Monthly Archives: July 2008

no more BIG WORDS

give them up

take them out of your bag
and hang them up to dry
and die

we need the dance of good and bad
with all its twists and feints
to be shown to us as a chart
of small and long steps
that march back and forth
to a beat that drags and then speeds up
for that is the one way
we will learn it
and then we can work
to try and make it smooth
and straight

we need the arc of love
to be drawn in dots and lines
that curve and halt
roll and drop back
so that we can take hold
of the long view
and not be slaves
to the past wreck of any one time
when it did not come out as we
had planned

give up
your rotted
flowered and sickly fragrant
overextended vocabulary
your
adoration of complication
in pursuit of explication
of creation’s obfuscation

phew!

it is all just so much spit on the tongue

this world you claim to know
so well you can write of it
is not the world
we were asked to show
for all to see and hang
upon

the rules that say
it must be so are
too glib to be true

you have lost the thread
of how we were meant to run
this race
have made a choice
to paint your names
in truth’s place
and made them
ten times the size
of what is in fact there

a word to the wise
is all we need
wise words are small words
keys
for locks
not made for codes and
traps

so
give the huge words up
and be brief when you sit
with pen to page

live for the short road
and for praise
of what is found
when the Big Words
are cut down
to size

NOTE: Rough recording of this up on Myspace: http://www.myspace.com/poetrybytonybrown


Incidents on Water Street (edited)

A certain part of a man’s body
walks the street looking for the blue pills.
There’s a storefront on Water Street
that’s supposed to have them
but he’s not sure of the address
so he goes into several before he finds
the one he wants and buys a pack
from the certain part of a woman’s body
behind the counter.

Certain parts of men’s and women’s bodies
crowd the night streets around the club district
where the exchange has taken place.
It’s party night, party hour.
The parties of the first part
merge with their counterparts on the sidewalks, in the bars
and parking lots. It’s all so exciting,
with the undercurrent
of deception, the blue pills everywhere,
the gels,
the creams
and implants.

Meanwhile, all over the city,
men and women
whose parts have strayed
stir uneasily
in front of the blue fire
of their televisions.
Smiling, whole bodies
keep telling them
something is missing.
Even when they know better,
they cannot sleep.
If it’s not too late,
they may head
to Water Street
themselves, having
a long look around
for themselves.


A Northbeast Regional Slam

is going on right now at the Hotel Vernon. I left before the end of the second round with no qualms. It’s not the poetry was bad; in fact, I heard one duet that I thought was pretty damn good, and we all know how much I hate multi-voice work. (Cantab, by the way. Any of you bringing poems about Iraq, prepare to be schooled.) it’s just that the atmosphere and the process of the slam is not where I’m at anymore, and I don’t feel it. I keep trying, but it’s wearying to me to keep trying. I don’t have time to be weary of it. There’s too much of my own work to be done.

I’ll be attending the regional on Sunday at Jumpin’ Juice and Java, and I’ll stay to the end for the sake of the team. My weariness isn’t (and shouldn’t) be interpreted as ill-will towards those who still love it. I’ll attend and support them as the mood strikes because the slam family is still one of the best families I’ve every known, and I still think it’s the single best thing that’s ever come out of the slam — not the poetry, not the fame and the profile, not the awareness and the energy. The family. The network, the connections. That’s the gold that’s come from the slam. I hope you’ll still invite me around from time to time.

But I’m glad I’m not going to Nationals. The team thing isn’t working for me any more. The dynamic of the team slam isn’t interesting to me, and a full week of it is too much.

I am looking forward to Charlotte in December, though. I think the IWPS is where it’s at, after having seen both several times. Less cliquey, more variety, etc.


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Taking a moment out of the craziness…

Y’know, it’s been a while since I posted about any gigs, so…

I know these are a ways off but it helps to plan ahead.

Sept. 9, 2008: Faro and I will be on the beautiful island of Nantucket for a show at the Umass Field Research Station, in a gorgeous room overlooking the ocean. I’ve been here before, but it’s a first for Duende and we look forward to a great time with the usual enthusiastic crowd that attends this unique venue. Afternoon show on a Sunday with Melissa Guillet as a co-feature. Take the ferry out and come have a great time.

Sept. 30, 2008: I’ll be doing one of my increasingly rare solo poetry features at one of my favorite venues, the Newark Arts Alliance in Newark, Delaware. I’ll be in town for a work gig, so it seemed like a natural to book a feature there even without the Bass Player of Extraordinariness. The good folks at the reading were glad to oblige, for which I thank them.

More details — you know, times, dollars involved, dress code, etc. — as it all approaches. But save the dates now, you slackers…um, I mean, you beloved and wonderful people!


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Reminder for tonight at GotPoetry Live in Providence:

We have the Manchester Slam Team!!! They will showing off their stuff at

Reflections Cafe
8 Governor Street
(corner of Wickenden & Governor)
sign up at 7:30
$2

Ryk will be hosting…come down and support the reading! You know you want to…


Peach Tree

All that any of us truly know
of death

is that in the face of it, we can rely
on the sight of a peach tree

split black and rotten from top to bottom with
almost every one of the branches dry and cracked,

and on how upon the few remaining green arms
are handfuls of fruits waiting to ripen.


Aliens and Natives

I’m SO glad the Mayans and Aztecs had all those extraterrestrial aliens to help them with their pyramids and buildings and the Nazca Lines and the astronomical calculations. God knows those benighted savages couldn’t possibly have done it on their own…Even the fucking Egyptians needed help.

Stonehenge, though? Those guys were SMART, I guess. I mean, why else would the dramatic television recreation of the construction and meaning of Stonehenge be filled with reenactments of the Celtic ancestors working so damn hard to drag and raise stones according to their astronomical labors, and the ones about the structures built in the Americas always include statements like, “no one knows how the Mayans were able to calculate the movements of stars so far in advance, although experts are still working on possible theories. One theory suggests that they had help…”

I’d lay odds that when it comes down to it, the aliens are pretty much white guys in the minds of these filmmakers. Maybe they even have hardhats, laptops, and Starbucks’ cups in their beneficent hands, or they’re tapping away on their Blackberries to the mothership while the dusky chumps in front of them cower in wonder and invent Quetzalcoatl to explain it all.

I’m exaggerating, but I detect a touch of racism here.


Protozoa

I’m a tiny animal,
just one of trillions
(but who’s counting?)
who really own the world.
We’ve been here
just shy of forever
and the one thing I can tell you
about people is this:
they are good real estate.
You have to love them
with their migrations and
their filth. I know
they’re sure
that when we move in
we’re some kind of God thing,
but honestly? They
don’t get it: we aren’t trying
to do anything but get by, reproduce,
suck up what we need to live. God
has had very little to say to us
ever since he gave up on the
real estate market. His money
is in commodity futures. He leaves
the hard wet work to us: the homesteading,
the improvements, the clear cutting.
God doesn’t send us, he just
depends on us. We build where we want
and he banks on the results.

I’d say
it’s like one hand
washing the other,
but somehow,
that doesn’t seem right.


Student Union Lounge, 1978

Dennis has got a picture
to show us:
ears he cut from dead VC
in the Mekong Delta.
Like dried apricots,
they’re lined up neatly
in the shoebox
he keeps them in.

One ear from each kill,
Dennis, or
did you take two?

He laughs and winks.
I had a lot of fun over there,
he says.

We sit next to each other in
Urban Studies. He and the professor
get along well and he has a grasp
of some of the nuances of the evolution
of cities that is admirable.

Right now, we’re stoned
out of our gourds
after a lunchtime drive.

No one will sit near us when we’re like this,
when I’m sitting looking at Dennis’ picture
of the apricots in the box, when I
an trying to imagine
how it must have been, amazed at the fact
that this was permitted,
that men who were permitted
to do these things walk among us
with their children and their insights
into the way civilization grows.

Wow, I say.
I want to hear more,
I say, and y’know,
I’m hungry, I say.

Let’s get a burger,
says Dennis.
And we do.


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Those three albums I bought the other day…

It says something to me that so far, my favorite of the three is the one by Common. I’ll need more listens of all three to be sure, and I suspect that the Fahey album will end up getting the most rotation eventually, but still.

You’d think Against Me would have impressed this old punk more…it’s got a great beat, you can jump to it, yes, but it just feels so, overall, surprisingly bloodless. I’m bored with anthems that are designed to stir energy and action through sheer intellectualization. (Hence, my dislike of so much slam work.) Tell me a story, please. (Although I do like “The Ocean.”)


In Order To Get Back To Sleep

I may have no choice
but to lie to my skin
and try to convince it that
the million flinches and itches
it is feeling are not reflective
of a restlessness within,

but are the marks of small assaults
from outside the perimeter. I will say,

we are under attack
by everything.

This will work,
I think, if I can keep my skin
from looking into my eyes.
My eyes won’t ever back me up.

I refuse to be daunted by this.
Lying to my skin, closing my eyes,
I’m going to beat this —

allowing the forces colliding among my organs
to roam and smash me awake again and again,
all the while pretending peace reigns there

while the black night closes in and seeks weakness,
breaches, the stray mutinous hair that will fall from me
leaving one follicle open to a manufactured danger
on which I can blame everything.


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