Tag Archives: poems

The Wave

While working on someone else’s work
strictly for my pocket’s improvement

I’ve been thinking all day of
cresting a deep drone tone

played on a dark electric guitar
as if it were a wave far out at sea

racing toward land overnight
across the whole of an ocean

moving toward the shore of a stage
where it will break

and alter everyone in attendance
with a drench of black sound

I don’t know how to create it
and from guilt over things undone

I’ve touched no guitar today to try and learn
But tomorrow — come tomorrow

I’ll put in less time on someone’s job
and bettering my normalcy

Instead will surf the deep ocean
riding the imperceptible wave in my ears

from origin to end to see what comes with it
from abyssal depth or strange port

as if I were a brave sailor and not
a prosaic and mundane slump of a man

worried about bills and chest pains
to the exclusion of making the music I’m here to make

along with words to ride the wave
all the way 
over the shelves of shore

into the high tide line
so everyone there gasps and says

they were glad to be present when it came
to be present for such a sound


I Wake Up In Despair

Revision.  Posted originally in April, 2016.

I wake up in despair most mornings.
Each day slants uphill.
It takes everything I have to climb it.

I wake up in despair most mornings
but find comfort in knowing 
things that no Pharaoh can know;

how, for instance, to pick myself up
without an entourage to help me; how in fact
to get by with no entourage, neither in celebration

nor in sorrow; how to fall down back-broken
and get back up again next day for another round
with nothing but what’s in me to pull me up.

I wake in despair most mornings. Each day
bores me: sometimes with a dull drill, sometimes
with a chisel of same and same and same again.

I wake in despair most mornings 
but find comfort in knowing
things that a boss can’t know, or has forgotten;

how to do the dirtiest bits of a dozen jobs, for example;
how to take the next step when it’s time, how to 
fix the broken piece, how not to fail

from seven AM to lunch, how to stay awake
from lunch to three PM and longer
if three PM becomes 5 PM or later.

I wake in despair most mornings knowing
how little of my life is open to me, based on
how much time I have to spend recovering from the rest of it.

I wake in despair most mornings
but I can almost get to glee in knowing
what a king does not, what they may never know;

how to run riot in the streets to spite all my aches and pains,
how to run riot in the streets with all the others aching and pained,
how to run riot in the streets knowing how little time I likely have.

I wake and run riot knowing that ahead of me, somewhere
cowering, somewhere hiding behind mere walls, 
a king, a boss, and a Pharaoh are themselves in despair,

filled with the knowledge
of their lack of knowledge
about anything that needs to be done,

and in spite of the odds and the guns
and the war any of them could muster,
I no longer share their despair.


Ghost Apples

Look at you lamenting
the disappearance of apple pie.

Sitting around all day cussing
the bad apples you have to work with.

Muttering about the past, the crust,
the way it used to be.

No one talks up old-fashioned apple pie 
like someone who thinks

the only good apple
is a ghost apple.

Those good apples, you say,
made great pies.

You can till taste them 
if you try.  We need to bake them

again.  Need better apples.
Need a sturdier crust.

Make apple pies great again,
you say. Get rid of the bad, bad apples.

I’m a good apple, I promise, one
fallen far from your tree,

and I don’t want to be
part of any pie although

I’m as American
as you know what.

Keep longing, keep
imagining old-fashioned flavor.

Those ghost apples will leave you
hungry, famished, starving,

strangling on dry crust.
Meanwhile, I’m doing fine

on a diet
of what’s in front of me,

not on what’s long gone
and left behind, 

and there’s not a bad apple
in sight.


Taking Down The Ruins

a spider
in a corner
cocooning
a beetle holding 
remains of joy
in its jaws.

mice nibbling
final hopes
spilled across
a dusty 
kitchen floor.

masses of wind
fling themselves against
windows that are
slowly but surely
giving in
to the battering.

on and on,
house by house,
block by block, 
city after town
after farm after town 
after city. 

almost all of The People
have disappeared.
anyone left
expecting to hear
other voices
hears nothing

but the sounds of

earth scavenging
what’s left and 
taking down the ruins.


23

Somebody give me one of two things:
a top hat full of noble blood

or a statue of me wearing the hat.
You can call me lord of a lovely 

principality. Isn’t it the same thing?
Isn’t a statue of the imaginary me

the same as the red juice of privilege?
I hereby declare that they are the same.  

If you give me the blood
and the statue as well, won’t I be

regal and in charge?  Go get me
the title as well, something on parchment.

I want to choose who I am
and discard what I was raised to be.  It matters less,

it seems, than what I decide a scrap of me
has to report.  All that history to wrestle

that once could exalt or drown a person
and now all we have to do is check a box

or stuff one and we are what we claim.
Easy enough for everyone.

I’m enjoying the stony hat on my head now.
I’m enjoying the hell out of my pale marble face.

I’m dreaming of what it all means,
when all it means is that I’m dreaming. 


Take A Little Trip With Me

I don’t mind your drug full eyes
any more than I mind how cloudy
the steel of my own brain becomes
under the threat of smoke. I am 
no hypocrite. I prize the undue mix
of clarity and deep confusion one needs
to get by in this climate of insult and 
anger. You have to get ripped up like
a wrecked paper crane, unfold your awareness
in pieces on a desk, try to reassemble it;
if you need a chemical to make the glue stick,
use it.  You need an herb or a pill, burn it
or swallow it.  A clear head can mean different things
to sane people now and then, and now
it might mean survival to let it go. I do not mind
your sweet muddle, your gentle fog,
for the same reason I do not mind my own. 
I cannot embrace the world today
without acknowledging how illogical
one must be to do so.


Monologue: The Nature Of God

Now and then I am challenged
to define my spirit and my beliefs,
usually by someone deep in the binary.
I see dichotomies coming a mile away:

are you a good Christian or an evil Satanist?
Are you a stupid believer or a brilliant atheist?
Do you hajj? Do you kneel? Would you
have lit the pyre or been one of the burned?

I do not speak of these things precisely
to avoid the silliness of such talk, but since
you did not ask and yet seem curious
I will say this: whenever I come to a place

where my road ends in a choice of right turn
or left turn and everyone around me urges
their preference upon me, I turn around
and go back the way I came, or I sit down

on a spot in the middle of the road
and observe the land and sky all around,
see if perhaps there is a pond or ocean
nearby, or a river or stream. 

If you do not understand this
you could never understand what I might say
about how I apprehend the nature of God.
You would not learn enough of who I am.

If you decide that I must therefore be
among the ones to be marked for burning,
go ahead: burn me.  Burn me
for what kind of fuel I am to you. 

It seems that in your world there must be
a name for everything, whether or not
you understand it. Decide later,
after I’m gone. Name my ashes instead.

I’ll shrug off your name for me
as the wind carries me off
in small eddies and tornadoes,
in all directions at once.


I Sing The Body Selected: Paul Bunyan

I sing the body selected for its utility;
today, I sing the body of Paul Bunyan.

No one knows the truth about
Paul Bunyan, secret hero
of the self-made mythos;

born as vague folktale,
dim origin story explaining nothing;
originally only seven feet tall
then grown by design to enormous size
as slim basis for an advertising myth;

rugged, near deity, holy logger,
ravenous for trees and food, good-natured
giant, honor bound to his azure companion
Babe the castrated behemoth;

Paul Bunyan is having none of it anymore.

In this long-ago opened
once-forested land
there’s nowhere to be
huge beyond simple explanation.

In this wide stretched
mythos of exceptionalism
there’s no room for his real story
as it should be told.

Paul Bunyan puts down the axe,
releases Babe to wander, sits down,
wipes his face on his shirt
and says:

done. I’m done.

I didn’t make myself into this,
I did not write myself this large
and never did I mean to be so alone.

There were camps, you know,
There were teams and squads and
communal effort and internal struggle.
There were many of us

but they chose me. They made me into a story
to sell lumber, paper towels, a useful tale
of Big Whiteness conquering,

and now I don’t recall who I really was.

So I’m done.  I’m done.

I cede the flannel to whoever
their next lonely self-made man might be;

I cede the flannel
to you, Kurt Cobain, secret hero
of all my logging, all my
clear cutting, all my
footprint lakes and axe-drag
canyons.  I leave it to you,
another young man alone,
your being soaked through
with myth and image
as was mine.
Drag your axe
through the world and leave
a deep, wide scar.

This will kill you
but they will all soon enough love
what they think you were.

I cannot tell you it will be worth it
even if you lose yourself in it.

That’s just how things get done
these days. That’s just how
the place runs. It needs
its hardworking lost men.
It needs them to be alone
when they vanish
into history.


Singing the Vision

People say,
honor the light inside you.
I say, I do honor it.
I honor it by allowing it
to cast the shadows it casts.

People say,
it is better to light a candle
than to curse the darkness.
I say, why would anyone
curse such a warm blanket
as darkness?

People say, go into the light.
I say, yes, I do —
and then I turn around
and adore the spill of deep night
from which I came,
and I turn and run back into it.
 
People say, oh my,
why can’t you be happy?
I say, I am happy —
I am fully in the folds of joy,
though not without sorrow
backing it like a quilt,
like the lining of a curtain
which holds back the light
and the eyes of the prying people
who cannot imagine this
quiet, this sacred shade.
 
People say so many things
that turn life into a switch —
light on, light off, this is good,
this is bad. 
I say, here is the idea
of the dimmer, the fader,
the deepening. I say
 
I’m in the midst and from there
both sides seem to beckon me.
That I stand in one to better see
the wholeness of the other is my
role and calling. I cannot stop singing
the vision long enough
 
to take time to entertain
what people say.

Crucial Bloom

In the first moment of flesh upon flesh,
spirit begins to open one of its blooms.

How one approaches that aspect of spirit afterward
depends on what one felt in that moment. 

There are approved myths that tell one 
what that feeling should be;

one says, one should, one feels, one does…no.
Talk to me, talk to yourself, take agency.

Let go of the impersonal, the passive voice.
If you bloom yourself after, then bloom. 

If you don’t — ah, do not even listen to me. Just this:
the myths call it “deflowering” as an insult.

Take your fragrance and beauty wherever you find it.
Spirit is a different field for everyone

and there may be a carpet of flowers in yours,
or none at all. 


Migraine

the first in years.

seems to be screen related,
lays me out and leaves me retching
when I stare too long
into the light and dark of it.

all I’ve got in my head
is a deep blue mistake
rimmed in white daggers
for the last several hours.

still here. 
still doing it.
still staring.

this is the most american thing I’ve done today:

given myself
excruciating pain
through the act of discussing
excruciating pain 

and using the source of
excruciating pain

to do so. 


Retail Therapy

When I am lost and disconnected
my retail therapy
is to buy a new pipe
or flask. The process
of breaking in distracts me:
do I go with bourbon or Scotch,
dense purple or loose green? At the end
I’m still lost and still disconnected
but warmer. I own a lot of flasks
and pipes, but can always add more
and that gives me something
to look forward to.

When I’m less disconnected
than enraged
my retail therapy is 
to buy a folding knife. Do I go
with assisted open or simple
old folder, liner lock or frame lock
or old school switchblade
from a disreputable source? I tell myself
it’s the workmanship that draws me, 
but I know better, you know better.
I own a lot of knives: not as many 
as I once did, but I can always buy more.

When I am lost and restless and need
to reach out on the deepest level, seeking,
my retail therapy is to buy a guitar.
I lose what little sense I have and
the last money in my pocket for the joy
of stumbling the same old chords over
the stiff strings of something new, and even if
nothing or no one answers, I try.  I struggle
toward nothing new with the same hands
that I’ve always had, I try. I own fewer guitars
than I used to, but then again, I try less, too.

When I am broke, I write. 
I don’t have to feel anything
when I write. I don’t have to 
pretend it’s going to work
this time. I don’t have to pretend
I know what “working”
even means anymore.
Is any one poem
better than a pipe,
knife or flask?  Is this keyboard
better for me than a fretboard?
I can’t say. I just know
I’m broke more than I’m not
so I have a lot of poems
and though I’ve not spent a penny for them
they still cost me plenty.


Reenactment

There’s a shooting —
maybe at a school or 
a night club —

or an injustice — rights
being taken from someone
or a swift deportation and
separation from family —

or a scandal — a sex thing
or maybe it’s espionage
or a mix of both —

and while shaking your head
and exclaiming your now-routine
amazement and shock 
at such goings on

you are shocked and amazed
all over again when your head
falls right off
and rolls 
across the ground
for what seems 
like an eon
before it comes to rest

against a Civil War replica cannon
being used in a reenactment 

and without warning your head
gets rammed down the barrel 
and in a blast of sulfur and flame
you are flying toward the other side

your loose and empty head
having become someone else’s ammo
for this drawn out massacre called
The American Experience
and you realize

if you had just had your head
tied a little more tightly 
to something solid
like an understanding of history
to hold it down
instead of being so floaty
with reaction and awe at
the everyday more of the same

you might have avoided this

you might have at least been 
the one firing the cannon

you might at best have been
the one who stopped it from firing


Liturgy

Some say there is
a singular God,
a mad male monster.
We ought to stick him
in a dumpster and move on.

Some say God
smells like grand incense and 
is made of love and gentle words.

Some say sulfur
is heaven’s breath and
you’ll smell it forever in hell
to remind you of God’s 
withheld kiss
if you 
don’t watch out.

Some say, c’mon,
you morons, you children, 
you can’t prove God so there isn’t one.
They shit on the notion
and laugh as they make you
wipe up after.

I’d like to tell you about
the God I don’t worship
but keep at arm’s length
because of all those people
I just mentioned
but you scare me, you
whose certainty blinds you
to how often received truth changes.

This God I acknowledge
but refuse to worship
resides 
in a crack in a dungeon wall,
holds a handcuff key sacred
without having hands,
seeps 
like groundwater to the surface
in the dark and soaks the land
before growth, 
but never
causes anything to happen. 

I don’t understand it,
neither do you.
But clear as day
there’s the water, 

there’s definitely
a prisoner singing
in the dark,

and there without question
is the sound
of manacles cracking open.


Describe The Glass

Here stands
the glass.

Here stands
the question: is it
half full or half empty?

Of course we know,
intellectually,
that it’s full, always. 
Whatever that clear
liquid is, it stops where
the air begins and thus
the glass is filled with both
at once in equal measures.

To press the metaphor further,

let us pose the question
another way:
how do you feel
about water, how do you feel
about air?  Which do you
side with in your observation
of the glass before you?

If you choose air,
do you say what’s there is enough
to fill and overflow and
thus the glass is brimming 
of air, air laden with traces
of war from world over or wildfires
from half a continent over,
air which the world calls clean
and then says that
is the same thing as being 
half empty? 

If you choose water — 
do you assume what you see 
is water? Perhaps it is not,
but let us assume for the press
of metaphor that it is;
let us further assume 

it is clean water,
unadulterated, water not from, say, 
Flint or Standing Rock, with
no added solids to complicate 
the question; do you choose
water with all its uncertainties
and say the glass is bottom-full 
of water, which the world says
is the same as being half full?

There plays the news,
there lies the country — 

when you look at the news,
when you look at the country,
is the glass half full
or half empty? 
If half full, is your half full
a clean fill, if half empty,
is your half empty
crisp and honest?

When the metaphor is pressed
will you say that in truth it’s
nothing but shattered 
and the space where it was 
is now broken and boundless,
full only of wind and flood 
and storm and poison?

There stands the question.
There stands the glass.
There you stand between them,

asked to describe
the state of the 
glass when you aren’t sure
there is any glass
there at all.