Monthly Archives: August 2009

Modern Apocalypse Rag (1976)

Note:  Found this in old notes; apparently, written in 1976.  I was 16 years old, and obviously in love with Allen Ginsberg and Gwendolyn Brooks at this point of my life.  Offered as a historical note, mostly for myself.

We all stomp round and round.  We rage at sky,
at ground.  We hunt and peck
and scream.  We hate, we fear,
we dream.  Corpses love their names.
We rip ourselves with games.
We hope, but hope’s a lie.  We live,
we wait to die.  The trees
don’t know we care.  The sea,
the fish, the air.  We strike at those
we loathe.  We sleep we those we love.
We can’t tell them apart.  We give up making
art.  We drink our salty tears.  We do this
all our years.  We spend our time on pain.
Our children do the same.  We lie down,
glad to sleep.  When we die,
no one will weep.

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Detour

Instead of my common heart,
my overworked soul, I give you my feet:
unsteady, crawdaddy-rough chargers
upon which I pace
and stroll and run when chased;

I give you my fat-educated
and expanded belly, ready to bounce
and shake and heave with emotion
or digestion, establishment of my place
on the path I walk, going always before me;

I offer you my unmowed head
and my aging ears, the ringed and studded
captives obscured by the overgrowth
above.  I give you my dimmed and unfocused
eyes.  My staggered teeth.  My flaked lips

that pronounce well enough but rarely say anything
well-considered, preferring to be ruled
by the blurt of the moment that may be truth,
may be nonsense, may not be either just yet —
but you should listen for it to settle on one or the other

in midair.  I give you my tattoos, blue words
stretched and softening as they age, now mellow
declarations that once were strident and loud
with clean edges and obvious, blocky contrast
to the pale and blubbery hide they rest on.

Take me:  furred chest, small nipples, creased abdomen,
flattened and spreading ass, stick-figure manhood,
take every dear deficiency on a worn anatomy.
I am a body made of stories, I can tell them all,
and failure and addiction and weakness led me to them;

they’re nothing I can recommend, but they’re all that I can offer,
outer suit of the common heart,
the overworked soul,
the simple jungle I’ve made of my life. 
You can take it all.

Read me by reading the unfortunate shape I’m in.
Beauty is too easy when you do not take a detour
to the unveiling.  Follow the signs,
come out at the destination you desire: I am waiting
there, magnificent, if only by being here still.

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The Suicide Machine Speaks (revised)

— from a writing prompt by Curtis Meyer

Let me start by just saying it:  I love this guy.  Sure,
the music is always too loud, but I do my best
to keep the exhaust screaming, to drown it out,
but he just turns it up. He’s a man
and he needs that noise, I guess.

Even when he loads me up for a night
with friends and guitars,
I know he’s secretly lonely,
just like me.  A muscle car,
no matter how big, is really made for two;

no matter how I try,
he never sees me as his better half.
I’m just a way to help get to what he imagines
will make him whole:
a permanent passenger.

In the meantime, while he’s yearning,
he’s got a good (but randy) heart.
Always talking to lost women, trying to get them to ride.
I’m OK with that; having to carry just him on those empty runs
down Route 88 always seems a little sad, so

I can tolerate every groupie he pulls in,
him always thinking this one will do it for him,
though she never does.  Afterwards, he writes songs
about someone else. I like to think I’m the great love
he’ll never openly acknowledge, the denied Other he pines for

on those shore drives, those trips to Madam Marie’s.
Once, cruising from Freehold to the Shore,
I tried to express what I was feeling. 
“Boss,” I said (working his ego), “Boss,
you know you’ll never get anyone who purrs for you like me.

We’ll take it on the road together.
Open us up and let’s just go. Forget Wendy
or whoever else you’re thinking of right now. 
We’re born to run, baby,
you and I…”

I don’t care that he stole the line.  I don’t even care
about him calling me a “suicide machine.”  He knows
any death we might find together
would be an accident and I’d never hurt him, no matter
how I hurt. No, if there’s anything I resent,

it’s not the girls — it’s that guitar. 
I think he loves it more
than I could ever love him,
and I know it’s not the same for her:
snarly little bitch, ingrate,

making him work for it,
always taking credit for his fame —
lemme tell you: I think we all know
which Fender really
made his name.

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Weepy

It’s silly of me
to be weepy
when the talk show host
gives a luxury car
to a needy audience member,

really.  I know the reality —
that the car was provided
for promotional consideration,
will be hugely expensive to insure
and drive.  That the applause
for the gesture
is bait for the ratings beast.

But here I am,
weeping
at the weeping.  Happy
in a passing moment
to feel something beyond cynicism
about a good thing happening
to someone.

Don’t worry,
or do,
because this, too,
will surely pass.

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Blood In, Blood Out

draw it
from your mother
upon entering

draw it from yourself upon leaving

leave it
on an embalming table
or the floor

you cannot get in or out

without spilling some
and owning the stain
as your own doing

you think you can get away clean?

get over yourself
you’re a nest of harm
and you will come in and go out

wet

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Lower East Side, Late Summer Saturday Night

Turned onto 3rd Street
from Avenue B, which was
barely bustling at 10 PM,
walked into the club to play an early show —
came out again at midnight
and the streets were packed,
every person in the world
out on the Lower East Side,
my ears and eyes and nostrils flared
to pull it into me,
every shop open,
every bar filled,
garbage perfume underlying
the lily scent at the flower stand,
merengue blaring from a gated alley,
a column of white balloons swaying gently
in the courtyard beyond;
short skirts, long legs,
shirt tails out and two days’ growth
on every corner,
everyone seeking paths through and around each other:
the Lower East Side alive with the sound
of the turning, the churning, the shirring of wheels
as the machine that is New York City
remakes, re-imagines, revives,
and nowhere louder than in this place
that has always been
the source of beginnings,
a beehive full of promise,
sweet buzz,
and sting.

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Nuyorican Poets’ Cafe tonight

For those readers of the blog in the NYC area:  I’ll be one of the featured readers at the Nuyorican Poets’ Cafe tonight.  Show’s at 10 PM, and I’ll be on the bill with several other fine performers. 

The Nuyo is on 3rd Street between Avenues B & C.  Stop by and say hi!

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4:59 AM, EDT, 8/29/09

I awoke and rose
61 minutes later
thinking I’d just looked at the clock
a minute before.  I must have
spent a minute
thinking about why I was awake,
then fallen back to sleep.

It’s as if I stopped
for a whole hour.
Only the memory
of having seen the time
tells me I’d existed then
in a time before
this groggy chain-smoking moment on the couch
in front of a screen waiting to be filled
with proof that I do maintain a presence
during the moments
when I am unconscious.

It is 7:15 AM, EDT, 8/29/09.
All hail 4:59 AM, EDT, 8/29/09.

It was raining then, as it is now;
I was hungry then, as I am now;
the urge to rise and work and smoke
were all the same back then.
Nothing’s changed except the time,
the light in the windows,
and this documentation.

If I go back to bed now,
(and I will)
will I even wake up
again?  If I do, won’t my first thought
likely be the memory of this moment?

How, exactly, does the future ever arrive?

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Pet Rocks

he’s getting down to work this morning
but daydreaming about
Pet Rocks

how some guy made
a million bucks
selling rocks
in cardboard boxes
with a little straw
and an owner’s manual inside

how they sold out

and how some people refused
to buy them and just picked up
rocks where they were
and put them in boxes
and called them pet rocks
and others sold knockoffs
that had little googly eyes
hot glued to them and those
sold well too

but the point was
everyone had a pet rock
and called them pet rocks
and cared for their pet rocks
and they were all just rocks
but more than one person
got rich anyway

he’s thinking about Pet Rocks
while folding the T-shirts
on his kitchen table
packing them in boxes
shipping them out
never even bothering to read
the slogans of the minute
that he silkscreened on the shirts
last night after midnight

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The Sand-Filled Boy

The sand-filled boy
became bottom-heavy,
his past running through him,
holding him down.
Always so worried about time
running out
that he never learned to turn
somersaults
and reverse the process.

When they buried him, of course,
he found an equilibrium. 
If he had been able to care,
he might have been happy with that.

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Dark Chocolate

this fading night
has been
dark chocolate
biting softly back
at my happy tongue

but dawn is coming soon
and with it will come the moment
when I will
bite down
to learn whether what I’ve chosen
measures up

my fear is not
that I will be disappointed
but
that I may not be
utterly delighted
that I will have imagined
more than I can chew

and that by dismissing
the good
because it is not
perfection

I will forget the sweet stab
of dark chocolate
that has enthralled me
thus far

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New Duende Tracks up!

Three tracks up, two for immediate download this week only: “By The Numbers,” a tender tale of a school shooting with great bass work by Faro; and perennial favorite “The Last Word,” aka “Let’s Fuck.”

Our first album, “Jim’s Fall,” included a 17 minute track of the title suite of poems. We’ve re-recorded it from scratch and will be re-releasing it as an EP of sorts all on its own, now broken out with each poem being its own separate track. My favorite track from that effort, “Jim Loses His Grip,” which is a staple of our live shows, is also up for your listening pleasure although not for download…sorry guys…

Keep watching this space for more info…and visit the “Show Schedule” tab above for access to the tracks and info about where we’ll be…for instance, I’ll be in NYC this Saturday for a solo show at the Nuyorican Poets’ Cafe.  Love to see you there.

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Saturday Morning

The ragged hair of the unkempt lawn
offers a mixed message:

cut me, restore order;
let me grow, keep a wildness in the city.

I imagine all the possibilities:
then, with a sigh,

pull the mower from the shed
and begin to hold my small place in the world.

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Political Climate

The leftist
was all about summer,
enjoyed the humidity
and the heat.  It made the people
dissatisfied, reminded them of the cost
of air conditioning, unsafe city pools
made less safe by the absence of lifeguards
due to budget cuts, and the way the police
stared suspiciously at small knots
of young brown men on corners. 

The conservative looked forward
to winter.  The cold kept the people
close to home, the snow
piled up in dirty ridges
like border walls, the rough and narrow streets
made rougher and narrower, and everyone
eyeing their parking spaces in paranoia,
guarding their spots with rickety chairs,
boxes, and entitlement for having gone out
and dug them themselves.

A few always said:
Give me fall.  Give me
the riot in the trees, the flames
along the branches.  Give me the dying
and the sidewalks full of debris,
the sense of things failing before they can be
reborn. 

And the whole while the rest of us,
the unlabeled people,
thought all year round about spring
and its fertile mud, how early snaps
of warmth would bring hope of temperance,
how the green would hover unseen in the buds
and bulbs not yet awake, then
would in one day transform
the world when we weren’t looking
to something perfectly suited to our needs.

Somewhere, of course,
was an old woman who chattered incessantly
to herself about cycles
while sitting at her window as she had
for years

but no one wants to hear that,
whatever the weather…

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A Door In Paradise

In every Paradise —
and there are many,
despite what you’ve been told —
there is a weathered door
or shabby gate
for letting in the things
that are alleged to be anathema
to Paradise. 

It’s no mistake or oversight.
It’s part of the plan to make things
perfect there.
It’s not a Paradise unless
it takes into account
that human need for
energy expended against
threat, and
also offers comfort
for those residents who are not happy
unless some taint of the Other
is possible. 

The existence of the door
is known to all,

and in the gambling dens of Paradise
there is always action, heavy action,
on the exact moment when the hinges
will creak.  Breathless with anticipation,
the happiest people in the universe

always hover silently
around the monitors,
hoping for that sound.

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