Tag Archives: political poems

NSA, CIA, FBI, Etc.

Originally posted 7/28/2013.

Let’s get over the fear
of who might be listening and remember
we were born to free speech.

Let’s talk louder.
Let’s not relent at all and talk about everything
at once.  Let’s mention our

bowel movements
in the same breath
as our passionate defense

of the right to violate a law
in pursuit of justice beyond it.
Give our breakfast cereals credit

for insider trading.  Describe our cars
as perfect examples of style so wild
they terrorize the road under them.

Don’t capitulate: overwhelm.
They won’t know what to do
with a firehose narrative.  If by chance

they come for us, let’s laugh at them.
Let’s laugh at them, all of us.  Laughter
is the war they’ll never win.


Unspeakable War

New poem. 

Here, today, on this wide plain, war.
A spilling. A multitude
burning. Skins

being shed. Conflict and denial
blooming like nightshade; pale, pale
roses laid upon fresh-turned earth;

I call this out, flooding the hot, darkened air
with my ocean voice, standing still
and claiming this will hold the field for peace;

but the fire sweeps forward, apparently proof
against all I can do as my sword hand
reprimands my tongue, saying:

you have abdicated your place, it’s my turn.
My sword reprimands my pen,
saying: no to your arrogance, your assurance

that your way is mightier; I am ready
for what comes next 
as you are not.

Shamed and unable, 
I am surrounded with burning,
confused, terrified; which weapon

should we choose — should we fold back
into our words or fall silent, save our breath, 
and fight? All I can think of are

my sharpened senses,
the stench, and the flame. There’s
no right, no wrong, no words,

and no sword; only this unspeakable war, 
fought from moment to moment
with anything at hand, never to end.


Fit To Burst

New Poem.

I am fit to burst

To burst from
Torn psyche — spark
Critical theories — tinder
Whiteness — fuel

To burst while
Alone not by my choice
Alone between
Alone in another’s sweetheart deal

To burst big
And burn one thing
Burn two things
Burn books, paintings
monsters, heroes
medals, trophies
gods and gods and gods
and God

To burst into
orange over blood by blue
Red over flight from fight

To burst
Inarticulate reason
Unspecific grief
Inconvenient rage

To burst
Open my hands
Close my mouth
Hold my fright out like a shield
Hold my faith in an inside pocket
Hold my hope as it strains on a frayed leash 

I am fit to burst
and will
one of these days
one of these days soon

It will be a dynamite song
It will be a C4 chorus
It will be a nuclear blow out choir
A long loud moment

It will be hard to imagine
the other side of it
but it will be


Stationary

Originally posted 8/4/2012.

Truckstop, airport, train station,
port;  remember when those
were the easy way out,
and no one ever watched you leaving?

Remember sticking a thumb out on the highway?
The all-American way to travel,
the “we’ve all been there” shrug 
that came with the open car door.

When I move, you move…just like that.
When I move, you move…just like that.

We used to travel without a lot of thought.
We used to travel without a lot of anything.
Tell yourself we used to trust one another.
Tell yourself it was a communal experience.

Try to forget how that beloved “We”
belongs to
a flag-wrapped dreamtime,
American walkabout,
a legend woven into myths 
of a collective self.  

When I move, you move…just like that.
When I move, you move. Just like that.

Everyone’s so damn stationary now.
So many stories are inflammatory now — 

no one picks up hitchers, ever.
No one buys a ticket last minute
and gets on a plane without running
a gauntlet.  No one rides a train.
We fear the buses will smother us
in other people’s germs.

Everyone thinks the ship will sink.

We don’t move at all
without a screen to tell us exactly where we’re going
though we only go where everyone else is going.
We don’t move at all
without a plan for what to do

when we get to where we’re going
though the choices about what to do
are barely enough to keep us going.

When I move, you move…just like that.

Tell yourself that in the way back days
cops 
gently patted every traveler down

exactly the same soft way.
Tell yourself that in the way back days
they’d let all the folks
go easily on their way.

Tell yourself the bullets peeping from the cylinders
of those old police revolvers
were only there for show.

Hell yeah, hey DJ…bring that back.

Keep lying.
Say you’re no more than knee deep in fear
whenever you step out of your home.
Keep praying.
Those aren’t ghosts
whistling by you on those roads.
Keep pretending.
Insist it has to go back
to the way back days
that never were

and soon enough you won’t move
without looking for someone who moves first,
someone to follow backwards
down that ludicrous path.

When I move, you move. Just like that.
When I move, you move. Just like that.
When you move, I move.
Just like
that.


Talk Talk

New Poem.

While I am always one to enjoy
a fair amount
of multisyllabic intellectual palaver
on the passions and urgencies of the moment,

I must admit
that in these times when
the world is burning down
and so many red swift things
need doing

that too much civil language
and too much theory
can incite in me

an urge
(never indulged, but present nonetheless)
to step away from arguments and speeches
and revert
to a cave-self, 
reaching for something sharp
to slide along
a set of unjust ribs,

thus ending an argument
swiftly and with 
a minimum strain
to my tongue.

It is therefore good that there is college,
that there are learned magazines
and books.

I am no casual killer, mind you;
would not toss a bomb, would not
slay
without some need to save myself;

but there are times
when I am drowned in dialogue,
when I am swept up and away
by theory, when I am turned by chatter
away from my blood-need
to sing and sling steel in response
to another’s blood-provocations;

in those times,
it is good that there is space 
between us.

It is good that there is civilization.
It is so good that there are
schools of thought
and symposiums
and teach-ins
and books
and philosophy

in the violet rage storm
in the space between us,

for I am too tired too often
of talk
to ever be safely
and
truly
a man of
peace.


Red For Green

New Poem.  (With a nod to Federico Garcia Lorca.)

My friend, I confess
I have grown to love reds
more than your preferred green.

I adore a sky of red mist,
a voice of red words,
a hard red answer to power;

I can understand a red blossom
on the chest 
of an unjust man;

can overstand a sacred and scarlet tide
surging upstream into a corrupt city
from the harbor.

It is a fine sad romance to be
in love with and to court
what can be found in blood,

to dance a deep song with blood,
to examine 
one’s own hands
for blood 
without ceasing,

for to be comfortable with red
one must see the ghost of red
everywhere it once was.

My friend, I want to trade
your spent bullets for my poppies,
my poppies for true bills, 

true bills for no more need
of any bills. My friend, I offer you
the red stag handle

of my knife, the wet ruby line
on the edge of my scalp —
what peace will you trade me

for these?
These reds
have led me to you

and your stance
above the bodies of those felled
by your green. Red, it’s my own red

I offer to spill as I seek
an end to this trade; this is why
I call you my friend, my friend;

I call past red and green
to you — to you I offer my hand,
my red for your green.


Hydra

New Poem.

Monster! Look out,
a Monster
built just right
to make us smile
before it eats us —
Hydra!
Hydra — 
the right words
cooing peace
in five mouths,
slobber and fangs
in five others,
all its eyes 
focused on the eating
and no peripheral vision
in any head and we know
if we pull its teeth we get
Soldiers
but we have to kill

all the many heads first,
use Fire 
to seal their necks
against comebacks.

Monster! Monster,
look out there’s a 
Monster coming to 
make us Monsters too —
not by picking us off
one by one
till we are memory;
instead swallowing us
into itself, making
More — Hydra!
Hydra yearning
for more heads,
all the heads,
which is why
we slash at
the ones we see
even when they are
in mirrors and 
though it agonizes we
must burn open necks
shut.

Monster! Hey, 
Monster coming for
the once again and
always will be —
comes in shape of
a machine
or a form
or a schoolroom
or a prison door
and sometimes
all the same, all the same —
Monster!
Hey, Hydra! Hydra makes 
for the last exit ahead of us and
cuts us off but 
we weren’t planning on leaving.

Hydra, Monster, 
biter of Dream,
thief of Song,
scrape-shoe shitty
shapeshifter, claw
of Reason, too many heads
we thought we loved, rope-necked
dank bag full of consumed Hope,
what we do with you
is try not to die

when we come cutting,
swinging hard,
burning all of you clean
when we know
all of you
is all dead

and then, we’ll be
watching to see 

that it all stays burned
and all stays dead
because we know
how often
we’ve been wrong
about that.


Coping

New Poem.

A roll is being called
in the streets and the 
halls of power.

The politician sniffs at it
and proclaims
that “some people cannot cope
with the enforcement of the law.”

She sees coping mechanisms
in her untroubled sleep:

there is unquestioning obedience;
there’s bow and scrape;
there is a knowledge of one’s place;

and of course when all fails
there are bullets — smaller
than close attention,

less complicated
than listening, more direct

than ideas, smoother 
in the moment
than her words.

She steps away from the podium
into blood seeping up
through the excellent carpet
that was selected because of how well
it once hid all those stains
she seems to believe
dried up long ago.
Tries not to slip in it.
Fails.  Blames this
on the distracting sounds
of the roll being called.
Fails again. Nearly falls.
Keeps trying, trying,
trying

to cope.


Ripple This Age

Originally posted 10/31/2011.

Ripple
this age
Throw
yourself into it

not for that instant
when you will be
target or 
bullseye of target

but because 
as others join you
the circles will
turn to full disturbance

Then what you’ll be
is immersed
What you’ll be
is in it

for the long swim
Part of the stream
the flow
the flood

You might drown
You were drowning anyway
Make of your body
a best chance to survive

if not for yourself
then for the one next to you
struggling
to breathe


It Is Wartime Now

New Poem.

“We have, for the first time in a number of years, become a ‘wartime’ Police Department…We will act accordingly.”
– from an NYPD internal email, Dec. 2014.

It is wartime now,
exclaims the badged blue army.
We stand up. We hear:

it is wartime now,
wartime — as if before this,
they were not at war.

It is wartime now,
as it has been for more years
than there’s been a flag.

It is wartime now.
They want to call us killers.
We will not be moved.

It is wartime now —
our weapons are the strong tongue
and the sharpened eye.

It is wartime now —
smokescreens, deceit, far flung lies;
what we say cuts through:

wartime now?  Let us
see how that differs from how
we’ve lived until now.


Crossing The Bridge

New Poem.

May it be said of us
when the time comes to write history
that we crossed the bridge
we were faced with.  We crossed it

though it was not the bridge
we’d hoped for — not the genteel arch
over a clean and narrow stream
with little but discomfort to face if we fell from it,

and not the steel artifact of a golden past
teeming with millions crossing it with us;
for us instead that archetype of peril,
swaying and crumbling one slat at a time,

with so many working to kill us as we crossed,
bullets pealing like bells as they struck
the stone all around us. May it be said of us 
that we never turned our gaze

from the other side to the drop below;
that we held onto each other all the way over
and clung as long as we could to those who fell
along the way, and that when we were across we turned

to the task of putting a better bridge
where the rotten one once had hung.
May it be said of us when we are gone
that we did it the way
it should always be done.


Terraforming Mars

Originally posted 12/31/2009.

Watching a show
on terraforming Mars
and can’t help but think
of Crazy Horse
when an astrobiologist says,

“To me, Mars is the lot next door.  
The lot is vacant,
so why not plant a garden?”

Crazy Horse,
if you’re listening,
please accept my apologies
for us all.

All that blank red dust, 
all the things we’ve learned,
yet we still think we know best.


Elegance

New poem.

The most elegant part 
of being in a privileged body
is the ease and grace permitted to one
when avoiding difficulty.  This is not to say

one never feels pain or trauma; such a body
does not entirely prevent harsh moments
of injustice or regrettable instances
of sanction and unlawful control.  What it means

is that one can, with less fuss, slip on white gloves
and reveal to those who can offer redress
for such inconveniences the small dirt and flecks of blood
which have adhered to one as a result

of the aforementioned distresses, and 
(one would surmise) thus compel those redresses
along with appropriate apologies
from the offenders. One must see this privilege

as a deserved elegance, as fine as china
on the long table, as clean
as the drawn out whistling
of those bombs and bullets used to secure it,

or one risks it being taken away.
The price of having such elegance
in the air you breathe, in the water you drink,
in the ground below your well-shod feet

is to accept it even if you recognize
how others must bleed and die and fight and sob
for their losses in order for you 
to gain.  If you cannot or will not accept that, 

if you find yourself gnawed open
by this wisdom, know that the air
will still be there for you, perhaps colder
and more bracing; the water will still be there for you,

sweeter if scarcer; once you’ve given
the right to such privilege away, the ground below your feet
will still hold you no matter how clumsy you may become,
no matter if you fall while walking the new path.


Iron Tang

New poem.

Cooks a hearty breakfast with privilege for fuel. Finds it
smoky and filling with a subtle iron tang under the cheesy
notes of the primary flavors.

Showers then for work under hot, hot water thanks to 
privilege burning in the basement furnace.  Then, warm clothes
to wear, thick carpets underfoot, fine shoes and doors

that open both ways, a solid car,
a road, a job, a team of coworkers, a good dinner out and
a drink later with that iron tang on the tongue

present the whole time, insistence
upon reminder upon demand.
It once was interesting, now is at once maddening

and integral. Comes up empty trying to name it. Thinks,
it’s not the privilege. It’s not. It’s not. Turns on the television,
then turns it off at the sight of streets of blood. Promises

to puzzle it out
tomorrow
on a full stomach.

 


Wake Up (Boss)

New poem. 

Someone near me says,
I did that like a boss.

I say to him, wake up. Don’t say that —
who wants to be the boss? He says,

fool, I do. I say, wake up. Who is our secret

enemy? Who is our tight lipped
antagonist? Who is our uneasy 
must-go-to? Who sits on the shoulder
of the road counting our steps
as we slog our heavy loads unwillingly
from one sad place to another?

He says, but not all bosses are bad. I say, yes,
not all bosses are bad but there’s a bad creature
alive in the center of that word.  
It likes the taste of obedience. It says,
please don’t be inconvenient. It says,
stay on the sidewalk with your heavy load,
stay out of the big wide road with your freedoms
and you will be allowed to exercise them
as much as you like. It was the creature
that lives in the center of the word “boss” 
who coined the phrases 
go along to get along,
not all men, and
all lives matter.

He turns his back on me
while shaking his head
and I say to myself,

wake up, fool,
talking like a boss to him — 
clearly you have some boss venom
in you and do you want the poison
of feeling and doing anything
like a boss? Wake up, I tell myself,
and say it: 

no, boss. No.
I’m shutting up. 
I’m sitting down,
I prefer not to.
I prefer not to.