Tag Archives: music

The Gutbucket King

New Poem.

In our mitten-shaped city 
the poor neighborhoods 

cup the wealthy downtown 
like a thumb and palm

George lives in the palm
Crosses the rich streets every day

to make coin at a job in the thumb
At night he walks back just as poor

On Wednesdays he plays
gutbucket bass in the backing band

for a blues jam at a local bar where haughty boys
bearing new Strats and vintage Gibsons

come in now and then to try and finesse 
that muscled art with their prog-conditioned heads

but count on George (who lives by his rocking palm
and two-finger slam on old thick strings)

to steady them and calm it down
to twelve bar lope when things get floaty

George leaves the palm in the morning
and crosses those rich streets to his job

Now and then on his way he catches the eye
of some Richie Rich he’s had to school

who will nod
eager to catch a second glance from the Gutbucket King

George only rarely and incompletely
acknowledges this

as they both know which side of the mitten
he comes from and 

in this life
as is in the blues

nothing is likely to make either one
forget it


An Egg, A Mystery, A Blessing

New Poem.  

The usual questions echoing
in the empty night, but tonight
something’s answering

in the shape of a 
fat chord and an imagined
horn chart, answering

with the compassion of 
a tender mandolin strummed
as lullaby

on a sultry Southern porch
over the ghost
of the failed child 

you cannot forget, answering
blue, answering street joy
Saturday night, answering

in your own amazed voice,
the music you just made
beginning to fade

but not without
leaving the knowledge
that if it can be done once

it can be done again
nestled inside you
like an egg, a mystery, a blessing.


Blues

Originally posted 12/19/2012; original title, “Blue Sex.”

This early,
this warm.
This dark
singing,
a tangled
blues;

lemon squeezing, starter mashing,
rolling, tumbling,
juice runs down our legs blues;
“can’t be satisfied — ” 
challenge, not lament;

slide ice cube
stinging it,
gliding it
fast between mouths 
and bellies;

sun will barge in
soon enough — 
how humid it’ll smell then,
our hair torn up along with the room,
‘Sweet Home Chicago” in the background.

No matter how Mississippi 
it gets in here
this warm,
this early,
this dark,

we always end up
asking each other,
“baby —
baby don’t you
wanna go?”


Shuggie Otis Sunday

Originally posted 10/12/2008; original title, “Hearing Slapbak On A Sunday.”

Invitation to Sparkle City.
The bass a friendly hand opening the door.
The groove shuffling me along to comfort
with a shout to someone unseen
to break out sweet tea and a good meal. 

It’s not much — no,
it’s everything. It’s church
softer than any formal pew,
warming me top to bottom 
on no more 
than an ember. 
Big pillow for a sad head,

holding me like a cradle I never had;
this is no offer I can ever refuse.


Play Guitar In Five Easy Steps!

Originally posted 12/11/2012.

“he didn’t leave much to ma and me just this old guitar and an empty bottle of booze”   — s. silverstein

if you thought it was written by Johnny Cash
you are forgiven a little

if you thought he was telling the truth 
you are forgiven a little more

if you hate your name too and all you have to fight it with
is your missing bad ass dad’s old guitar

you are not only forgiven everything
you are blessed

and you should forgive me
for everything I am about to say

“they’re dead wrong I know they are cause I can play this here guitar”  — weill, mann, lieber & stoller

marvel at how it took four people
to write one line

about a truth every 16 year old
with a death grip on a maple neck

learns by osmosis
from the first chord

“well I got this guitar and I learned how to make it talk”  — b. springsteen

interrogate your guitar till it owns up
to things you have never done

“the bitter comes out better on a stolen guitar”  — d. bowie

you tell me: if you’ve not yet stolen a guitar
have we even seen your bitter

“your guitar it sounds so sweet and clear but you’re not really here it’s just the radio”  l. russell

dream yourself into being a ghost superstar
by dint of broadcast ominpresence

but even the superstars will tell you
that in fact

in truth and real life
we end up most often alone

in a small room with wood and wire 
pen paper bone pain and joy

this is
what that thing does to you

welcome and
don’t say you weren’t warned


Big Joe Turner

Originally posted 6/13/2012.

Big Joe Turner could palm a jump blues
like an egg, could handle it rough
and never break it even as he smote the air
with the soft club of his voice
floating over and through.

I try it myself. I think I sound
good, as good as that.
The shell fragments on my hands
and the sticky yolk say no.
The heart of me says no too.

Big Joe Turner,
they are forgetting you
and your kiss curled imitators.
Big Joe Turner,
I’ll owe you forever 

for the mess on my hands
and the mark on my bones.

They won’t dry or heal,
no matter what others

do or do not do.


The Prog Rock Airplane Of Your Love

Originally posted 6/29/2012.

You, flying the prog-rock airplane of your love,
make the crazy leap to stratosphere.
Something comes knocking on the hatch door.

It is the object of your affection, wearing a jet pack,
holding the ring you gave her in her hand;
she hurls it into the plane and swoops away.

Your crew secures the hatch behind her.
They turn to look at you,
stoic in the pilot’s seat.

How did she fly so high as to get to you?
Some questions are meant either to be unanswered,
to be incomprehensible without a life change,

or to be aged into
before answering.  It rarely matters which 
of these is true.  What matters is what the pilot does 

with the prog-rock airplane of his love 
after it has been rejected.  Does the pilot choose
to settle into an awkwardly worded

power ballad nose dive, or to surge higher
on waves of bass triplets and Mixolydian modal guitar runs
until the plane reaches its structural limits and explodes?

You choose another way, push a tear back into its duct 
through sheer strength of will; then,
as if in a coda, you head back to base.


Tiro De Cuerda

Originally posted 5/28/2010.

Tiro de cuerda: the Spanish term
for the perfect tension
on a guitar string,

the strain that lets it cry,
a tension found one or two
turns of the peg shy of breakage.

More than once I’ve sat in an audience
and seen a player, rock god
or flamenco acolyte, snap a string 

and keep playing,
plotting on the fly a new course
among those remaining,

but have never heard
a recording that included
that sound.  It seems odd: 

that snap
would seem to be
a sound we would adore

as we are usually most thrilled
when we can witness
death being cheated.


Rocking

Originally posted 11/16/2012.

I am rocking out to music 
that once upon a time
I would have said sounded
like a series
of mistakes

Must be getting old
rocking out 
sober clean cool
tweed up
flannel down

I can rock out to anything
now that no one’s looking

Rocking out
in my empty living room
Rocking out with this
whatever its label
However many strings it has
However its hair looks

Had hoped once to die
before I got old
What a damn fool I was
I would have missed
rocking out
to a series of mistakes

I would have died afraid of mistakes


The Raw Instruments

Originally posted 8/20/2013, original title, “Hip Lament.”

Today
supersweetened ukulele. Tonight

mere kisses on the banjo, tomorrow
untroubled unplugged guitar.

Once, the people’s music;
now it sates a lust
for a chipper soundtrack
for slighter ways of life.

These raw instruments
were once rams, crowbars,
shovels.  Once, we rocked our Jerichos
with their firm assent.

Now, they are
mostly overcooked and bent;
serve mostly to ease
hip laments.

Fuck the gentling of raw instruments.
Fuck spring in the step
and no darkness
behind melody-thin walls.

Fuck simple
and bright and easy.
Fuck a depression costume
and a plinky-cute tone.

Fuck abandonment
of the dark.

Fuck smoothing
of the rumble strip in the guts.

Fuck harmless, fuck canned,
fuck background,
fuck a soothing playlist
full of nothing;

fuck having fuck-all to say.


God In The Cloud

Originally posted 12/13/2005.

Awake too late
I punch a few keys on the laptop,
find a singer,
hover there.
She sings in Arabic,
her voice a revolving sword
opening a path to heaven.

It’s still hard for me to believe
that here I am in Massachusetts
and I can search for
a song of the desert and find it.

If the air can carry Algeria to New England,
may the same air lift me and carry me
over the Atlantic, over the Atlas Mountains, over
any number of homes and paddocks
full of real sheep left uncounted
by those in need of sleep.
I will leave them uncounted myself
and shall instead slip away
when it is time
instead of forcing the moment.

I can revere the entire world these days.
I can no more lose God
on a planet this large
and this full of music
than I can lose my sense of self
in honest prayer.


Wider

Originally posted 2/26/2011.  

Most experiences make you deeper.  This one makes you wider.  — from the original liner notes of “Are You Experienced?”

The world broke
into songs
of falling pieces

played loud, tuned
to fragmentation
and eventual reassembly.

“This one makes
you wider,”
said the liner notes.

There still hasn’t been
enough Hendrix
in the air.

We still
lie on our floors,
listening,

certain the next time 
it’ll happen.
This isn’t nostalgia

but re-creation, a second chance
at getting it right
the first time.

Maybe only his world
expanded?  We’re going
to have to listen again

to his boundaries
and our memories
to decide if maybe

we can hear there
a new dawn
rising.

 


Stairway To Fela

Originally posted 8/1/2010.

I heard “Stairway To Heaven”
on the car radio tonight
for the first time in a long time.

I have heard “Stairway To Heaven”
at least three hundred times in my life,
having been born at the right time
to have been inundated with it constantly
on the radio stations of my adolescence.
I do not own a copy of it because
I’ve never needed one if I wanted to hear it;
all I have to do is hear the title
and every note
is immediately present in my head
as it was written and played,
as it was in the beginning,
is now, and forever shall be,
world without end…

In a bag on my couch
is a gift from a friend,

a recording
of the music of Fela Kuti

that I have not yet heard.

At the age of 50
I am relatively new
to the music
of Fela Kuti.
I have not heard
the music of Fela Kuti
on the radio very often,

have certainly not heard anything
by Fela Kuti
three hundred times in my life,
and
what little I know 

of the music of Fela Kuti
leaves me
breathless.

Perhaps “Stairway To Heaven” is as good
as anything Fela wrote
but I’ve never had the chance
to decide for myself.

Fela Kuti first began recording in the late 1960s,
much as did Led Zeppelin.
What would be different
if I’d heard Fela in my life
as much or more
than I’ve heard
“Stairway To Heaven?”

Years have gone by
with me hearing snatches of “Stairway”
at odd moments and thinking
that I really didn’t like the song,

but much like “Yankee Doodle”
it’s one of those things that sits in me
as soundtrack or background,
informing me, insinuating itself
into the meaning of dates and places
that might have felt different
with Afrobeat in its place.

In that alternate world
of multiple possibilities,
who knows where I’d be today?
What arpeggios
might I have learned to play
if “Stairway” hadn’t been the first thing
to rise in my fingers
when a resemblance to it was detected
in some random sequence
I’d noodled forth
upon my guitar?

If there had been a universe
where a Fela Kuti song
could have been heard
as often as “Stairway To Heaven”
by suburban American teenagers,
what would have glittered there?
What would we all have learned?
What music might we have made?
Where might we have landed?

Listening again to “Stairway” in my head
I am angry unto death
with this unchosen path
and I don’t know if
there’s still time
to change the road we’re on.


Vintage Concert Ts

Originally posted 3/25/2008.  

I’ve seen my share 
of replica vintage concert T-shirts,
all bought at Target, Kohl’s, and WalMart I’m sure;
maybe some of the rarer designs 
come from Hot Topic.  Each one
seems to have been burnt thin 
from pre-sale washing
in foreign factory laundries.

I bet no one wearing one
really understands
how it worked back
in the day, how
a concert T
wasn’t about style
and wasn’t about fashion.
They were medals earned 
for risking death by tinnitus,
honor blazoned
on 60-40 blends.
We’d compare them
at school next day
and envy each other,
swearing 
we’d never miss another tour,
tried to keep them
intact and uncracked
as long as we could…

then one day
we looked 
in the mirror,
kissed off such expensive devotion,
and proceeded straight on to mortgages
and beer guts you couldn’t hide
under any size shirt.

I heard T. Rex on the radio tonight and
can remember having Bolan’s
big platforms and rainbow swirl
on black across my chest,
big ass chunky music
gonging in my head
for two days and the shirt
telling everyone I’d gone to see
The Man.

I saw that same shirt earlier tonight on a kid
as skinny as I used to be except
his shirt was grey as a post
and scraped evenly clean
in all the right places.
I don’t know what he saw in it,
don’t understand
how you can buy 
such tastefully damaged goods
and call that fair trade
without putting 
your own time
into the wear.


Maestro, Virtuoso, Aficionado

Originally posted 10/26/2011.

Maestro
play on

It’s said that in the hands of a virtuoso even an attic-bound instrument, ignored for years,
may make music strong enough to bend walls.

Maestro
my maestro
play on 

My history being its own reward and punishment at once,
I am expected to live entirely within the words maestro and virtuoso.

Virtuoso
Maestro

What do I call myself now when, my instrument all but played out,
I seek clarity in the use of a single string?

Aficionado
I am obsessed with the hunt

Maestro
I am forsaken

I’ve been told that nothing made on the single string is performable,
yet here I find myself facing an audience who expects performance.

Maestro
I am the impression of you only
Aficionado

Under command of the single best note.
In awe of the silence around it — 

ossessionato

can one perform silence?
As maestro, as virtuoso. I must try.

I am no longer maestro
I am aficionado

Am no longer virtuoso
I am aficionado

The audience sits on their hands, expecting something more.
But what could replace this?