Tag Archives: poems

The Evidence

Something
bleaching on the lawn:

is it bone, is it 
turd, is it even worthy

of remark today
when so much else

is immediate and true and distressing?
Something white,

pale and toxic on the lawn.
Lawn that looks like

face of a forgotten grave.
The long grass of neglect,

something white there
seems out of place,

to approach it
is impossible. To get near it

engenders fear. Something made
of recent shit or aging calcium. Something 

discarded. Something
you don’t want to look at,

something no one wants
to admit is there. But there it is

right there on a family grave
in broad daylight and we might have

put it there and pretended 
to forget about it — a bone

we took from a body, a shit we took
from within ourselves, left it

visible and obvious though we know
its toxicity could be traced

directly to us, as a crime scene
it’s all pointing our way, something

bleaching white in broad sun,
never becoming clean, left unclaimed.


Case Studies In Management

From 1989…?

1.

At the pre-shift meeting,
our ops manager
talks down
to the crew boss.

He repeats himself often,

speaks loudly,
pronounces Namthavone’s name wrong twice
and in two different ways.

He explains to me later
that he understands these people,
thanks to two tours he did in country.

“I had a lot of fun there,” he tells me.
I say nothing to this.

I am remembering
that Namthavone
once told a story in ESOL class
about his tattoos –

the script that runs
around his body,
up and down the arms,
up through his hairline at the back of his neck.

He said they date back to
when he fought in the Highlands
for the CIA against the Communists.

He said they were charms against bullets, knives;
incantations
to avoid being seen
by those who would do him
harm.

2.

At dinner,
Larry explains
how Spanish women
are passive by nature.

Again I say nothing,
recalling Lourdes and Santa
after second shift last Thursday,
standing toe to toe with boxcutters
on the median strip just off the factory property,
mad eyes hidden
in third-shift darkness.

Lourdes had just told Santa
that she was sleeping
with her man Ruben.

Santa replied
that must be where
he’d caught the drip.

I see them raise their arms
as the first cruisers arrive
and scatter the watchers.

It took three cops to tear
Santa from Lourdes,

four to hold Lourdes back
once that was done.

From where I sit tonight,
I can see the women seated
on either side of Ruben,

still bandaged, not speaking,

forcing alternate bites
of their cooking on him,

re-drawing the rules of engagement.

3.

Daniel Opong walks into work
and announces that he entered this country
under a false name
but now has established legal residency

and after ten years working here as
Daniel Opong,
wishes to be called
by his real name, Anthony Otoo.

“Who do they think they are?”
says Pauline, our personnel manager.
“That’s the third one this month. How dare they?”

I am told to fire him for falsifying his application.
I refuse. I suggest that she would do the same thing
if she were facing whatever
Daniel faced back home.

I lose. I am reprimanded.
He is fired anyway, nods when I tell him
about the personnel office’s decision,
then shakes my hand.

I apologize.

“You do not have to be sorry,
because I’m not sorry”,
he tells me
as he leaves.
“I would do it again.”

I am hoping I would.

4.

Araminta tells me
that she used to hate
having me for a boss,
but now she thinks I’m ok.

I don’t know what I’m doing differently these days,
and I tell her that.
She doesn’t know either,
but she’s sure she’s right.

I tell her
I’m not sure I agree with her,
I think I keep quiet a lot more often
than I should.

She looks at me
for a long minute,
saying nothing.

5.

The management team always leaves after everyone else is gone.
On a Friday night, we usually head to McGuire’s for a beer,
McGuire’s because we’re sure not to see
any of our employees there.

When I drive home from the bar later that night,
the apartments that line the road to the factory
are still lit and raucous.
There’s a party going on somewhere.

I recognize a few of the cars outside from the factory lot.

I don’t know who lives here.

Sometimes I think
none of us knows
anyone who lives here.


Optimism

How optimistic
the dead become with time,
their smiles slowly broadening
down there in the dark;

sensing continuity
as cardinals feed 
in the overhanging branches
in their former yards, trees
that were not large enough
to hold a feeder
when they passed;

finding peace
in how muffled
the sound of strife
has become;

knowing water works like hope,
trickling into the earth
after a needed rain;

taking joy 
in the presence
of roots.


In Case Of Blackout

In case of blackout
keep calm, hold
your edge, stare 
straight into the new
darkness as if it were
not there. In case of 
storm before that, take
shelter and hunch yourself
into a tight turtle ball.
In case of high wind ahead
of that, move out of its path
and get into the strongest
bunker you can. In case of
light breezes that may presage
all of the subsequent
disruption, turn on all the lights
in the bunker and examine
your supplies, your dedication,
your fear and rage and sorrow —
knowing what may follow,
turn your lights on and 
prepare. By the time
of blackout, it will be
far too late.


What Has Been Lost

What has been lost
in the city of rush:
the sound of
water in the gutters,
clean after hard rain.
Second floor porch sitting, 
speaking to
every person in view.

Unafraid walking
at night regardless of
actual safety,

yet even when we know
how fortressed
we’ve become,

we find a way
to at least

occasional joy.

You will sneer and tell me
of your small town 
where they still don’t 
lock their doors
and I will ask you about
what has been lost there,
ask about 
guns in nightstands,
about how long you stare
at unfamiliar cars;

you will shrug and say
nevertheless, we find a way
to smile and laugh somewhat.

Home is where
fear is manageable;

dark and light
blur into one another,
covering what has been lost

as if obscured by fog,
or perhaps by smoke
from something burning
elsewhere.


Land That I Love

Open air salt mine surrounded by trees,
broken skin broken heart redwood dog pen,
I tell you my secret wish:
if you burn, burn clean;
if you flood, flood red;
if you blow sun-high may you be
wiped free of old stains.

Blistered, bruised vending machine jail
overrun with self-guarding inmates,
I sing you my hidden prayer:
if you be hellbound, may you hellhound loud;
if you speak ironbound words,
may they scar you dark and long,
thread you with traces of forgotten railroads.

Oil pan, catch basin, heart butcher to the world,
split window fastback hearse, mistaken, glorious,
I offer you a finback wish:

may somehow you go leaping
through hardening seas
toward the last places left with soft water;
may you somehow turn to ice
and jungle and replacement air;
somehow, may you find safety,
dive deep, stay submerged, 
and learn to thrive in the absence of light.


Lil Greenie

There are so many bodies
between a frog
and its grandfather
they may not know each other
when they meet.

Think of a full pond
of offspring and grand-offspring,
how many eggs, how many tadpoles…
Gramps and Lil Greenie
easily may see each other,
croak back and forth
with no awareness
of genetics held in common.

Lil Greenie grows up
swiftly, turns out pretty 
ordinary.  One day someone
sketches him badly and 
eventually the drawing makes him
famous under a new name — they
call him “Pepe.”

He gets taken
all the wrong ways to all
the best places by some very 
fine bastards indeed. Frogs being
what they are he doesn’t care
as long as he gets fed. They put
bloody words in his mouth and slivers
of ice under his skin and he
burps out this is fine thank you
whenever he gets a chance to speak.

If you ask him what his grandfather
or great-grandfather, what
his Original Mother would think of this,
Pepe will look at you with a half turned, 
crude smile that says he knows just enough
of his ancestry to be dangerous,
which is almost nothing. 


Mist Or Mystique

In these eyes, either
mist or mystique
but not both:
either tears or a veil,
blurred vision or second sight.
You ask how those modes

cannot stretch to include one another?
Can you not cry while seeing the future?
In response, I turn from you
and refuse to answer.

I cried myself out about the future
long ago; if I cry now, it is only because
of the moment’s touch upon me.
I cannot allow myself the luxury
of pre-mourning that which I foresee;

there is too much to be done before then.


Barnwood

Don’t you love the look of barnwood
in your home? Wide boards dented
from hooves and heavy boots, or (more likely)
from chains dragged and slammed upon them
in industrial furniture mills until they meet
a mythic standard for anything made to look
as if it once had some harder use. 

Don’t you love the smell of incense
in your home? Sandalwood
pressed into decorating the nostrils
of your guests in your barnwood home
instead of perfuming the temples
where it once praised Lakshmi and Shiva
in its rising from soft flame. 

Don’t you love the dreamcatcher
in your home? The Assiniboine
net framed perfectly on the charcoal wall
over the bookcase, centered, empty of specters 
as far as you know, merely here to let folks know
you appreciate authenticity, found some
on that last trip out West,
and brought it into your home.

Don’t you love sleeping
in your home? Lying at night
on the cotton sheets, on the
bamboo pillow. Your partner
is a shadow on the other side,
more memory than solid figure
in the dark. You wish they’d wake up
and touch you. You wish on invisible stars
for that to happen. You cannot wait 
for the day to begin and fill the house
with light so that you can look at all
the pretty things you truly own.


Ain’t That America

1.
You arrive, there’s
a church ready made
for you.  A grand car lot.
Sign spinners
and blinking neon.
Plastic pennants point shaking, 
acolytes rump shaking.
Come on down, step right up,
huckster gospel hour of power,
walk on in and be approved,
drive away in your holy wreck,
come back soon for more new shiny.
Like that song says,
ain’t that America. 

2.
Stick here long enough
and someone
may slip you a whisper
or maybe you find out
for yourself 
not to trust deities
who keep eight decks of cards
up each sleeve. Who invert
at dusk to hang inert 
in their Paradise, ignoring
desperate prayers
so they can wake up 
refreshed for their new day
at the expense 
of refreshing yours.
Who play you when they play.
Who made this house that always wins.
Ain’t that America?

3.
You leave feet first,
they always say,
unless of course you don’t
and you depart while still
upright, walking around in debt
to those gods of the house
with the church and the holy tables
where you laid your life out
and kept betting chunks of it
in pursuit of happiness.  Midnight
prayers unanswered except
through the last radio left on
all night in a tired coffee shop 
full of other mesmerized folks 
singing along. Ain’t that America?


Goth Villanelle

Poem from 1996.

This night of stars that have tunneled through the dark
has kept me up so much later than I should have been up.
A cloud across the moon fills my eyes with tears.

Watching the sun vanish opened up a night of dread.
I sat by the river fearing the dead approach of
this night of stars that have tunneled though the dark

and thrown a wink of infinity against my hope for closure.
I wish I knew who to call. I wish I knew what to say.
A cloud across the moon fills my eyes with tears.

If there were distance to travel that would take me past the lights
to places where I could not see the open sky, I could say less of
this night of stars that have tunneled through the dark

and kept me up so much later than I should have been up.
In an hour the sun will rise but it cannot dim the memory that, like
a cloud across the moon, fills my eyes with tears.

Night, day, the cycle repeats with no hope of a change
until the day the fist of God slams down upon
this night of stars that have tunneled through the dark.
A cloud across the moon fills my eyes with tears.


Jeffery Lee And Skin Guitar At The Open Mic Part 2

mixed into night Jeffery Lee
found he was more everywhere than distinct

as he had been formerly and now 
that skin guitar had dipped

he saw he had been more music than flesh
abdicating his song had reduced him

he had lost his hands
nothing to grip the old salted wound anymore

missed that possibility
looked up to see star and perhaps skin guitar

if it was there it was no longer visible
Jeffery Lee dissolved at last away

back in the bar where he’d fallen into such disrepair
things went along swimmingly 

mistakes were sung
now and then someone played their entire skin 

host said clap and wow and blues and love
crowd said ooh and wow and where was I before that happened

at the star heart of what Jeffery Lee had bled out for
all was noted 

fool said skin guitar hanging there
should not have taken life so seriously


Jeffery Lee And Skin Guitar At the Open Mic

he carried it in like a wound
he had learned to live with

sat with it infantile
wondering at untutored wisdom

then struck it 
and drew forth unfiltered stream

as he played Jeffery Lee
changed himself to be Jeffery Tree

then Geoffrey Spree
exposed his nature first in slow touch with wood

then how reckless with speed
Jeffery Lee and skin guitar a blur union

the listeners sat before him in chairs
and talked of elsewhere and otherwise

Jeffery Lee stepped out from behind the mic
went outside into the night 

at that point the host paused the list
for short applause and beer 

no one went after him or saw
Jeffery Lee dissolve or his skin guitar

rising away
to the star


Shrug It Off

Amid the shock and awe at the final arrival of the long-inevitable,
at burn patterns already veining surfaces, at cities that smell like mistakes,
at villages cowering, at collapsing sea walls in hot rising surf, at isolated farms
where life’s winking out as flames consume…you’re here

where deep down you believe all that mess can’t bother you. You’re here
where you can feel the heat and think it’s…nice. You’re here
where you can watch and shake your head in time to the crackling
and you’re here where you can tell yourself that at least the art

may soon be as good as it always is under such stress.
It can’t be helped, you say.  It’s the way of things, you say.
Forget the bucket brigade, forget the hoses, forget
pulling livestock and children from the flames.  Their owners

and parents should have known better — but they aren’t yours.
You now may wring your brutal, soft hands. You need do nothing more.


Starving Artist Whimper

When at the end
a summary of my life
came down to a soft trumpet flourish
as I fell away from it,
a quick tattoo
on someone else’s marching drum,
I felt no disappointment, no
deep pain; more an appreciation
for how artfully drama may enhance
a simple, nearly-squalid demise. 
All I kept thinking as I sank was

where are you,
choir of disapproval?
Where are you,
angels of warnings unheeded?
Shouldn’t this be your moment?

Nothing came of that.
I fell away from this life
with no mass requiem. I dropped
into ooze below like a stick,
sat on top of it held up by tension 
for a while until I finally sank
and vanished into near silence.