Tag Archives: political poems

How To Be An All-American Adult

pinch enough
of your boss’s stash
to set yourself up as 
someone’s boss just so you

can guard against
a similar pinch
off your own meager hoard
while lying sweat-heavy in bed

worrying about
thieves like you.
you are that well-owned.
you have imprinted

strongly upon
the wings and claws
of those birds of prey
who tear you up only

to fan your open wounds
with their dirty feathers.
it feels like they care enough
to soothe the pain they caused.

it feels like rogue parenting.
a warm snuggly
smallpox blanket.
a red white and blue 

cartoon hero’s cape
stuffed into your mouth and nose
until you can’t breathe
from under all that love.

you’d better find someone
and do it to them quick because
the only way to get ahead here
is to step on one.


How I Fight

If I am,
then I am.  

You say, that’s ridiculous,
it need not be said,
is obvious.  

You say it makes no sense but
except to say it
is to force the issue:
when you say
I am not
in all the ways you say it,
I must say
I am.  Must present evidence, 
offer proof. No matter how tired I am,
no matter how weary I am
of having to say it.

So —
because I am, I am;
because negation
of such a thing
is 
evil, 

in spite of how unfashionable
that word is now, in spite of 
how hard we try
to find other ways to say it —
I say it.  I say it because

my insistence upon saying 
I am

is how I fight
evil.

Is how I fight Evil. 

Is how
I fight, how
we all fight.


Political Art

Old poem.  Reposted tonight just because it felt right, in this moment, to think again about the limits of political art — dates back at least to 1999, 2000?  Appears here in the “Poems From The Slam Years” page. Has also appeared in various anthologies over the years, and various journals as well.

 

a print of “Guernica” hangs on the foyer wall
above the drink table
here are the famous horse and the upraised human face
they’re screaming as the hors d’oeuvres are passed

and on the facing wall
behind the buffet
hang two photographs
carefully chosen for tonight

in this one is a girl we have seen before
running and burning on a road in Vietnam years and years ago
back then she was trying to fly to safety
on the innocent strength rising along her fiery arms

in this one is a man we’ve also seen before
and despite his death in 1890 he also keeps trying
but he’s frozen awkward and insolent in his attempt
to rise from the snow at Wounded Knee

we are making small talk tonight
clicking our tongues at all these pictures
making crestfallen small talk
because we know we should

handing over money
to save Afghani statues from the guns of rapists
handing over fistfuls of green guilt
for the anesthetic of aesthetics

buying permission to posture unflinching
before those who have fallen
permission to shelter in these picturesque memorials
in the hope of receiving from them some kind of prophylactic grace

as we stare at the burning girl
as we sadly regret Wounded Knee and genocide
as we admire the abstraction of that burning Spanish town
we will click our tongues

while marking the skill of the artist at having those faces
seem so stark in their angled black and white
seem so shot through and through
with an undertone of subconscious red

it’s from this we’ve learned how to watch the news
the news that gives us each day our daily dread
a new crop of victims to be cropped and photoshopped
and we know just what to do when we see the faces

we observe
we regret
we remark
we move on

tonight there’s a gallery fundraiser
tomorrow there will be another
we’ll see the burning girl and the rising corpse again
and we’ll make another print of “Guernica”

why
do we need to keep making
all these prints
of “Guernica”?

someday we’ll see
that if we had been changed by all this art
at the first hint of genocide we would smash our cameras
hang our paintbrushes back on the wall

stick our checkbooks back in our pockets
lift the paintings from their frames
and carry them through the streets
to the places of power calling why

why

if the people inside our work could speak
they would tell us that if witness alone could change the world
the world would be changed by now
and we would have no need to keep learning

that this picture
of that girl
is not
beautiful


Pursuit Of

The sun’s hot.  Too hot.
The water’s wet but it’s getting scarce
and the dirt’s becoming precious around our feet.
We look at our kids and say,
don’t get cocky about the pursuit of happiness
being easy.  Get a job and keep looking.
Pass a test and get a job and keep looking.  Kick a ball
and pass a test and keep looking.  Do it all —
go to school kick a ball pass a test get a job
kick a tire
and a man

and a woman
and a queer hide

and a brown hide
and don’t forget that Jesus, he kicked a lot of ass,
so I’ve heard, so we’ve all been told.
Keep looking, kick something that’s already down
and it’ll almost feel 
like you stumbled over happiness
in the dry weeds 
that are taking back our lawns.
Keep at it. 
It has to be here. Someone must have it and
it’s ours, damn it. We’ve got the paper
that says so. We’ve got the muscle. Dislocated
as the bones may be under our good skin,
we’ve still got the muscle and the guns. Rubble
piling up? That’s just good cover
for a sniper. Don’t get comfortable, kid.
You want it 
you have to hunt it.
You’re going to have to take aim

at the fucks who stole it.
Go get ’em, kid.
Go get ’em.


362 Miles

Woke up to sun
and no smoke.
Birds prattling on,
two daffodils finally up and shining
from our front walk mulch.
Nice place, this.  Nice place.

No smoke
for miles around.  No fire

not currently under control.
This is not to say that
there’s nothing smoldering here,
or that we’re not so far from Baltimore
that we know nothing of burning

or why things burn.  
It’s just that right now

this is a nice place,
and if we do smell smoke
it’s got to be from 362 miles away,
carried on a strong wind
from a place where

birds bloom
and flowers chirp, where everything’s

a little backwards. 
If we do smell smoke here —
do we smell smoke here?  
No, can’t be. We keep sniffing,

must just be
power of suggestion; well, maybe
a little something there, a little

something on that wind.


Microaggressions

Street scene:

my eyes unmet,
their hands drifting

onto wallets, their bags 
pulled in tight to
their guarded bodies.

Office observed:

stumble, whisper,
awkward pause,
sudden stop,
change in subject,
question without thought,
thought without question.

Media, in media res:

what does a story say
about what a blog says
about what a blog says
about what was said
about what was said
about what was said
about how they died?

Surrounded,
sundered,
smothered, 
simmering, 
smoldering — 

Now this? No.
Not here, I beg,
not with you too —
not you too;
do you understand

that I am far beyond ready
to burn my home? That
if I have to ignite
the here and now
to reach the future,

I will?


Old Hippies

Originally posted on 10/31/2011.

Sparse-framed, reticent, particular;
the old hippies come into town
on odd weeks
for what they cannot grow
or raise.  

I hear they’ve got a sod roof on their house.
Life off the grid, under ground:
a few acres,
a 1978 Ford pickup.

A friend sneers at them,
calls them un-American.

Here on the grid we’ve got
fear, troubles,
the grinding grind.  We all 
talk too much, some 
in jeers:

Hey, hippie,
go hug a tree.  Go
bathe in the snow.
Get a job.  

Sparse,
quiet, 
don’t associate with us
unless they have to.
Un-American bastards.

Hey, hippies —

get in the trough with us
and bring some eggs
or weed when you come —
bring something else
to eat, something

we don’t have.


People Of The Stacks, The Racks, And The Checkout Aisles

They’re tilting,
tipping over because
one half of every one of them
is horror.
They’re lopsided
from carrying it.  

Immaculate beings
in split levels,
or lean and dirty ghosts
in a tent under cold stars; why wonder
if it’s nature or nurture driving them?  

What’s driving them
is nurture playing
in the snowfields
of nature’s mountains.
What’s driving them
is nature slipping a hand
into nurture’s back pocket
as they walk side by side.

Only one half of each is horror.
The other half is frozen joy. 

They look for thaw.
Limp toward clues to it. Call out:

Is there something to warm it with
on sale here?

What price the fire this time?

May there be credit
at terms easier
than what we know
we could be forced to sign.

May we straighten up.

May no one
laugh or shoot at us 
on our way
to straightened up.


Impartial Observers

Originally posted 7/14/2010.

That lump we can see
in the near distance
is a nation.
We once thought it motionless but
are beginning to think
it may be moving. 
Hard to say from here.

If it is moving,
it appears to be crawling.

We have heard from the citizens of that nation
that some among the masses there
believe they are standing tall.

Others believe that they are crushed flat
by those who believe
they’re standing tall on their own
but who in fact are standing
upon them.

Perhaps no one in the nation
is crawling at all,
and no one is completely still;
maybe what we see from here
is the ground
sliding away
from beneath them.

That nation seemed so far away,
once upon a time,
and we were impartial observers
from this high vantage point. 

We’d thought we’d found the perfect spot
to watch it happen from a distance.
Now we have to admit
that right where we’re standing

the footing is starting to writhe.


Bleeding Out

New poem.

The symptoms
of exsanguination
colloquially known as “bleeding out”
include

anxiety
blue lips and fingernails

unofficially sanctioned neighborhood demarcations
flimsy justifications of hair trigger rage

low or no urine output
profuse sweating

a profound distrust of received wisdom
easy to believe conspiracies and backroom handshakes

shallow breathing
dizziness

imprisonment
educational poverty

confusion
chest pain

the elevation of cultural assimilation
to sacramental status

loss of consciousness
low blood pressure

carnival barkers on the news
a camera on every corner

rapid heart rate
weak pulse

death upon death
upon no longer unexpected death

the echoes
of centuries of trickle and drip

turning into a flood
of names to remember

a cloven nation
drenched in blood
that should never have seen
the light of day


The Saints Of Our Household Shrines

New poem (draft — just getting it out there; it’s been in progress for a while.)

The saints of our household shrines are banding together to form a political party. 

Throngs of our beloved dead memorialized in table altars in gently shabby homes and clean-swept humble cubbyholes are massing to stand against officially canonized hypocrisy regarding who we should honor with supplication and offerings.

They refuse our tithes, saying we’ve paid enough in loss and pain to fund any campaign.  

The platform?
Chase down and face down the Founding Fathers, the missionaries of genocide, the greed-slurping apologists for bad acts that make a profit, the prophets of compartments, the sky-godmothers of assimilation, the go along get-alongs.  

The slogans?
“Behold the dead to understand the living.

“Behold the living who come to make you understand, 
but know we do not need you to understand 
before you stand aside.”

The saints of our household shrines march before us carrying no signs, wearing no buttons, adorned only in scraps of family photos, funeral cards, locks of treasured hair, newspaper clippings, the stains of generations of tears.

We will not lose. We cannot lose.

We, and they, have nothing to lose.


Revisionist History

Originally posted 3/20/2012.

In the history of government
there are a million examples 
of how they begin, but only one
of how they end: they end

with the venal
gaming their way to power
and staying there regardless
of the labels they choose to wear.

In the history of nations
it doesn’t matter how the people love them.
They only love you back 
a little, and only at certain times.

In the history of history
it doesn’t matter what happens,
only what is said about what happened
or did not happen, or is said
to have not happened;

in the history of history 
there are but two nations —
the strugglers and the lords.

In the history of humans
there’s dancing and loving
and the making of art and music;
there’s good sweat, grand tears,
and a lot of laughter,

but do not confuse that 
with the history of government and nation.

If you want to pursue happiness,
know that government and nation
pursue happiness too — 

and they do it, always,
by chasing and catching
you.


Strike (A Lesson From Afghanistan)

Originally posted 10/6/2012. Original title, “Drone Strike.”

Early fall,
window has been open for cleaning.
A fly’s gotten in,
sounds like 

one last big bluebottle
for the season with a voice like 
a Dangerbee.  Should look
twice to be sure, but no time for that;
I klll it with one smack

of an already read,
soon to be recycled
magazine.  
Done.  And lo —

it was a
Honeybee.  

How did it seem
so huge?  Tiny, golden thing…

quick: brush it
into the gutter of the window
and then push it out

onto the ground
along with my small regrets,

telling myself 
this would have been done
differently
had I recognized it.


Diamonds Are Not Forever

New poem.

We have been speaking for minutes, 
decades, centuries
on the nature of inequality —

we have watched an entire
concocted history
driven by it — 

we have shown how 
blood
is the grease for it —

we have shown that
even the diamonds
used to symbolize
eternity and love
are greased in
blood —

and still,
things are bloody,
blood flows, blood rises.

in closing, then,
in sad and angry closing

we offer the truth that 
the four Cs —

Color, Cut,
Clarity, Carat weight — 

are artificial,
are designed to facilitate commerce,
are purely cynical exaltations

of a central metaphor;

in closing, 
what we oppose is
the unnatural,
flawless, 
white,
heavy diamond

as
the standard
for all stone,

and we are unwilling
to mine it
any longer.


Cartography

New Poem.

Set your pen upon
the following points
and draw lines

connecting dusty walls
to corners full of hair from long-dead pets

Draw a line from high-piled tables
to near-empty pantry shelves
and sparsely populated refrigerator

From bills in a heap
to nothing in the bank
with small hope of ever having more than that
from week to week

Draw those lines and
you’ll end up with a map
of seeming disintegration

that will somehow
never touch upon
how the people
who live in this territory
manage to smile
care for their children
imagine joy
and build toward a future
situated somewhere within
these borders