Monthly Archives: September 2010

Punk Rock Song #2

sarah on the cover of another magazine
saying stupid things she really really means
calls herself a grizzly bear and dresses like a queen

why are we so happy

abercrombie model talking fratboy rapist shit
with a head that’s barely bigger than a fucking cherry pit
and a brain stuffed inside it that has lots of room to fit

why are we so happy

it seems that the dumber they come
the wider we grin
it seems that the louder they talk
the bigger the pain

senator ridiculous opens up his mouth
water turns to burning oil and rivers all dry out
they put money in his pocket to buy a little clout

why are we so happy

it seems that the poison we take
keeps us amused
it seems that the poison we make
is never refused

abercrombie model and a frozen lizard queen
always keep us laughing we don’t question what it means
senator ridiculous is riding limousines

why are we so happy

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Paranoid?

it’s a mysterious grain of sand
in your shoe one day
coming home from work

it’s the resultant blister
water leaking onto your sock
skin coming off
in your hand

you have to walk slowly now

you hear whispers
on every corner

they don’t care if you know
because you’re not important
and it’s gone too far to stop

everyone’s in on it

they aren’t covering up something that’s already happened
it’s an operation in progress

you’ve bent one slat on the living room blind
because you watch the street all the time
every truck and skateboard a lure to the window

it’s secret squirrel stuff
and you’re wounded
and one step behind

but you know
they know you know
you know they know you know

you’re buying a gun
off the grid
you’re stocking up on ramen
and peanut butter
you’re not talking to anyone for very long

you suspect you’re part of it

it’s not all that bad
to be so aware of your surroundings
that you can hear
codes in the crickets
saying
the key to all this
when you find it
will have to be turned
in a lock you haven’t found either

everyone is talking about it
and your bleeding foot
you’re leaving a lot of tracks
it’s a race against time
and you’re slowing down

hurry

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Testing

Is the man who learns from swallowed stones less a learned man
than he who sits up and begs for easy knowledge
dispensed like treats to a trick dog, taking in whatever is offered
regardless of effort expended or potential for poisoning?
At least the stone eater knows how his teeth will crack
as he chews the hard lessons and struggle them down.
At least if he is cut by his own broken teeth
he knows the pain is immediate and if it scars him
he will have the scars to remind him of what he learned.

Is the woman who climbs the sheer wall of her prison
less a climber than the one who rides a proffered elevator
or ladder, giving up a piece of herself to gain escape
and then to walk the world with a piece of herself left behind?
At least the climber who attempts to summit the prison wall
owns the chance of falling and shattering, and if
she is broken into shards they will lie close together
in the landing, no need to search for what’s been lost there;
if she succeeds with her ragged nails still on her hands
she will always know what she can do once they grow back.

If we fail and fail again, struggling with every fall,
standing up on telescoped legs, swallowing our own blood
raised to our mouths by biting through our own tongues
in an effort to stop repeating the wrong words again;

if we stagger, if we stumble, if to be ourselves we try on
mask after mask to see what fits and then finally with irritation
toss the false face into a battered can and call out
that we will face the world now without disguise,

will we be less worthy of love and honor
than those who smiled, nodded, bent their backs as directed
to bear the traditional loads of straw and brick —
those who did not understand and turned and sneered at us
and gave us the backs of their heads in response to our cries
for help in a time of need?  Or will we spit stones at them
from the tops of their walls?  Will we then teach them to live
as we were taught to live, or will we say
we understand so much they do not know that a lifetime
is not enough time for the learning, and turn our backs on them
to build anew?

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The Search For Meaning

by loving that tree
on my wall

the tree outside the window
becomes a metaphor

the metaphor
becomes a conviction

the conviction
becomes a prejudice

the prejudice
becomes a work of art

the work of art
becomes a metaphor

the metaphor
becomes a moving target

the moving target
becomes a religion

the religion
becomes a bloodsport

the bloodsport
becomes a conviction

the conviction
becomes a cause

the cause becomes a tree
outside the window

the window framing
a religion

that has become a cause for bloodsport
aimed at moving targets

a work of art
made from a prejudice

and grown from roots of arsenic
and love

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Dying Con Man

Go without me
and take with you
all the green stones
and gold you can grab.

When I’m here alone
I’ll have no need of them.
No one to flatter,
no one with whom to trade —

some will from afar call it heaven
and call me the luckiest man
alive.  But I won’t be lucky,
or alive.  No face to lie to,

no back to stab, no handshake
to pull away from — the bad man
is not lucky when there’s no one
to steal luck from.

Go without me, let me stay
here, dead as I should be,
that highest penalty paid
through my deserved loneliness.

Take the pilfered wealth
and go.   Leave me here, poor
and starving for a mark.
Wave good bye and turn your backs —

that’s what I’ve always cared most for:
your exposed wallets, your undefended spines.
Leave me that memory to work with
as I play myself, the only mark left in the house.

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Selling Out

All you want from me
is the traditional big noise
and words that echo our social agreements.

All I want from you
is to have you listen to me,
even if I’m being quiet.

I don’t walk the bar,
I don’t windmill or throw scissor kicks.
It’s been years since I needed to pull those tricks.

You call this “selling out.”
I call this learning
that slogans sell coffee and condoms

but rarely knowledge,
at least of anything deeper
than what’s obvious

and black and white, and now
that I’m gray I’m relentless
in being gray, living gray.

Gray is the sound of a voice
that’s talked too much
for one life but can’t stop,

and I don’t need it but
I’d love it if you’d lend an ear.
Leave the kids their acrobatic life, their easy chants

and simple slang.  I think I’ve got something
to say to the gray out there,
and I’m not going to shout

about how necessary I am,
or how important this is.
I think it’s good, but I leave that to you

to figure out.

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NASCAR Race Day

No matter what you want to believe
we don’t all come just for the wrecks

(though some certainly do
they are in fact few)

We come for the pulse
of steel and rubber on asphalt

We come for the oil on the track
that can change the day from green to black

We come for the luck
that amplifies the science

We come for the threading of fluid holes
with one ton needles

We come for the physics
of spring load and banked tracks

We come for the unwasted motion
of tire carriers and catch can soldiers

We come for expletives and cryptic bursts
on the radio that sing focus over the scream

We come for the unbelievable noise
of precision in chaos

We come for the wrecks not for the wrecks themselves
but for the juggling magic of spotters — stay low, stay low, pull up, stay high, you’re good

We come for a faith in numerology
and for 48, 24, 18, 11, 29, 31, 43, and 3

We’re not all rednecks
and idiots

and if you brand us all as such
because of our enthusiasm

for machines and their extension
of effort into hard space and speeding light

for the play of numbers and sweat
that makes a race team a team

If you know me to be smart
and not easily impressed

If you listen to me rave about how this battle of engineers
holds me tight from February to November

and then say
I’m surprised you’d be involved in something
so stupid

and
you’re not as smart as I thought


may I suggest or indeed affirm
that you are the bigot you claim to despise

If you don’t like it then simply don’t like it
and keep your opinions to yourself

Even though they say rubbin’ is racin’
just know I would never trade my paint for yours

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Lazy Fall

All it takes
is the fan going on
when triggered by the thermostat

A breeze on my legs
A paper lifting off from the table
and ending up on the floor
after a lazy fall

Startled
I take a moment
to ignore the hard work before me

It turns into an hour of
nothing
No words for the time spent

When the fan turns itself off
I sit some more

wondering how hot it has to get
before I begin to work

especially knowing that the hot days
are almost at an end

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Good Night Ferret, Good Night Cat

Good night,
says the ferret in the couch;

it’s been a good night
here in the seat cushions.

Good night,
says the cat in the closet;

it’s been a good night
here on the T-shirts.

Good night,
says the man on the couch in a T-shirt. 

It’s been a good night
watching you both figure out new ways

to be here, using the same things
I do in new ways, turning the house

I see as a coop
into a grand palace,

a playground full of possibilities.
I’m the worst animal here, I guess,

except I can write this
while you’re sleeping, make

a Himalaya
out of a dust bunny

while telling myself
it’s OK that my ass

hasn’t left this couch all night
because I wrote this.

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Working Man Blues

When I’m working

feather in hand
remarkable paintings in head
and squall in cheek

then I am
most myself

When I fail
and am idle

stuck to carpet
face dirty as an old bone
dog-torn under a sparse hedge

I become the bad doll
in the chest of forbidden toys
Unsafe sharp arms
and a missing topknot

No one wants to play with me

The hard part of all this
is that when I’m down
I can’t pull the together out of me

alone

but who wants to see me
like this

When I’m working
I’m magnet happy
I’m covered with faces smooching
and all the happy lips make me wet
and then I want to dry off

But dry and slow
stopped in my track
I’m not sweet

Smelly old man
stay home alone

and who wants me for a co-worker
when I’m so lazy it seems
I can do nothing

someone stick a feather in my hand
and open up my mouth
move the jaws around

or at least come over
and talk to me
while I’m down on the floor

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In Berchtesgaden

Abner,

says Jeremy,

did I ever tell you
about my first time?

Not that I recall,

says Abner.
You were always pretty close mouthed
as a kid.

Jeremy responds,

It wasn’t when I was a kid.
I was in the service.
It was in Germany,
Berchtesgaden. 

Ah, says Abner.
Some local fraulein?

No, says Jeremy.

He was from Utah.

Ah, says Abner.
Ah.

A long pause, then:

It explains a lot.  Why you didn’t marry
till late.  Why no kids.  Why you never
flirted in the bars, even at school.

Did Ruth know?

Jeremy nods.  Then:

Did you?

Abner says,

It explains a lot.
Yes, I guess.  Yes.

Jeremy, then,
his voice low and even:

You never said a word?

No need, says Abner.

Mmm, says Jeremy.
Mm.

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Ash

ash
now

smoldered
for hours
without losing shape

much as a good cigar maintains
its barrel while on fire

then her one breath
drawn through
and what looked solid

fell

became a gray cloud

became soft earth
white feathers dissolute
on glass

waiting now
for wind or breeze
or another breath

will fly

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Breaking News

Rich misunderstandings
full of bile and consequence —

frosting
on a rotten cake.  People

stare across barbed cable
at each other, standing on soapboxes

built on fear, on arrogance,
on ignorance and outsized grievance —

wailing
you don’t know me, how dare you,

you’re not my kind —
who are among your kind?

Look like,
think like, bleed like,

weep like, feel like.
Like’s got everything to do with it,

and like is so brittle now
it breaks easily on a letter of law

or practice.  In the sulfur cloud
that dusts up after the word snaps

we lose each other.  We can’t see
how like we are.  We can’t sense

each other in the poison twilight,
and everyone’s got a knife.

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Western Massachusetts

In Western Massachusetts
it can get noisy in the mountains.

We are not Boston,
the residents always shout,
and neither are we New York.
Come and play but dammit,
don’t claim us and overstay.

But Boston and New York
always want to pretend they are pioneers
when they come out to visit or squat
in Western Massachusetts for a weekend or longer.

Whoop dee do, yippie ki yi yo, they rough it in Noho,
they don’t stop in Pittsfield except to pee or poo
on the way to or from Tanglewood.

Isn’t it quaint
and semi-wild, this backyard of ours,
say New York
and Boston?  We’re so fortunate
to have this.  Such pretty colors
and how these empty mills become
so classically ruinous for us,
it’s special.

Chicopee, Holyoke, Springfield
send messages up the grapevine
to Deerfield and Montague: slit
their angsty throats in the night,
but get the money first.  You, Amherst,
Sunderland, hide the bodies
out in Florida, scatter the credit cards
in Williamstown, get back and go
to ground.  No one will look for you
in winter, they’ll just head
for Vermont, and they can have them.

If there’s ever a Berkshire Revolution
it won’t stay noisy for long.  Western Massachusetts
will leave that to the cities.  Instead
the war cry will slip like paper into
a fast stream, melt,
disappear and not be missed
until spring, will be forgotten

by next fall, when it will
start again.  And it will start again
and again.  It will never end.

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Former Hopeful

He left the minors years ago
with an injury, has a full sleeve
of rust on his throwing arm,
refuses to play
in the company softball games.

On the wall behind his big desk
a black and white photo of himself
stretched out mid-pitch,
obvious bulge
in his cheek
from the chew.

I know for a fact
he still chews.
Sometimes
we have late meetings on projects
and since he trusts me,
he doesn’t hide
the Styrofoam cup
taken from the short stack he keeps
in the bottom left-hand drawer,
cups which
(when we’re done
and headed home)
he carries to his car
to be discarded somewhere
other than company grounds.

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