Tag Archives: poems about poetry

Poetry Lesson

If it comes
from a poet’s mouth
it is probably a lie,
unless it’s completely factual —

or unless it’s in between,
one of those stupid things
artists do all the time:
putting a bent frame
on a picture,
deliberately scarring themselves
just to fit in. 

Facts, lies,
damn lies,
statistics,
poetry:  every one
a method of dissembling
and all of them
sometimes used
to get at the truth.

What I mean to say:  
don’t trust any of us
unless the earth nods
at what we’re saying.
 
It may take a day or two
but you’ll know if and when
your old things settle into new places
after we’re done. 

 


Job Description

There are things that can only be said
in the language once used by a small boy
who grew up in southern Germany
thirty years ago,
who made the language up
in order to talk to his neighbor’s cat
when he was lonely,

who grew up to be
a father himself, an engineer
who today
has forgotten such a language existed
and only knows he has a deep affinity
for cats who peer into his eyes
as if he has something to say,
though he never does.  

There are things that can only be said
in a language now used
by boxes in shipping containers;
vital information for us all
is encoded in a dialect only spoken 
among the bones found in mass graves;
and there it is — the Secret, the actual 
Secret Key To All is being shouted
clearly but incomprehensibly
by the stones clacking into chorus,
tumbling toward the roadside of your commute
at mile 18, right behind the sign
that dismisses this revelation as, simply,
“Falling Rocks.”

If you want to know your job,
here it is:  memory translator.  
Interpreter of dialogues
no one ever suspected 
were happening.  
Revivalist
of past carnivals
and child’s play.

If you want to know
what it takes to do this,
you’re going to have
to get out of the car
at mile 18 and learn
to duck rocks, even if 
it makes you late for 
another job.  You
will have to sleep
among bones, 
take your meals
in a shippling container;

you will have to
learn German, stare at old 
German phone books, 
stalk numerous men hoping
they are that child today —

you will have to get a cat,
maybe a few cats —

and you must hurry, for
we’ve been waiting a long time.

 

 


Definition of Art

Definition of art: Take an object. Do something to it. Do something else to it. (Robert Rauschenberg)

Take an object.

Do something to it.
Do something to it.
Leave yourself out of it.
Leave everyone out of it.

Take a manmade object.
Make it an animal.
Take an animal.
Make it a God.

Make something inanimate a God.
Just don’t use language
as a crutch.  Stay on message:
it’s God and no human
is of concern to it.

Spooning?  Leave it.
You don’t know the spoon well enough
to borrow its name.  Drop and give the spoon
twenty thousand words:  enough then, maybe,
if the spoon says so.  If it speaks somehow.

Stay on message.  God
is not a human concern.  Do
something to it.  Do something
to it.  Leave.

Do something
to yourself.  To yourself.
Then leave.  You are of no
human concern.  Art is the doing
of things to objects.  Not a
spin cycle goes by
when I don’t remember that —
put paint on the canvas, the teapots,
the broken parts of me, the do something
else to it: remove it.  Start at
washing.  That’s an art, eh?  A tough one.
You suck at it.

Take an object.
Do something.
Anything.  Do something except
blurt about your whiny puke of a life.
Do something to it instead:
leave.

 



Final Poem

In the backyard
my legacy:  a bonfire
of all the books
that explain me,

that made me
and that I then made.

In the house, empty shelves.

My directories and address books
torn apart on the floor.

Where are the pages and pages
of friends and family and contacts
and brownnosers and suckups
and slavish touchers and holders
of hem and knee?  Where are
the pages and pages of those 
I’ve groupied and touched?

Outside in the flames,
all the unwarranted names.

No scene, no family.
No crowdsourced art.
No more of this.

It’s going to be much easier now,
I tell myself. No more fires,
no more poems.  

I tell myself a lot of things.
One day I will in fact do something
to make what I say true.  
Today, I feel it’s closer
than it was yesterday.  That

will pull me through. 


The Sidewalks Outside The Poetry Readings

on every street where there’s a poetry reading
there is a sidewalk

and on it the rich folks stroll, the middle class folks 
hurry, and behind the windows the poor folks 

stand behind counters, behind bars,
behind the scenes,

and everyone looks a little bit lost,
a little bit scared, a little in a fog.

but in every reading everyone changes —
there are just poets there and people thinking about poetry 

so is it any wonder that in there we love
our detailed narratives and our persona poems

and our big broad stories told loud?  stepping outside —
bah, who wants to do that?  who among us here

in the warm hug of the poetry reading
ever wants to go back onto the sidewalk

with the rest of the foggy scared
lost rich poor middle class people?