Tag Archives: poems

The Last Bottle

The last bottle,
once knocked over,
drained quickly.

When someone
set it right, there was 
less than a quarter remaining.

At that point
someone far less thirsty
than we were threw it away.

It drained its last 
into the trash bucket.
We were left wanting.

Any of us
would have taken that little bit
to tide us over.

Any one of us
would have shared it
with the others.

We died 
thinking of the one
who threw it away,

no doubt with the best
of intentions. No doubt
that they saw themselves

as virtuous, perhaps even
slightly messianic. 
No doubt in our fading moments

that had they even seen us
sitting there parched,
they would have pitied us.


Spooky

Spooky
the black cat 
is missing 

the neighborhood
snoop who would
let you pet him

anywhere anytime
as long as it was only
on his head

Been gone a month
now and we’ve seen
a silver fox and coyotes

around of late
City predators 
bolder than in the past

It seems to be
a predator’s moment
right now so

I’m not holding out 
much hope for Spooky
However hope is

one of those things where
a little goes a long way
and tomorrow is 

the shortest day
of the year so it can 
only get brighter

and even if Spooky
is gone for good
we can hope that 

somewhere he’s
fine and thriving 
even as we look out

into the city night
for unaccustomed 
predators at the door

as we do every day now
peering into every corner and under
every rock

into every office in city hall
and into every Church of
Fox and Coy-wolf Triumphant

We treat it like a prayer
to listen to the news
and cross our fingers 

for Spooky either
to come home

or find a new home


No Lines No Seams

They keep asking that old question:
which half of me is 
Abruzzese and which is 
Mescalero — a question

as old as I am and
maybe older if you think
of how many generations
before me had to hear it —

and if you think about how often
I’ve heard it myself,
you’ll understand that it’s gotten
pretty Goddamn old for me as well.

Tonight I’m looking at myself 
naked in a full length mirror
and can’t decide — where, exactly,
are my sections? Am I

Italian waist up? Apache
waist down? Brown left,
White right? Maybe the divisions
are within? Maybe I’m

a blend — always in flux,
swirling like coffee with
milk? Maybe there are
no boundaries at all within me?

Dammit. No. I seek the physical
proof tonight that would 
contradict that — some slight
configuration to explain me

to the open eye. I’m tired,
tired of living inside this body
that screams one thing to the world
and holds another back —

I’m tired, tired of my entirety
being invisible, tired of looking
like a lie to myself, tired of how
ridiculous I feel for feeling this way

on days when I am not secure
in full knowledge of myself.
They cannot understand, when they ask
me that question, how old it makes me feel.

One more night before the mirror.
One more night in search of myself.
One more night trying to answer
someone else’s questioning of how it is

that I am both and neither, and all at once
I break the mirror and see it as
the beginning of becoming visible
as a whole being, no lines, no seams.


So Much Has Slipped

In Austin
someone I know once threw me
a small bag of weed
as I stood in a hotel elevator
surrounded by 
cops on vacation.

I’ve been to some
cracked moments
while on the Journey.

In Venice
I stared down 
rapacious gondoliers
and watched
from an unsafe distance
as students
in Piazza San Marco
rioted for lower tuition.

I’ve been close
to the fur-gloved hands
of Fate often enough.

Sat at a university president’s desk
during an occupation of 
the administration building
in Amherst. Was in the rush of bodies
that broke the glass doors when we 
stormed it. Was one of the last ones
to leave next day at sunrise,
weary and jubilant all the way
back to the dorm; cannot for the life of me
recall why we were there.

I have forgotten more of my life
than I have lived, I think. Forgotten,
I think, how close to the front lines
I’ve come without ever engaging,
how clueless I have sometimes been
about the breath of history and disaster
on my neck.

I watched the Towers fall from less
than two hundred miles away and watched
friends die on television as they fell
and sat in an empty office for hours after
breaking the news by phone to other friends,
some of whom 
could see the smoke
from their rooftops, 
some of whom
were thanking their stars

for the blessing of escape
until they heard from me. 

I have been the Angel Of Death,
posting open letters to the dimming light
in beloved eyes,
all in the name of holding on
to whatever I could
when so much else 
has slipped.


Clearcutting

Clearcutting
began years ago: the ground
in some sectors
is nothing but leveled
stumps. We
didn’t always know
they were
there until after they’d
left but
when we tracked sawdust
into our homes
and looked out into what
we’d once called
“forest,” we saw the white disks of
stump-tops
shining in the moonlight.
How were we
to build now that the stuff
of worship
and sustenance were gone?
We never took 
more than we needed and now
there would not be
enough. There would not be
enough and we
shivered and stared into
the barren night
until someone — one of the children
or an elder, it’s
still not clear — someone drew
a handful of seeds
from their pocket and gestured
that there was
room now we could fill anew,
and we fell down
and wept for the loss while
planning
to sow for the gain.


Maestro, Virtuoso, Aficionado

Revised from 2011.

In the hands of a virtuoso 
even a decayed instrument, 
ignored for years, attic-bound,
can make a music strong enough 
to bend walls.

Maestro
my maestro
play on 

I don’t claim the title for myself 
but my age being its own reward
and punishment at once,
I live toward the words 
maestro and virtuoso 
as if they were mine to use.

Virtuoso
I am aficionado

Maestro
I am waiting 

What do I call myself now when,
with my instrument all but played out,
I cannot help but seek a clarity
in the use of a single string?

Ossessionato
I am obsessed with the hunt

Maestro
I am forsaken

I’ve been told that nothing made on the single string
is performable,
but here I find myself facing an audience
who expect performance.

Maestro
I am the impression of you only
Aficionado
Ossessionato

In command of the single note
and — of course, now I see!  
In command of the silence
around it, 

Maestro
I am aficionado
I cannot stop this
Am no virtuoso

Can one perform silence?  
On stage, perfected, I do nothing.
The audience expects something —  

but how to replace this?


The Stick

When I was a boy
we had a washing machine
too small for the loads
we stuffed it with and by the side
of the washing machine

we kept a maple stick
cut from a tree we’d cut before that
to heat the house

and when we washed clothes
we’d come back into the basement
after it started and use that stick
to push the dry clothes down
into the water and the suds.

Over time it became smooth
and was bleached white and all
the bark was worn away as if it had
been whittled. It may sit there
in my parent’s home
next to the machine still as far as
I know,

but I am certain that I have become
like that stick that I have suddenly recalled
out of nowhere for no apparent
reason. Maybe I feel whittled
by the constant wash of living like this,
living a life too small
for the loads it’s been asked to handle,
stuffed with them over and over and yes,
I’ve been worn to a splinter trying to cope,

but I’m still here, 
a bleach-sanded artifact
of what was once 
a grown-up, cut down
and sectioned out
and plunged over and over into 
agitation, but somehow
useful still, and perfected
for my purpose, and good
to the touch;

how can anyone say
neither the stick nor I
have not fulfilled
our destiny?


Satisfied And Entertained

A small thudding
in the room. One of
the cats is staring
at the window.

One of the daily woodpeckers
is on the feeder and it’s quiet enough
to hear the bird — can’t tell if it’s
the male or the female — slamming 
its beak through the grid into the suet
over and over again.
I get close enough to see it’s the 
male and his partner’s out on the
farther feeder doing the same.

I don’t know much of them for certain, of course.
I know their colors and what the books
tell me they mean. I know there’s one
of each human-gendered example out there
and they come every day like this to feed.
I don’t know if they are a mating pair
or even if it might be different pairs
switching off all season long.  
I know both cats are fascinated by them
and I might be too.  I don’t know
why it matters or why I become anxious
on the rare days they do not visit. 

I know that even when I’m dead broke
I keep suet and seed cakes in full supply.

I don’t know where the money to pay the bills
is coming from 
but I know two cats and two birds
who stay satisfied 

and entertained
and when the fat gets low outside,
I know how fast I step into the snow and cold
to fill it up again.


One Week From Thursday

As matter-of-factly as could be,
they announced the Closure

everyone had been seeking
would be here very soon,

on a yet to be determined date.
No one had really ever thought

they’d get there in this lifetime,
but here it was, officially, with fanfare,

paper rain, and balloons. Closure
at last. The Emotional 

End Game would be played
to a stop on a big field, nationally and 

globally broadcast, and no 
ties would be allowed. There would be

clear winners and obvious losers,
appropriate prizes and genuine remorse.

We got ready. Cleaned out
the closets and pulled strings of lights

from the basements, tried to cobble
up some festivity for this once in a lifetime

festival of Closure. We sat the kids down
and told them back stories to explain

why Closure was so important. We had
threads and comments running 

for days, so much so that social media
shut down frequently, and we scrambled 

off to cafes and bars to keep the dialogue
going. Some tried to squeeze in

complicated developments of ongoing
dramas to get them included in what was coming;

some dug up the past, some projected
into the future. Truth be told,

none of us knew what to expect
until yesterday when with great ceremony

they came forward and told us Closure would happen
a week from Thursday after the sun

goes down, after the lights come on;
then we’ll see a show.  

For now we’re all just sitting 
tight. No one’s fighting,

sighing or grieving much. We hold
tight to those we love in a semblance

of peace and harmony. Nod to each other
on the street. Make love as needed

and agreed upon, step into solitude
whenever we desire.  Closure is

on the way. We don’t know how it will feel
but we are practicing, and uneasy lie the heads

that must shut all these open, creaking doors
one week from Thursday, once and for all.


CDC

A well-schooled 
experience of poisonous
double talk would suggest that
if one controls 
the language, one then
controls the thought.
Science-based, evidence-
based conclusion: if not true
then why do we believe in the 
rarity of diamonds? why 
advertising, sloganeering, 
marketing, speechwriting?
We are as vulnerable as
our ancestors, curled
into word-coated wombs of
belief as tightly as any fetus,
stuffing our entitlement
into spaces too small
for us to feel comfortable
holding our tongues for long.
Let them try to chain down
this diversity of song. Let them 
forbid “transgender” or any other:
we will spring out in a birth
of allowance, saying all the 
words at once: revolt, ignore,
engage, detach, disrupt,
resist.


Any Decision Has Consequences

In a strong moment
I burn an old bridge

but find myself on the side
of that from which

I was trying to get free
and now the only choice

is to leap from a bluff
and fall into a cold river

at the bottom of a chasm
If all that doesn’t kill me

then I’ll have to get across
and climb what seems like

miles to the side
when I might be free

unless that which I’m escaping
surrounds me and already

has gotten there and 
escape was always an illusion

so in fact I have two choices
or rather one choice and a

modification
I could die in the fall 

and be free that way
or if Magick exists

I could without warning
fly up and over and land

wherever I please
and in fact never land again

until I starve and fall 
dead to the hard earth

Whichever I choose
it will start with a leap

I toss my torch into the gorge
ahead of me

bend my knees
and look up


In Between

Not for me the beautiful as
defined by the finders
of heart-shapes in
their daily bread, or

the peaceful as defined
by the beach-bound, the 
ocean-drunk,
the rainbow-struck.

For me the rim of night
at the end of
the lit driveway, out beyond
the circle of streetlight,

is the essence worth
my celebration, a boundary
between the acceptable
and the frightful; whatever

there is to be said about
the liminal, the soft lines
of division, I must be the 
one to say it: the one to call it

beautiful. Something 
has moved into that realm
between, and it seems
to be beckoning — it seems

to know me, or perhaps
it is me. I am reaching
for it, as I always have.
Neither for me the brightside,

nor do I embrace its 
opposite. I stand between
and hold out my hand to
this being crouching there:

I offer it peace. It lies down
to await my touch ahead of
my desire to name and know
this being in between.


Bad Air

It doesn’t feel as good as it used to
to breathe in this country.  

I used to fill myself with good air
in the mountains now and then

and head for the ocean on other days
to draw in as much as I could.

I’m so busy running now from morning
to morning, through mourning and grief

and rage, that my memory of the air
comes only when I stop, briefly, short

of breath.  I chop out little gusts of the past
and take in sick gulps of the moment.

I’ve got friends who will say: the mountains
are still there, and they will cure this, and others

who say there’s an ocean and a sky above it
not far away and you can suckle all you want

of the atmosphere there and you will be healed;
but when I go to the mountains or the ocean

it’s one long drag, one long inflation
before I fall back wailing.  This is

no clean world anymore.
I cannot escape into 

amnesia, somehow. I feel every razor,
every bullet.  Every burning tree, every

cloud of coal smoke or flame from 
a funeral pyre. I choke on how close

and how far it’s all come to settle in me.
The world in my lungs like glass

shards in the agonized air;
joy, shredded, bubbling

as it strangles
on blood.


Deep White Cold

Looking into 
deep white cold
as a man in shorts
walks, bent forward
at the waist, uphill
into wind’s mouth.

I’m staying in.

I’m not
that man, apparently
comfortable with
how the wind
is blowing. With
lack of heat, 
with danger of
hypothermia. 

Staring into 
deep white cold,
knowing 
I will have to
go out into it

sometime
just as everyone
does.

Knowing
I’m in it even when
I’m snuggled down,
even when I sit back
and worry,
even when 
I pull
the blankets tighter.

Even this act — this
scribble of fear —

laying these threads of dark
in the middle of 
deep white. Trying
to convince myself I am
dark and hot, not
white and cold,

and deeper
than these lines
on the screen.


You Coming Home

I come home, sit
by the window
at nightfall after the close
of a hard day,
hard month, 
hard year.

I wish there were
softer tidings
in the air.

I sit by the window,
imagine you
as the dawn
of softer days,
months, years;

sit straining to hear
whispers of
you coming home.