Monthly Archives: July 2007

The Poet Thinks It Over

What I first wanted
from this
is lost to me now.

Later, I wanted
every word to bring me back
the scent of my grandfather’s
after shave, even though
I’d never met him.

Later still, there was something
gained from the sound of gasps
and murmured assent or dissent
when I tried to explain
the scent of my grandfather’s after shave
to people I’d never met.

I learned something from chasing those
who reminded me what the scent of my grandfather’s after shave
was like, even though they’d never met him
and they were as surprised as I was
when I found myself begging them to tell me
what he was like.

Now all I get from this is a lot of late nights.
I don’t shave much. The paper
and the screen are as odorless
as they’ve ever been, and all I can smell
is old sweat on my own weak muscles,
atrophied from inaccurate use.

Still, I sit down all the time
and hope for some token
that will pay me a way
down an old road to the place
where he sits, fresh as I can imagine him,
waiting for me.

He’ll turn and welcome me
and I’ll bury my face in his neck
and breathe.
He’ll say something like
“I’ve been waiting for you”
and I’ll cry.

If the poems mean anything
now, after all this wasted effort,
it’s not what I meant them to mean
when I first sat down on fire
to burn off the past’s overgrowth,
reopen the roads
and reveal the man.

What I first wanted is lost.
What I wanted next was someone else
and now I’m losing the One I gained in his place, but
if I shut the notebook, turn off the switch,
leave the stage to the next seeker
and walk away from the jungly history
where I thought the answer lay,

what will I do then with all this time
in this flat place, cleared of brush
and not worth replanting?


Au revoir, Michel Serrault et Ingmar Bergman

http://news.bbc.co.uk/2/hi/entertainment/6922473.stm

http://news.bbc.co.uk/2/hi/entertainment/6921960.stm

I didn’t know Serrault’s work well, and Bergman didn’t ever do much for me (I far prefer Fellini, Kurosawa, and Hitchcock), but I suspect there are fans out there.


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Today

was pretty much a total waste — was off my feet much of the day with this injury. I really wanted to go to NYC to see Roger’s new show and see Mindy Nettifee and Amber Tamblyn’s feature afterward, but couldn’t justify the ride and the walking with my foot this way.

I should have gone to see Heather at B and N, but the foot was hurting badly in the early evening.

The stretching exercises I got off the Web are helping, but I think it’ll be a day or two before it’s back to something like normal.

Did force myself out late tonight to buy a heel support and dry some clothes — my dryer’s not heating at the moment.

Worked on a couple of poems — mostly stuff for the show in October — nothing new, just starting to look at continuity and flow.

And…that’s all folks…


Tag Team Poem /Trip notes

We have a permanent forum on Gotpoetry where there’s a running challenge — someone posts a short poem, and the next poster (or posters — no reason multiple folks can’t try it, of course) has to post a poem, not necessarily related, that begins with the first poem’s last line. That last line has to then be the first line of the next poem, and so on. Theoretically, it goes on forever…

Sometimes, the resulting poems are just silly, and of course you’re always trying to challenge whoever posts next. Sometimes, the results are better than silly.

This is one I posted just recently:

You’re a big-fat-Barry-White-looking motherfucker.
You’ve got more gut than an Indiana trucker.
You’ve got more hair than a dog in a fur coat,
and it sounds like a bullfrog’s caught in your throat.

You’re a big-fat-Barry-White-looking motherfucker.
That God-like voice lets you reel in suckers
who think you’ve got something to say worth listening to.
Oughta be a law against abuse of that tool.

You’re a big-fat-Barry-White-looking motherfucker.
Your name is Tony. You were born out of luck, sir.
You will learn before long that you end up alone.
When that voice of yours fails you, can you ever go home?

In other news, yesterday AM I did something serious to my foot and can barely walk. This made for a lovely training session of four hours on my feet and a six hour drive home yesterday.

All signs (according to what I find here on the Magic Web) point to something called plantar fascitis, which requires rest, heel support in the shoe, and stretching exercises to get better. At least it’s not surgery. But no NYC trip for me today — sorry, all.

I did get a lovely lunch with aurorabell out of the trip, though…so that’s good.


Show on the way: statement of intention

On October 6, I will be doing a show at the Perishable Theatre in Providence.

It’ll be a Duende show, and I’m planning to use a bunch of the new stuff I’ve been posting lately as the basis for the show, along with a couple of older pieces I think will fit the theme.

It’ll be called “Americanized.” I plan to create a roughly 45 minute set of poems set to Faro’s music that will examine what it means to be American right now, in all the glory and pain of the term, with the contradictions intact.

It’ll include a chapbook release and a new CD.

It’s ambitious, it’s scary, and it feels like the right thing at the right time.


Americanized (second draft)

Under my Americanized skin
I’ve got a dog soldier and a fat Neopolitan cop
keeping track of infractions.

Under my Americanized eyelids
the marble graves of my hope
are rolling like blues tombstones.

Under the meat of my lower lip
an Americanized raspberry of justice delayed
burbles at odd hours like a soul revue bass line.

That’s my Americanized heart
banging like kitchen help when the party’s over.
I’ll gather the leftover wine and we’ll pioneer something, or kill it.

And those are my Americanized nostrils, flaring
at the scent of the dying cotton mill and the rising pretense
of coffee served in Italian vessels of pure paper.

This Americanized face of mine, beard-bruised and faux-tender,
hangs open-mouthed before the choices of ease and waste.
Don’t be dismayed at all the gold in my pores —

the Americanized man in me says: it’s fine.
I never want to wipe
this skin of mine naked again,

don’t want to see the gold start to disappear,
don’t want to see Cortez under the shine,
dont’ want to see how Americanized his rotten old smile’s become.

Do you know me? There’s a wee battle
in me. I recognize you, your own war,
the memorials we share.

I’ve no clue
about the methods of our dog soldiers and cops
until I see them in action, and I try never

to see them in action. Americanized as they are,
they own their invisibility, pass it between them
even as they hate each other’s histories.

They play their games,
knock each other off and punch back in
next morning to redeem and continue.

Instead of that, just give me the usual something, and give me death too,
an Americanized death of course, bristling with confident stickers
and steel tubs of beer across the rehab hall from the President.

The fat cop and the dog soldier will lift their heads up out of me.
Death always gives our contradictions something to do,
gives them a pose to assume — as if to say:

here is the family portrait;
here are the brothers in arms
who campaign under the skin.


Mirror Over The Desk

When I sit down to write
in an unfamiliar room
and there’s a mirror over the desk,
when I can see
that same old raccoon looking at me,
shaggy thief with his paws full of
things worth saying, things I can’t get at
and that would be utterly different
if ever I could hold them —
I almost die laughing, choking on the words:

old bear,
there are so many places like home.


Ok, finally

off to Harrisburg, PA for work. Took me long enough — I’m at least an hour benind my most pessimistic schedule.

Back tomorrow night.


Gotpoetry tonight

Well, our feature never showed up…but since Maze Forever was in the house, we had an instant backup, and a hell of a backup he was — as was his road partner and fellow poet, Ocean. Terrific set.

We also had a spotlight from Team Providence which also got the room rocking.

A good night.


Off to Providence

for Gotpoetry Live , with Rainmaker (from NYC) and a spotlight likely from Maze Forever.

Thought I’d leave you with this — can’t recall if I ever posted it here; it’s older.

My Favorite Native Legends

my favorite native legend starts like this:

i once saw a man at acoma pueblo
replacing a pine post on his adobe porch
while listening to a battery powered radio
and doing noteworthy monty python routines
with a couple of his friends —

and then of course there’s the one that begins:

in a bar one night a friend of mine insisted
that at one time
tonto
was in love with the lone ranger,
and we’re not talking
multicultural brotherly love either;
but every time he tried
to make a move
the big guy said something like
“hiyo, silver”
and eventually tonto realized
he could do so much better
than a tightass frat boy
with a mask fetish.

and everyone howled and
someone bought a round for the house
and there were more stories but
i can’t remember those right now.

yes, children,
those are my favorites.

note the absence of Coyote and Crow
and that there’s nothing in either one about the Great Spirit.
note that the moon doesn’t speak to the hunter
and that no one’s bones call out to the beloved left behind.

if you want those stories
get thee to a barnes and noble.

i will praise instead
the micmaq man who walks the high structural steel
for a paycheck
and doesn’t drink it away.
i’ll tell you the one about
the old guy who looked like my father
who tried to pay me four bucks
to drive him from mescalero to a bar in alamagordo
and shook my hand when i said i was sorry but
i was going the other way.

let’s hear the one about robin chatterbox
and how she became a doctor. or the one
about the casino that paid for a new school.
or the one about the tv show
that pulled a shameful episode, or the one
about the meth lab that was prayed off the rez
by the old folks.

there are some good new stories out there
for you to tell your children if you’re willing to learn them first.
you don’t need to tell the old ones over and over again.

in the spirit of multiculturalism,
we can always borrow an old one if we need one.
for instance:

see the campfire over there,
the one someone left for dead?
see the ashes starting to stir?
goddamn, is that some kind of bird?


Interesting

Truth is relative Tony, and you don’t speak for all Native American people, do you? Your views are your own. In short, I don’t find this poem spiritual, I find it to be a rant. I also write about the Native American people. I believe my poems draw from the spirituality of your people. And is a kind of automatic writing that summons their very essence. It’s not commercialism as you say, it’s a deep belief in “tradition” of a forgotten people. It’s a deep spiritual connection. And whether your point of view differs from someone elses on these matters, it doesn’t devalue their spiritual awareness or connection.

— from a pained response to my poem “American History” on Gotpoetry.com

The same writer then posted several poems in response to my poem, which were better than a lot I’ve read but which still trafficked in … well, you can guess. Summoning the very essence of “my people” through a kind of automatic writing.

I thought I felt something…

After, she predicted that I’d find her poems stereotyped and offensive, and suggested that was because I’ve been too “Americanized.”

She was right, so I guess I am too Americanized.

ETA: Here’s a link to the debate. Just do me a favor, please — don’t pile on over there, ok? I’m interested as to whether I’m being too harsh, not looking for reinforcements:

http://www.gotpoetry.com/Forums/viewtopic/t=9946.html


Djuna Barnes

Anyone read and know her? Considered by some to be as great a contributor to English literature as Joyce, but I never hear anyone mention her.

some info: http://en.wikipedia.org/wiki/Djuna_Barnes

I can’t find my heavily annotated copy of “Nightwood,” still one of my all time favorite reads — thinking about it tonight made me realize I never run into anyone who even knows who she is.

Anyone?


I think I’ve been chryslerpoet for too long.

I may end up shifting the name soon. Not sure to what…but there are time when a major shakeup is needed in a past pattern, and that might be the shakeup I need.

That name’s a persona, after all…


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