Monthly Archives: September 2007

interim work

I don’t think of this as a first draft exactly; more of a poem I have to write to get it out of the way so I can do a better job with the topic. People seem to like these better sometimes…I don’t get it, really. Anyway…
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

kiss my ass
if you don’t like it —
i’m all in favor
of performance enhancing drugs.

those bodies on the field
are already sculpted just for us
and our desires. if a cream or a shot
of the clear gets them over the lip
of the bowl of the common gene pool
then i say why not?
no one expects the artist
to go without absinthe, no one imagines
the guitarist without his joint, the heroin
sponge saxophone player is practically iconic
and an MC without Cristal is like a day without night —

so, my dope fearing
blunderbuss moralists, stop kidding yourselves,
not much in this world gets done without recourse
to higher powers, outside forces, help from friends —

for example, imagine your world
without the black fig flavor of crude oil,
or your war without the taste of cordite;
could you have a foreign policy without the fix
of raw blood spilled in a Beirut market —
copper on the tongue,
seasoned with oxygen from the open air
and more than a dash of the families’ tears,
sweeter than blonde hashish?

would you have your pleasant life
without mainlining the sewage and rot
of a Ninth Ward street? you inhale
the dust from crumbling bridges —
does the rush come from the secret thrill of knowing
your taxpayer dollars misapplied
made this batch just for you,

or is it the deaths that get you off?

how is it exactly
that you can take a boy from Detroit
and kill him in Kandhuhar,
stand there glassy eyed at his funeral
praising
the way the Army saved him from the drugs and the street,
and one week later pat the shoulder
of the man who grew
the poppies you claim
you saved him from
just because he kills more selectively
when he’s at home?

you have to be high on something.

addicts, junkies,
athletes, artists,
captains of industry,
lords of creation,
all of us
need a little help.
we can’t do it alone.

so kiss my ass
if you think that steroids are cheating, that
weed’s a gateway drug,
that there will ever be a drug-free performance
on the scale you demand for your pleasure.
toke, suck, snort, boot, lick and drink up,
there’s a world out there for the crushing.
we need a little something
to give us strength.


Fireboy

rock,
i’ve spent years
trying to talk to you.

rain,
it’s been a while
since we had anything
to say to each other.

wind,
you ought to write
more often.

i don’t bother
even trying
with the trees and anything else
alive, really.

fire,
at least you tell me the truth.
in return
i let you lick me
until i’m ignorant, crazy
from the heat.
i let you eat my home
and busy yourself with your crying joy.

fire,
over and over you’ve taken the very clothes
you made me shed
each time i stopped, dropped, and rolled.
every conversation with you ends up with me
babbling naked in a corner
while you dance.

fire,
i’m a boy and you’re a man
i could grow up to be.
scorch rock, burn trees, outrun
wind and rain. i’m listening, fire.
i’m all fuel and ears.


Whew!!!

A great show at the Cantab, as well as the most nerve wracking yet.

We got on stage during the break at the end of the open mike. Faro had done his soundcheck early, set list was settled, we were set to go — he tweaked the tuning on his brand spanking new Schecter 5-string…and broke a string.

Now, breaking a bass string isn’t exactly easy, and this was a brand new bass (less than two weeks old!), so we were a little surprised. No problem, though; he had more strings in his bag…

Except, of course, he was carrying a brand new bag, and neither he nor James Brown nor his papa had put the extra strings in it.

Ok…I admit it; I nearly lost my cookies. Not that we were dead in the water, because we’ve got a lot of guitar pieces and could have just done them. But because he is Faro, he retuned the damn bass up into a standard four string, ran through the set list in about two minutes, and figured out how to play the whole bass section of the set. Keep in mind that Faro’s style involves the use of a lot of tapping and harmonics (think Jaco, think Victor Wooten), so we’re not talking about something that’s just a matter of simple transposition. String tensions were significantly greater, and tapping became a much tougher effort.

The guy astounds me.

The set went great. We included a few pieces from the new CD — “Americanized,” “American History,” “Name,” and “Classic Rock” (easily the new crowd pleaser, and already one of my own favorites) as well as several of the old favorites. Crowd was enthusiastic and bought stuff — can’t ask for more than that.

By the time we reached the end of the set, Faro’s hands were a cramped mess. I have no idea how he managed a lot of the guitar pieces that we did in the closing section, but he did.

I cannot WAIT until we finally have the CD out and do the whole set as a single show.

Have I mentioned how lucky I feel to be working with this guy?

Thanks to everyone who came out. Next Show: the big CD release and full performance of “Americanized” at the Perishable Theater in Providence on October 6.


Plug and Plugged

Tonight, at the Cantab Lounge, Mass Ave in Cambridge:

DUENDE!!!

We’ll be doing several cuts from the new album (not yet available for sale, sadly) and of course older stuff.

Come. Enjoy. Buy stuff; I’m hungry.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jeffery McDaniel seems to be someone a lot of people listen to, and for good reason. While hunting for something else, I discovered this:

http://poetryfoundation.org/harriet/2007/06/returning_to_the_national_slam.html

I imagine a lot of you have already seen it.

I was in that old-timers’ showcase with Mr. M, and he was (as always) terrific. I don’t know him more than to say hi to.

It’s nice to feel that I’m not alone in my estimate of the current state of slam, and of NPS. I can’t think of a place in the piece that I’m not in agreement with, both positive and negative.

Go, read, contribute.

Time to get ready.


Great show, bad life.

Bill MacMillan gave a great show tonight. Thanks, Bill.

We’re going to do a music and poetry night at the place on October 9. Music backing poetry. Will be fun — extended open, no feature.

Next week we start at 7:30 sharp. Need to make better time so the cafe folks won’t be rushing at night’s end. Spread the word.

In other news, I just wanna crawl in a hole and disappear right now. So I will.


Tonight at Gotpoetry Live

we’ve got the Most Reverend Bill MacMillan, who promises ranting and such.

I’m bringing a guitar to do a song to start with instead of doing a poem. Sue me.

Be there. 7:30 PM.


New Column up

Enjoy, enrage, empathize. Just do it there at the site, ok?

http://www.gotpoetry.com/News/article/sid=5972.html


I’ve been neglectful of late

in tooting my own horn about a couple of recent publications and such, which I think also devalues the outlets that saw fit to give me some room, so here you go:

My poem “First Letter Home” appears in the “soft launch” of the new e-Zine Spindle ( http://www.spindlezine.com ), created and edited by the always picky Guy LeCharles Gonzalez ( loudpoet ). As this is a site devoted to NYC and I’m not a New Yorker by birth or relocation (though a large section of my heart resides there), I’m very proud to be in this one, and that this poem is the one that’s there.

“Lady in the Harbor” appears in the current issue of The November 3rd Club ( http://www.november3rdclub.com ). (Gee, a New York thing again. Hadn’t noticed that before now!) Seriously, this site’s important for its central effort to create a site for discussion and display of the ongoing struggle to reconcile solid political thought with solid writing. Victor Infante ( ocvictor ) and crew are making this a prime destination for this sort of work. Many thanks. (If nothing else, go read the current issue for the great discussion on what makes for good political writing.)

More are in the pipeline, but I’ll talk about those later.

Finally, I was interviewed last night for a segment on Eadon’s Place ( http://www.eadonsplace.com/ ), a relatively new Internet radio station devoted to the spoken word 24/7. It’s run by old time Nuyorican slam master Keith Roach and southern NJ/Philly poetry organizer Linda DiFeterici, and features shows and recordings with all kindsa folks from now to back in the day. (Think Moondog, think the Rev, etc.) Interview should be up next Sunday — will let you know.


“Glorious Fatherland, Rejoice!”

History tells us
of a rock
on the edge of a parking lot
in Irvine, California,
that decided it wanted to be
an independent nation.

It made up an anthem
and an economy. It drew a flag
on its downside
with the help of mercenary
sowbugs.

“Glory, glory,”
it sang to itself
when the sprinklers came on
at four in the morning
as the office blocks slept.

The Country of the Stone
was neutral in most
international disputes
but loathed its neighbors
and defended its borders
through a clandestine policy
of leaching dangerous minerals
into the adjacent soil.

With a population of one
it had little internal conflict.
It parsed its rich history
to obscure anything beyond
the Ice Age and the volcano
that spawned it.
Unfortunate incidents
like the Cracking
of the Bike Messenger’s Skull
were hushed up.

Dark in the damp morning,
gray in the sun of high noon,
indistinct in the glow of the streetlights,
concealed by the shade of the gingkos,
national pride swelling within —
this was a proud place
and the rumbling of bulldozers
coming to expand the parking lot
was as nothing to the rock, all the way
up to the moment when the steel
struck sparks from it as it raised it
high in the air toward the dump truck
which carried it away without a second thought.


At the risk of sounding like an old fogey:

I’m really uncomfortable with that career meme going around.

The site you’re all visiting is a pay website used by a professional career counselor to help his/her clients. It seems obvious to me that someone who used the site is sharing a proprietary username and password to allow others to access it, and that info is now all over the Web.

If you read the info on the site, it seems to me that the person/company that runs it intends for it to be used by professional career counselors with their clients after paying a fee to use it.

Now, I don’t know all the ramifications, but it smells slightly unethical to me to use the site this way.


the new Duende CD

Just completed a marathon writing and recording session for the new CD. Of the 15 or so poem/music pieces under consideration, we managed to get solid, usable takes for 10 of them. We only had three written when we started the session.

Fatigue had set in before we finished and it felt like we were getting sloppy, so we called it and decided to finish up next weekend.

Having Chris act as full time producer and engineer is a phenomenally good move, as it frees us to work and adds a pair of objective ears.

We’re not going to be doing the new version of “Punk” on Wednesday at the Cantab. I need to be more comfortable playing rhythm on electric before we use it.

I’m so excited about this work. It’s a new level, and I think the show on October 6 will be something else.


Day 2 down

Just came home from the second of three training days this week. One to go tomorrow in Boston.

My feet — especially my right foot, the one with the plantar fascitis — are aching and bruised. I hope I can get through one more day. I’ll probably be skipping Storytellers to let them recover, because on Saturday Faro, a_solitaryman and I are turning the living room into a recording studio and going into a marathon session to try and write and record the entire new CD in one day. We’ve got four poems done, I’ll try and pull together the version of “Punk” we’ve been working on with me on electric, and the rest will come together, I’m pretty confident. Chris has got a hot new digital 8-track and we spent some time last weekend learning how to use it and dialing in effects and stuff, so we should be good to go pretty quickly.

(this also means that I’ll be missing Maxine Kumin in Brockton Saturday afternoon. poop.)

I also was the recipient of an undeserved good deed last night. It’s not something I want to talk about here, other than to say that sometimes, I am moved to tears by people.

If I owe you a phone call…I will return it a bit later. I need to recoup some energy right now.

PS:

Thanks to frequegrl there’s a PS2 in this house. I’m finally getting hooked on a video game — “Just Cause.” I spend time every night attempting to overthrow a small South American government, with the assistance of the CIA. Total amoral kiling and expedient politics in a blender on my TV.


Blair, tonight

Blair was fantastic tonight at Gotpoetry. PERIOD. Standing O from the crowd and he inspired a few people to come up and add their voices to the second half of the open.

Terrific poems in the open and an almost mystical level of connection. Everyone brought their best work. It really was an outstanding night.

If you’re in the neighborhood and you’re not coming to Gotpoetry regularly, you’re missing a great and growing reading.

Don’t make the mistake again…come next week for Bill MacMillan, the week after for Marlon Carey, the week after that for…well, come down and find out!

This is what a reading should feel like, at least to me.


Deleted post

I deleted my earlier post about the bin Laden videos.

I made a vow long ago never to get into arguments about 9/11 and al-Qaeda conspiracies. I’ve broken it twice today — here, and on Gotpoetry.

Because I’m an administrator there, I will not delete my posts. But I will not continue the argument there.

This is my personal blog. I choose to delete it here.

Sorry.


Bored, indeed

when I do a meme. Ganked from happinesstogo. I’m actually feeling a tad ill, so it’s therapeutic to get such things out of my system, i guess.

Copy this list; leave in the bands you’ve seen perform live; delete the ones you haven’t, and add new ones that you have seen until you reach 25. An asterisk means the previous person had it on their list. Two asterisks means the last two people who did this before you had that band on their list.

So many concerts over the years it feels like a list of 25 is a real cheat. But hey, those are the rules.

1. The Who
2. Deep Purple
3. Bruce Springsteen
4. The Grateful Dead*
5. U2
6. Buddy Guy and Junion Wells
7. Pharoah Sanders
8. Eric B. and Rakim
9. Public Enemy*
10. KISS
11. Greg Brown*
12. Richie Havens*
13. The Clash
14. The Ramones
15. Bob Dylan
16. The Cure*
17. The Violent Femmes*
18. Elvis Costello
19. Patti Smith
20. B.B.King
21. James Brown
22. The Replacements
23. Metallica
24. Motley Crue
25. Black Sabbath

Christ. I’m not even scratching the surface with 25. Keep in mind that I used to do concert security, so some of these bands I saw while on the job and not by choice.

I’m adding ten more.

26. Frank Sinatra
27. Santana
28. REM
29. Fugazi
30. Boiled In Lead
31. Peter Gabriel
32. Sting
33. Boston (9 hellfucking nights in a shitfucking row…I’ve never been the same, I swear)
34. Devo
35. ZZ Top

Still have barely touched the club years and all the little bands I’ve seen that later got big, the old blues guys, the local bands…