Tag Archives: revisions

Privilege

Originally posted 7/25/2010.

Definition: it is
an oil
that gets on everything,
clumps in dark corners
where it’s obvious
if you put a light on it

but when spread around
becomes invisible,
almost intangible
until you try to grip something.

If you’re born coated in it
you forget it’s there.

The ones who came before you
teach you
to work with it,
to make it your friend,
make it stick wherever
you want it to stick.

You won’t even remember it’s there
once you get the knack.

It’s no wonder
that you’re insulted when people
call you “slick”
as they try
to make you see how
it shines so evenly on you.

The wells that pump it
are deep.  Pulling up the pipes
is not like pulling teeth,
more like pulling roots,
long roots,
nearly interminable roots,

roots that
cross the lawns:
pull the roots
and the lawns
come up with them;

roots
under the roads:
pull them
and the roads
crack and split above them.

The wells that pump it
are deep

and the depth
of their reservoirs
is like unto
the Hell you’ve heard
so much about:

there is fire,
there is ice, there is
the Adversary who rules it.

He says he loves you,
calls you his beloved
slick bastard.  
It doesn’t feel terrible
no matter how much 
you yearn to hate it,
which is why 
no one really knows 
what a dry world
will be like,
except  that
we might find it easier
to hold onto each other.


Icelandic Fiddle Music

Originally published 9/27/2011.

Fiddling on the radio at 4 AM.
A singer with an Icelandic accent.
Maybe.  


You’re lying in bed fully clothed.  

Tonight was a banquet you chose not to attend.
Everyone said community demands it.
You weren’t buying.

You weren’t convinced there was a community there.
All these people coming through town say they love you.
No one comes knocking for you.
You wanna see them you gotta get your butt up and see them.
Get to the banquet.
The banquet you hate.

Icelandic fiddlers on a 5 AM radio show.
Kids these days.
Whatever happened to rock and roll?

Naked or clothed lying in bed or at banquets.
Everyone’s a liar.

You don’t want to tell anyone you’re dying.
You want them to figure it out for themselves.
You want to hear the words from their contrite mouths.

We missed you at the banquet and came to see you.
We didn’t know.
We’ll undress you now.
We’ll sit or lie with you all night.
We adore that old-time Icelandic fiddling and singing.
We adore you too.

You don’t go to banquets anymore.
Your teeth are disgusting.
Your teeth are falling out.
You are exactly as old as you feel.
You are as old as Iceland.
As old as a fiddle.
As old as a gaptoothed singer.
As old as the weird music of just before 6 AM.
Twice as old as some of these meddling kids.

You are better off fully clothed and alone.
Listening to this crap.
Waiting for sleep.


A New Color

Originally posted on 10/28/12.

How to explain
a new color?
How to define it
beyond calling it
a crisp, refractive purple
only visible
behind my eyes?

I sit in my car
in my driveway
thinking of the two women
panhandling in the rain
at the end of our street
at the start
of a hurricane.

How to explain this color
I know I have never seen before?

When I asked them
if they had a place to go,

one smiled and the other said,
“Thank you, bless you sir.”

I’m sitting in the driveway
looking at a color
with closed eyes,

with my head on the steering wheel.

A color I’ve never seen,
a clear and crisp refractive purple
in the crazed, urgent, irregular form
of a paper flower
or a crumbling gem.

This is the color
of a blessing or a mercy,

the color of
driving back down the hill
to take them to a shelter,
the color of shame
when they refuse
to get in my car,
the color of understanding
why
they refuse,
the color
of praying
for them,
the color
of feeling
that I have not given
enough,
ever, to them,
maybe to anyone.


The Towns Between New Haven And New London

Originally posted 10/28/09.

Last night’s drive home
was grand moment
after grand moment

of four of us
laughing and chatting
as well as we could
over Parliament blaring,
cigarette after cigarette flaring,
New York City
in the rear view,
home still
some hours ahead.

The towns between
New Haven and New London
are strung along 95
like green pearls on a black string.
I have forgotten their names,
for there was no room in the car
to hold them.

Forgive me, towns
between New Haven
and New London.
You deserve more
than a mention here.
You ought to be
destinations
and someday I hope
I’ll make that right

but last night, you
were just distance
to be covered,
just white letters
on green signs
breaking my trance,

neither
the good time
we were leaving behind
nor the home
we were longing to see.


Sadist

Originally posted in September of 2006.

Damn you.  

I was
so joyfully dumb,
lumpy and dreamless,

till you insisted
I get up
and talk to you.

I turned on the laptop.
I’ve been waiting.

Offer me a hint,
a sign, even a direct question –
I’ll snap to it.
My angry hands
are on the keys —

I’m as angry with you
as I am breathless
to find out what you want
so I can sleep.

If you let me get back to sleep
I’ll do everything else
tomorrow –

earn a living,
make friends,
save myself.
Let me sleep now
and you can
wake me up again tomorrow
to continue
with this slow murder
some 
call 

inspiration.

 


Conversation In A High Place

Originally posted 1/29/10.  

The Prime Minister
approached the king
with head bowed, cringing.

“Your Highness,
I tremble to speak of it, but
your crown is covered in blood.”

“Yes,” said the king.
“See how it shines?
See how

from this window, that bronze eagle
on the flagpole also drips royal crimson
onto the paving, see how

the walls of the palace glow wetly
in the level beams
of the sinking sun?

Make of it what you will,
Prime Minister, but know
that from afar (which is after all

the only way we allow ourselves
to be viewed)
we are glorious.”

Blogged with the Flock Browser

Falling In Love, Cleaning Up After

Recently revised and recorded for the Duende Project. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

She is a number of answers,
and not a small number.
Almost too many to count,
almost enough to smother you.

It may have been her hair,
tucked behind her ear.
Or it may have been her lip,
and how it twisted when she laughed.

Fifteen answers, twenty answers.
All of them saying yes,
of course, it has to be,
it has to happen.

More like one answer stuck on repeat,
more like one answer flashing
over and over; again, yet, and still.
That part is easy, that part is simple enough to understand.

The hard part is how deeply
every “yes” carves you,
how obvious your bones become
when you expose as much as you have.

Every time you see her
and let her nods and smiles shake you,
you might break open, you might become
a big pile of pieces in front of her.

Fifteen pieces, twenty pieces.
You poor sap, you big shatter-heap!
Thank God she’s shaking with “yes” herself;
the two of you might have a chance.

It has to be, has to happen.
Pick up pieces and put them together.
Put them together, hold them together;
hold them together, do it together forever.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Listen to the Duende Project track of this poem here:  http://soundcloud.com/radioactiveart/falling-in-love-cleaning-up


Music For Funerals

Revised, and set to music for The Duende Project.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It seems to happen often
that I receive
a phone call to request music
for a friend’s funeral.

This is my role in my circle,
my holy manacle,
this ability to know the voice
of personal grief intimately well;

the understanding
of which songs will speak for us
the way we would
if we could stop our voices from cracking.

When it happens I run through a list
in my head
at once, choosing
only after some thought.

Sometimes I reach for the guitar,
thinking that maybe this time
I will compose a song that will
make all future requests moot.

It never happens,
but I still think of it from time to time,
imagining that all at once
I will know

the song I have always
wanted to find: the one
that, if played well enough,
will bring them back.

When I go, don’t make anyone
choose songs for my funeral.
When I go, burn me like sheet music,
burn me like hell money,

burn me the way children
burn their parents’ love letters.
Lift any uncrumbled pieces from my ashes
with drumsticks held like chopsticks.

Set them in a tambourine,
take turns pounding it,
set me rattling against that skin.
Ring me out until we all grow hoarse

and our voices become
as soft and ragged as old clothes.
Make me into the song
I never could write by myself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Listen to the track here:  https://soundcloud.com/radioactiveart/music-for-funerals