Tag Archives: political poems

Gentrification Comes To The Hill

Each unit in this building has a clothesline outside
the back porch window.
On the clothesline at the far top left
hangs a white rayon shirt.
On the shirt, a majolica-styled rooster,
embroidered or screened on — hard to say from here.

I feel like I’m on deadline
to come up with a point here
about a cheap shirt and a tacky design
bellied out like a landlocked sail
over the backyard of a tenement
in my scarred and scrappy town,

like I should say “stop the presses!”
and insist that this is a story
that must be told, one of beauty
in the heart of ordinary, in the face
of what gets called “ugly” too often
by those who like their beauty

caged in an archival box, penned into
the richest part of the Cultural District
that was snatched out
from under the noses of those
who gave it culture
in the first place.

We aren’t far from there right now;
we’re miles from there right now
up on 
the Hill that hasn’t changed much
and won’t unless some folks decide
they like the view from up here,
and pass an ordinance to steal that view

and free it of rayon
and roosters 
and backyard chickens
and on-street parking and the wrong people. 
It feels like I’m on deadline to say all this
and it’s coming fast, if indeed
it hasn’t already passed.

If anything’s going to happen,
anything at all to keep that sail of a shirt
from billowing toward 
a good and lovely life
on our own terms, it feels like
we are almost out of time.


No More Slogans

No more slogans, poet —
your great good words of theory
have no rhythm,
are no generator
to charge a rebel’s heart.

 

No more slogans, poet —
to change them make them feel
both bullet and healing,
scent of blood and of
lily on the casket.

 

No more slogans, poet —
your time is closing;
they may take you soon. What
do you think we need most now —
your flag, or your fist?


Post-American Song

Originally posted 3/24/2012.

It’s of no larger importance how any one of us dies, including me —
the inevitability of the event is king
over the madness of the method  

Don’t care if it’s from gun or blade or germ
Don’t care but don’t want it to happen too soon
I know it will happen and I wish you could see it as I do

As wave of the star enveloping
As wave of the earth encompassing
As wave of the wind embracing

Then the next minute moment second instant
must be suddenly different — suddenly not this
All I want to know about that moment I cannot know

So I sit here speaking of death, fingers tapping, waiting
Oh the damn notion of all of us having to wait
You wait as you will but I will be calm and resigned to it

How we die is trivia though it does not feel so
Every death I’ve known has been in some way most trivial
Every individual an inconsequential body gone

(except — I admit — each was a wave
of earthquake within me that felt as large
as how I had loved them)

But I am the broken acolyte of continuance
Death and aging hollowed me out a long time ago
Now all  I yearn for is my choice of method

As wave of desire punctures my reluctance
In this country devoted to living forever
To never reading the sick bulletins of its unconscious satisfactions

I don’t care how any of us live, no
Live and let live is here practiced as apathy not compassion
Does it look the same when it’s not about love but instead about disinterest

I don’t care how anyone anywhere dies, no
Do you think that is awesome or troubling or false
Wave of suspicion engendering my breakdown

Come as you are, all of you
come incorrect
to the throne of mirrors

Look at AMERICA the hall of just in time history
AMERICA the holler the chorus the cadence
AMERICA the man in the trembling suit

Look at the gun in the hand of the —
what is it today anyway?
Who are the current heroes of our vigilante songs?

We don’t care how others die
as long as the lettuce
stays crisp

Method is ghost
is memory
is suggested mask for the inevitable

I am wearing the mask of a wave all-encompassing
I am wearing the mask of a wave of righteousness
I am wearing the mask askew from its moorings

I will take off this mask
and look at America
Wallflower with its back to the fourth wall

or is it behind me
watching the others
Is it in front of me on a player’s mark

I don’t care if it dies or how it dies
if it makes sense to the plot, no
I don’t see that death as being all that surprising

since I never believed
that the rockets and twilight should lead for certain
to dawn’s early light


A Little Bit Of History Repeating Itself

When I opened the door
to my wing of darker rooms,
I expected to let something out
but did not expect 
so much more to get in 
and make a home there.

When I broke into song
by the lake of fire, 
I expected to take heat
but I did not expect 
my lungs to become
so hard-scarred,
did not expect
my voice to become
so brittle.

When I eased my knives
back into the block
after butchering, I did not expect
that they would rattle me awake
night after night, hissing out
from their wooden slots,
“more, more, more…”

When I shook hands
with you, salt-hearted 
snake, rhymer for the offense,
herald and praiser of all that blood 
can destroy when it breaks loose,
I did not expect to end up
shaking for so long after
I let go of your hand.  
I did not expect you
to keep shaking me. Somehow,
I never expected
to become

such a weary fool,
such a well worn tool,

such a gleeful singer

of fire’s ancient song.


American Darkness

No darkness like
American darkness:

scalp in one fist, treaty in the other; it wears a stolen feather.

 

No darkness like American darkness.

We all know what’s under the bed; it wears a white hood.

No darkness like
American darkness:

it stinks of plastic
instead of ancient woods;

wears menace like a tumbling skyscraper,
not like a sacred mountain.

No darkness like
American darkness:

it doesn’t wear black,
but green;

it doesn’t even care
if you can see it.


Saving Tomorrow

to save tomorrow
we will have to
extend ourselves
beyond our skins

sabotage the tracks
we always ride upon
dance damage
in whirls of foul steam

breathe uncanny fumes 
from the mouth of hell
claim it for our cologne
waft it back at their sentinels

explain and explain
to ourselves
how we are the best church
we can belong to

how much self mastery
we shall need in the face
of the storms of laughter
from the throats of evil

coupled with abandonment
of our trivial principles of form
and substance just long enough
to shut that howling down

if we want to save tomorrow


Final

1.
A train leaves New York City

traveling west to Chicago

Another train leaves Chicago
traveling east to New York City
at the same time

Two trains leave Dallas
one for Chicago and one for New York
at the same time those other trains
leave their cities of origin

One person on each train is fleeing
someone else’s fists

At some point
each will look out a window and
exhale

Given identical average speeds for each train
how long will it take each of those four people
to transition into the feeling that they
have gone far enough

to call themselves
completely safe

2.
One Johnny
steals three apples
A different Johnny doesn’t

The police pull over Johnny the Latter
for looking (to them) enough like Johnny the Former
for government work

Someone gets hurt

Given the mental picture
you’ve made based on those facts
who are you

3.
If one demagogue 
defines a subset
how does the addition of a second demagogue

change the equation

You protest
Say that’s nothing we studied

You say you didn’t know any of these things
would be on the test

For bonus points
prove it

4.
No pilot 
bombs a village
but the village is bombed anyway

Taking into account all the variables
plot the arc of blame
Show your work

You say this isn’t fair

For bonus points
fix it

5.
If a train leaves New York City half empty

and travels away from there
at an average speed of 50 mph
stopping every 200 miles or so
to drop off and pick up passengers
but there is no net gain or loss
so the train remains half empty

and casual conversations barely arise among strangers
as everyone’s 
staring
at their phones or 
out the windows
alternately marveling 
and mumbling about the sights

and a second train does the same
and a third and a fourth

until there are one hundred trains 
all engaged in the same shuttle and shuffle
of mysterious Americans

back and forth across this landscape
and all the passengers have grown weary
of these terrible American mathematics 

Given all that 
at what point will it stop being flight
and become fight

At what point do you call it 
no longer an adventure
but a job

You say you’ll never use any of this in real life and
dammit
this won’t help you get by

I’m sorry
No extra credit is available on this question


Better Than Bullets

Snarls and wars and small divides
grown canyon wide and canyon deep;

scent of blood and old chains
not yet rusted through. Songs

are clashing; rough beats thump
artillery, soul wails sling arrows.

It’s late. Do you know where your children are
and what they’re listening to?

Pray they have fallen in love with dangerous
music. To slide into sleep

on a comfortable lullaby is a sure path to 
waking up in hell.

Don’t trust
those who say music should be harmless.

There’s a war on and songs
are better ammunition 

than bullets. Songs
change their targets. Songs

sluice their way
through far more than flesh,

cut deeper, break more walls,
tear down more defenses.

What are your children listening to?
If it doesn’t scare you, 

they are almost certainly
doing it wrong.


My Pocket, My Hope

In my pocket, 
my imaginary country,

a best version
of this one; I carry it

with me tightly 
wrapped in hope.

It’s currently populated by
dinosaurs who emerge

as gentle as 
a hurricane’s far-side

sunlight filtering into
destroyed 

familiarity. If you see
them lumbering

into your path you
will be instantly changed

and unsure: what
is this?

What sorcery is this
that cures

both extinction and
gigantism? If you 

mean that you want
to know and are not just 

disbelieving your own eyes,
I will

point simply at the hope
and say it’s been there

all along, the magic
which when worked

can change all,
raising the long-thought dead

from a pocket
where it’s been kept

safe against 
battering and bring it back

to a sustainable form
and thus save a ravaged landscape.

 

 


Not To Say

In the moment
of crisis called 
today —

not to say
that all moments
of every day do not contain 
crisis for someone —

not to say
that it has not always been so
and that it will not
always be so —

not to say 
that this crisis here is not
the result of someone preventing
their own crisis there — 

not to say
that some crisis has not been made
by someone to make their own life
comfortable —

not to say 
that in fact all these earthly crises
do not have a thread of preventability
and volition tacked on somewhere —

in this moment of crisis called today I
am looking up and seeing it all as a Calder,
a mobile swinging —

huge and weighty disguised as flight
and light but all suspended by a cord
thinner than one would imagine —

not to say
it is incapable
of holding it
any longer — 

not to say
it will surely fail shortly
and crash, 

killing or tearing up all — 

not to say
anything other than 
if it were given
a good shake,

today might as well
be renamed
The End.


We In The New Place (Privilege)

When we are in a new place
we don’t know of the concealed dips 
in the new floor so we trip
every time we take
what should be a simple path
from bed to bathroom,
counter to table. Getting used
to a new place

means consciously
mapping the territory until it becomes
subconscious work to travel with ease
through the furniture in the dark 
without bumping and cursing and 
anger and pain. We work at it until 

one day we no longer think much
of how complex orientation to 
our environment actually is, how long
it took to become masters of 
our own comfort. It seems so obvious 

yet we seem to forget it the moment
we are faced with someone telling us
we’ve tripped on something — a word, a joke,
a gesture, a look — we once thought 
so harmless, so easy, so pointlessly
straightforward that there was no way
for it to cause a bump, a pain,
a damage to another person we never 
thought much about in the old place — 
after all, the furniture we kicked
never us kicked back —
but we feel like we’re in a new place now
without ever having moved, having to learn 
that the map we hold within us
does not truly describe
the territory as it is,
but as we wish it was.


Condescending The Stairs

We’re descending the stairs
side by side and you are trying to comfort me
after another conversation gone bad — 

it doesn’t matter what you are, you say,
we’re all human.  Don’t let it
bother you so much. You say,

listen, I did one of those ancestry searches
and found out I wasn’t German like I thought,
I’m mostly Irish and Scottish, so I just trade

my lederhosen for a kilt and move on, learn 
the Highland Fling, I think I like plaid
better anyway. It also said

I was 2% Neanderthal, no worries, I feel like
that sometimes. It said I was 3.2% Native American,
which is great, I’ve always liked 

the feathers.  It said I was 5% African, but 
then again we all are and I’ve always been 
sympathetic to their plight, maybe 

that’s where I get it. I see all this in terms of
learning that a flavor, a taste you thought you acquired
you turned out to have been born with. Don’t let it

get to you. In the long run
there’s no such thing
as race.  It’s all a social construct anyway.

Condescending on the stairs.
You keep talking. Keep telling me
it doesn’t matter. Keep telling me

we’re the same. All exactly the same.
It’s as easy as putting on a kilt instead
of a headdress. As easy as putting on

a scar instead of a crown. As easy as
putting on a chokehold instead of a noose.
It’s all just a social construct like

empty promises, broken treaties,
unheated rooms; like an argument
among thieves over the division of spoils — 

to the victor go the spoils. Everyone
knows that. To casually cast the spoils aside
is also the victor’s choice —

everyone knows that; everyone,
it seems, everyone
except you.


A Cup Of Tea

If a cup of some
store-bought tea leaf-dust
is enough to calm you, you should

make a cup. If a moment
before the window, staring into
dirty city snow at drab birds,

is enough to make you feel
a stab of peace, by all means
be seated with your cup 

before the window. It’s OK
to turn off the news for a moment
and pretend that there’s nothing

to worry about, nothing to be done.
It’s all going to be terrible for a while yet
and there’s a lot for each of us to do —

but here you are and here’s the tea 
and those sparrows and no sun out there
so the gray snow for once matches the sky

and there’s no immediate war to fight —
sit, have a moment, no matter how engaged
your life has been you have a right

to stop now and then, to see now and then a reason
to turn back to the news and the struggle
and the work.  See how they are, those birds —

they often stand completely still
for a few seconds at a time
and still manage to fly when they need to fly.


What Is Not To Love

The storm is later than was forecast.
The wind hasn’t yet begun to shift
the dunes on the Cape, there’s no snow yet
in the Worcester hills. People
will soon be complaining
about the weather report,
even though it has favored them
so far with its inaccuracy — damn,

don’t you love people? Don’t you find
them as ridiculous and adorable
as infant Tasmanian devils, baby
demons as cute as any little
flesh shredders could possibly be?

The Super Bowl was on last night.
Half the audience hates half the audience,
half hate the halftime show, half hate the
commercials, half hate
that it even happened at all — damn, 

don’t you just love people? Can’t you
see them in all their inscrutable glory
asking for absolution for every petty 
act of genocide they’ve ever assisted
through the practice of minor binaries
and trivial hatreds? 

In the meantime the bees are swarming
less and less and there are fewer to swarm
at all.  In the meantime the winds
are starting to change, ruffling fewer furs,
whistling over drier lakes, taking more
bomb dust with them. In the meantime
we’re waiting for the loitering storm – damn,

why don’t you love, people? It’s not as it
there much time left. What could it hurt
to try and love? Except for the proud legacy
of standing alone in a carefully selected crowd
of your well-conforming peers, there’s not much point
in hanging on to it. Why don’t you just adore us,
people, we the maddening mad people? How different
we are from each other, how very much the same?


How To Be A Guided Missile

Let’s discard the easy ways
used by too many: no hijacking,
sniping, spraying of bullets,
or strapping on of explosives
required for this.  First step instead

is to be unapologetic: as it is,
you are deadly enough as you are
to some. Your body is a terror
already to someone: look around,
see how hard they work to disarm

its sights, its smells, its presence.
See how they fight your natural being?
You can simply be that and do the job
well enough. To take it a step farther,
find an ally or two: a partner, a lover,

a friend — anyone who’ll step to the target
with you. We’ll say that no one needs to get hurt,
although no one believes that, really; someone
likely will. It may be you, it may be them,
maybe everyone will get hurt so don’t go there alone —

although it’s hard not to feel alone when racing toward
impact, it will be better when you know
there’s someone beside you, even if
all you have to reach for is an ancestor or a hero.
Take heart in knowing who carries your armor.

Lastly: it’s not hard to pick a target as they
present themselves so often, so casually, that 
it’s nearly impossible not to strike one daily, hourly,
second to second. You will barely be able
to stand after some of those cratering moments, slowed by

visible pain, invisible wounds, yet-unknown
long term effects. It’s not my place to tell you
to stand tall and take it; you will do what you do.
All I’m saying is that you will be a warhead 
without ever trying to be so it may be worth doing well.

Be whatever you were meant to be: sleek or stout,
dark or light, strangely obvious or as normal
and nondescript as a sheet of paper. Know 
your trajectory. Be ready to fly — and when you fly
you will land somewhere, so level it.