http://www.cnn.com/2008/WORLD/meast/05/17/iraq.quran/index.html
That’s always a comforting, relationship-building thing to hear, dontcha think?
http://www.cnn.com/2008/WORLD/meast/05/17/iraq.quran/index.html
That’s always a comforting, relationship-building thing to hear, dontcha think?
In a language no one
has ever learned to speak fluently,
the word for “chop shop”
is “America.”
No matter where the chop shop is located
the operation is the same:
steal a vehicle; rip it apart;
sell the pieces to people
who put them in their own vehicles
and drive to places they want to go.
The parts work fine. They don’t care
who’s driving, or that the vehicle
is not their homeland.
It’s the victims of the theft
who raise hell about it. After a time
they get another vehicle,
which may or may not be stolen again.
If it is, they may take the bus from then on
and sit next to others who have
no vehicle of their own.
In that same language, the word for peace
is “revolver” and it is used as a synonym
for “justice.” “Justice” is pronounced
“America” as well. You would think
this would be confusing, but the language
doesn’t care about the speakers who mix the words up
and most people get along fine, or think they do,
since no one is fluent in the tongue anyway.
This language, suprisingly, has no
written alphabet. There is no literature
and there are no schoolbooks to teach it. All knowledge is assumed to be
common to all, and when a disagreement arises
about usage or grammar, arbiters send the dissenter
to America and suggest that justice has been done.
(The word for “arbiters” is unpronounceable
and is only thought, never spoken aloud,
not even incorrectly.) There are millions of native speakers of this tongue
who cannot discuss anything with each other.
The language doesn’t care about them. Someday,
they will vanish on the highway to the next terminal.
What, exactly, is needed to “play” prerecorded loops and/or created on a laptop live? Assume I know nothing about it — which is true; also assume that I want to keep it all as simple as possible.
For the new CD, Faro and I are considering expanding our sound a bit, and while we’d love to include a live drummer – our one performance with a drummer, with Jerome DeuPree of The Jeff Robinson Trio and ex-Morphine, was a kick and a half — it’s not really practical right now. So we’re looking at using electronic beats, and if we’re going to go that route, we might throw other stuff in there as well; I know it’ll require one of us, probably me, to trigger stuff. But I haven’t got a clue as to how to begin or what equipment is required. I can handle playing live with a guitar in my hands, but this type of thing is beyond me.
Any and all info is welcome.
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Also: anyone out there know anything or is a fan of the group Grizzly Bear? I caught a performance the other night on TV and was intrigued, and have downloaded their piece “Eavesdropping.” I like their sound.