Tag Archives: political poems

People Of The Stacks, The Racks, And The Checkout Aisles

They’re tilting,
tipping over because
one half of every one of them
is horror.
They’re lopsided
from carrying it.  

Immaculate beings
in split levels,
or lean and dirty ghosts
in a tent under cold stars; why wonder
if it’s nature or nurture driving them?  

What’s driving them
is nurture playing
in the snowfields
of nature’s mountains.
What’s driving them
is nature slipping a hand
into nurture’s back pocket
as they walk side by side.

Only one half of each is horror.
The other half is frozen joy. 

They look for thaw.
Limp toward clues to it. Call out:

Is there something to warm it with
on sale here?

What price the fire this time?

May there be credit
at terms easier
than what we know
we could be forced to sign.

May we straighten up.

May no one
laugh or shoot at us 
on our way
to straightened up.


Impartial Observers

Originally posted 7/14/2010.

That lump we can see
in the near distance
is a nation.
We once thought it motionless but
are beginning to think
it may be moving. 
Hard to say from here.

If it is moving,
it appears to be crawling.

We have heard from the citizens of that nation
that some among the masses there
believe they are standing tall.

Others believe that they are crushed flat
by those who believe
they’re standing tall on their own
but who in fact are standing
upon them.

Perhaps no one in the nation
is crawling at all,
and no one is completely still;
maybe what we see from here
is the ground
sliding away
from beneath them.

That nation seemed so far away,
once upon a time,
and we were impartial observers
from this high vantage point. 

We’d thought we’d found the perfect spot
to watch it happen from a distance.
Now we have to admit
that right where we’re standing

the footing is starting to writhe.


Bleeding Out

New poem.

The symptoms
of exsanguination
colloquially known as “bleeding out”
include

anxiety
blue lips and fingernails

unofficially sanctioned neighborhood demarcations
flimsy justifications of hair trigger rage

low or no urine output
profuse sweating

a profound distrust of received wisdom
easy to believe conspiracies and backroom handshakes

shallow breathing
dizziness

imprisonment
educational poverty

confusion
chest pain

the elevation of cultural assimilation
to sacramental status

loss of consciousness
low blood pressure

carnival barkers on the news
a camera on every corner

rapid heart rate
weak pulse

death upon death
upon no longer unexpected death

the echoes
of centuries of trickle and drip

turning into a flood
of names to remember

a cloven nation
drenched in blood
that should never have seen
the light of day


The Saints Of Our Household Shrines

New poem (draft — just getting it out there; it’s been in progress for a while.)

The saints of our household shrines are banding together to form a political party. 

Throngs of our beloved dead memorialized in table altars in gently shabby homes and clean-swept humble cubbyholes are massing to stand against officially canonized hypocrisy regarding who we should honor with supplication and offerings.

They refuse our tithes, saying we’ve paid enough in loss and pain to fund any campaign.  

The platform?
Chase down and face down the Founding Fathers, the missionaries of genocide, the greed-slurping apologists for bad acts that make a profit, the prophets of compartments, the sky-godmothers of assimilation, the go along get-alongs.  

The slogans?
“Behold the dead to understand the living.

“Behold the living who come to make you understand, 
but know we do not need you to understand 
before you stand aside.”

The saints of our household shrines march before us carrying no signs, wearing no buttons, adorned only in scraps of family photos, funeral cards, locks of treasured hair, newspaper clippings, the stains of generations of tears.

We will not lose. We cannot lose.

We, and they, have nothing to lose.


Revisionist History

Originally posted 3/20/2012.

In the history of government
there are a million examples 
of how they begin, but only one
of how they end: they end

with the venal
gaming their way to power
and staying there regardless
of the labels they choose to wear.

In the history of nations
it doesn’t matter how the people love them.
They only love you back 
a little, and only at certain times.

In the history of history
it doesn’t matter what happens,
only what is said about what happened
or did not happen, or is said
to have not happened;

in the history of history 
there are but two nations —
the strugglers and the lords.

In the history of humans
there’s dancing and loving
and the making of art and music;
there’s good sweat, grand tears,
and a lot of laughter,

but do not confuse that 
with the history of government and nation.

If you want to pursue happiness,
know that government and nation
pursue happiness too — 

and they do it, always,
by chasing and catching
you.


Strike (A Lesson From Afghanistan)

Originally posted 10/6/2012. Original title, “Drone Strike.”

Early fall,
window has been open for cleaning.
A fly’s gotten in,
sounds like 

one last big bluebottle
for the season with a voice like 
a Dangerbee.  Should look
twice to be sure, but no time for that;
I klll it with one smack

of an already read,
soon to be recycled
magazine.  
Done.  And lo —

it was a
Honeybee.  

How did it seem
so huge?  Tiny, golden thing…

quick: brush it
into the gutter of the window
and then push it out

onto the ground
along with my small regrets,

telling myself 
this would have been done
differently
had I recognized it.


Diamonds Are Not Forever

New poem.

We have been speaking for minutes, 
decades, centuries
on the nature of inequality —

we have watched an entire
concocted history
driven by it — 

we have shown how 
blood
is the grease for it —

we have shown that
even the diamonds
used to symbolize
eternity and love
are greased in
blood —

and still,
things are bloody,
blood flows, blood rises.

in closing, then,
in sad and angry closing

we offer the truth that 
the four Cs —

Color, Cut,
Clarity, Carat weight — 

are artificial,
are designed to facilitate commerce,
are purely cynical exaltations

of a central metaphor;

in closing, 
what we oppose is
the unnatural,
flawless, 
white,
heavy diamond

as
the standard
for all stone,

and we are unwilling
to mine it
any longer.


Cartography

New Poem.

Set your pen upon
the following points
and draw lines

connecting dusty walls
to corners full of hair from long-dead pets

Draw a line from high-piled tables
to near-empty pantry shelves
and sparsely populated refrigerator

From bills in a heap
to nothing in the bank
with small hope of ever having more than that
from week to week

Draw those lines and
you’ll end up with a map
of seeming disintegration

that will somehow
never touch upon
how the people
who live in this territory
manage to smile
care for their children
imagine joy
and build toward a future
situated somewhere within
these borders


Whiteness

New Poem.

I’ve taken to calling it
“Whiteness,” that 

low hum,
that cloud of unknowing.

It just keeps running.
I don’t know how to turn it off.

It’s caused amnesia 
at a cellular level.

Try to put a finger on Whiteness
and it slides away

like mercury:
liquid, metal, baffling.

If I spoke magic I’d conjure it thus
and try to hold it still: come, be bound,

tsunami of broken mirrors,
snowfield of washed crosses,

tangle of lilies, thicket of oleanders,
angular dramas, spoiled seeds…

Can you truly say
it is not its own distinct thing?

It cannot be defined any longer
as absence or default.

If I stare into Whiteness
long enough and hard enough 

I lose myself in it — no surprise;
it was built in such a way

that one can’t help
but stare into it:

the far end
of a hall

of locked doors.
A television permanently tuned

to a news station that promises
your story will be read soon,

right after this word,
right after this word from our sponsor.

It’s not about the nature
of individuals, exactly,

except when it is —
except when

one of them doesn’t see how
they’re soaking in it;

except when they call it
“the norm”

to cancel out
“the other.”

It’s not about how hard or soft
someone has

or hasn’t had it, exactly,
except when it is —

except when
it silently opens a stuck door

and things are even a touch easier
for someone who denies

or doesn’t even realize that they
carry that key with them everywhere.

It’s not about
anything other than 

itself, really, and that
is the problem: how

slippery it is
with its privileges, how slick it is

without admitting it,
how invisible it is to itself.

But I can see it tonight
as I stand under the eaves

of my father’s house, rain coming down
just beyond my nose; there’s

Whiteness in my face, in my ear,
in my blood, all over me

whispering,
be one with me…

I don’t know.  
Maybe

it’s that flag
of bones it’s wrapped in,

maybe it’s knowing how many bones
were abandoned

in deserts far and near
under that flag, 

maybe it’s knowing
how many bones drifted down

to the seabeds
of the Middle Passage. 

Maybe it’s
the long goodbye 

I’d have to make
to my otherness

once I accept
the name for my own, 

or maybe it goes back, all the way back
to those childhood Saturdays 

where the question at playtime
was always

whether I wanted to be the cowboy
or the Indian

and I always chose what felt closest.
It was fine until

one day
someone asked

why I always wanted
to be the bad guy

and never
the cowboy.

Hello, Whiteness,
is what I should have said then

but I was young and uneasy,
afraid not to play along.

I hung up my cap guns
soon after that for safety’s sake — 

but we were just getting started,
Whiteness and me.

Whiteness started haunting me, needling me,
kept repeating:

why do you always want
to be the bad guy?

in that supple voice.
It spit that

a million different ways
and they all meant the same:

why celebrate
difference? why you gotta 

be like that? calm down
and sink into me

like you would a milk bath, 
like you would surrender to

a horizon wiping blizzard.
Go to sleep. I promise

it will be warmer
eventually.

That voice eventually faded into
a low hum, a cloud of unknowing.

Whiteness, let me tell you,
maybe I’m wrong, 

maybe it’s amnesia
at a cellular level,

but maybe I fear you so much
because

I can’t recall anyone
ever saying 

it made them warmer
to die a little.


All-American Hindsight

New Poem.

On paper the words
were stunning 
and simple and 
well-turned,

the guarantees
seemed
sincere and 
all-encompassing; but 

now, after all the charm
of feeling welcomed
and declared to be
part of the family 
has passed,

now that loopholes and
conditions and 
unfortunate realities
have been explained
and explained again,

I recall that
behind every entrance to 
what has been called
“polite society”

stands a minion
with an agreeably polished
and impeccably detailed
gun.


NSA, CIA, FBI, Etc.

Originally posted 7/28/2013.

Let’s get over the fear
of who might be listening and remember
we were born to free speech.

Let’s talk louder.
Let’s not relent at all and talk about everything
at once.  Let’s mention our

bowel movements
in the same breath
as our passionate defense

of the right to violate a law
in pursuit of justice beyond it.
Give our breakfast cereals credit

for insider trading.  Describe our cars
as perfect examples of style so wild
they terrorize the road under them.

Don’t capitulate: overwhelm.
They won’t know what to do
with a firehose narrative.  If by chance

they come for us, let’s laugh at them.
Let’s laugh at them, all of us.  Laughter
is the war they’ll never win.


Unspeakable War

New poem. 

Here, today, on this wide plain, war.
A spilling. A multitude
burning. Skins

being shed. Conflict and denial
blooming like nightshade; pale, pale
roses laid upon fresh-turned earth;

I call this out, flooding the hot, darkened air
with my ocean voice, standing still
and claiming this will hold the field for peace;

but the fire sweeps forward, apparently proof
against all I can do as my sword hand
reprimands my tongue, saying:

you have abdicated your place, it’s my turn.
My sword reprimands my pen,
saying: no to your arrogance, your assurance

that your way is mightier; I am ready
for what comes next 
as you are not.

Shamed and unable, 
I am surrounded with burning,
confused, terrified; which weapon

should we choose — should we fold back
into our words or fall silent, save our breath, 
and fight? All I can think of are

my sharpened senses,
the stench, and the flame. There’s
no right, no wrong, no words,

and no sword; only this unspeakable war, 
fought from moment to moment
with anything at hand, never to end.


Fit To Burst

New Poem.

I am fit to burst

To burst from
Torn psyche — spark
Critical theories — tinder
Whiteness — fuel

To burst while
Alone not by my choice
Alone between
Alone in another’s sweetheart deal

To burst big
And burn one thing
Burn two things
Burn books, paintings
monsters, heroes
medals, trophies
gods and gods and gods
and God

To burst into
orange over blood by blue
Red over flight from fight

To burst
Inarticulate reason
Unspecific grief
Inconvenient rage

To burst
Open my hands
Close my mouth
Hold my fright out like a shield
Hold my faith in an inside pocket
Hold my hope as it strains on a frayed leash 

I am fit to burst
and will
one of these days
one of these days soon

It will be a dynamite song
It will be a C4 chorus
It will be a nuclear blow out choir
A long loud moment

It will be hard to imagine
the other side of it
but it will be


Stationary

Originally posted 8/4/2012.

Truckstop, airport, train station,
port;  remember when those
were the easy way out,
and no one ever watched you leaving?

Remember sticking a thumb out on the highway?
The all-American way to travel,
the “we’ve all been there” shrug 
that came with the open car door.

When I move, you move…just like that.
When I move, you move…just like that.

We used to travel without a lot of thought.
We used to travel without a lot of anything.
Tell yourself we used to trust one another.
Tell yourself it was a communal experience.

Try to forget how that beloved “We”
belongs to
a flag-wrapped dreamtime,
American walkabout,
a legend woven into myths 
of a collective self.  

When I move, you move…just like that.
When I move, you move. Just like that.

Everyone’s so damn stationary now.
So many stories are inflammatory now — 

no one picks up hitchers, ever.
No one buys a ticket last minute
and gets on a plane without running
a gauntlet.  No one rides a train.
We fear the buses will smother us
in other people’s germs.

Everyone thinks the ship will sink.

We don’t move at all
without a screen to tell us exactly where we’re going
though we only go where everyone else is going.
We don’t move at all
without a plan for what to do

when we get to where we’re going
though the choices about what to do
are barely enough to keep us going.

When I move, you move…just like that.

Tell yourself that in the way back days
cops 
gently patted every traveler down

exactly the same soft way.
Tell yourself that in the way back days
they’d let all the folks
go easily on their way.

Tell yourself the bullets peeping from the cylinders
of those old police revolvers
were only there for show.

Hell yeah, hey DJ…bring that back.

Keep lying.
Say you’re no more than knee deep in fear
whenever you step out of your home.
Keep praying.
Those aren’t ghosts
whistling by you on those roads.
Keep pretending.
Insist it has to go back
to the way back days
that never were

and soon enough you won’t move
without looking for someone who moves first,
someone to follow backwards
down that ludicrous path.

When I move, you move. Just like that.
When I move, you move. Just like that.
When you move, I move.
Just like
that.


Talk Talk

New Poem.

While I am always one to enjoy
a fair amount
of multisyllabic intellectual palaver
on the passions and urgencies of the moment,

I must admit
that in these times when
the world is burning down
and so many red swift things
need doing

that too much civil language
and too much theory
can incite in me

an urge
(never indulged, but present nonetheless)
to step away from arguments and speeches
and revert
to a cave-self, 
reaching for something sharp
to slide along
a set of unjust ribs,

thus ending an argument
swiftly and with 
a minimum strain
to my tongue.

It is therefore good that there is college,
that there are learned magazines
and books.

I am no casual killer, mind you;
would not toss a bomb, would not
slay
without some need to save myself;

but there are times
when I am drowned in dialogue,
when I am swept up and away
by theory, when I am turned by chatter
away from my blood-need
to sing and sling steel in response
to another’s blood-provocations;

in those times,
it is good that there is space 
between us.

It is good that there is civilization.
It is so good that there are
schools of thought
and symposiums
and teach-ins
and books
and philosophy

in the violet rage storm
in the space between us,

for I am too tired too often
of talk
to ever be safely
and
truly
a man of
peace.