Tag Archives: political poems

Martyrdom As Social Strategy

You make a long journey
into your worst vision 
of the wrong side of the tracks,
obsessed with 

whether you have the weapons for this,
the right tools for the job,
the right answers to the questions
they are likely to ask you —

all the time thinking
you’re a fraud and they’ll shit you out
after eating you still alive.
You imagine being swallowed

all the time.  You think it’s going
to hurt.  Unbearable pain’s
the only thing you can imagine
for a destination, so

what a surprise to learn
that once you’re there 
nobody’s about that.
Nobody’s threatening you

or even caring about your
momentous presence.
You carried everything you had
to this point only to learn 

it was extra baggage all along —
such a heavy journey. 
What a shock, what a shame,
what an outrage.

It occurs to you to start a fight 
to prove your relevance. Maybe
you should assert yourself enough
to win your rightful ending? To make

all the fear worthwhile? Prove your mettle
to the locals and impress them with
your prowess? You open your stance
and prepare. They want a war, you know,

so you’ll give them yours.  
You labored over it
long enough. Someone
will surely appreciate it.


An Explanation

This one-note-struck
of all my recent talk
about my rage and sorrow
at how humans suborn
all the machinations of Evil
and take each other for pawns
to be moved at will
in games huge and tiny
can be grating, I know.
It grates on me as well.
I wake up raw most days
and on the other days it’s not long
before I am drawn to picking at
the new scabs and nearly-healed scars
of my previous wounds.  
I have them always on my mind.
I feel them festering and itching on my skin.
I taste them, dark and sour, in my mouth.

You don’t know how much I would prefer
to speak only of my garden 
filled with midsummer close-to-ripeness,
or of hours of simplicity watching my cat,
or of the peace in lying with my love
long hours in a just-enough-room bed.
I speak of these things often in my head;
I feel them often in my skin;
I long for them to be all that’s in my mouth.

But all that daily joy
quickly fails and swiftly pales 
when I move from acknowledging it
in the moment I feel it to using it
to hide from what looms Beyond.
I have a voice, not for me,
but for others. I was not born
to talk to myself. It falls to me
to speak, even if it is poor speech,
even if it is faltering, even when it’s
Wrong —  a bad tack taken
in a run toward Right — how will I know
unless I take it and hear it and choose
the correction?  So I speak and speak
on all that roiling cloud of Evil out there,
over the hill, coming toward me,
toward us all. I speak of those 
it has already taken, of those 
fighting not to be swallowed.
I speak of it always in my head.
I feel it raising the hair on my skin.
I long to one day put its taste out of my mouth.


The Manifest Destiny Game

Get up and get dressed,
leave the house,

set out for the next town,
the next state,

the next country, the next
civilized world.

You’re sick of the games
they play here and

it’s time to go.

The game being played here
is called “Button your lip
until we tap you to speak.”

The game you want to play is called
“Leave me alone for a while until
I’m ready to join in.”

You don’t know
where they play it
but you’ll kill to get there,
kill to stay there,
kill to win that game.

If you end up somewhere
where no one’s playing it
you’ll start it yourself.
Everybody there already
better play or else.  

Or else what,
says one of the natives
of the place you do end up.

Button your lip
until I tell you to speak,
you tell him. And you

button it for him when 
he won’t.  

You groan it out loud
and you don’t care who hears:

Goddamn savages, 
primitives, beasts blocking
the playing field.
Why are you still here? I’m ready
to join in, and it’s

not your game anymore. It’s
not your play. It’s not
yours.


How I See You

Secure enough
in your person 
to fall comfortably asleep
trusting you’ll
awaken refreshed;

comfortable enough
in your home
that you do not fear 
steps in the night,
flashing lights, the sound of
official insistence upon
your yielding,
having to put all your hope
into a skin-saving
bow and scrape;

settled enough
with the Accepted Backstory
being correct
that you stop listening to 
urgent offers and pleas
for changes in the narrative;

empty enough
of empathy
to get by
all the time, all
the livelong day,
with the news 
being no more
than a buzz, a fly
you can brush aside,
a petty interruption;

easy enough
for your head to be always
shaking off
the daily showers of blood
as if they were nothing
but warm spring rain.


If You Wake Up As A Bomb

If you wake up as a bomb one day

awakening outward from sleep
expanding from the bed in all directions

If you wake up ticking
but choose to deny it until it 
stops

If you wake up as a bomb one day 
and don’t know it until
you are standing next to your trigger
Don’t know it until 
the trigger is pulled and you
burst into one ruddy scream
followed by your own 
unfortunately 
fulfilled 
silence

If you wake up as a bomb one day
and explode

I swear on the future 
that I will recall
when you were not a bomb
and tell all around me
that you did not begin as a bomb
were not meant to be a bomb
did not ask to be a bomb

I will tell everyone
that like all of us
all you wanted
was quiet when the sun 
struck your face 
upon waking
and 
quiet when it came time
at last 
to sleep


Country Song

Dammit,
country —

I wanted to write a song, 
wanted to sing, to play, to love and dance —

and then there was one violation, 
then another and more, and I began

to see how many there were, how many
there are, how the waves of violations

sculpted and sculpt our shores, how the winds
of violations cut and have cut into our sands,

how the surges and ebbs of violations
have been the surges and ebbs of our 

flags, how we are the surges and ebbs and 
our eyes squint through the violations

as if we were free to sing, to play,
to love and dance with no restrictions, as if we 

were free —
and I have no idea how it will be

to be free, how we will ever be free
to sing and dance and play and yes,

to love as if the violations
were not there in the sand and the shore,

as if the eyes we were born with 
had never been violated, as if the flags

were not the whole story
of the violations…dammit, country,

how I wish you were truly mine
to love, to sing for, to dance with, to heal.


Sales

Selling you the dream car
that all the kids love,
that makes you big and potent,
that opens all the warm garage doors,
that sniffs out the best parking spots,
that finds the unexpired and broken meters,
that speeds without consequence,
that stops with each front wheel centered on a bison-headed nickel,
that eats nothing but air and good intentions;

selling you the best house
in the best neighborhood,
in the right zip code,
in a grove of window-shading trees,
in a street of charm and comfort,
in a color mixed from eagle’s tears,
in a weather pattern best described as personalized,
in a storm of good and distant thunder,
in a rainbow promise of yours forever;

selling you the joyous reincarnation
of your grandparents’ hard and fast belief in a just world, 
of their stubborn faces bent over task and faith,
of their bank-backed presence as good citizens,
of their trust in the handshake,
of their unshakable duty to the flag-donning boys of summer,
of their simple vision of resting under a willow at the close of day;

selling you on it 
as a mythology, a set of stories
that gives shaded meaning
though a different one is glaring;

as a cover up for the human-selling
that made it all happen;
as a screen before the bloody grounds
of human villages burned;
as a way to sate a gnawing truth
before it wakes you up starving
in the night: 

that what’s being sold 
is stolen property and labor

from the back of a rickety truck
in the dark, 

and the whole thing’s
built on a slim prayer
that we will never stop buying.


Worse

they burn down
your ancestral dances
and languages

or worse,

call you
by their own names for you
and then ask you
to teach them those dances
so they may dance them badly 
in a movie

or worse,

get rich-busy with
your ceremonies,
put them out on the street
half-assed to pull
some commercial duty

or worse, 

take it all away
only to flush back upon you
mostly dead pieces
of what you once had and tell you
to make a home there

so you do,

and there are moments of
drum-happy and meth-sad, time’s as mixed 
as the dogs who cur and mutt
your dirt streets and you say
it could be better

or worse:

you could choke in that miasma
between their better and your worse,
you could disappear

or worse,

you could forget all of it
and burn your dances down yourself
in a moment 
of surrender

or worse, 

you could let them choose your definition,
let them 
give you their blood banner to follow,
let them claim they’re your ultra,
let them stifle 
your last whimper,
let them take your children because
it’s all for the better — 

and worse,

you could realize that where they are,
where they want you to be,
there’s no better at all
for the likes of you and yours — 

and worse even than that,

you could realize
you have no choice but
to be there anyway.


Exiles

A wild guitar sings
from a dark corner
of a deep porch.

A defiant song shifts gears,
gathers voices, challenges
for primacy

as my neighborhood
offers a show
of slow rebellion.

To stay alive for long here
is to be in full revolt
simply by existing.

To stay alive here
is to have hard, hard work 
always in progress.

The ones who do live here?
I don’t know if they would say
they are thriving, though

in the midst of despair, 
they do not despair. They 
don’t know how to despair.

A wild guitar sings of this,
ringing from a dark corner
of a deep, crowded porch — 

I don’t know the song.


Meanwhile (In America)

In America

In America

In America we get
mud wrestling and drive through liquor stores
In America we don’t get
many reasons not to leer or drink

In America we get
bales of weed washing up everywhere
In America we don’t get
enough drugs to kill all the people we put on Death Row

(I’m sure we’ll figure it out)

In America we get
a good feeling about this next scratch ticket
In America we don’t get
enough cash for water or even enough water to buy

Meanwhile, I’m thinking…

In America

In America

In America we know
exactly how much our dream costs
In America we don’t know
exactly where to find that dream 

In America we know
how many malls it takes to bury all the dead Indians
In America we don’t know
how to talk about a live Indian or even where to find one

In America we know
every mass shooting is inexplicable
In America we don’t know
how many shootings it will take before we figure it out

In America

In America

In America there’s

enough hate
to fill one million boxcars
Enough weight in them
to break one hundred thousand crumbling bridges 
Enough broken bridges 
to fail under ten thousand marches for cause
Enough causes 
to spark a thousand arguments
Enough arguments 
to sunder one hundred dreams
Enough dreamers
to dream up maybe ten full nights of safety in a year
Enough years…
have there been enough years
to look at it all and say
this year will be the last year?

In America 

In America

In America we do
whatever we need in order to buy
In America we don’t
agree on what our best words mean

In America we do
the worst to the least and call it the most
In America we don’t
hear the least say the worst or ignore it at most

In America we do 
what we want and say it’s borne upon God’s breath
In America we don’t 
admit that the one true religion
our own true religion
our loss leader religion is

evangelical
ecumenical
fundamentalist
capitalism

There’s fire on the altar
Fire on the altar
Fire in the church
Bullets in the church
Bullets

in America

In America

and meanwhile, I’m still thinking…


Power Tools

The guns.  I want
the guns.
First the knives and then

the guns.
All the guns.

All of them,
and then the bombs.

The ships after that,
maybe the planes, and that

might be enough.
Knives for the close-by,

guns for the intermediate, bombs
for the absentee moments,
missiles and planes

and gunboats to project
what I cannot 

do with my own hands.
And thinking now

of what one can do
with computers

and with banks, I need
some of those too.
Knives, guns, bombs,

missiles, planes, ships,
computers, banks,

markets, stocks,
lies, half-truths,

statistics,
money, money, money,
myths of social constructs

and colorblind generations,
flags, elections,

eclectics, stories, art, music,
schools that bind hands
to the will of other hands.
I want all the guns
because the tears
haven’t helped, the words

and songs haven’t helped,
the simple reach of saying

this is wrong has never helped.
I want guns

to weight the lifelines
I need to throw

because that flood
of everything else
that’s arrayed against me
is rising  
and though I understand
what a gun does
far better than you do,
I want them anyway because

there seems to be
so little else
I do understand

about what it takes these days
to win and not lose,

to not starve or despair, 
to not drown,
not burn,

not die.


Crying Out

By the banks of a flood
we sat and wept — by the

rivers of
Babylon, by the shores of the mighty 
Mississippi. From the rooftops
of a drowned city. Near the edge
of a rising tide.  

We sat and wept
and then cried out:
we were promised
dry land; where is it now? We were 
promised safety, where is it now?

We were promised lives 
and now are being told this is not feasible,
we only ever asked for lives
and now are being told these are not
practical, were promised 
that promises made were to be kept
and now we find that all the air
was fouled from the moment it left
their mouths and then,

then to see you

sitting by these same banks
with your own feet swamped in the filth
of the flood, see you

with the drowning so close to you as well, see

you with your eyes
raised over our heads

to something we can’t see,
see you and hear you

asking us why we broke the dams
and let this happen when all we did
was point at the dams and say
look at the seams, the leaks, the cracks,
look, look, can’t you see 
we are drowning?

Can’t you see that
you are soon to be drowning as well?

You ask us why we cry out
with our arms raised and flailing.

We stare back at you, we ask:

how can you not?


The Womb

after the first rejection
the first acceptance came immediately

when your lungs filled with air
upon birth.

feeling the former 
more than the latter,

you cried out in confusion
at once.

that’s how we knew
you were alive.

you kept your eyes closed
so you could pretend it wasn’t true.

that’s how we knew
you were human.

you’re still alive, still unsatisfied, 
still squalling, still longing for the womb.

that’s how we know
you’re American.


How To Be An All-American Adult

pinch enough
of your boss’s stash
to set yourself up as 
someone’s boss just so you

can guard against
a similar pinch
off your own meager hoard
while lying sweat-heavy in bed

worrying about
thieves like you.
you are that well-owned.
you have imprinted

strongly upon
the wings and claws
of those birds of prey
who tear you up only

to fan your open wounds
with their dirty feathers.
it feels like they care enough
to soothe the pain they caused.

it feels like rogue parenting.
a warm snuggly
smallpox blanket.
a red white and blue 

cartoon hero’s cape
stuffed into your mouth and nose
until you can’t breathe
from under all that love.

you’d better find someone
and do it to them quick because
the only way to get ahead here
is to step on one.


How I Fight

If I am,
then I am.  

You say, that’s ridiculous,
it need not be said,
is obvious.  

You say it makes no sense but
except to say it
is to force the issue:
when you say
I am not
in all the ways you say it,
I must say
I am.  Must present evidence, 
offer proof. No matter how tired I am,
no matter how weary I am
of having to say it.

So —
because I am, I am;
because negation
of such a thing
is 
evil, 

in spite of how unfashionable
that word is now, in spite of 
how hard we try
to find other ways to say it —
I say it.  I say it because

my insistence upon saying 
I am

is how I fight
evil.

Is how I fight Evil. 

Is how
I fight, how
we all fight.