Tag Archives: revisions

A Man In Need

Originally posted 3/19/2012.

You look like a man 
in need of a punch
to the side of the head

or a piercing

in the side of the body

You’re looking for something that hurts
Something from the hand of a punk
or a Roman soldier

Something you can add to
your Martyrdom Book

Something as good
for starting a conversation
as any 
suicide attempt
colossal drunk striptease
bad haircut

Something to tell
the LADIES about
over a bottle of tears

You look like a man
in need of a narrative
to put it all into

A man in need
of a rabbit to tear apart for effect
as if the rabbit were an envelope
and the winner’s name was inside

A man in search
of a terrible weakling to be

A man
who knows his disease well enough
to call it up for a ride
when he needs
to get somewhere FAST

A man who’s not going to get
that much needed punch in the head
from this guy
because this guy
has no desire
to help you
win your victim badge 


Attending To Mundane Things

Originally posted 4/27/2009.

Nothing against
palmistry and scrying crystals,
Tarot cards and Zodiac.
All serve the purpose.
It’s their modern monopoly
on divination
that’s troubling.

People act if they couldn’t
find peace and clarity
in the random jumble
of socks in a drawer
or the shadows of skyscrapers 
knifing across downtown streets 
if they tried
when every jammed closet

is a cathedral if you know 
how to pray in it. 

Whenever the ancients and their arts
are called upon
to tell us where we’re heading, 
they must ask themselves,

who are these frightened people
who do not understand how to make do
with what’s right under their noses, cobbling together
a peephole into time from whatever is close at hand?

All we did 
to meet our God 
was add a little attention 
to the mundane.  

Look into our own hands, pick a rock
from the ground and stare into it,
notice a truth when we gambled, 
ask the sky a question and listen.

All we did to meet God
was look for God,
trusting that
we wouldn’t have to look far.


Two Crazy Kids, An Old Man, And A Host Of Lizards

Originally posted 3/31/2011.

We called him “the Old Man” because of our lack of imagination.  
He was usually seen smoking a fat tube the same color and size as the ubiquitous local lizards. 
We assumed these were cigars, mostly because it seemed unlikely that he possessed the requisite igniter to get a lizard to burn.

We were there because of our lack of imagination. 
Our art was escape, not arrival. 
We had been on the run so long, place names seemed superfluous. 

The relationship between us, if you can call it that, was superfluous.
On the rare occasions we fell into sex in those days it was usually due to losing our balance versus our having been open to abandon.

As the days wore on, we surrendered to a lack of definition.
We lost entire weeks in the calendar grid.
Began referring to the Old Man as the Lizard Smoker, having forgotten our earlier decision that this could simply not be so.

He taught us that the trick to smoking a lizard is to put the tail end in your mouth and use the dry skin around the eyes as tinder. 
Once you’d learned the trick, they were remarkably easy to light.
The hardest part was learning to coordinate the biting of the tail end to create a vent for the draw.
It had to be timed perfectly with the ignition of the blowtorch.
That first drag was a doozy — all the gut and blood bubbling inside made for a strange if not entirely unpleasant taste.  
It was not unlike that recalled from the factory air of our youth, with a trace of bewilderment in the aftertaste.

That were were torturing animals never occurred to us. 
We’d been tortured animals ourselves, after all, and casual death seemed natural. 
Organic. 
Accustomed, in some ways; I’ve already testified to our lack of imagination, after all.

Weeks turned into days. 
Instead of marking the passage of time (however poorly we’d done at it) we simply rose, lit up, and passed the day in the company of the Old Man.
He told odd stories of bureaucracy and petty intrigues, then fell into bed at dusk to await the next sunrise, the next smoke. 
That there were names for the days seemed superfluous.

We awoke one morning to the Old Man’s death rattle. 
That one of us might have killed him did not occur to us until we saw the blood, the knife, his blowtorch bubbled skin. 
We thought at first it might have been the lizards, but there were none to be found anywhere in the village.

The local constabulary arrested us, charged us with various types of extinction. 
There was no trial, and we were incarcerated in the flimsy local jail to await transport to the regional prison to serve life sentences. 
Fortunately, the bribes required to get us out of town were small enough for our meager savings.

On the road back to our long-abandoned homes, we realized how long it had been since we’d had to think of schedules, itineraries, names. 
We had little imagination, but managed to concoct a story to explain our absence to our loved ones.

We told them a story of exploration and suffering, of the smell of desperation and bewilderment.
We told of the kindly Old Man who’d taken us in and showed us the way of the indigenous culture. 
The story was bogus-sounding, but as we came from places where lack of imagination was endemic, it was accepted with little hesitation.
Of course, it was all but true, though we’d left out the lizards and the mystery of the Old Man’s murder in consideration of the delicate sensibilities of our simple homefolk.

We sat on a hill outside of town, staring into the curls of autumn smoke above the plain chimneys. 
We made love again as we once had, stable and grounded. 
This was a temperate climate, after all; no lizard temptations here, and we knew the names of all the old men and women there below us. 
It was almost good.

The next day, we left for Los Angeles; bought blowtorches before we left, betting on the possibility of lizards. 
The memory of the taste and the bubbling of the blood and fragile skin was so strong…maybe there was a movie to be made of all this. 
Something to fire the imagination. 
Something not to be seen as superfluous in scant years after it was made. 
Something we’d be remembered for.


God In The Cloud

Originally posted 12/13/2005.

Awake too late
I punch a few keys on the laptop,
find a singer,
hover there.
She sings in Arabic,
her voice a revolving sword
opening a path to heaven.

It’s still hard for me to believe
that here I am in Massachusetts
and I can search for
a song of the desert and find it.

If the air can carry Algeria to New England,
may the same air lift me and carry me
over the Atlantic, over the Atlas Mountains, over
any number of homes and paddocks
full of real sheep left uncounted
by those in need of sleep.
I will leave them uncounted myself
and shall instead slip away
when it is time
instead of forcing the moment.

I can revere the entire world these days.
I can no more lose God
on a planet this large
and this full of music
than I can lose my sense of self
in honest prayer.


War Song

Originally posted 1/4/2012.

Bees dying, trees
dying, tundra melting, oceans
filling, skies falling;
no one’s yet saying

war,
war,
war.

Pockets broken open, children
made ignorant by choice, homes
emptying while we sing of sex and shallow water,
never of truth, never of pain, most of all never of 

war,
war,
war.

They’ve made up a war to hide real war. 
In the face of it we do our best
to laugh like mad, surf the dead waves,
devil our care in the teeth of 

war,
war,
war.

A little sleight of hand,
a lot of sleight of tongue and our good sense
disappears into the creamy light from object thighs
till we forget there’s  

war,
war, 
war.

Targets have been painted
on the skins of others.
Can you see the red sniper dot
fixed upon on your own?

Look down at your feet —
you stand upon the stairs to the chopping block.
Can you admit at last that you can smell the bloody air?  
Will you at last call this what it is — 

war, 
war, 
war?


Labor Day

Originally posted 9/5/2011.

The rude elements

have dressed your dirt-blessed hand.
Do not apologize for that —
make the rich ones, the clean ones,

shake it.  Make them look at your face
and see you: 

tired, aging too fast,
forearms threaded and popping:
the result of work.
Force them

to see your clothes, how thin the fabric
on your jeans, the patches, the tears.  

Give them a moment
to take it all in
then smack them

with how you’ve built them
and their multifaceted estates

and holdings.  

Seize their throats
and gently push upon them
the everlasting schedule
of your simplified days —

how each day you rise, sup,
work, sup, work, sup, and sleep,

a routine broken only by the time you steal
to make children, make a home, or
bounce the baby on your greasy knee.

None of the dirt you carry
makes you their sort of unclean.
You deserve a moment of anger
as you count pennies, consider famine,
make do.  

You’re more glue
for this shiny cracked country
than any glitter-fed celebrity

or squinting dollar-breeding usurer,
so make it known.

Grab them one and all by their hands
and make them shake yours — show them
that honest tan under your grime.
If fear is the likely result,

it may be the wedge 
to open the door
they’ve kept barred for so long.
Who better than you
to open it?

It’s only your shoulder,
so long pressed to the wheel,
that can possibly burst that lock.


Angel Food

Originally posted 3/14/2008.

the random blast
one block away
is just a backfire for once

and the neighbor’s reggaeton
ripping a hole in saturday afternoon
seems less loud

when there’s angel food cake
on the coffee table
for yolanda’s birthday

daddy’s home for once
instead of serving someone else’s chicken
to someone else’s guests

mama’s not looking as tired
as she usually does
after a week on the fast food register

the whole family’s here
bearing hot dishes and foil pans
full of what they’ve made for each other

someone drops some mac and cheese
in a corner
the dog gets to work on the pile

while everyone laughs and yolanda claps
her smile’s more delicious than usual
with that smidge of frosting on her chin

yolanda has a love for angels
and seven years worth of joy bubbles up today
for all these angels bearing heaping trays

of cookies and wings and old recipes
they just call “grandma’s favorite”
there’s white bread and stewed tomatoes

but yolanda’s got no business with that
when there’s sweet sugar frosting
clinging to the white crumbs on her plate

outside this room
there may be people addicted to devil’s food
and the darkness on their lips may be rich enough

but in here yolanda’s having a birthday
with her yellow dress sweetened by more
than the smear of angel food that her mother

rushes to clean away before that dog
starts licking it off her
(even though

yolanda
would probably
beat him to it if she let her)

when she’s done
she turns to her sister
and says

something sweet
and a little sad
but a little more full of hope

the words are lost
in the sound
of the beating of wings


City Story

Originally posted 10/13/2009.

— after Gunter Grass;  for Italo Calvino

There is a city, and
there is a man in the city
who is alone.
One hundred eighty thousand people there
but he is alone,
so for his purposes he can say
there is no city.

A man
who is alone in the space
called a city by others
is happy there,
alone and happy.
For his purposes
the space is solitude,
not loneliness.

There is a city, and a man,
and if he sees another man
the man becomes a part of his solitude.
The city now begins to exist for him,
and when the second man is gone
he and the city become memory,
so for his purposes and ours
we must now remember a time
when a city existed,
for that time is not now
as there is solitude in its former place.

The city may now exist somewhere else
and there is likely a man in that city
for whom there is no city, and for whom
only solitude exists, solitude and happiness
at the sight of another whom he sees as
an extension of his solitude.

Here is a city,
here is a man who lives in the city,
moving among memories 
while choosing tomatoes and beer, 
paying rent to an imaginary landlord
who lives elsewhere in the city
that is in fact
a comfortable nest
woven from comfortable fiction.


An Actor Prepares

Originally posted 12/16/2009.

No one photographs him
more than once
after they realize
that the only pictures
that show him happy
show him onstage.
All other images
make him look like
a pillar of salt.
Apparently, to fake
confidence in the future
he requires an audience.

What’s his motivation?
He gave up everything
to gain a spotlight.  But

that smile you see up there
is genuine, if fleeting.
Stick with that.
Next time, use no flash.
Catch him standing there

in his natural setting:
darkness all around,
pretending like mad
that light is the Sun.


UFO

Originally posted 12/26/2009.

They’re scared because they have seen
a delta shaped object
outlined with lights
over their suburban heads

They say
“I don’t know what it was”
but they lie
to themselves

Neither the future
nor the extraterrestrial world

brought these triangles of dread
to the space above their heads

No aliens up there — just
a grand and terrible ghost
come to haunt them
in the shape of the Mississippi Delta

bearing dead history
forgotten languages

rapes and suppression
negation and killing

The slaving
and pillage
of many generations
do not simply disappear

but rise into the common ether
and hover
often unseen
but always there

legacies in the night
making selected random viewers
think of genocide 
send their children inside to hide

They shiver in the air
outside their handsome 
stolen homes
and living standards

and so in partial reparation
for history’s 
extravagant misuse
of darker beings

comes a raising
of fear in the bellies
of those who have not paid it
enough heed


The Kaboodle

Originally posted 3/7/2011.

Sometimes I plods until I stops
like I’m made of gods. I’m walk till drops;

I lose a little ground and then
fall, impounded, anywhen.

See the bloods? Mine, I thinks.
I’m stone that floats until I sinks.

I’m not that mad, just split kaboodle
without a kit.  My bad; I’m doodle

on a napkin all grease and stain.
It’s where I wrap a little brain.

Sharp, isn’t I?  I scissor though
and maybe shed a scrap down low.

Bursty me, shell of once upon.
I’m never dim enough to not be on.

Sometimes I plods and then I stops.
Leave a trail of gloomy plops.

Let this be the Big Reply:
Smile, then weave a bit of die.


The Plywood Poem

Originally posted 10/20/2008, titled “Of Plywood And Poetry.”  For Bill Macmillan.

The other day
I ripped a plywood plank in half
with a jigsaw to make a shelf
to hold books, and that was good.

To deny that there was a pleasure
in the vibration from the tool,
to deny that
there was suffering when the splinters
flew into me 
from the cut,
to deny that the books on the shelf are better
and more present for me because
I can tell you of the work I put into
keeping them safe?  This would be lying.

Smug judges tell me to keep
the poems about writing poetry
to myself. I say
kill the judging and dig
that I can’t speak of God
without speaking now and then
of church

and everything
is an act of poetry,

even
the writing of a poem,
even the building 
of a shelf to hold
the poem.


Syntax

Originally posted 2/8/2013.

Side by side
is how we say it now

that we have been 
assimilated but when we were kids

side by each
is how they said it

in Woonsocket, in Fall River,
in New Bedford.

Here, we park the cars side by each.
You pass over my house, you stop on me, eh?

Does anyone still
throw the baby downstairs a cookie? 

That’s how they used to say it.
Our immigrant grandparents learned English

as a substitution code.
We called them Meme, Pepe, 

Ava, Avo, 
Nonni, Nunna.

Never Grammy, 
never Gramps.

Long gone is the syntax
we once mocked

and now wistfully repeat to incredulous offspring 
and outsider friends

even as nostalgia, that mind killer,
comes to us muttering hate about 

abuela, abuelo on the streets
in Social Coin now,

about the butchering of the airwaves
in Faurive and New Beige.


Wordplay

Originally posted 3/1/2010.

You create a new word
right after dinner
and send it out to play.

It begins with a “C” and starts out strong
but soon trips over its own round foot
and falls down the stairs. . 

You bend to pick it up
and cradle it to your bosom,
rocking it while it weeps.

You change it into something
that begins with “E.”
And at once it’s all better.

Isn’t this fun? Creating new words
that mean nothing, do nothing
until you give them voice?

You can’t even pronounce these things.
Still, they’re alive because you breathed them.

It’s a nice power to have.

You can do this as well, you know,
with those you claim to love —
say their names as if you were in charge,

re-spell everything that has hurt them,
change the names themselves
if they carry too much weight.


If the only safety you can offer
is to give them new names

in a language you don’t know 

you learn that tongue as fast as you can,
practicing the words
when no one can hear you,

because love
is language 
invented
and held in secret


until you know
with whom
you are meant to speak.


On The Muse As Sadist

Originally posted on 9/10/2006.

I was sleeping,
joyfully dumb and numb,
when you insisted
I get up and talk to you. 
I’ve turned on the laptop.

What now? 

Offer me something — a hint,

a sign, even a direct question —
and I’ll snap to it. 

Give it to me quickly if you can
and if you can’t
let me get back to sleep.

I’ll do everything I must tomorrow —
earn a living, 
make friends, 
save myself — 
and after that, I promise
I’ll come back to you 
and take down
everything you tell me. 

I’ll be all yours

tomorrow night
if tonight you will let me sleep —
there are things
more important than poetry, 
in case you haven’t heard.

But of course,
you haven’t heard.
There’s nothing else to be done, so
I give up.

My hands are on the keys.

I’m as angry with you 
as I am breathless 
to find out what it is 
that you want.