Daily Archives: October 1, 2006

On recent poems

There comes a point where sense — logical, rational thought — can only take you so far toward truth. When you reach that point, you have to trust that the illogical leap, the irrational image, will get you close to where you want to land.

Poets dumb down their work too much. While accessibility is important to me, I recognize that sometimes the only way to write the poem that needs writing is to write it knowing that people may or may not make their way to it when they see/hear it.

We have to trust our audience more. We need to not be frightened for their misunderstanding if we don’t fill in all the gaps.

Sometimes, it’s ok to write for other poets, or for a more poetically educated audience. One of slam’s downsides is that it’s made immediate general audience appreciation the be-all and end-all of performance poetry.

If I don’t leave you puzzled sometimes, leave you scratching your head and reading and re-reading poems to eke out all the meaning you can, I’m no better than Matty Furmanek or any Hallmark Card. People shouldn’t expect art to always make sense. Sense is only one source of knowledge, and I want to mine all sources of knowledge in my poems.

ETA: I just corrected the spelling of Matty Furmanek’s name from “Furmaniuk.” I realized when I was looking at it that I spelled it the way my almost-roommate at Harvard spelled his name, which he pronounced the same way. Zygmund Furmaniuk, aka Ziggy (of course). One of the smartest guys I ever met. He hated poetry. Maybe he was onto something.


Shhhhh

who’s asleep? everyone.
shhhhhhhh. don’t wake
everyone up.

everyone’s asleep. you can hear
mechanical things. power, water,
heat —

but bend closer (shhh) to hear
what awakens when everyone is asleep:

shades walking step-in-time
to all the breathing. shh — you’ll
see them, perhaps. they’re thin

and pale, sometimes one is
grey or pink but most are sheer
and white.

they are commuting home
from their jobs — moving the fulcrums
and tipping the levers that make
everyday things happen:
falling in love, screaming
at the boss, pool in a semi-dive bar,
test driving vans, counseling children,
daring to eat from a street vendor’s stall.

they swirl away from everyone,
undulating, rising from the ground
once they’ve stepped past the sleeping
bodies, slipping through windows
and under doors.

you see that one hangs back.

she gestures to you.

who are you now
that she should want you —
are you another power like her
escaping from servitude? are you
a spy who’s caught a glimpse
of something unheard of till now?

tomorrow morning
they’ll all clock back in,
slip into their assigned bodies
and then everyone
will wake up and go back to work

except for you and her. you’ll
stay with her and find out
where she belongs, her real name,
how this all started —

shhh. you have only so much time to work
on this. don’t wake up. everyone
will want to know
if they see you’ve figured it out.