Tag Archives: meditations

Lurker

You will suspect its presence
long before you first see it
drunk under your holiday table,
at first cute and then 
vaguely menacing.

It reminds you at once
of an ancient, shrunken,
once-feared uncle 
discovered snoring harmlessly
in a worn armchair.

Another day you will hear it whispering, 
answering your questions indistinctly 
in a tongue once used exclusively for
fragile treaties, falsely joyful
greeting cards, and scriptures.

You will glimpse it again
hiding behind sun-faded
plastic flowers left behind
in the dirt-speckled front window 
of a defunct store. 

You’re so surprised that it has not come
wrapped in a torn flag, raging flames,
blood-tossed and bellicose.
Is it what it appears to be?
It takes a while for you to name it.

You are curious about
what it may want, why
it’s staying so close, why it won’t
come out brazenly and 
stop you with a word or blow,

not understanding that for you,
it is not going to be
as blunt and heroic
as you’d prefer; instead
it will simply lurk until it is time

then tap you
with a single finger,
say softly, “Now,”
and lead you from here
to There. 

On the way it will say
one more thing:
“Sorry, kid.” You will
eventually agree
that this is better,

but it will take a while to get there.


Be All

With a flag
or an outrage or
both

With an obvious
eagle on forearm or
brainpan

With a car or truck
as large as 
fear

With a laugh
or a smile tagged
on a tossed-off slur

With a figurative
cigar or real blunt or
other prop

With a gun
or a penis or 
whichever

With everyday carry
assisted open or fixed
blade ready response

With a patriotic
terrorist or thief killing
erection

With a superhero
attitude like a flag pole or
suppository

To end all
with muscle
and swift action
To create a legacy of peace
by forcing others
to assume your constraints

To be all American
and all Man 
A half-cocked
toy-happy boy
in a schoolyard 
you only think you run


After Migration

I am this morning,
even after a night’s sleep,
as tired as a bird 
settling onto
a familiar branch
after migration. 

As we all do when we return
to a long missed home,
birds upon landing look around 
and try to determine 
how it has changed
since last season, but

nothing here looks different
than it did before I slept,
although I spent the night
filtering all I knew through 
long dreams that swooped
over seas and mountains.

It’s a disappointment to see
things have not changed,
but maybe 
it was a mistake
to dream as a bird,

to have believed in 
my own far sight

and long endurance. 
I’m beginning to think

it all looks the same
because I am microbial, 
was merely carried 
through my dreams by a bird, 

and am still seeing 
the same small landscape 

I was seeing when I began:
roots of feathers,

bumpy skin. Beyond them
are the same 
distant sea and sky

I can see wherever I am.
Thousands of miles
from where I began, yet 
still seeing
the same world; it’s enough
to put this germ back to sleep
and decide 
that there’s no point

in dreaming at all, although I’m certain
that tonight I will again
swing low over gray seas,
carried home to morning
on familiar wings
I have never truly owned.


Too Long In Bed

Waking to wonder why
there’s no answer

to stumble across or
over?

If there’s
a statement here, someone

should make it — 
No. No, I won’t.

Been a sore and sorry night.
Am I staying there forever?

No, but
I’m not

being well today. Forgot
how, forgot

the when of the date
and time, forgot

competent
human being. It’s a

skill, they say —
happiness you have to 

work for.  I’m
underemployed

therefore and
supine in a dank bed — oh

that’s just
a weekday weak day, a

weakened weekend.
Go on without me.

Go. On and in me
is a burnt fuse —

go. It’s dark here
as I am.


Experiment

Experiment:

a name given to 
a series of deliberately planned
and executed actions taken
with an eye toward
potential success but also 
with full awareness of 
the potential for mistake
or even disaster,

the point of which is not to 
succeed or fail, but to learn
from neither the joy nor the despair
engendered by whichever outcome,
but from recording and interpreting
the bare facts left bobbing
in the experiment’s wake.

If one could divorce oneself from 
joy and despair, one could theoretically
learn much from the long experiment
of living itself,

but nothing substantial
or useful.


Death Poem For All To Learn

Originally posted 12/3/2013.

On a cold Wednesday, as I’m
putting out the trash, I see
a dead mouse on the porch

that may have died
in the act of creeping along
the siding toward warmth,

or was perhaps killed by
something but left
unconsumed, perhaps

as a warning to others
not to pass
this way?  

I lift it
from the spot
where it passed

and hurl it
into the yard
where it will become

a different message
of how every death absorbed into
its environment vanishes.

Will I even remember
next year
that I did this?

Was that why
this was written?  
Was a mouse

born and killed
just to give me 
a poem?

I think this once
then snort at my ego
that doesn’t even know

why I’m here — maybe
I’m just here to take out
the trash,

and will some day die
and be found frozen out here
with the yellow bags in my hands.

Others will nod sagely
and agree
that I was good at that.

Then, they’ll wrap me up
and put me
out of their minds.


Shucked

I own a full house
of chores and problems —

some mistakes, some missteps,
some mysteries — unstarted projects,
unopened boxes. Doors with misplaced
keys, others that won’t stay locked
and closed.

I ought to be working on them
as I always do, in a fever to get
something on paper, some vital truth;
ought to be rising with a poem in my fingers
like a key to one of those dusty locks; 

right now, though, I’m doing nothing —
rock-still amid it all, an oyster on ice, 
a stone full of joy, full of juice 
and slippery salt waiting to be 
opened and savored, 
though it will cause my death, and 
why not?
Every day I write though it kills 
because I can’t write a thing anymore
that I haven’t already written
every day forever, and no one
reads any of it though they love
having me around to bring out
in front of company, 
to say of me:

Remember?
This one used to be a feast, 
now is a delicacy 
not to be missed
though his best days are over: 
cherish him
for what he was.

C’mon.  

Stick that blunt little blade in deep
and split me, spill me,

drink me, put me aside when done.
It’s nothing unexpected.
I long ago accepted
that I’ll never be anything
but a means
to someone else’s end,
and that’s fine.
I’m good stuff; don’t feel
bad when you toss my shell —

if I’ve learned anything in life,
it’s that I was built
to be shucked.


Philadelphia Story

Originally posted 12/8/2011.

Overheard words
on a Philadelphia street
a toothless woman

a rusty gun 

Been quivering for two full days now
as I’ve tried to decide
how to steal and reuse them
in a context of my own choosing —

how to create
a suitable conversation
not slanted
to redneck imagery

Perhaps I’m quivering because
I can’t decide
why that was the first context I imagined
to fit those words

Perhaps that’s why I’m working so hard
to ensure that you know 
that I’m putting someone else’s words
to work for me

Perhaps because I myself
have grown toothless and rusty
by making the original conversation an evil to rail against 
I get to feel smiley and shiny again

Whatever the words got caught on
They landed in my ear
Now they’re trying to leave my mouth
and having a hell of time doing it

I don’t know where they want to go
Per usual I never even looked up to see
who in Philadelphia
was using them


Triptych For Polyphasic Sleep

1.
Not to be confused with insomnia
is polyphasic sleep where one sleeps early
and then wakes in mid-dark for an activity
such as sex or farm chores or writing or reading
or idle television viewing; 

when that is done
one returns to sleep and sleeps
until full waking. This is allegedly 
an ancient pattern that was common until
the advent of electric lighting broke us
of natural habits. It has enjoyed a resurgence
in the popular imagination
in recent years as we try to justify 

leaping from dream to awakening
in the middle of the night
without explanation. It sounds scientific
and right and logical and it’s soothing,
of course, to believe that there are reasons
for whatever happens to us.

2.
Portrait of a typical night’s passage
in the modern era:

evening comfort to later boredom to sleep aid
(such as cannabis or alcohol
or masturbation or exhausted rage
at the Great Unnamed)

to slumber to waking to staring 
at ceiling, at walls, at all of history
as preface to what is to come until this
kills enough urge to stick around
and see the outcome that we fall
back to sleep until the alarm sounds

and we rise unwilling to the New
that is the same Old.

3.
Polytheists might describe
the Mid-Night Waking as
a normal thing driven by local gods
at their shift change — they 
punch in and out and we’re the clocks
that register the bustle. 

Monotheists might say
it’s the moment we recognize our sins
or the glory of the One
and we can’t sleep through that. Atheists

might say we wake for biological 
imperatives long ago programmed. 
No one knows, say the agnostics.
All of them say we should try to make the best
of the time we have between the Sleeps,

although there’s something to be said 
that is not said well by any of them
or by any of us about the utility of sleep 
not merely for rest or for how it facilitates 
dreaming, but for how that unconsciousness
prepares us for and protects us from 
the fear we have of what we see
while awake; perhaps we wake in the dark
merely to take a breath before we plunge 
back into those better depths.

Maybe we’re meant to be whales, concealed
for long periods from the Light.

Maybe we’re meant to be comets,
passing through only at intervals.

Maybe we are multiple gods,
or multiples of

God, 

putting divinity
on the pillow for a spell,

learning to be comfortable
at letting it all Be.


Mashup

His mashup 
core’s two songs
run together a love song
and a death song and
how those beats collide
collude and now he is
one then another and
the mashup reminds him
of all the songs he is not 
so what the memory does
is originates and
a new bit of beat and
big tears is made from 
mashup a mix a pastiche
of what is heard over
a year or ten and now
until so many bits and beats
smash into born again and
again the yet incomplete 
core of him tells a mistake 
story and a moral is not
anything more than imposition
of a unity among elements
never meant to be found
in the same place and all this
before he gets out the door
first thing on his way to
the singular nature of
his job. On the way to work
he plays the radio because
he likes to take a risk and perhaps
add a little season to the stew
the mash the hash within and
they won’t know him maybe this time
and he’ll go through the dirty glass
of the lobby into the cubicles 
not looking like
the same guy and he’ll be 
tossed out for not matching
his ID pic and so get to go
home and this time
no radio as he has chosen not to
have ears anymore
in a bid for healing an end to 
the mashup he carries
at his core and stop
in a field and let the noise
settle long enough
as he lies there on the grass
trying to remember his name if
nothing else not caring how it is
pronounced as it can be
pronounced anyway
he wants if he can’t hear either that or
how another responds
and right now this stone
of silence sounds
pretty good.


Voicings

On TV
Annie Clark of St.
Vincent
playing and explaining
jazz voicings with a
vintage junk chic
Harmony electric
guitar

The host 
a fine player
is attempting to
play what she is playing
on a vintage not junk
Dan Armstrong
Lucite electric 
guitar but

can’t quite follow what
she’s doing to make
that slab ring and
sting such odd
angles in the air

She patiently explains
and demonstrates
for him again
and when he at last
gets it she
riffs against what he 
is playing

Guitars and
guitarists wincing
with glad effort 
Expecting nothing of music
but to be there as
music expects
something 
of oneself
to be paid before
offering any greatness
in any increment
no matter how
small

A bounty from each according to 
first ability and then 
need


Glass Or Stone

In the dirt, a gleaming bead.
He picks it up — is it
glass or stone,
valuable or
trash?

He wonders if it matters —
if it’s survived 
underfoot
on this hard trodden path
for any length of time,

it has proven itself 
worthy of at least admiration
if not adoration. Lifts it
to his eye; looks through;
all he sees is sky.

He chooses 
not to choose a price tag
to hang upon
this uncommon fortune
found in a common place,

uses the small treasure to see
the farthest thing he can see,
the farthest anyone can see;
drops the bead for the next seeker
to find; moves on.


Authenticity

Say

do you have a banjo I could borrow 

I sold mine
to the grocer’s son  

He said

he could afford a new one
but preferred to own 
one with a history  

I told him

everything I knew about mine
how it had been 

unplayed for years
sat
in a closet in my uncle’s house

My uncle didn’t know where
it had come from either
and gave it to me

It hung on 
my family room wall for 
a while before I put it in
the yard sale

It had the name “Buckbee”
stamped in the neck — manufacturer’s 
name
I looked it up once
It was
nothing special
They were not great instruments
A door to door
sales force
sold them in the 
1890s
Cheap instruments made
for folks who couldn’t afford
more — oh

the grocer’s son loved that
and gave me a lot more money for it
than it was probably worth

I don’t play
he said
but this way I’ll learn
on something authentic
thank you
thank you thank
you

so
getting back to the point

do you have a banjo I could borrow

I’d like to see if it’s something
I could learn to play but I’ll be damned
if I’ll spend money on something
I don’t know if I’ll keep doing

Be a shame to have it end up
in a closet somewhere
for the next grocer’s son to buy
years and years from now

If I like playing I’ll get my own

and that way the only history
it would have
would be ours
If you ask me

you can buy the banjo but
the history between player
and played
can’t be bought

but then again I’m not
a grocer’s son


This Has Been All

you have risen from
your accustomed seat
at the table

leaving behind
an empty bowl
once full of almonds

a few small scraps
of sharp cheese
on an antique plate
a drained glass of wine

you have left the room
and stepped

onto the porch
to watch moonrise
with new and old friends

turned from having
a simple dinner
into a life where simplicity
offers such complex chances
to glimpse the Divine

into the feeling
of satisfaction and joy

at having shared bread with others

and then under the full yellow disc
of the tide-drawing moon

to stand with them
arm hooked into arm

and shoulder
against shoulder

this night has been
a contained ecstasy
of perfected company

a peasant symphony played
behind the sharing of
almonds cheese and wine

this night has been all 
a soul needs from its body


Playground Revisited

When there’s a will, there’s a way;
when there are two wills
there’s a weigh-in,
a preparation for contest.

I looked the other guy
in the chest and said
this wasn’t going to be
good.  But enough in me

claimed the side of right 
to feel that a fast first strike
would be enough, and so
I struck first, dirty-style,

the kick to the balls, 
the worst thing defined
under the playground code.
Down he went, but I’d missed

how many of his friends were there, 
had forgotten I was old now
and hadn’t been on a playground
in years; fortunately they took

more pity upon me than the code 
would have suggested I deserved,
and I came away more or less 
intact, at least for the long term,

but I learned something that day 
about what boys some men remain
long after they graduate
from elementary school; learned

how many years a sense of panic
gained at eight can last, learned
how badly I wanted to be eight again,
and how easily that could happen.