Tag Archives: poetry

Explanation #47

the number of times
i’ve been accused by others
of being absurd or out of my place
is large

the number of times
said absurdity was intended
to be absurd
is not

the number of times
i was out of my place
on purpose 
is also not

i was
simply

being me
and

my absurdity 
was simply
a way of 
adjusting 

to what felt
to that out of place me
like an absurd situation
see

where i stand is usually
a little to the left of
the frame and cocking my head
is just trying to see things

the accepted way
anything coming from 
my tilted mouth
that spills wrong

doesn’t have
much of a chance 
of landing well
for Them


Trolls

They think of themselves
as mere campaigners
in a big, big war.  

They inflame
wherever they sit. Ignition’s
a self-granted wish.

They have hands full of triggers,
are willing to pull them
to get their way.

They opened up this casket 
and now they’re going
to have to lie in it.

They didn’t see that coming.
They never see it coming; it’s why
they never go away.

Look at how scorched the earth is
everywhere they’ve been. You’d think
they’d be longing to chill by now

after all this burning,
but not them, never them. 
They dig the heat out of Hell,

swing it around,
then blame the fuel
for turning to ash, blame the burned

for being burned, blame the fire
for burning the burned and
the fuel. Then they 

whistle their innocence,
and look for someone to hand them
another match.


Broken Edge

I like to talk about
my broken edge the way
every regretful mouth
still likes to form
rotten words
it once said with glee;

I like to talk about
the old days as if I was
some pioneer fighting off
cholera when in fact
I sniffled far more
than almost died;

I like to nod my head
to songs I don’t remember well
and pretend to anyone watching
that every note is a past epiphany
although I was not present
the first time they were sanctified;

I like to claim what I never was
but only for public consumption;
I like to play the nostalgia game
but only when it wins me what
I didn’t have back when; I like
my broken edge the most, 

though you can’t break an edge
that was never there.

 


Walls Of Bones And Blood

Until you are by law under suspicion
for your face, do not speak too proudly
of the need to obey any other law.

Until you are by law under threat
of becoming slave or slain for walking
your path your way, do not claim

that if you are doing nothing wrong,
you have nothing to worry about. This 
is not a tale of unlawful doing, but one of 

unlawful being; unless you have lived
where you are always at war, or where war
always simmers just under boiling, do not speak

so confidently of the need for restraint,
do not sternly scold broken windows
in a landscape where everyone’s a casualty

by definition. If you live where that
is not the case, you likely live 
in a fortress made of bones cemented with blood

and unless you can see your own bones and blood
in those walls, don’t scorn those who are sick  
of seeing their entire past, present, and future there,

and who then attempt to tear it all down.


A Lie

A lie is a lie is a lie.

Long chains hold us 
to our pasts. We claim
to have cracked their locks
and are now free of them, but 
a lie is a lie is a lie; 

we give our faith to 
such talk, choose not to hear 
those who still bear 
the weight
we claim to have thrown off;

it’s clear that we are not fooled
but are in thrall to our lies,
and a lie is a lie is a lie;

our lies form a base on which we build
those truths which may in fact be true
in the small scope of our own small lives
but which are bitter 
jokes in the lives
of those whose backs hold us up; a lie

is a lie is a lie. We lie with our lies
when we sleep safe and sound
in our safe beds; to lie
in those beds is to lie in and on
a bed of lies and what is safe,
what is sound, what is
a sound sleep

when each breath we take in sleep
is matched by those whose breaths 
are long since — and even now —
cut off, choked off, stopped
by blood in the throat? How is it
that we do not dream
of blood
come to drown us

when we lie down
when our lie is a truth for some
and not all?
If it is a lie for some

it is still a lie,
is all a lie, 

and it’s no lie to say it kills.


The Chastisement Of Christopher Eggplant

Christopher Eggplant — so called because he always seems tightly skinned and shiny, and because in the right light when showing his usual level of vague expansive derision at all things not Christopher appears also somewhat purple in flesh tone — Christopher Eggplant may have just given his final lip to a dangerous man; as usual not knowing when to apply the brake to his wit, he has decided to tease a large and surly pale laborer at the next door construction site, a man who having finished work for the day is sitting in his silver Buick with the door open chugging a tall Colt 45 and loudly singing the hook of a popular song in a surprisingly thin and pitchy tenor voice; to which apparent provocation Christopher Eggplant has responded by calling out to the man his sarcastic appreciation of the tune, calling him by a brutal parody of the name of the heart-throb who has made it a hit; the man’s comrades upon the job are starting to trot from their own cars and drinking spots toward Christopher Eggplant even as his target rises himself from the Buick no longer singing but with a strange blank look upon him, almost as if he has become some kind of machine, almost as if there’s something inside him that has turned off any sense of irritation, almost a contrast — although more of a goad — to those who are approaching with anger on his behalf, or fear for Christopher Eggplant as they seem to know that something deeply awful is about to happen, something that only the most depraved among us would be so excited to observe, and as I am excited to observe from a distance I feel thus depraved but will not lift my own finger to help Christopher Eggplant as none of us who know him from the neighborhood will, as time slows to a crawl, as the danger surrounds him, as we take a deep and uneasy satisfaction after taking years of his abuse at the prospect of watching him fall so awfully, so wetly, to the infertile ground.


Decolonized

You grew up as expected,
fit prescribed dimensions. Then

you met some people
you weren’t supposed to meet

and did some things
no one had planned you would do.

You began to grow in some areas,
shrink in others, shrink

from some others while growing
toward others, toward people 

largely unplanned for by those 
who planned you out.  

Now you’re scared of the flag they revered,
scared of the uniforms they obeyed,

and they’re a little scared of you in return —
or so you’d like to believe. It’s possible

that they don’t see or hear you at all now.
Wrote you off, a failed experiment. Wrote you

into a narrative that preserves their own.
That’s how it started, after all:

with you fitting into their story.
Now you fit into it by no longer

fitting into it. It’s all win for them,
and for you too once you choose

to let their story go
in order to embrace your own.


Sad Player

Does not matter
how many instruments you buy
how rare they are
how odd they are
where they’re from —

if you are
that sad kind of player
who twists fingers
lips and lungs
into knots trying
to transcend
by sheer mechanics
the spirit of the maker
the spirit of their time and place
the blood in that soil and 
the tears and joy that fed it — 

if you’re that player
take a seat 
and learn first to sing
Make yourself over into
instrument
Seethe and roil with
your own blood

Then go back
Untangle your parts
from your head

Play now
sad player
See if you have stayed
the same kind of sad


You Could Have Been An Eagle

Suspend for a moment
your faith in the orderly
progression of time.

Discover your first image upon
abandonment of that notion is of
an eagle chick not yet fledged

tumbling from its high nest,
then suddenly sprouting feathers
and flying to avoid the drowning

promised by the lake rushing up
from below to shatter the bird.
Don’t you feel better?

Things, at least in your head,
don’t have to make sense to work. Imagine it
as having left your mother’s purse

in the jailhouse where she died
and going back to find in her cell
baby pictures from the wallet

(pictures of you sprouting wings)
plastered everywhere. In the visitor’s room,
some have been made into posters:

“Have you seen this bird? Have you seen this child?”
It’s got some kick 
to it, this fantasy, doesn’t it?
It doesn’t have to make any more sense than that. 

Go with it, rinse yourself 
in the milk of it,
taste the reminder

that before anyone slapped you dumb
with education and indoctrination,
you believed you could be an eagle

when you grew up. How bitter it is
to have remembered this so late in life,
when your mother and father have long 

passed and can’t possibly soothe you.
You could have flown, been
iconic, been in this all the way.


Man In The Jar

There’s a man in a jar
on the high shelf. Not preserved,
not pickled. Just sitting, 
alive (it’s claimed), walled off,
visible. Maybe he’s angry,
maybe terrified. Maybe
he’s feeling an emotion unique
to the walled off, the exhibited,
the left on a shelf. It would be good
to have such an emotion — not to
have it for yourself, not to feel it,
but it needs to be described.
It’s new to us, new to humanity. It’s 
a function of how so many of us are
connected without having any feelings
for each other. We fake it a lot, though.

Perhaps the man in the jar on the shelf
is tired of faking. He’s rocking the jar
now. He’s getting it closer and closer
to the edge. It’s going to fall and those
pieces are going everywhere
and chances are
he dies in the fall.  

Let’s watch.


Salesman’s Blues

Originally posted 6/18/2008.

In town for a convention.

When not at a meeting or the booth
lives in the back corner of the hotel bar,
alone over soup, a salad, now and then
a rare steak, always
the drink, always the glass.

Right now, running
a finger around the rim

of the tumbler: two rocks,
single malt, half gone.

Half gone as well
the old tie — worn as a slack noose,
silk darkened at the tip
from fiddling with it
under conference tables,
in airplanes, in 
traffic. 

Looks down,
notices the staining

and says, “Man, if I still 
had the money
for every tie
I’ve had to buy in a rush
from a hotel gift shop
before a meeting 
where I had to look my best
or risk losing my confidence or
maybe the account,
I could have retired
by now.” Strips it off,
a superhero changing
for battle. 

Downs the last
of the drink, slams
the glass, gets up to go 

back to the room, getting
far away from people
laughing at the TV,
flirtations, deals
wisping on the air
like smoke foretelling fire.

Says it’s only temporary.
Only till things get figured out.
Only till all the obligations
to others are fulfilled. 

Offers silent prayers
to whatever has made happiness
such an overpriced commodity
that one can survive
on selling it to others
while living entirely within
a fantasy of making enough
to buy some of your own
one of these days,
sooner rather than later.

Falls asleep
trying to decide
what tie to wear tomorrow.


That Poser’s Life

Disappointed that my body
has pushed through another night,
I flush with anger for harboring 
such desperate selfish longing 
for an end to this cycle 
of sleep and wake 
and sleep and wake
again. 
I live a poser’s life,
keep enthusiasm for living
a sword-arm’s length away.

It’s such a privileged life,
such a privilege to be alive
and yet want to die 
without moving a finger 
to further that desire,

a privilege to feel entitled
to an easy passage.

Once, years ago,

I took the steps — bought the pills,
bought the razor blades,
tried more than once to use them.

I learned from those attempts
that I am a coward when it comes
to getting what I want, or what
I claim to want —

for perhaps I don’t want to die at all?
There are those who tell me that,
who say that what I did not do
I did not do not from cowardice,
but through the body’s stone resistance to 
the fact of finality. Something
within held me back. Maybe 
that’s so, but I can’t shake off
another thought —

that the reason
I did not succeed
was not from fear of pain
or afterlife censure, but from
the suspicion that once I’d crossed
I’d find everything there
to be much the same 
as here,
and once I was on that side,
there would be no way out.

So instead I wake up daily
dimly disappointed that I have
done so yet again, ashamed at
my inaction and my lazy wish
to have it handed to me in my sleep,
embarrassed when I think of those
who fight each day not to pass,
jealous of those who die in their sleep;

now and then each day
I push myself to feel 
a modicum of hope
that tomorrow

I might rise and know
something of what it’s like 

to be glad you’re alive.


USA

Not so much
a hierarchy 
of classes
as one of castes here:

Greenback Caste, 
Faint Hope To Prosper Caste,
Edgewalker Caste,
Underwater But Bobbing Up Now And Then Caste,
Bottomed Out Caste;

solid, none too porous,
none devoid of nuance,

each with special provisions
for how 
you or your parents looked,
how you live and love,

how you are what you are;

not splintering, not 
softening, not becoming
more pleasant.

Easy enough now
to move
down the ladder. 

Harder than ever 
to climb it.

Nothing
this vertical can stand
intact forever — 

it cannot stand
but i
t will take more 
than talk 
and lightly scuffed skin
to tear it down.

It cannot stand,
and when it comes down
it will come down hard,

stone from the sky
falling in fire, wailing
a storm behind,
splashing everything
with ruin
right down
to the last greenback
and marble arch.

The Pyramids remind us

that even with massive slave-built bases
that made them strong,

that even while stripped and roughed
they remain impressive to this day,
after all is said and done
they are today
just empty tombs
for men who long ago
turned to dust.


Forensics

Originally posted 12/27/2012.

We’ve exhausted all leads;
the clock’s running out. People
died. Who and what
to blame is all we care to know

but we’re broke and broken 
and we’re out of time. 
If we want to get past 
who did what 
and learn how to stop it

we are going to have to start time again.
Build it all again differently —
more windows and doors,
fewer walls.  Most of all,

we’re going to have to
build a better clock.
Something with longer hours,
days, years.

Something based on
the Mayan model,
perhaps.  Something
with resets.


Not Enough

Not enough.

Does there really need to be
even one more line
explaining 
how little I’ve done
with my talent and 
soul? How little 
I’ve sweated, how small
my reach has been?

No.

Enough.

There’s still time.
There’s work.
There’s breath.