off the hook, the chain, and the sinker too if there is one anywhere.
New readers. Old readers. Full house. Great feature (Bobby Miller).
Let’s keep this up, shall we?
off the hook, the chain, and the sinker too if there is one anywhere.
New readers. Old readers. Full house. Great feature (Bobby Miller).
Let’s keep this up, shall we?
We’ve got our second anniversary.
We’ve got Bobby Miller as our feature.
And if you can make it, we’ll have you too.
Pop culture references in a poem too often serve the need of both the poet and the audience not to have to think too hard.
most common
among our
shared dreams
is redemption,
one shot at a do-over.
some imagine
it will come through magic,
seeking the hand raised above the hat
where the rabbit waits
for spring and applause.
some refuse to admit it,
but they expect to spy it first
coming hard on the heels of torture.
(too much time spent staring at a cross
can do that.)
some hunt for it
in others,
make their plays for its attention
from a stage or a bed,
reject themselves by projection.
reading, writing, speaking out.
washing dirty laundry in public, or
endlessly chanting sins in private for a fee.
dancing on coals, peering into stones,
swallowing sharp-crusted bread for hunger’s sake;
longing for enough when nothing can be enough.
the past has passed. our arms,
our hands, our mouths will all stop bleeding
eventually, through clot or scar,
or through our lives leading us
to the only honest chance we have:
ashes and dust, reforming into the next body
that will struggle as we have again,
fantasizing that it is
itself it struggles for.
think of that. hear it in yourself:
a call to tenderness.
imagine your self again, and do the simple
purification of not choosing
your own legacy. it will come in its own time.
was a lot of fun. Good food and lots of good poetry and prose on the subject of food.
I read “A Lemon” by Pablo Neruda, and a nasty and lovely little poem about bad poetry (comparing it to shit after a big meal of steamed rice and meat) by the nineteenth/early twentieth century Vietnamese poet Tran Te Xuong. I’ve been reading a lot of older world poetry lately just for kicks.
I also wrote this for the evening — just a little ditty; accompanied it with some guitar. It’s been a LONG time since I wrote something light and relentlessly positive and I wasn’t sure I could do it. I may do more with this at some point, but for now this is enough.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Angel Food
the random backfire
one block away
means nothing for once
and the neighbor’s reggaeton
ripping a hole in saturday afternoon
means even less
when there’s angel food cake
on the coffee table
for yolanda’s birthday
daddy’s home for once
instead of serving someone else’s chicken
to someone else’s guests
mama’s not looking as tired
as she usually does
after a week on the Wendy’s register
the whole family’s here
bearing hot dishes and foil pans
full of what they’ve made for each other
someone drops some mac and cheese
in a corner
the dog gets to work on the pile
while everyone laughs and yolanda claps
her smile’s more delicious than usual
with that smidge of frosting on her chin
yolanda has a love for angels
and seven years worth of joy bubbles up today
with all these angels bearing heaping trays
of cookies and wings and old recipes
they just call “grandma’s favorite”
there’s white bread and stewed tomatoes
but yolanda’s got no business there
when there’s sweet sugar frosting
clinging to the white crumbs on her plate
outside this room
there may be people addicted to devil’s food
and the darkness on their lips may be rich enough
but in here yolanda’s having a birthday
with her yellow dress sweetened by more
than the smear of angel food that her mother
rushes to clean away before that dog
starts licking it off her
(even though
yolanda
would probably
beat him to it if she let her)
and when she’s done
she turns to her sister
and says
I’ll never taste
an angel food cake again
without thinking of yolanda
and the beating of wings
covers
the break in her voice
Something special. Make your arrangements now! AND: It’s our SECOND ANNIVERSARY!!!!!!
ABOUT BOBBY MILLER
Bobby Miller is a performance poet, actor and photographer. He is the author of three books of poetry; “Benestrific Blonde”, “Mouth Of Jane” and “Rigamarole”. He has been published in many magazines and periodicals including Verbal Abuse, Vice Magazine, UHF Magazine and the Village Voice. He is included in The 1995 American Book Award- winning “Aloud: Voices From The Nuyorican Poets Cafe” ,”Verses That Hurt; Pleasure And Pain From The Poemfone Poets” and “ The Outlaw Bible Of American Poetry”, listed on the top ten Poetry National Bestseller List. Mr. Miller’s book, “Fabulous! A Photographic Diary Of Studio 54” 144 black and white photographs with text was published by St. Martin’s Press in September 1998 is now out of print.
He has collaborated with recording artist DJ Dymetry of the band Dee-Lite on a recording of My Life As I Remember It and can also be heard on Epic Records CD Home Alive with Pearl Jam, Nirvana, Joan Jett, and others.
He has performed his original material at Alice Tully Hall at Lincoln Center, The Whitney Museum, The Smithsonian Institute, New York University, Westminster College, The Rhode Island School of Design, Bennington College, The American Crafts Museum, The New York Historical Society, The Nuyorican Poets Cafe, The 1993, 1995 & 1996 CMJ Music Festivals, Jackie 60/Mother/ NYC, ARO.SPACE/Seattle, The Kitchen, LaMama etc., Dixon Place, P.S.122, Fez, and the 1995, 1996 and 1998 Downtown Arts Festivals in lower Manhattan. He was also in The 1996 National Poetry Slam as a member of The Nuyorican Poets and has performed internationally with poet John Giorno and alone at venues including The Tabernacle, The Battersee Arts Center and The ICA in London and The Glasgow Center For The Arts in Glasgow, Scotland.
He has been seen on television on the PBS program City Arts and the BBC/PBS produced program The Clive James Hour. Mr. Miller also curated and hosted several reading series in NYC including Verbal Abuse, a spoken word evening, the first Sunday of each month at Jackie 60 /Mother: The Nightclub in New York City. Mr. Miller is also the recipient of a Lifetime Achievement Award, four Jackie 60 Awards and a NYC Glamie Award in 1999.
As an actor he has been seen in Forty Deuce and Theatre Couture’s The Bad Weed ’73 and The Final Feast Of Lucrezia Borgia. He is also the author and star of his one man show Bobby Miller, Bobby Miller with two successful runs during Gay Pride month at Here Arts Center/ NYC1998, 1999 and a 2000 run in Provincetown Massachusetts at The UU Theater.
Mr. Miller makes his home in Provincetown, Ma.
Mr. Miller is currently at work on three new books to be released in 2008.
This is going to be fun. Please come out and see this!
GotPoetry Live, March 18, 2008, 7:30 PM
Reflections Cafe/8 Governor Street, Providence, RI
Open mic/2.00 cover!
Gilligan’s Island star caught with Marijuana
Maybe THAT’s why the ship ran aground…
You gotta love that mugshot.
The class I’m teaching is a group of sharp, funny, and challenging folks. I like that, but I’m beat beyond all imagining. Tonight’s agenda: nap, food, prep for tomorrow, sleep.
I’m in Delaware. Tonight and tomorrow, coming home late Wednesday. Another couple of days without a lot of socializing, I’m afraid, as I’m prepping for a class tonight. But I’m in Delaware.
Do any of you have a literary executor? Is it a legal agreement or just a person you’ve chosen and identified to act on you behalf in regards to your work should you be unable to do it?
Over the last few years, and more so in the last few months, I’ve been slowly creating an online archive of my favorite original poems over on Gotpoetry.com.
Some are the more popular poems I’ve put out in chapbooks, and/or that have been published and antholgized; a lot of my old slam pieces are there, and some are just pieces I like a lot. I’ll continuing adding to the archive, of course, but there’s a goodly amount of them already.
The link is:
http://www.gotpoetry.com/Poems/l_op=Showpoet/poet=Tony.html
If that doesn’t work for some reason, just search the site’s users under “Tony” and you should find them easily, along with over 20,000 other poems submitted there over the years.
This is my legacy. For me as much as for others.
Visit, or not, as you see fit. Thanks in advance for any attention you may give them, now or in the future.
I love the way dead things
are revealed sodden on the lawn
once the mud arrives.
I love how idiotic
the first flowers look
when mocked by late snow.
I love having
the first bees
sting me,
I love the way they die
in the aftermath of battle
and not in the heat of it.
Mostly, I love
the way green
becomes the new white,
how it’s still
just a blanket
over rot.
What do you think about
when you’re facing the near-empty parking lot
at the end of a long day?
Me,
I head for my car trying to imagine
a workless existence, days spent
on artless fantasy, nights wasted on
television and cheap ice cream.
Everyone I know
wants to share their vision of this: lottery
segues to inheritance merges with reality show rewards
and business schemes. At the end of the day, after
all the lunchroom blather, we go home and keep thinking
about the report still looming undone, the meeting politics,
the kids who don’t want to pay their dues
(who seem to get away with that)
and the God-damned boss who does exactly what we do
(but gets more out of it, we think).
What do you do with your hope?
Me,
I push it down to bubble within me, making
thin soup of my blood and talent. I sleep
badly, self-important in the small hours.
Occasionally,
I toil over a single word and tuck it away in the desk
I keep at home
in the spare room
next to the dusty guitar,
the room I call “my office” to make it easier to pretend
that daylight’s cubicle is secondary to the night’s work
I spend so little time on.
What is the nature of heaven?
Me,
I’ve started to think it’s a place much like this one:
a globe with a molten core speeding around the sun.
The same physics apply, the same gravity
holds you. The only difference is in
the level of will needed to rise from your place:
in heaven your feet go where you want them to go,
even if where you’re headed is miles above the ground.
I can imagine that it never rains in heaven.
At the end of the day there’s a shuttle to your car,
and if you decide to stay home tomorrow
no one’s going to call you
to find out where your key is
or how far along you are
on that report. You’re in love with your boss, you’re still one
of the scrubbed young things moving up in the world,
plenty of money, plenty of time.
Your dreams become so compact they smolder
like a coal seam fire, and you’re warm enough at last.
Think about that often enough
and you will barely mind
the long walk to your car,
as long as you can afford
a new one every few years.
There will even be days
when all you’ll want from heaven
is a better umbrella.