Daily Archives: October 25, 2006

The post I’ve been meaning to make

I get upset sometimes when no one comments on a poem I’ve posted. It’s happened with more regularity lately.

I realize that’s my ego talking. Damn ego!

But I also have begun to realize that I’m finally starting not to care if people like a given poem. I’m starting to think that I’m writing these poems strictly for me, and if people don’t want to go along, that’s not the end of things.

I’m not even all that interested anymore if they’re “good” poems or not. After completing “Jim’s Fall” I’ve kind of moved to a point where I’m experimenting for me, looking for the next thing, looking at ways to change what I do.

I’m certainly not giving two shits about whether they “slam well;” I gave that up years ago, although there are times when it still raises its head for me. I do think of the performance aspects, of course; that will not go away ever, I think.

But I’m tired of easy poems. I’m tired of writing for the broadest possible audience. I want those who read and appreciate my work to be intelligent and thoughtful and willing to dig a bit. I’m tired of feeling a need to be populist.

If the work I’m doing now doesn’t work the way it used to, maybe it’s getting to where I need it to be.


Oh, no.

I’m hearing from the grapevine that Francis “Woody” Woodbridge has passed.

For those of you from out of town who have been to the Hut, you may recall Woody as the blind man with the voice of God who read so frequently in our open mikes.

Woody was a true survivor of the Sixties and a heck of a character. I know stories about him from his youth that would frighten and amaze you, some of which can’t be told even now.

This hurts.


Now boarding…

Heading to Chicago to do some training and make a little money. Back Thursday night. Will update more later…


From a Dirty Desk

Consider these paperclips
and rubber bands strewn here like casualties, which
they are if this desk is a battlefield, and it so often is:

the rubble of art and commerce covers it like a mustard gas shroud.
Anything under there barely stands a chance. Sometimes
it feels as though explosions are dancing

across the dark wood, spending their last pops
decimating entire nights of clarity. If someone
were to write at such a desk he might often stare heavily

out the window or into the blank wall,
a sentry on watch for something that might never come.
In a moment of boredom he might call a truce, put down his pen

to reach for a rubber band, a paperclip,
trying to get back to a better time
by launching one from the other, firing

a crude dart into the far wall and almost
losing an eye when it bounced back, just as he’d always
been told it would happen. Then he might turn back

to the front line, the blank paper (or worse,
a yet-incomplete sentence whose original thread
vanished about the time he noticed that paperclip)

and think about this war again. Is it worth it
to fight a war you both lose and win every time
you begin?

He will not know the answer.
But he will lift that pen
again.