Tag Archives: meditations

Do What Is In Your Power To Do

On this day in history
a perfect person was killed
who should have lived longer.

A perfect person died in childbirth;
the perfect baby she bore 
died even before she did.

Think of all the perfect people
who never grew old. Ones
you knew, ones you’ve only heard of,

and ones whose existence 
means nothing to you still
as you march on into your own twilight.

Do you matter as much as they did
for the short time they were here?
How could you know?


Against Nature

Screed upon screen upon screed
of near-animal demands at full voice.

Involuntary opposition every time
at first blush of what we are sure we loathe.

We rise from bed into this
and only tumble out of this when we sleep.

If we notice a truer life in our yards
in the night, it’s only when we look up

from the steel glow of our own devices.
Out there are worlds cooperating 

beyond our wars. An opossum slips by
and a coyote chooses not to hunt

as it trots through in tandem with a mate.
What on earth can we think of

to say of such things
that is neither for nor against?


Hedging A Bet

My cat demands 
an open window. It’s
spring, she insists. 

I tell her she’s right
but she’s missing
the cold point that today

is not especially warm
despite the date 
and the recent equinox.

She herself is not especially warm;
her fondness for me
seems purely transactional

much of the time; true,
there are moments when her purring
as she lies there in the sun 

might betray affection unaffected
by treats given or favors granted,
but I never can tell for sure.

Maybe those times are payment
into a bank of future work
on her behalf.

Maybe she understands
how desperate I am
to hear it

in these up and down days
of early spring when cold
is still as much a presence here

as it has been for months
and years. Maybe 
she’s just hedging a bet.


Prep School Days

Measure once, cut twice:
terrible advice
for a carpenter,

perfect advice
for becoming
a bully.

We took Duncan’s measure early. 
Smart mouth, weak chin.
None of us were carpenter’s kids

except for him;
I was more like him
than not,

but had somehow
gotten tight with
the rich right crowd.

I grabbed Duncan
while Dickie swung
and Carl and Nick laughed.

He tried to get away
but I held on to his coat.
He hit the ground face first

when he pulled free of the sleeves
and momentum took him down.
He got up bleeding; we let him run.

Measure once, 
cut twice. Dickie
got him again

the next day as we
watched and laughed
from across the quad.

Duncan didn’t come
to the class reunion.
(Not many of us did.) 

I don’t know what happened to him. 
I only know
what has happened to me:

forever staring at my past,
getting smaller
in my memory.

Can’t say that
I’ve grown much
since. 


American Hymn

For the broken people
on the side of the road
by the shopping center
with their signs and hope;

for the lost people
in the crap apartments
on the side streets high upon
the hills above the highway;

for the terrified people
staring into the news-abyss
and knowing the edge is sliding back
underneath their feet;

for the self-loathing people
sitting crumpled,
dying to be and do no more,
dying to be forgotten;

for those somehow happy
in spite of all this, moving
at their own speed above
the misery of this town, this world;

let’s have someone sing one song
for all of us, let’s have someone
lead a round of voices murmuring
or shouting, no matter; 

whatever the melody
let’s have someone sing a song
to bring it all into one place
and pull us all into that place with them;

for those somehow
thinking we are not all under
the same song, let them open
their eyes

and at the least
behold the rest of us singing,
even if they do not choose
to sing along.


Burning Hands

Anyone musing
about burning their hands
on fire itself or even upon
the stones stacked carefully
around flames
ought to consider
the follies of what they feel
and how long it may take to gain
skin and feelings back
after the burn has ended.

You’ll be rubbing
the scars long after
they were supposed
to have healed.
You may never get
all of the sensations
you once gloried over 
to fill back in.

You do not have the vision
to see the whole truth of a beach
between tides
where the holes left behind
where children once dug
are slowly vanishing,
their walls seeping and crumbling
until they are full
of forgetting.

You have no ears sharp enough
to understand all the messages of wind
between trees in a forest.
The sound you thought was music
is gone now and all that’s left
is silence over
the browning green
on the ground below.

You have no tongue
upon which you can savor
all the lingering tastes
of a grand feast.
It’s bitter and foul
in between your teeth
and you won’t approach
anyone this way face to face.

You ought to know
that what seems grand
as you approach flames
held fast in their stone ring
is just certain fatality couched in 
gentle warmth from a safe distance,
looking like celebration
until it can consume all.


Long And Sour

To say it will be
short and sweet
is to lie to yourself.

You know this now.
Whatever comes out of your mouth
will be neither. 

You can’t use the words
without turning away
from the mirror inside.

Nonetheless: you lie and say it.
Short and sweet. You are glad
you never had kids. Glad

you never became the doctor
your parents and teachers 
said you should be. 

Glad you have never
succumbed
to the storm within,

that you stood strong
against the long and sour 
and are still here. 

 

 


A Dull Boy

I’m working
to spite 
the Furies.

I’m working
though their swords
keep swinging

and this is no
Bowie song — 
their blades cut.

I’m working
to get to the top
of what’s crumbling

so I may chance
the slide down
and hope to end up

walking away
at the bottom
while dusting it off

as a bad day
at the desk where
half my work

is already simply
praying for survival
and the other half

is about how
to settle the prayer
like a blanket

over others
so no one gets
too cold or is crushed

in the aftermath 
of the hideous,
inevitable fall. 

I’m working
to answer a call
that’s been unanswered forever.

I’m working 
to distract myself
from staring at my torn hands,

noticing they are
empty, imagining
how much work it will take

to fill them now
that they are so full
of holes.

I’m working
to shake it off.
Delusion is only useful

after work.
I’m working. It’s all
work and no play

and the only sword
I have won’t stay
in my hand long enough

to fend off a blow.
I’m working. Hold my beer.
Watch me work

Watch me work
as long as I can.
I am a dull boy,

it’s fine with me

if you turn away or yawn.

I’m used to it by now. 


Mixed Episode In Black and Red

Included as fuel
for my constant pirouette from one pole

to the other is now and then
seeing the shock of someone

who never knew till now how easily
my black and my red may blend together.

A mixed episode, they call it in the literature.
I call it a lively hell dance. I call it, wait,

don’t run away from me, please,
it’s not entirely my fault unless,

of course, it is; unless numbing sorrow
and its mad dash counterpart are my way

of living; is it a lifestyle choice?
Best of both worlds, worst

of your world? Come now, see
the acrobat tumble in mid-air

with both feet afraid to touch
the hot floor, afraid to fall through

into the falsely solid earth.
If you’ve never seen it before

let me assure you
those are indeed tears of happiness

salting my wounds, which are
mine all mine to either bind to heal

or push open and make over into mouths
crying in my skin. Maybe it’s a song

in dark and light to lead
a pirouette from verse to chorus.

Maybe you are right
to pull away as I cannot. 

 

 


Samson

Samson,
they’d say,

how your hair does float
like a river in noon light.

Samson, 
they would say,

you look almost Biblical.
Must be the name.

Samson,
they say,

looked like a promise,
raged like a broken oath.

Samson,
some say,

took a lion apart,
pushed down a temple.

Samson
has said

all he bears is the name
and none of the strength;

blind forever now,
betrayed by love. 

Samson
asks for a rest

from our expectations.
What do I look like,

he asks, some
inexhaustible myth?

Where is my hair?
What of the waves

I used to carry, what of
beauty, what of the real me?

Samson,
we say, your hair

is a river at high noon
now, a piece of mystery.

Samson, 
exalted, made into song;

Samson cries,
all I asked for was love. Not this.


Here And Elsewhere

Elsewhere is the place
I mostly want to be
The word I utter most often
The thought I hold up front

Here is all the ruin
and the whip snap of the storm
The broken glass in a bare foot
The dawning sense of wound

Elsewhere is the house
I wish was still standing
Open or closed as needed
Insured and strong and mine

Here is what I want to say
I have missed the train to elsewhere
The wait for the next one is so long
I don’t know if I can stay here


Advice

Young men, don’t speak to old men
if you don’t want to know
all the things you are doing wrong.

Don’t even look at us 
if you don’t want to know
what it looks like

after fear’s been washed out
of skin and clothes and
eyes. It’s going to look

a little different from one to
the other of course: maybe
we will look noble

or maybe empty,
or still look
as we always did,

but don’t risk the glimpse
of what may be coming soon
to a body and soul like yours. 

Sit back and let us be,
Trust me, in general
you don’t want to know

what we know —
and trust me, we will
tell you. 


Aubade

A crow
with open wings
on the neighbor’s roof.

A beagle mix 
I do not recognize, trotting alone
down the far sidewalk.

Tracks
of squirrel, cat, maybe others
in new snow.

Cars parked in front
of homes with their curtains drawn
until their mornings begin.

I forget, sometimes,
that this is also a true face
of my country,

marvel at how many
have found a way
to sleep soundly here,

even in daylight. Even
as peace is failing.
Even as rough beasts

prevail, movement
apparently free from care
and caution continues.

I am afraid
to step out. Deal
with it, I tell myself.

Like the crow on the roof
with raised wings, look
bigger than you are.

The stray dog who 
trots free to spite the law
says, deal with it.

The tracks say
deal with it, be gone 
before you are seen. 

The houses and cars 
say deal with it; safety exists,
if only temporarily.

I am the fool here,
the crazy guy, the contrary
telling you what I feel. 

It doesn’t make me
less glad for peace
outside my windows

that I am
on edge
most of the time.

I just long
to sleep in
more often. 


The Money Tree

A dozen bills
in my wallet
at the end of winter. 

Maybe now that
the sun’s shining harder
upon us, more
will grow— not on trees,
of course. I know
the proverbs too well
to expect such a thing.

I’d have
to change the world
with a violent shaking
to make that happen,
to bring us all
a true money tree.

Imagine coin buds unfolding
into tender notes, falling
into our open hands when they ripen.

Imagine plucking one or more
from an overhanging branch
as needed.

A dozen bills
in my wallet
at the end of winter.

Who speaks 
of money by bill count instead of
by total and denomination? I do,
today at least. Need to treat this
as if they are part of nature’s bounty
carefully chosen, lovingly
enumerated. To say:
I have a dozen bills today
saved all winter 
from the cold and snow.
They fold, they
take up space, are real. 
What they are worth
feels secondary

as I take them out,
clutch them in my hand,
then put them away
without looking at them.

It may be spring
but I don’t want to 
enter the pain of
the growing season
just yet. I don’t want to do
the work of abstraction
just yet. 


The Dream Of Order

Revised from 2010.

In this house
there is order

a cut above the order
in all other houses.

There is order in the hamper.
There is order in the drain trap,

order at the bottom
of the garbage disposal.

The compost heap
decays in step with a timer.

Even in the bowls of chaotic potpourri,
there’s order.

This is no place
you’d expect to find a junk drawer,

yet there it is right where
it always is in every other house:

in the kitchen, top drawer
below the most-used cabinets,

close to the most-used door;
there sits Martha Stewart’s junk drawer.

There are of course, the
old screwdrivers, twist ties,

an expired coupon for microwave popcorn
that in fact come with every junk drawer

straight from the manufacturer —
but they do not rest alone

in Martha Stewart’s junk drawer,
because it’s deep. Really, really deep.

In Martha Stewart’s junk drawer
there’s a red 1982 Ford Fiesta

with one black fender
and a donut on the driver’s front wheel.

Fifteen baby shoes.
A bootleg copy of “The Rocketeer.”

A tea-stained ticket stub
for a show in Branson, Missouri.

A purple thong, size M.
A blue hat made from a plastic bag.

A fibrous growth from a boar’s kidney.
A jammed .45 with a broken grip.

Hollow points loose in the bottom,
and a rust-caked cleaver.

A map to the stars’ homes.
A small address book bound in bonded leather,

blank except for the letter “K”
written on the page for “J” in orange crayon.

A broken rib she calls “Daddy.”
One old rose, 

and in the darkest corner,
something squirming

the approximate size of a human fist,
squeaking “I’m a good thing!

You touch it and
the wardrobe in the guest bedroom

begins to shake, the wildflowers
in the far meadow to tremble.

Martha’s far away, but somehow,
her stomach knows the danger

and she sits for a moment in fear,
twisting a paintbrush in her fresh aching hands.

When you shut the drawer,
everything falls back to sleep:

the house in perfect order,
the forks aligned in their trays,

the tissues in Martha’s body
nestling back into place, just so;

while in Martha Stewart’s junk drawer
the lovely chaos resumes its churning

and the house begins to dream 
of its brief sojourn as a home.