Tag Archives: race

UFO

Originally posted 12/26/2009.

They’re scared because they have seen
a delta shaped object
outlined with lights
over their suburban heads

They say
“I don’t know what it was”
but they lie
to themselves

Neither the future
nor the extraterrestrial world

brought these triangles of dread
to the space above their heads

No aliens up there — just
a grand and terrible ghost
come to haunt them
in the shape of the Mississippi Delta

bearing dead history
forgotten languages

rapes and suppression
negation and killing

The slaving
and pillage
of many generations
do not simply disappear

but rise into the common ether
and hover
often unseen
but always there

legacies in the night
making selected random viewers
think of genocide 
send their children inside to hide

They shiver in the air
outside their handsome 
stolen homes
and living standards

and so in partial reparation
for history’s 
extravagant misuse
of darker beings

comes a raising
of fear in the bellies
of those who have not paid it
enough heed


Drowning In A White Man

Originally posted 9/12/2011.

I’m drowning inside
a white man.

It seems
I’ll have to grow
thin white gills
and survive though
I won’t thrive —
what I would have
to give
in order to thrive,
I will not give.

No one gets to name
whatever it is I am inside
except me
and I don’t know
how to name
or save myself
other than to say
I’m drowning
in some white man:

can’t breathe,
chest is caving;

need some
smoky air,
some familiar horizon,
the sound of singers 
seated around 
a big, solid drum.

 


On Privilege

Originally posted 7/25/2010.

Definition: an oil,
a thin clear oil,
that gets on everything.
When it clumps in dark corners
it is obvious
if you put a light on it,
but
when spread around
it becomes invisible,
intangible
until you try to grip something.

If you’re born coated with it
the ones who came before you
teach you how
to work with it,
how to forget about it
as you make it stick
where you want it to stick.

No wonder you’re insulted
when people
calls you “slick”
as they try
to make you see how
it shines so evenly on your skin
while on their own
it’s just a mess of smears and blotches.
No wonder that when you try to touch
those exposed patches,
it comes between you.  

The wells that pump it
are deep.  Pulling up the pipes
is not like pulling teeth.
More like pulling roots,
long roots, nearly infinite roots
that cross lawns, 
that have spread under roads;

pull them and the world splits above them.

The depth of their reservoirs is like unto

the Hell you’ve heard so much about:
there is fire, there is ice, there is
the Adversary who rules it

and oh, he says he loves you, his slick

bastard.  How could you hurt him so
by rejecting his slippery gifts?

If in spite of that
you start scrubbing and pulling
because that is what Hope requires of us,
you should know the truth:
no one really knows what a dry world
would be like, but at least
we would be able to touch and not slide apart,

and could hold on to each other as we are learning.

 

Songs Against Police Shootings

Originally posted 1/30/2004.

Anyone
could have told you
it was going to happen,
because it always happens —

perhaps they happen,
one could say, because
such things
just happen; just as 

one could say
that the fact that it was 
a brown teenage boy once again
who had crumpled leaking
onto the floor of
the stairwell was irrelevant,
or the way

one could say
the cop’s statement
that he thought he saw
a gun was relevant.

If one could find the CD
the boy was said
to be holding
when he was shot,
one could see
if the subject matter
of said CD
included guns,
or shooting,
and thus was relevant.

One could make up
a simple song
to commemorate the event.
It would have
a short verse and
the chorus would be over
in a heartbeat:

He was alive and
Then he was gone;
Such a smart kid who
Did nothing wrong.

That wasn’t enough.
So he fell down the stairs
With a bullet inside him
While everyone stared.

A gun or a wallet,
A smile or a knife.
What could he have used
To hold on to life?

One could say — in fact,
it is a certainty
that someone believes this,
and will say it —
one could say that 
if we all could just learn
to sing such a song
correctly,
this would be
a different world — 

a world where
Maggie Apple
would never have ended up
lying in the street
with her eggshell nails
and her skinny legs with
the calves that looked
as if they’d been attached
to her bones
as an afterthought;

a world where no one
would never have killed Ronald Wrong
whose house smelled of wine but
looked like a glove full of bees, so that
when they banged down the door
and a host of tiny troubles 
flew out of its ramshackle fingers
they felt like they had to 
shoot him down as if he were
a queen, a danger queen;

a world where any one
of those dead
salty-throated 

boys and girls
weren’t in the wrong place
at the wrong time;

a world where their mothers’ magic 
had never stopped working
and they did not die ahead
of the rest of the pack.

Instead, though, in spite of
all the songs,
there is this – 

the same lights flashing again,
the same crowd gathering again,
a new name pulsing, a new verse
linked forever
to an old refrain.

If he had known
what was going to happen,

he would never have gone up
to the roof at all.

It was just a quick way
to the next building.
It was never meant to be
a final destination.

But anyone 
could have told him
it was going to happen,
because it always happens.

The only thing that changes
is the names,
the names that are customarily changed
to protect the innocent.

One could say it does not appear
to be working.
One could say it is not the innocent
who appear to be protected.


The Facts We Hate

Originally posted 11/24/2013, titled “The Bands We Hate.”

In the Seventies I was
a viciously cool boy
who loved certain bands
and hated others,

who thought music should only be
guitar and Big Noise made

by those who seemed
a lot like me;  certainly

there were exceptions; 
they were old and honored
mostly for not being dead,
unless they were dead.

We argued endlessly about 
what was and what was not 
worth our time, then sneered
endlessly at so much…

it was only later that I dimly understood
the sulfurous truth that likely lay behind
the words “Disco Sucks,” and later
the words “Rap Is Not Music.”

It’s become clear to me
that to rant about the bands we hate
is in fact more likely about 
the fear of losing primacy;

it’s become clear to me
that some of us are so brainless
we can’t hear a thing through
the sheets that hang over our ears.


Privilege

Originally posted 7/25/2010.

Definition: it is
an oil
that gets on everything,
clumps in dark corners
where it’s obvious
if you put a light on it

but when spread around
becomes invisible,
almost intangible
until you try to grip something.

If you’re born coated in it
you forget it’s there.

The ones who came before you
teach you
to work with it,
to make it your friend,
make it stick wherever
you want it to stick.

You won’t even remember it’s there
once you get the knack.

It’s no wonder
that you’re insulted when people
call you “slick”
as they try
to make you see how
it shines so evenly on you.

The wells that pump it
are deep.  Pulling up the pipes
is not like pulling teeth,
more like pulling roots,
long roots,
nearly interminable roots,

roots that
cross the lawns:
pull the roots
and the lawns
come up with them;

roots
under the roads:
pull them
and the roads
crack and split above them.

The wells that pump it
are deep

and the depth
of their reservoirs
is like unto
the Hell you’ve heard
so much about:

there is fire,
there is ice, there is
the Adversary who rules it.

He says he loves you,
calls you his beloved
slick bastard.  
It doesn’t feel terrible
no matter how much 
you yearn to hate it,
which is why 
no one really knows 
what a dry world
will be like,
except  that
we might find it easier
to hold onto each other.


Hokum

Hokum 
they called it

lowdown pun-funny blues
about
putting fruit in her basket
or
grinding his meat
or
how much she longs for 
a little sugar in her bowl

Tampa Red said
it’s tight like that
and Ma Rainey agreed
and just this side of all that
even Robert Johnson
had hot tamales (they’re red hot)
for sale

and people smiled
and some no doubt got laid
though no doubt
few got paid
Got to trust the hokum
to pick you up
on a Saturday night

Way back then
a couple of White boys
called the Allen Brothers
liked what they heard
laid down a few songs like that
They did a fine job
So fine a job
their songs were released
in their label’s 
“race records” series
by mistake

They sued
for damage to their reputation
and left their label

I read a scholarly article
on hokum once
that said the best of the genre’s lyrics
compared favorably to Chaucer

Some comparisons
evidently
are more favorable than others


Conversation

A place to start
is with a simple request:

show me
your racist bone.

If you can reach for it
at once, 

it gives us at least
another place to start.

If you’re proud of it,
I don’t know where to start.

If you’re ashamed,
it’s a place to start.

If you’re angry
that I asked,

it will be difficult
but we can find a place to start.

if you don’t have a clue
as to where to look,

we can find
a place to start.

Everything
is a place to start.

You may have discerned that
and have begun to wonder:

where is
the place to finish?

I must tell you:
I don’t know.

What I do know 
is that starting is all we have

to work with
at the moment

and if we don’t do that,
we will never finish.


His Lessers

yes, he messed up in the checkout line
a little
but that’s no reason
for the woman at the cash
register not to just do what he
wanted.

she was an accented woman
just this side of girl like the manager
who tried to explain the policy
the cashier was enforcing.

and then there was the fat man in line
who tried to intervene
in their argument and calm him down

and all the other
people in the store
who yelled at him for being
an asshole —

lessers.  his
lessers, for whatever reason
he can find. how dare they.
how dare they. 

he sits in the car
with his core on fire
and his arms twitching
running the ought to have done list
in his head.

congratulates himself:
at least he apologized to the fat man
who seemed not as lesser as the others, somehow.

the others?  definitely more
lesser.  extreme lessers.
lesser in voice, knowledge,
lesser because they just are,
obviously.
he doesn’t need a reason.  
he’s a better.
a better by birth, choice,
obviously.

how dare they. 
how dare they.

 


Toward An Explanation Of Discontents

Working in black and white
is easier than doing
anything else, even
considering the shadows.

No need to try and name  
a color never before seen,
for instance, or a blend of two
or more, no need to explain
how they mixed by accident or
design. No need to learn 
how to treat them when they show up,
no need to even see them;

seeing only in black and white
is in fact more difficult
but can be mastered
if one has a early enough start
on the process.  

To be able to see
infinite, velvet grays
between the black and white
in place of color 
is not
entirely admirable
in a world
where red
exists, but it’s more parsable
and eventually (if shouted often enough)
may become the default.

Of course, red and all the other colors,
all hues and shades,
are not just forms of gray,
and you are going to fail somehow
if you live that way.
But no matter…just find enough of you who only see
the black and the white.  Shout them down.
Drown ’em

right the fuck out.


The Archaeology Did Not Mean To Oppress

The archaeology
did not mean to oppress.

It did what it could
to be fair. When faced
with the buried walls of
palaces, temples obscured
by history, all it had to offer
was interpretation flawed
because it had a starting point
and endgame predetermined,

as did the arts, the nutrition,
the design — all
wrapped in innocence
of their status as
oppressors, they simply
operated. 

The racist
canon,
the sexist couture,
the elitist diet,
the reductive archaeology

did not mean to enslave,
did not intend to erase
truth in favor of
agreement, silenced
wisdom, stunt
voices.  What they were made to do
they did faithfully, dumbly,
and well. 
It was hard for anyone
to imagine
once they were done,
except for those who
slipped through
by chance,
by hard lesson,
or by listening
to the whispers
mortared into those original,
ancient walls.

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Quirks

King Phillip had a quirk:
he didn’t think much of
the bloody English. Out of
their concern for him,
the bloody English cut off his head
and put it on a stick so they
could peer into it from below
and see what was what.

Sitting Bull had one too,
a quirk that made him unhappy
about being kept in a tent. He wanted
to get out and dance.
Deeply worried about such longings,
his captors shot him down
to save him from himself.

Geronimo, that old smush-faced killer,
fell off the horse drunk and died
of his own accord while living
far from home — but that
was his quirk, that alcohol;
no one else to blame for that.

I’m sorry that the only tongue I have
with which to speak of these things
is English; I find it hard to count that single word
of Spanish as a saving grace.
Call it my quirk: I walk around all day
with a little head of rage
because you probably wouldn’t get this
if instead I’d been honest
and spoken of Metacomet, Tȟatȟáŋka Íyotake,
and Gothalay. Call it my quirk
that even now, I’m not certain that you will. 
Don’t kill me
for feeling a little angry about that.

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Slam Poem To Learn And Sing #3: Identify This

Being biracial in America
isn’t new
and neither is the fact that
America doesn’t like me
I am split
so America doesn’t like me
Because I do not fit
America doesn’t like me
Half of me is one thing
Half of me another
One file folder won’t do the trick
so America doesn’t like me

I’ve read the history
It’s all about figuring out where to fit
Ever since we dumped that 3/5 rule
we’ve forced everyone to fit
through blood quota and careful record keeping
through skin and eye and cheekbone check
through legislated confirmations of all of the above
we’ve eliminated “all of the above”
as a check box category
so America doesn’t like me

I’m not calling out black or white
Or red or brown or yellow
Stupid simple labels that say nothing
Color fields don’t tell the tale
of growing up with one foot in one grave
and one in the other
and the best explanation
of why America doesn’t like me
is that in a country built on bipolar thinking
folks like me scare everyone
They make up stories to cover the fear
“You look like this, you must be this”
Oh, America will not like me
when I say that being split creates a new whole
and a new hole in the armor of convenience
Here’s the secret of that new whole
(America doesn’t like me
for saying this
but it needs saying)
It’s not some living thing, this America
It’s just another box
Everyone’s got a box they call America
and they’re either in it or they’re out of it
and every box called America
looks different from every other American box
Someone keeps building these boxes
and makes us think we need them
But I think they’re made from the same stuff
the emperor wears
in that fairy tale
No boxes at all when it comes down to it
except the ones the con men built and talked us into
and it’s going to take someone like me
or a lot of someones like me
Someone the rest of you call half and half,
mutts, breeds, mixed bloods,
crossblood interruption in the boxing of us all
to say that the boxes aren’t real

and America may not like me for that
but standing here with both feet solidly
nowhere near a box
and my mouth wide open
I like me just fine

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Between The Lines

Jimi Hendrix
had huge hands,
his vast natural reach
explaining his gift.

Andres Segovia, though,
was a genius.

Michael Jordan,
some kind of freak, some animal
bent from birth for basketball, was laden
with natural talent.

Larry Bird, though,
was a genius.

They say that Robert Johnson
was a bad player, disappeared
for a while, came back
astonishing.  They said back then
he must have sold
his soul to a devil
who gave him his music.
They still say that.

They said the same thing
about Nicolo Paganini, in his day.
No one ever says that now.

But they do say that someone
built the Great Pyramid
for the Egyptians. 
Someone
from Sirius gave the calendar
to the Aztecs. 
Someone
in a flying saucer
drew the Nazca lines for the ignorant Indians
down in poor old Peru.

Stonehenge, though,
that ring of stone
to mark the passage of the year —
now, that was a work of pure genius,

with the emphasis usually
placed most definitely
on
“pure.”

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Chupasasquatch

Meet the New Colossus.

It’s coming to suck your marrow,
kill your livelihood,
wreck something you built,
and probably wants your women too;

builds its nests in woods
and swamps and hollows
where you were planning to build
a condo development;

shows up in your headlights
when you’re trying to get somewhere
and leaves its thick hair all over the place.

According to legend

it has either been here since before
the first white settlers,
is a recent entrant
from across the border,
or was dropped from on high
like a curse from aliens;

the only thing you know for sure
is that you’re terrified
and you need a name for what scares you
so you’ll watch some television show
and some authoritative voice
will offer you an explanation
so you’ll seize on that

until a scarier one comes along.

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