Monthly Archives: December 2010

600 Poems In 365 Days

Earlier this year, I posted that I’d posted 500 poems on this blog in 2010, which was an arbitrary amount I’d chosen even earlier in the year when it became clear that I was on a record pace for posting.

Since then, I’ve added another 100 poems, bringing the 2010 total to 600.  An equally arbitrary number, but one I’m proud of.  (For comparison’s sake — 2009 saw, very roughly, about 360-370 new poems posted on the blog.)

I’ve talked elsewhere on the site about why I post everything here — might be worth saying it again.

The Dark Matter blog is essentially an experiment in looking at an entire body of Work — the good, the bad, the mediocre, the false starts and good tries as well as the “successful poems” — as being, ultimately, more important than any one poem.  It’s an effort to see the trains of thought, the style shifts, and the themes as being all One Endeavor, one giant monster of artistic output.

Some have criticized it as being silly — that it limits, for instance, where I might submit poems for publication; that it keeps people from buying merchandise when they can get it all for free; that it doesn’t give the public only the best work I can do.

I just want to reiterate that I’ve carefully considered all that.  Certainly, there are some journals that won’t take my work because it appeared here first.  But over time, there’s a growing number of journals both in print and on the Web which do NOT consider an effort such as this to be a problem.  I think that trend will continue and I tend to only support those journals that work this way, and will only submit to them.

In addition, I think of publication elsewhere as just another aspect of the Work as a whole.  It’s not my be-all and end-all.  First and foremost, I want the Work to be available; there are various ways to do that.  Creating and publishing a manuscript — seeing a book as another art product built from the larger Work — is another.  I don’t see them as mutually exclusive.

As an old punk, I don’t need the validation of an artistic establishment to feel comfortable with my efforts.  I see this blog as a manifestation of a DIY spirit I cherish so much that I’ve got the letters “DIY” tattooed on my chest above my heart.  People will find the poems and like them or not; I made sure they were out there, the good, the bad, and the ugly.  That’s my job.

At any rate, I’ll likely move at a much slower pace here than in 2010.  I’ve got a lot of irons in the fire, both personally and professionally, and those will now move to center stage for a period of time.

I thank you for reading here, and please keep at it — there will be more of the Work posted here in 2011, if not quite so much as in the past year.  Will keep you posted as I go forward on other projects too, especially as they relate to the new Duende Project CD that will be released on Jan. 9th.  There will be gigs and public performances, new publications, and more.

Happy New Year to you all.  May the future bring you what you most desire.

Tony

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Steak Or Chicken

there must be days when george clinton
thinks about giving up the stars
for a steady job in furniture repair
and prince thinks about saying fuck it
i’m going into retail
bruce has to desire a corner barbershop
and mick must occasionally think about financial analysis
as a late career choice

just as
right now
i wanna be a rock star like they are
with a name that projects a complete cosmology
the minute it’s uttered

hearing my name
ought to change the inner monologue
of anyone who hears it

that’d be sweet

instead i’m in the store
looking at frozen fajitas
and i could be just anyone

it’s gotten so bad 
if someone calls my name
i don’t turn around because
they couldn’t possibly
be talking to me

and i am so inured
to being a nobody
that even my own name
doesn’t evoke anything except annoyance
that i’ve been disturbed before i can choose

steak or chicken

most days i don’t feel this way
i just go through motions
i’ve been through before
and i’m ok if not happy
the world around me
isn’t mine
i just live here
and i mean so little to it
that when i stop living here
someone else will be just fine
with my name

but right now
i wanna be a rock star
and i want my name to make the choice
of steak or chicken
for me
with a sense of inevitability
as they magically appear in my cart
they are exactly what i want
they are therefore exactly what everyone wants
and if i change my mind later
so shall change the fajitas
and so shall change everyone else’s mind and taste

so while bowie dreams of truck driving
and jay-z longs for an assembly line
i shall think of steak of chicken
and say
why not both
and why do we not call them
tony fajitas
regardless of what they are made from

why do we not cook them to a sound track of me

why does nobody
seem to have a clue
as to whether or not
i’m in the room

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Joe From Ararat

Just as he removed his hat
a dove flew by
clutching an olive branch.

The dove went back to the Ark,
bearing a message
that it was finally safe to land.

So the Ark settled on his bare head,
and animals poured out
and took refuge in his scalp.

Some made their way down
to the ears and nostrils,
entered his brain and took up residence.

They began to breed,
murmured and cackled and screamed
that he was holy ground.

This played hell with his concentration.
Work became impossible.
He was fired and became indigent.

I met him at a veterans’ shelter
where I’d gone to drop off clothing
for the winter ahead.

He told me, “They won’t shut up,
but at least there’s a rainbow in front of me
all the time.”

I dug through the bag I’d brought
and found him a new hat.
“I don’t need that —

wouldn’t want to chase away
another dove looking for
dry land.  But I do wonder

where that first bird
got that olive branch
and why she didn’t just lead Noah there.

What was wrong with that guy’s head?
Why didn’t she think it was good enough
for the animals if there were olive trees there?

Maybe I was meant to be the new world. 
When I think about it, I kinda feel sorry
for the guy who didn’t get chosen,

sometimes.  Maybe
he needs that hat?  He’s got to be
cold.”

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A Short Summary Of The Story So Far

An elegant pipe bomb
is found
unexploded
but still live
in a suburban mailbox.

The maker
has dispassionately painted
the cylinder with careful strokes
so that it resembles a piece
of Zia pottery.

The explosive inside
is potent and unusual
and wrapped in a coat of tiny
white men made of lead.
The ends are packed with shrapnel,

small bits of steel
cut into the shape
of the bodies left in the snow
at the 1890
Wounded Knee Massacre.

Attached to the bomb
is a note that reads
“Welcome to the continent”
and a feather from
a peregrine’s tail.

All over the country,
people begin to avoid
their mailboxes, staying in
and reading their property deeds,
examining their family trees

for records of cavalry sergeants,
missionaries, traders, storekeepers,
farmers, ranchers, pioneers,
Congressmen, Senators, and Presidents.
No one likes what they find.

In subsequent days
more bombs are found.
Not a one ever explodes
but everyone holds their breath.
Everyone feels as if they’re on trial.

The suspects are known to be
hiding in plain sight
right around here somewhere.
Even though the government has banned
casinos and dreamcatchers

and closed the roads to every reservation,
the investigation is stalled
while the bombs keep appearing
in mailboxes, in car trunks,
in closets, on television,

in place names, in foodstuffs,
on the roads, near the rivers,
in the language itself.
Everywhere we look, in fact,
we know there could be a bomb.

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A Week Of Safe Words

I’d like to be
leashed to silence
tonight

so

the safe word
is simply
a volume level

if I scream
real loud

LET ME GO
then
let me GO

~~~~~~~

tonight

the safe word
is

augury

if I suggest
dire prophecy
may be imminently
fulfilled
then

LET ME GO

~~~~~~~

tonight

the safe word
is

aspiration

if it seems that
I am about to reach
my goal

then
LET ME GO

~~~~~~~

tonight

the safe word
is

ouchies

not ouch, though
as I tend to say that a lot

~~~~~~~

tonight

the safe word
is

syllabus

if you hear that
I’ve learned enough

so

LET ME GO

~~~~~~~~

tonight

the safe word
is

reflective tape on racing bike handlebars

if you hear that
I’m not into it anymore
and am thinking of
the Tour de France

so

you might as well

let me go

~~~~~~~~~

at last we come to
tonight

when the safe word
should be

don’t ever let me go

if you hear that

you know the drill

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The Body’s Intentions

This plane I’m on
is falling to earth,
and I’m still growing.

This train I’m on
is swerving from the track,
and I’m still growing.

This car I’m in
is aimed at the wall,
and I’m still growing. 

The needle
and the hot shot are waiting,
and I’m still growing.

The bullet and the knife
are prepared,
and I’m still growing.

How clogged I’m becoming
from poisonous food.
I’m still growing.

How angry the liver,
how broken the aorta.
I’m still growing.

If I fade into the couch
and stop moving today,
I’ll still be growing

until all the hair and nails
and bones and fat cells and organs
decide to call a strike.

This body is
unfinished business
until it decides otherwise.

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You’re Artsy Because

You’re always imbuing
everyday stuff
with meaning,
like that strawberry shaped bruise
on your forearm
you got God knows where;
you keep calling it
a sign.

You’re artsy because
you want to commemorate
the oddest holidays:
Festival Of Dolls, National
Eat A Licorice Gun Day,
International Toilet Paper Tube Week.
You want to wear their banners
instead of your coat
in a blizzard. 

You’re artsy because
you actually think my world view
can be improved
and you keep trying to improve it
by being utterly yourself.  Whoever
heard of such a thing? 
Everyone knows
we’re better off
being more like
other people,
right?

You’re artsy
because if it’s nothing else, it’s art,
and I don’t know
what else to call
the improbable twist that is you.
I’m saying that’s you
being artsy,
creative, inspired,
though none of those words
means a damn thing close to the truth
of how electric the air is close to your skin,
how luminous surfaces become near you,
how the seeds of new things
are everywhere you step,
how much a lover of art
you make me.

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Supermarket Muse

From the yoga pants
to the pretty hemp bag,
she’s the very model
of the modern conscious mom;

if we walked together
there would be wonder at how
we’d found each other,
and how the child came to be

because I am anything but
that match you’d expect for her,
and all my fantasies are unnatural
and full of folly;

we don’t pass through the same circles
and a guy like me is the furthest thing
from her mind.  In fact, she’s the furthest thing
from my mind as well; one moment

of wonder does not a crush make. 
I can’t see me being that close
to anyone that clean and honest
in her enthusiasm

for the care and feeding
of family and the rest of the world.
I’m a dirty bird with a bad heart
and a trail of smoke in my mouth

almost all the time.  Women like her
set me to thinking
how I got here, that’s all;
I like where I am, as she must like

where she is.  Any thought
of connection is silly.
Any thought at all that contains
the both of us in it is sillier still.

So I’m headed for the beer aisle
instead of lingering near her,
and that’s a good thing for both of us
and for that kid she’s pushing

in the stroller that costs more
than I make in a week.  I’ve got
my own stuff to do without taking
a single moment to do for another.

Anyway, if we were somehow to meet
I’d probably have to quit smoking
and get a real job, and I imagine
neither of us would like the guy

who’d be left in my skin
once that had happened.
Best to not even entertain
such thoughts.  Best

to pass as ships in broad daylight
with plenty of distance between us.
I don’t even know how I got on this,
and it’s time to let it go.

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Immigrants, Settlers, Etc.

Borders
previously thought to be
mostly symbolic
are hardening.

See them from above and
you might begin to believe
in them, they seem so solid —
fences, towers, narrow war zones —

but crossings still happen:
tunneling under, vaulting
across, cutting through
the wire.
Something there is
that doesn’t love a wall?
Yes.
Good fences make good neighbors?
No —

all fences make neighbors
out of family, and we long
for family. 

Every frontier ever
was born of a longing for a real home
unlike the one left behind. 
Maybe we’d create one,
maybe we’d meet one — maybe
we’d kill for one. 

Every one of us who’s ever sought
one
cuts through something to find
one.  Immigrants,
settlers, etc.;  they made a home,
someone drew a line,
blacked it up on a map, and
now they build it up on land and sea —

what in history
could ever have made them believe
it would work this time?

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Home For The Holidays

Re-gifting:

the Christmas tree burned
in a barrel
by six homeless men

who are feeding from
discarded party platters;

earlier, one crumpled up
discarded wrapping
collected from many recycling bins
to insulate the refrigerator box
he’ll sleep in.

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A Man Learning Things About Himself

A luxury car in a mortgaged driveway.
A sleeping family down the hall, up the stairs.

A shark’s head mounted on the den wall.
A fat ass in the leather desk chair.

A sandwich and a beer on the desk.
A porno on the computer screen.

A shift in his eyes.
A wriggle in the seat.

A possibility?
A way out?

A moment before the flickering scene passes.
A forearm wiped slowly across his damp mouth.

A second click.
A replay. 

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Poem

I don’t need your slogans
or the umpteenth recitation
of your mythic pain.  I’m not
unsympathetic, but truly prefer
you stay out of your poem.

Tell me instead of the raw roots
that are ripped out by bombs
to dry in the flesh-stinking air,
and tell me of them
in their voices.  Make them sing

in the filthy wind.  Make me
cry because you’ve listened to them
and then gotten out of their way
to let them sing.  You and I can speak
when they’re done.

I know you’ve been hurt, been loved.
I know it because we are humans
and sharing is human.  Tell me instead
of the shape of pain in such a way
that my own pain takes that shape.

Step aside from your own story
and tell me my own, our own.  Mix it
with pain and joy in equal parts,
toss in boredom and impatience
and acceptance for flavor. 

And for the sake of all that is real,
don’t just say “boredom” or “suffering”
or “joy” and expect that to be enough.
I want to feel them like stones in the road
under my bare feet, unshod because

I was compelled to slip them off
when I entered your poem, as if I’d entered
a small church or the home of a
holy spirit and knew at once
I had to humble myself to hear.

Tell me of the crank on an old pump
that brings sweet ice water up
from the skin of the earth.  Put my hand on it
and then step back.  Let it come up
and splash me, and let me drink

for myself.  I’ve been parched for a long time
but I have not forgotten how to drink
from such a spring.  I will love the poem
more for the space you’ve left inside it
that holds the water.

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A Dog

Spilled anger
wets his mask
until it sags.

What you see underneath
is blue, reddened, splotchy,
and gaping open;

those are big teeth,
and those many, many spots?
Blood, his own.

His hands jumbling
up the scraps
of previous charade (as if

it could be replayed
now that the rage beneath
is so obviously out

in the open) — you know him,
in fact you know him very well.
The mask always has meant next to

nothing.  You were not fooled.
That was no real face visible
on his head

and you always suspected
what the face beneath
would look like.  You

are not disappointed, exactly,
by the revelation.  Yet somehow,
you pity him for this: it seems the monster’s

a dog, a mad dog perhaps but still
a dog.  And dogs?  Dogs
can be put down with very little fuss.

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How To Establish A Legacy

To remove your clothing
in public
is dramatic, perhaps even brave
or useful; to put clothing back on
when one has been
publicly nude
is also dramatic, but
this is not usually done
for an audience, as most
prefer the end of mystery
to the resumption of mystery
and see the latter as deception;
when one resumes a deception
before the world,
those who became naked as afterthought
and did not participate
in the original drama will feel cold
and cheated.

All this is to say
that to decide to swim naked
in the main stream
ought usually to be a final choice.
One should not go backwards from there;
indeed, it is made nearly impossible
by the ever-judging audience.
They know you too well,
you see,
for any of them to not picture you
naked ever again.

Still, there are those
who do pull it off,
but it takes time and patience
to be among them,
and you must wait
for an entire generation to pass
before you can walk out clothed
as you wish again, out there
among your disowned heirs, the nude
public, in all their skin
and bare finery. 

No matter how wonderfully
you are arrayed,

it feels a little hollow
when you step out that way.

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Introspection

It’s a shuttered charm school
in here: a lot of ghosts learned
in the arts of restraint and poise,
but not much that’s still alive.

All I can taste is smoke
from the butt-end
of a burned heart.
It’s all I can do to stay inside.

If the door I used to come in
is still clear and still leads back
to clean air, I can’t see it.
I should have left a trail.

As it is, I’m stuck here, I guess,
learning to make sense of this;
drinking poison with my pinky raised,
choking on it with my lips sealed.

It’s all I can do to stay inside.
The whole damn place is still alive.
I should have left a trail; better still,
I should have left this sealed.

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