Monthly Archives: October 2008

Tuning out and plugging myself…

I think I’m gonna avoid reading LJ  as much as I usually do for a day or two, at least through Monday; I’m on election overload. 

Seriously — I know who y’all are voting for, I’m pretty sure who I’m voting for, and I can get all the sane and crazy I need through the news sites and various other sites I track.  

Besides — I’ve got this to think about:

On Sunday at 10 PM, I’ll be one of the folks reading at the Bowery Poetry Club for the November 3rd Club’s annual reading, to wit:

"Victor D. Infante hosts a night of poetry & politics to celebrate the "November 3rd Club" online literary journal of political writing.

Readers include
Patricia Smith,
Alicia Ostriker,
Marty McConnell,
Tara Betts,
Kirpal Gordon,
Tony Brown,
Skip Shea,
Madeline Artenberg,
Iris Schwartz,
Cristin O’Keefe Aptowicz,
Michael Cirelli, and
Lea Deschenes.

Seriously. That’s not a reading. That’s a god-damned revolution. "

And you know you want to be part of that. So show up, dammit.

Cover, $7. Worth every penny.

I figure I’ll be talking politics all night there, so a break seems in order.  See  y’all later.


Yes, ladies and gentlemen…

the Phillies have won the World Series.

Can you say anticlimactic? I like the way you say that!  You said it right!


GotPoetry Last Night…next week…and SUNDAY in NYC!!!!

Another good night at GPL last night, with an open that filled late but filled — seriously, what’s the deal, folks??? Eight o’clock it starts, list out at 7:30…place is only open till 10, fer Chrissakes 😉  — and a good feature by the folks of the Off Nine Crew/Collective/Aggregate/Conglomerate/Hive/Borg….

Next week — due to Blue State Coffee having been a hotbed of organizational work for Obama, we’ve decided to just open the doors for an extended open — no feature, just folks sharing poems and other good words about the democratic process or whatever.  Republicans welcome — and yes, I mean that.  I figure it’s gonna be a crazy night there anyway….

And don’t forget that on Sunday at 10 PM, I’ll be one of the folks reading at the Bowery Poetry Club for the November 3rd Club’s annual reading, to wit:  "Victor D. Infante hosts a night of poetry & politics to celebrate the "November 3rd Club" online literary journal of political writing. Readers include Patricia Smith, Alicia Ostriker, Marty McConnell, Tara Betts, Kirpal Gordon, Tony Brown, Skip Shea, Madeline Artenberg, Iris Schwartz, Cristin O’Keefe Aptowicz, Michael Cirelli and Lea Deschenes. Seriously. That’s not a reading. That’s a god-damned revolution. "

(By the way…I might get there early if I were you… the BPC site’s listing a book release party at 6 PM that includes poetry and music by someone named Patti Smith and a guitarist, Lenny Kaye….)

Later, folks…


Wet Market (second draft)

In the wet market
a poet searches the stalls.
Desiring to cook something
with AIDS,
he looks over a tray of  I have AIDS, sniffs
at a basket of this is the name of my pain,
tries to decide what can be done with
there is a flower that grows in plastique
and blooms in blood…

At another vendor, another poet is thinking
of preparing a message and weighs
the possibilities of Valkyrie against
Knight Rider Barbie, tries to choose, fails,
buys both and moves on.

A third poet
rejects all the proffered produce of love,
the red breath, the silk finger,
the charred emerald eyes. The seller
throws up his hands in disgust…

All testing, humming over select spice, savoring
the differences between the modern diamond
and the heirloom adamantine, deciding whether
the dusk will taste blue or azure, whether to boil the whole
in a stream or a creek, leave it covered and simmering for hours
with sky or heaven or firmament

In the wet market
people dream before they buy and go home
to poems grilled or steamed, broiled
to black.  AIDS becomes an easy metaphor
and falls into hot stale grease, a woman’s war on denial
is tossed with field greens and eaten swiftly before
the entree, and love is just a green puree
on a cheap glass plate.

On the edge of the market,
on the way home,
a table holds bowls of fresh water,
herbs, fresh fish
soaked in lime juice. 
A sign on the table reads:

Whoever tastes the fresh water
will want to taste the herbs. 
Whoever tastes the herbs
will want to taste the fish.
Whoever tastes the fish
will turn from the market
and go home simple and satisfied.

Who will stop there?
No one today.
There are too many stands serving
quick meals, too many ways to overfill
basic needs, to answer want with gluttony.

If the sign had only advertised
ceviche,
this might have been
a different story.


Wet Market (sketch)

This is actually more of a sketch than a draft at this point, as more is coming later on it…the ending especially is more of a placeholder and the final piece will be far less "meta."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

In the wet market of words,
a poet searches the stalls
desiring to cook something
with a little taste of AIDS —

looks over I have AIDS, sniffs
at this is the name of my pain,
tries to decide what can be done with
there is a flower that grows in plastique
and blooms in blood…

Elsewhere, at another vendor, another poet
is thinking of a feminist message and weighs
the possibilities of Valkyrie against
Knight Rider Barbie, tries to choose, fails,
buys both and moves on.

A third poet
rejects all the proffered produce of love,
the red breath, the silk finger,
the charred emerald eyes, and the seller
throws up his hands in disgust…

"Are you here for the flavor,"
he asks,
"or are you just looking to fill
bellies with ballast?
Food is not just for eating!
Memories come alive in the stomach,
the heart needs more than starch, so
come and get
more than full here — "

On the edge of the market,
on the way home,
a table holds bowls of fresh water,
herbs, fresh fish
soaked in lime juice. 
A sign on the table reads:

Whoever tastes the water
will want to taste the herbs. 
Whoever tastes the herbs
will want to taste the fish.
Whoever tastes the fish
will turn from the market
and go home
satisfied.

Who will stop there? No one today.
There are too many stands serving
easy meals.  Too many things
anyone can chew, swallow, excrete,
and still be left wanting.


Old poem for an old issue

I really, really hate it when artists take on that self-satisfied tone about how much more important the work they do is than the work of the people who choose not to be full-time creatives.  How any lack of attention paid to them is a mark of society’s skewed perspectives, and how those poor, mindless drones are in desperate need of their work to bring meaning to their pitiful lives.

I wrote this years ago, after hearing one too many incredulous poets question my choice not to be a full-time poet.  As if there was something inferior or crazy about that choice…

Sorry to inflict it on those of you who know it, but I need to say this tonight.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Song Of The Twirling Accountants

I’m running a training class on stress management
and one supervisor stands before all her peers
and explains that the people in her department — Financial Accounting —
handle stress by twirling twice before delivering bad news to each other.
"You can’t help but laugh when you see it," she says shyly,
and the room breaks up, but not unkindly;

and in their laughter
I hear a door opening,
I feel the warmth and see the light
as it leaks in
from the daffiness that’s blazing
somewhere outside this room.

Two days later I am speaking with another manager
and he tells me
manages his stress
by running.

He runs ten miles daily — morning and night —
runs more miles during the week than on weekends —
runs whenever he can get time away from the office —
runs and runs —
can’t get enough time on the road, he says.

There are pictures of his family on his desk,
the only personal items in his office.

He shrugs it off, says only,
"Keeps me going,"
when I comment
on the beauty of his daughter’s eyes,

but I can almost see what he must see:
a flat road through green fields,
a blue house shining ahead,
and children running to meet him.

I discover, over time,
a vice president
who’s actively involved with Amnesty International,
a director
who works at a battered women’s shelter,
and a cello playing auditor.
The god of death metal guitar rules the mailroom,
there’s a rumor that there’s a slam poet
in the training department,
and there’s even a credit manager
who hangs herown paintings
made of multi-colored dryer lint
in her office
just to see the faces
of the senior staff
when they realize what it is
they are admiring.

Four PM on a Tuesday,
and I push my chair
back from my desk.

The light
from the window I can almost see from my cubicle
is cathedral light.
I shut down the computer and close my eyes,
and the voices of workers around me
ring like hymns.
If your God is found solely
in the details of Scripture,
or in the vaults of heaven, mine
is entirely revealed within these people,
and the work they do
pays for all their prayers.
Who among us
dares to say
what is and is not
holy work?


My short absence from LJ…

has been mostly due to the fact that Missy came home.

🙂

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Don’t forget GotPoetry Live tomorrow night:

The Off-9 Collective of McKendry Fils-Aime, Sam Teitel, Cassandra de Alba, and Kate Richardson will be our feature.

GotPoetry Live
@ Blue State Coffee
300 Thayer Street
Providence, RI

7:30 sign up
8:00-10:00 open room/feature performer

Hope to see you there!


No surprises here…

Your result for What Your Taste in Art Says About You Test…

Extroverted, Progressive, and Intelligent

Cubism was a 20th century avant-garde movement, pioneered by Pablo Picasso and Georges Braque. It revolutionized European art and inspired changes in music and literature. The first branch of cubism, known as Analytic Cubism. It was both radical and influential as a short but highly significant art movement between 1908 and 1911 mainly in France. In its second phase, Synthetic Cubism, (using synthetic materials in the art) the movement spread and remained vital until around 1919.

People that chose Cubist paintings as their favorite art form tend to be very individualized people. They are more extroverted and less afraid of speaking their opinions then other people. They tend to be progressive and are very forward thinking. As the cubist painting is like looking into a shattered mirror where you can see different angles of the images, the people that prefer these paintings like looking at all angles of a problem. These people are intelligent and they are the transformers of our generation. They look beyond what is seen into what things could become. They are ready to leave the ideas of the past behind and look at what the future has to offer.

Take What Your Taste in Art Says About You Test at HelloQuizzy

Although I don’t think of myself as extroverted. No comment on the rest, but I knew I’d end up with a skew toward Cubism and Abstract work.


We’re in business.

theryk got an email and the owners like us…

From his LJ:

I just got the noticification that Blue State Coffee wants us to continue our poetry series. Good crowds, good words and a growing community. Thank you Adam Stone and Stephen Dobyns (as well as all the open mic readers) for showing the venue what we had in mind.

They like us and they want us to stay!

~~~~~~~~~~~~~~~~~~~~~~

And thank you to everyone who’s been coming out over the last two weeks — you made it work.  We’re back in business.


“inappropriate behavior…”

Bear cub shot dead, covered with Obama signs.

"Inappropriate." 

Personally, I reserve that word for things like farting in church, but I suppose it means different things to different people.  Killing an animal and then draping it in the campaign signs of a Presidential candidate could be considered inappropriate in some quarters, I guess.  But  since John McCain has reprimanded John Lewis for his inappropriate suggestion that the current atmosphere is reminiscent of the days of lynchings and such, I may be out of line, as well, in suggesting that the wanton killing of an animal and using its carcass as a threat to his opponent might be anything more than inappropriate behavior.

I sure hope we don’t get to see anything stronger than such inappropriate behavior before the election, don’t you?


Rene Descartes Earring

At a flea market. a a table
where a fat man was selling
bootleg tapes of the Hot 100
of the moment,
I purchased the malleus,
one of the bones of the inner ear,
that had once belonged to
Rene Descartes.

I took it home, varnished it,
drilled a hole in it,
hung it on a gold wire,
then stuck it in my own left ear,
where it shone
like a profane ruby
in the sun.

Whenever I’m driving,
it knocks against my head
in time with the radio:
"Lolli, Lolli, pop that body,"
and the like.

Sometimes it drowns out
my own ear’s efforts
to translate the world around me,
claiming that the music
doesn’t match the message
it’s always preached, and that
I’m missing the point:

"I think, therefore I am," it bangs
again and again, a prisoner hoping
to make contact with a fellow inmate.
"This isn’t thinking.  All this body stuff.
All this noise about what doesn’t think at all.

Sacre bleu, and zut alors!"  I just nod my head
and smile, bob along to the tunes.
Not everything needs forethought.  Not everything
bothers to carry meaning with it.  "Low Low Low Low
Low Low Low."  Yeah, that’s the ticket.

I think, most of the time, and so I am,
most of the time.  Sometimes, though,
I haven’t got a thoughtful bone in my body
and I want to turn it off, that knocking
at my ear that tells me that four hundred years
of the demands of rational thought ought to be enough
for me.  Sometimes, body and beat matter more,
and I refuse to believe that because I’m not thinking,
I’ve ceased to exist.
 


Stephen Dobyns at GPL tonight

Dobyns has written what is absolutely the best poem ever about lighting your farts.  No, I’m not kidding.  He referenced Lorca in the introduction to it, fer Chrissakes…

Excellent feature, great open mike, and all around good stuff.  Thanks to all who came out.

Next week: the Off-9 Collective (Kate Richardson, Sam Teitel, McKendry Fils-Aime, and Cassandra de Alba) will be the collective feature.  Come down and get crazy with the Cheez-Whiz.  Or something like that.


New recording up on Myspace…

My recent poem, "carve," seems to be getting a decent reception from folks…so I took another step with it:  there’s a recording of it up on my Myspace page.

Amazing how easy this recording thing is nowadays…I used to fiddle with analog stuff back in the day, but digital makes it all so much easier.  Hope you enjoy.


Plywood And Poetry

A young man once told me
that to write poems
about poetry
is a foolish aim.

Hey, I said,
I can’t help it
if you won’t push
your limits.

The other day
I ripped a plywood plank in half
with a jigsaw.  I made a shelf
to hold books, and that was good;

but to deny that there was a pleasure
in the vibration from the tool, to deny that
there was suffering in the splinters that flew
from the cut, to deny that the books on the shelf are better

and more present for me because
I can tell you of the work I put into
keeping them safe, that would be
a lie.

You tell me to keep it to myself,
I say: if another person learns
to rip plywood in pursuit
of a better life, a life

that celebrates the chase
for meaning in every way,
I’m never going to stop
saying that it matters

how the pen hits the paper,
how the words receive their charges.
I’m never going to stop saying it.
You don’t have to read it if you don’t want to;

you don’t have to do anything at all
except tell your own stories of acting and
reacting.  There’s a reason I love the doing,
the craft: it reminds me

that work is the one thing
that separates me from
death, that keeps me aware
of how this flow

makes me human. It’s all
worth speaking of.
Everything is an act of poetry,
even the writing of a poem.


Well…

Best laid plans and all that:  meeting got canceled when I was in transit.  Then, other plans went up in the air for good reason.

So, I hit B&N and picked up, after much browsing, the newest Li-Young Lee book.  I’m such a creature of habit.  But it’s a good habit.

Dinner tonight at Lea and Victor’s, then.