Tag Archives: poems about poetry

The Plywood Poem

Originally posted 10/20/2008, titled “Of Plywood And Poetry.”  For Bill Macmillan.

The other day
I ripped a plywood plank in half
with a jigsaw to make a shelf
to hold books, and that was good.

To deny that there was a pleasure
in the vibration from the tool,
to deny that
there was suffering when the splinters
flew into me 
from the cut,
to deny that the books on the shelf are better
and more present for me because
I can tell you of the work I put into
keeping them safe?  This would be lying.

Smug judges tell me to keep
the poems about writing poetry
to myself. I say
kill the judging and dig
that I can’t speak of God
without speaking now and then
of church

and everything
is an act of poetry,

even
the writing of a poem,
even the building 
of a shelf to hold
the poem.


On The Muse As Sadist

Originally posted on 9/10/2006.

I was sleeping,
joyfully dumb and numb,
when you insisted
I get up and talk to you. 
I’ve turned on the laptop.

What now? 

Offer me something — a hint,

a sign, even a direct question —
and I’ll snap to it. 

Give it to me quickly if you can
and if you can’t
let me get back to sleep.

I’ll do everything I must tomorrow —
earn a living, 
make friends, 
save myself — 
and after that, I promise
I’ll come back to you 
and take down
everything you tell me. 

I’ll be all yours

tomorrow night
if tonight you will let me sleep —
there are things
more important than poetry, 
in case you haven’t heard.

But of course,
you haven’t heard.
There’s nothing else to be done, so
I give up.

My hands are on the keys.

I’m as angry with you 
as I am breathless 
to find out what it is 
that you want.


William Stafford

Originally posted 10/22/2012.

The last poems
of William Stafford
fill this room with light
when I open to them.

There are
poets who noun verbs
and verb nouns,
who never met
adjectives they didn’t
absorb, who know mostly
how not to be themselves
when they write; they praise themselves
endlessly for their own cleverness.
I can find their poems anywhere.
I often trip over them in the dark.

Reading the last poems
of then-dying,
now-dead
William Stafford, searching
for any darkness in there
that he certainly
would have been allowed
to express, but
it’s missing.
All that’s there is
light and
William Stafford.


Product Placement

If I tell you
I’m sadly listening to 
the music of
my favorite band,
is that enough
for you to see 
all I’m driving at,
or must I 
name them? If I do
will you then have
enough information
that I can avoid
the hard work of
writing this poem?

If I tell you
I wear nothing
with a logo unless
it’s second hand
but will talk all day
about the brands
of guitar and computer
I prefer, and do not
hide their logos
when using them in public,
does that explain
my corner of
our bubble well enough,
or do I have to name
the logos I won’t wear
and the logos I will embrace
in order for you to have
a peak experience 
from my work?

If I lament 
art based in 
product placement
ironically enough,
am I sufficiently distant
from the practice
that you’ll allow me
to drop a name or two
as an anchor
to sink it?  Or will I have to
write this all again
two years from now
in order to get the juicy nods
from those sage enough
to understand

that the calculation required
to rage this way against marketing
is in and of itself

a brand?


Silk Purse

He said,

“God, I’m sick of 
poets, of hanging with
poets — those cheesy 
thieves, those fame-famished
greedheads, those little-loved
deluded souls
who think the world
owes them a little regard
just because
they can make music
out of talking.”

I mustered my courage,
gathered my strength,
and responded,

“Hey…

that was a great line.
You gonna use that?”


Poem About Poetry

Once or more a day I pull myself together
and face this art too many say
is not itself a proper subject for 
art.  They scold that writing a poem
about poetry is lazy, a mark of 
having nothing to write about,

and then they sneer and slip away
to their cozy mutual masturbations
on topics of more import 
such as comparing themselves
to superheroes
or more talk of how it feels
to fuck, to wanna fuck, to be
fucking, to be not fucking…

I turn back to how I am,

to the work of speaking of everything
under the sun — even to superheroes and
to fucking, if that even needs to be said;

but if there now and then comes a time 
to sing
of how this often makes me feel 
like a superhero,

of how I’m wrapped 
in the arms of something greater
than myself when I am in this art,

of how I am humbled now and then
to see who I am through the stacking
and slashing and burning of words, 

of how now and then I get to hold
the edge of the universe before
I slip back into daily life,

when a song comes that demands I sing of this
I will sing it,

even if you  
turn away, your capes 
fluttering, your asses 
bouncing with your own joys;

I will sing it
and be well pleased
that I did not sing it

for you.


Elevated Language (Don’t Cut It)

elevated language don’t cut it:

your music’s too baroque,
the bog of it is too much
swamp to cross; quit
sending me
the long way around
just to fetch eggs.

elevated language don’t cut it:

why do you keep explaining
how things spin? just say
youv’e got yourself stuck
on a bone-strewn plain
and be done. any horror
will take care of itself.

elevated language don’t cut it:

not when the cadence of women
murmuring about justice
while at work is perfect,
not while the creative frenzy-cursing
of the just-injured is perfect,
not while the rhythm
of checkout line chatter
is staccato and glory-filled and 
perfect. 

elevated language don’t cut it

when such plain spoken melodies
can already conjure this everyday earth 
so damn well.


Advice For Young Writers

your favorite writers

will always tell you
if you’re going to be a writer
you must write

will always tell you
to write all the time

because they claim they did

and you
(following along in their wake
like sweet little sleep deprived interns
in the Hospital Of Broken Hearts)
ought to damn well
do the same

your favorite writers
are going to tell you to write
every day
tell you to churn
thirty poems in thirty days
or a novel in a month
because that’s how it works
when the Fire
is on them

that’s how the poor slobs
got to be your favorite writers

that’s how they got to be famous
one month of crazy at a time
at most for a few months at a time
and voila
the New Hotness
doth arrive

your favorite writers will tell you
all sorts of things
to disguise the fact
that they don’t have a clue
as to how this works

they assume
cause and effect
because to assume otherwise
is to make a case
for genius werewolves
vampire ghosts
and sentient zombies

listen:
if your gut tells you
the best thing for your writing
is to take a month off
or square your taxes
to screw your neighbor hugely for hours at a time
or walk your mother in the park
to watch a lot of television
and drink

you owe it to yourself
to try that

when I look at my favorite writers

I see more of that
than the cold and sober work they prescribe
for
whippersnappers
and upstarts

formulas are for chemists and physicists
writers suck at them mostly
write when you want
how you want
where you want

my beloved interns
get some sleep
this ain’t life and death

no matter how it feels
in the moment

no matter how it feels
in the long haul


Cult Of Fancy Suffering

Raise and plant my hanging cross
Tie me to it in my wine-red robe
Time to profit from agony
Which face shall I put on

A “For Sale” face of childhood anguish
A “For Lease” face of monstrous trauma
A “For Rent” face of intermittent sting
A “Discount” face of disrepair

It does not matter which of those I choose
Each says it’s time to dance for my hunger
You don’t need to believe anything you see
There’s nothing to it except what you observe

A man dancing for you while telling a bleak tale
Mid-air maneuvers to illustrate and enlighten
I’m just one of thousands joined in this frenzy
All of us mad jerking in a cult of fancy suffering 


Thursday, 10 AM

Nothing good to be said
about now — Thursday morning,
ten o’clock.  Everyone’s
at work, street’s quiet,
cats are sleeping, I’m left
with The Work and the radio
or television, depending 
on what level of pain I’ll accept
to distract me.

I hate The Work as much as I love it,
as much as I hate and love myself.  Hate
its compulsory lion-taming ethic,
its dance-card-always-full expectation;
love its ultrachic disturbance
of the astral plane, its almost-human
face. When it beckons I am at once
comfortable in and imminently fearful
of rejection from its favor.

Thrusday, 10:00 AM.
Tired.  
Losing myself.  
Beginning
to become The Work,
puppet dancer
for a distant master,
unsure of the answer
to one Great Question:  

what should the singer do
when the band enters 
an instrumental break, when 
they extend, jam, go somewhere
the singer cannot follow;
what should the singer do
when it’s early and 
there’s nothing left 
to be sung?


Retirement

People
retire daily.

There is 
precedent for it.

I am going to 
stop cold 
soon, end this 
nonsense, stop with
poems, end this 
blather and 
get back to 
what I was before

I was Seized.

Everyone
scoffs,
but they don’t understand
how little of this
has made me
happy.  

Maybe I wasn’t meant to be happy —

but I damn sure need to try and 
this is the only thing left to 
eliminate —
the only silencing
of compelling voices
left to be done,

so it shall be done.
If it takes and I live, 
all the better.  If it doesn’t take,
then I will die and then
it will take.  One way 
or another,
I shall one day
be rid of the words.


Let Go, Vanish

The goal
always is that I
will disappear
from the poem.

The goal, always,
is that I see the poem
for what it is: the Being
beyond this being,

and always the goal
is that I am to push it
ruthlessly forth
so that when it appears

it will
always be
without me
visible by its side.

Let go. Vanish,
I always say. I fail often,
succeed rarely.
I keep trying,

hoping always that one day
I will disappear entirely
into one, lay down the pen,
and know that as a good ending.


Honesty Is Only One Of A Number Of Policies

They say
you are talented
and I believe them
That you work hard
I believe them
That you are acclaimed
and I believe them
That you are becoming known
I believe them

How could I not
as I trust them
and know them to be
fine judges of such things

I just don’t find myself
liking
any of what your talent
and hard work
have produced so far
and am thus unconcerned
with your acclaim
and fame

I don’t think it’s me
and I don’t think it’s you
It’s just two
not meshing

and that happens
more than now and then
so

stop calling me out
stop arguing
and
stop trying so hard
to convince me

I have carried
no ill will
toward you
till now
Let us keep it that way

Be well
with yourself and
forget me
and my opinion
if we do not suit you


Enough Of This

There’s no need
for me to be doing this
as others are already,
and there are a lot of them,
and they are proud of doing it,
and will tell you they do it,
and call themselves doers of it,
almost at the drop of a — beret?
baseball cap?  See how strong

the instinct is, the one that makes us
find the right word
and then crow about finding
the right words? There are a lot of us.
In fact I don’t know a soul
who has never written a poem.
There’s no need for me to be doing it

other than the selfish one within
that says I’m supposed to be doing this
and insists upon doing it even when
no one’s listening, reading, caring.
Even when every kid with a pen
has stopped listening, reading and caring;
even when every geezer is stubborn
and hung up on the Roberts,
Frost and Penn Warren;
even when I myself think this game
has lost its hustle and lustre —

still, though poetry has no need of me,
just like all these others
I am superficially convinced
of the general need for it,

even as
inside,
I am deeply afraid
of my need for it.


It’s All Material

Ask yourself, the next time
you utter those words:

are you just another one awaiting
the Next Bad Thing to engage me
because my crazy
is your breakfast reading, my distress
your sustenance?  

I need a tankful of tears to run on,
a broken heart whose flailing pulse
powers a treadmill
that gives light —

that’s what you’re thinking, 
right?  That’s what you mean
when you say,

“Oh, buck up —
look at it this way —
you’re an artist and
it’s material.

“May you drown in material,
artist, may your splashing
churn up what we want — 

and may you starve as you create
because while we need you,
we need to keep our kids

from wanting to be you.”