
to wear out.
Only a few are bent
to loving that fate;
I bear that curvature
in my wasting frame
and don’t know why
but I trust the universe
to have it right,

and when the last of me
crumbles the remains
will serve some purpose,
I’m certain, for the fat
and angry angel
who will crush me
and then lift me 
with disdain
from where I’ve mingled
with dust.


Homegrown Terror

I like this era
of quaint new words
that help me explain 

how I see each new day
as a hardened target
against which
I have weaponized
my smile

how I follow therefore
in my daily routine
all necessary
hazmat protocols
keeping a safe 
distance from others

how I live on such
a high alert level
prepared
for all threats

and how the occasional
preemptive strike
is necessary to preserve
my freedom


What We Won’t Acknowledge

Admitting failure,
complete collapse,
Ernest “Fatman” DiCicco
spends his last days
hoping for a warm spell
before first snowfall.

He looks over 
all he’s done and 
gives away most
of his best things,
his favorite guitars, 
his pens, his knives.

Burns his letters, 
every book he’d ever 
made a note in, 
all the cheap jewelry
he’d loved, clothing
and caps and gloves.

When all is done,
Ernest begins to starve himself —
Fatman changing before our eyes,
such peace in his  — 
will not speak of what he’s thinking,
and for once we won’t ask.

When he’s gone, we won’t notice
the absence for more
than a moment.  Why be hypocrites?
We have always wished he would go away
and once he has, everything’s
fine, everything’s for the best.


America the Beautiful II

He cries with his gun
and she weeps with her cleaver.
If I am mistaken in this,
burn me with money for my kindling.

What a sad hole
of formerly shaded secrets.
What a barn full of slaughterhouse
cows seeking escape.

The roses we planted
and fed with convenient blood and sweat
are blooming long after the hard frosts
have set in, and we have no more

to give unless we source it
from each other, from the ones we thought
were like us.  The message goes out:
find a reason to stick them and drain them.

He cries on his gun, she
tear-stains her cleaver.  But 
that doesn’t stop them from working,
and the roses earn a temporary reprieve.

It’s cold, though.  So cold
tears and sweat and blood are hardening.
So cold we can see now that those cows
aren’t breathing.  Our sustenance:

nothing but ghosts.  So cold the roses
break off the stems and shatter.
Our easing: nothing but scraps.
We look at each other weeping,

and realize how hungry we are.