Monthly Archives: September 2007

Just back in

from Boston, where I saw the Electric Whale Revival for the second time in three days.

I’ll have to think hard about reviewing this one, but overall, it was pretty damn good. I actually think the Worcester show was slightly better overall, but there were high points here too (Buddy in particular was really on tonight). And of course, this show also featured Blair and Shira Erlichmann as opening acts, which added to the overall experience…

Off for the night…got a wedding reception tomorrow! And of course, sateenduraluxe at the Hut tomorrow night…


Snakes On A Plane, Part 2

Moving from
the nose back
to the tail
I let myself
fall into
the slipstream
and now
it seems obvious
that I was never under
my own power
anyway.


This festival of spoken word, organized by Christopher Johnson, is promising to be a killer set of shows.

On Saturday night, October 6, at 6:00, the main opening act of the evening will be Duende as we premiere and release the CD and chapbook of our new show, “Americanized.”

The show and book/CD set is an exploration of various facets of how we become “Americanized” — how the influences of parents and sociey’s messages contribute to creating the mix of contradictions and paradoxes that make us who we are, and which make the country we live in both wonderful and dark as all hell.

No easy answers, and no easy moralizing here…

Come out and see us, and see the many poets who will be contributing their own unique visions over the course of the three nights.

Admission’s a measly 5 bucks, and it’s going to be good. Come down to the Perishable Theater, on Empire Street in Providence (next to AS220), and check it out — I personally would love to see you, and it would be great to fill the house. Although we have gigs coming up, We don’t have any other performances of the full show planned at the moment, so this may be your first and last chance for a while…

Thanks in advance.


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Solomon Sparrow’s Electric Whale Revival

Damn fine show. Even though I was sick and headachy as all hell, too…The gang were all in fine form tonight, from Anis and Dan right through the song stylings of Derrick and of course, Mike and Buddy.

After, we all headed off to Ralph’s where we made merry, and Derrick and Mike enjoyed the splendor of Ralph’s burgers while Missy bravely polished off a cup of the Chili of Doom.

I’m even gonna see the show again in Boston Saturday night, when I hope to be in better health and spirits…that show at the Paradise includes Blair, Shira Erlichmann, and Danny Sherrard replacing Anis for the evening. Gonna be fun.

Wheee…now I’m headed for bed where I trust I’ll be able to sleep past the headache and all.


Off to do errands, but before I do:

All five of the cuts on the profile are now from “Americanized,” so give them a listen if you will.

New cuts today are

Sing Before Seven
No

Enjoy!

ALSO: Faro’s got a couple of his solo pieces up as well as cuts from the CD.

Our Myspace addresses:

http://www.myspace.com/poetrybytonybrown

and

http://www.myspace.com/downtheroadri


WOOT

So…I hate to say this for the Boston crowd, but Worcester gets the good stuff this week…

because the Wakefield/McGee/Brown/Leaman/Mojgani extravaganza is coming to Worcester tomorrow night…

FREE to the public at Clark University!!!!!

WOOT.


Nike unveils shoe for Native Americans

http://money.cnn.com/2007/09/26/news/companies/bc.apfn.nike.indianshoe.ap/index.htm?cnn=yes

I particularly like the “heritage callouts.”

Next, Nike will address the chronic high unemployment rate on reservations by actually building the shoes in authentic Native sweatshops. Wages will be paid in beads and blankets, although not very many of either.


OMFG…New Pieces on Myspace!!!! (Now with Tech notes, for the studio-inclined among you)

The mastering’s done, and here you go…

three new pieces up on Myspace from the new CD.

They are:

Americanized (the title cut)
Las Lloronas
Where Do You Live?

I’m amazed and grateful to both Faro and Chris (a_solitaryman) for this gift.

Revised to include, for my studio wonk buddies, the tech notes


hey dkeali_i

check this out:

http://vsprtn.livejournal.com/294923.html

thought it might be of interest…

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

just got word from a_solitaryman that the CD mastering is done, barring any final tweaks anywhere. I get my copy tomorrow night, and I’ll post a couple of tracks on Myspace ASAP.

YEAH.


Maneuver

It was supposed to be easy
but every thread that holds you
seems to need
a unique knife, and you just don’t have
enough.

Still, at times like these
when you awaken at 3:30 AM
and find you’re warm and not alone,
you find yourself bearing down
and sharpening your teeth while the city sleeps.

There’s a reason they say that smiling
can lift your mood, and once
you can smile again
you’re armed
and ready.

It ought not to be
that warfare is the only metaphor
you can find for this.
You decide to call it
self-defense instead.

Hungry, staring down
creditor’s barrels, leaping from
slick stone to rotted stump,
you chew almost free and manage to approach
the fortress.

In a blink it may all
go south, but if the battle
is not to the swift, it will at least go
the way you choose. You smile at the walls
and tug on your bindings until something

gives way.


In order of importance:

— condolences to those on my friends’ list who are dealing with fear and loss this week.

— completed the recording of the CD today. mastering is in progress. hope to have a couple of sample cuts on the Myspace before mid-week — will keep you posted.

this is not ego talking: it’s going to be terrific. chris has been a godsend as our producer and engineer, and faro’s taken this whole collaboration thing to a new level. we laid down fifteen tracks in 3 and 1/2 hours this afternoon, to give you an idea of what i mean.

we decided to re-record all but one of the tracks we laid down last weekend, then wrote and recorded the remaining five tracks during the session. Faro and i essentially did the last couple of pieces as free improvisations, laying down the tracks as we created them; in both cases we elected to go back and do second takes to be sure we were on track, but i would have been happy to use the first takes (although in both cases, we liked the second takes better).

we elected not to use any of the live tracks we recorded at the Cantab on Wednesday because of the issue with Faro’s bass and because of the bleedthrough of the blues jam upstairs, but i did listen to the tracks and you can tell the show really did kick butt. not just saying that; we were on, probably because of adrenalin and nerves more than anything else.

i had tears in my eyes during the session as we pulled together the final poem, “Where Do You Live?” which is an older poem I do fairly frequently but which fits into the theme of the overall show and closes it beautifully. Faro outdid himself with the guitar backup he created for this, and i’ve completely revamped my usual performance of it to match his vision which was different from my own. it works amazingly well.

point of interest: far more guitar backup than bass on this CD; just the way it worked out.

— the book and CD will be available at our October 6 show at the Perishable Theater in Providence. i’ll be ramping up details on this within the next few days.

— on top of all this i’m getting a cold, fever, something on those lines. typical after an emotional rollercoaster comes to a stop, plus i’ve been exposed to illness over the last couple of days. figures, but i’ll muddle through.

— big doings at Gotpoetry Live in a couple of weeks; we’re going to have a poetry + music night. extended open, no feature, with musicians available to back you up when you read. (hint: everyone’s favorite bass player is already signed on and more to come.) or bring your own instrument — we’ll even welcome you singer songwriter types for the evening. more details soon, so set aside the date: OCTOBER 9.

see you all soon…


Joke as you will about last words…

Marcel Marceau has died.


Random notes

I just watched episodes of “Newport Harbor” and “The Hills” on MTV.

It is at times like this that I understand — nay, wholeheatedly embrace the root causes of — the rise of Communism. I get the same feeling when I visit the mansions in Newport, RI.

I went to a prep school for my junior year. It was there that I first gained my disdain for rich people. Shows like these reactivate it.

God, these people are scum. Why do we showcase such evil?


Intervention

First, I prepare the needle: slim,
paper-sharp,
easy on the skin
from first prick to withdrawal.

Then I raise a fire under God:
smack, coke, or meth, it could be any of
these whitest of deities but I will not tell you
the secret name of my Lord.

When I pull the precious
up from the spoon and
hold it ready,
I do not consider

how Kandahar, Cali, or rural Missouri
may figure into my love.
It’s only later, next day, next week,
nodding before the news, that I have a dim inkling:

when I see the coffins coming home as a leader
wraps his arm around a man who kills for him
while farming the deaths of others and the oil
swelling up from the sand waiting for the line to fill;

when I see the boy saluting, his parents
fraught with pride as he leans into the march,
the countryside near his East Prairie home green with old habits,
the empty barns filling with new poisons;

when I hear the streets of a city ringing with Spanish laughter
even as the doors are barred against a bullet,
even as the dark cars zoom toward destinations
hidden in plain sight;

every turn of my every slow hour
seems to show me the pieces of some stellar judgment
that’s not clear enough yet
to be avoided.

This is the substance of choice for me:
not the needle or the spoon, not the joy
that bubbles above the fire below:
it’s that yearning for connection, no matter how hellish.

At night when the longing
catches me again, I tell myself
I’m the savior who will break the
circle. I tell myself:

give me a moment with the men
who make the world their spoon. I will embrace them
the way I embrace the high. World leaders
and shadow priests will come to me

and we’ll kick together. We’ll kick together.
That’s the hymn for this service, the one we cannot seem to sing.
You would think we’d be smart enough by now to see where we’re headed.
You would think that wherever we find ourselves, we could stop nodding.