Tag Archives: love

Truth Or Daring

“Tell me
when you were
first in love…
or else, become a narwhal.”

If my choice is to dip
into mythology
or assume
the shape of rarity,

I must choose both
and tell you that
because of the former
I’ve done the latter — once.

I was frozen, and then
I became fabulous, and when
the first had passed utterly away
I shed my horn

and it likely fell into the hands
of someone who wrongly created
a different myth from the evidence.

But I know the truth: 
that I was daring then
and she and I leaped through the northern seas
as if together we could melt the icecap.

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The Moment Of Knowing Without Thinking

Lying back after the sweet wreckage
of a good time, I never expected
feathered expectations to rise
from the bed and hover above me
and suggest that hey, this could be
the rest of your life,
you could get used to this…

yes, I lay there
staring at the bird who hung there
like star fire, like remnant Creation,
thinking of past damage, recalling
trust and its dangers, wondering if
whales felt this way the first time
they called to each other
and heard an answer, thinking of
sky and sea as field of possibility,
all things above as below;

there I lay
between all the affirmations
being offered, thinking, thinking,
not heeding the exhortation and model
of acting beyond thought
or moving into consumption as fire moves,
leaping from fuel to fuel everlasting;

and still I lay there saying to myself
that so much had happened
that trust in the moment was shocking,
that what was stirring here was electrocution
in waiting, not caring that nature
was apparent, not realizing that artificial doubts
were ready to be discarded, there below perfect wings
and above the long permanent calling of mate to mate
as on high and deep below spoke to me
of what should be;

I lay there in that hardly turned bed,
resting soft against the body of another
and said, finally, that this was not another
but part of me, and to turn from her
was to deny and turn from myself, to deny
the voice saying

hey, this could be
the rest of your life, this could be
worth getting used to, this call you’re hearing
is the voice of the possible asking to be born,
these wings are the transport you’ve awaited
since the beginning, the night is turning to dawn,
the dawn to day, the whole of all is opening,
the beginning is here…

and I turned back against her in agreement
and slept without thinking until we both awoke.

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I Like Animals

Wily
snake, no:
just snake
being snake.

Wily
coyote, perhaps,
but still just coyote
being himself.

Wily
young cat
in the window
curling the string
from the blind in his paw
and watching the light change:
maybe he’s just playing, but still
he’s cat being cat.

You, on the other hand,
wily in the kitchen calling
for me to come see what’s
going on:

a little snaky in the hips,
a little tricky in the eyes,
a little playful with the hands,

a little animal beyond naming,
and you know how I like
animals.

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The Turning Latch

An early purple
to the sky, and
I’m waiting for someone.

Trying hard,
but there’s nothing to say to anyone
but her, so I’m waiting.

Take another shower,
drink another glass of tea, and still
the waiting.

Rhyme escapes me, reason
seems paltry,
and I’m waiting.

Night’s coming on,
it’s finally cooler,
I may be sleeping soundly tonight
because of that,
but I’m waiting.

This day
goes long
even as it’s ending.

All this waiting, like
the cat at the door pretending to sleep
but keeping one eye almost open;
I laugh at how he gets up
so quickly when the latch turns.
I think he laughs at me too
when that happens.

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The Codebreaker

The codebreaker
regards the greatest mysteries
as demands on his time.

Chooses one,
inserts his intellect
like a key and hears it break
as the box swings open.

Inside,
a rose,
a bottle of sand, and
a rag gray with old tears.
The rose
a fresh bloom of pink,
the sand black as lava.

There is also a script.

What to do now, thinks
the codebreaker.  Now that I have
this, what to do with it.  Especially since
I understand the play,
but not the language in which
the dialogue is written — only
the stage directions which are in English
and this is a romance, apparently,
with an unknown lover. 

The directions on the first page
give him the next step.  He chokes
as he eats the rose, drinks down
the black sand,  and sobs upon the rag
that springs back to supple life
upon first touch of his new tears.

Begins then to look around
for the player he is supposed to address,
assuming the words will come to him.

If I had chosen another mystery,
he tells himself, it would be much
the same.  Dry throat, damp eyes,
and no clue as to what to do next.

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The Sheepdog Klezmer Orchestra

A klezmer band purchases a sheepdog to act as band mascot, and changes the name of the band to the Sheepdog Klezmer Orchestra.

In their hometown south of Detroit, the Sheepdog Klezmer Orchestra plays weddings so often that the sound of a clarinet in the street would lead to proposals and engagements.

The Sheepdog Klezmer Orchestra begin to travel widely and soon achieve a degree of acclaim.  Everywhere they go, they bring the sheepdog (known to the audiences only as The Sheepdog) with them.  He lies on stage during their sets, perking up for the dances, then dropping his sad head to the floor for the vocal lamentations and slow songs, peering out at the audience through his fringe of fur, looking right and left.

The Sheepdog is in private life named David. The band keep his real name to themselves, as they keep their own names private from the audiences they play for, using stage names — Aaron Out Front, Judith Judith, Ronaldo Star, Jonathan Regretful, Felix the Cat, and Sam The Fiddler.

Sam The Fiddler, in particular, loves The Sheepdog and is David’s closest companion in the band, walking him during breaks, petting him for long hours in the privacy of hotel room, brushing his thick coat until it shines before every gig.

I only have ever seen them play once, and am not a fanatic for klezmer music in general.  But at a wedding of close friends from college, The Sheepdog Klezmer Orchestra played for hours, and I danced and wept as much as the families did for their offspring, and I have not forgotten.

Tonight on the radio, in the early dark of pre-dawn, I heard a recording of The Sheepdog Klezmer Orchestra and thought of you again:

how your hair fell before your eyes so often,
I was always brushing it back to see them more clearly;

how I once danced and wept with you,
called both things a celebration of us;

how it seemed that a band was playing whenever we spoke or loved together,
the air itself blurred into song.

This is not to say that remembering you reminds me of a sheepdog, or of The Sheepdog Klezmer Orchestra, or of weddings or dancing  This is to say that when I think of joy and sadness mixed, and of the caring that demands the constant brushing of hair from soft eyes, of hours of travel and the rewards of keeping private what is most your own,

those moments have a soundtrack,
and you still sing to me on that soundtrack
like a clarinet, like Gershwin,
like klezmorim,
like some few weddings I have attended.

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Halves

In half my body
I keep hold on you.  In half
I fear you. When we spin in place
or twist in our sheets
I quickly lose track of where
my feelings for you are.

Did I leave the wanting
in my hands, or is that where
fear is resting now, and I
should push you off?
Do I turn my head to the right
to be near you
or to keep from seeing you?
And if perhaps the divide
is in fact between
my upper and lower halves,
well…it is no wonder
I can’t remember
where I put what.

When I see your eyes,
though,
that’s the moment when
I can feel the two sides at once,
soap bubbles pressed together
yet unjoined…

and I hold my breath
in anticipation of how
they will mix when
inevitably, they burst. 

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Wordplay

You create a new word
right after dinner
and send it out to play.
It begins with a “C”
and starts out strong
but soon trips over its own round foot
and falls down the stairs
in a heap.  You bend to pick it up
and cradle it to your bosom,
rocking it while it weeps. Chagrined,
you change its name
to something that begins with “E”
and suddenly, it has survived the fall
unscathed.  Now, transpose
its central letters and what happens
to its story?  Nothing has happened
at all,  it never fell.
Isn’t this fun?
Creating new words
that mean nothing
until you give them voice?
You can’t even pronounce
these things but they’re alive
because you breathed them.
It’s a nice power to have.

You can do this as well, you know,
with those you claim to love —
say their names as if you were in charge,
remove everything that has hurt them
from those sounds, even change the names
themselves if they carry too much weight;
and if that’s too much, if the only safety
you can offer is to give them new names
in a language you can’t speak, you learn it
as fast as you can, practicing
the words where no one can hear you,
because love is always a language
invented in secret and held there
until you have strength to let it out.

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Let’s Do It, Let’s Fall In Love

Let’s go further into
this hard world
we’ve discovered.  Take a left
turn into the wind
so our faces become flushed with cold
and the fun of the gamble.
If we were explorers this would be
the plunge over the falls
into a valley full of
anachronisms.  We should
honor the stuck pig
on the stake up ahead,
a portent of what is to come,
our love a sacrifice to some god
known only to the desperate citizens
of this land.  I’ll make maps and
build fires of palm fronds and old
soda bottles, you can weave traps
and skin the rats we’ll be living on
for our whole time here.  Dirt poor and
stinking of fear and imagination,
we’ll establish a camp and fester
beyond the known ways,
and we’ll be legends elsewhere
for having gone somewhere unknown,
at least until the day we return.

No one will believe us then when we say
it was not horrible, not wonderful,
just another place like the one we came from,
full of people just like you except
we were the first to chart it and name it
and it was ours, all ours,
beloved homeland, found once and lost
and we do not speak of it often,
though the memory sustains us.

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For My Lover, Suspended In Linen

Under
the moon, all of Cordoba
sleeps

as my lover spins suspended from the air itself
in white linen above the fountain,
glistening from the spray.

No one may see this except this dreamer,
and I dare not say a word of it —
I can hear her singing

as the scents
of cinnamon and cardamom
float past me.

I shall not speak of this, ever,
even to her. But I shall carry
this, her fragrance and the silk shine

of her above me, not goddess
but such a human, more real tonight than I,
until I close my eyes for the last time

under another Cordoban moon
that will surely rise on another night of yearning
when I am old, tired of waking life yet glad of my memory.

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A Night At The Grammy Awards

My dead TV is flashing
words at me in Arabic script.
I catch them from the corner
of my eye.  I do not understand
Arabic, but I believe these words
are saying that I must soon write
a love poem like those
from the days of Arab Andalusia.
Why not believe that?
It’s four in the morning,
I can’t sleep, and I will slap meaning
on anything at this hour
if I can rest when I’m done.  After all,

I spent hours tonight snarking with friends online
as we laughed at the Grammy
Awards, fer Chrissakes.  I don’t think
that was a waste. Anytime you can see
that much information about what is valued
in a society in one place, it’s worth watching,
even if only to examine again why you recoil
from so much of what is around you.  And
in any such exercise, you’re bound to be taken
by something — for instance, by the sight
of a nearly naked woman dripping wet
suspended above a shiny crowd as she sang
something slight and ephemeral,
exposing herself to danger and ridicule
in the name of — Art? Artifice? Both?

There were those chiming in who thought it was foolish
to even be watching such crap, some of whom
were poets who hide behind contrived stage names
and adopt personas to perform in venues
seen as ridiculous by others.  It’s all the same,
isn’t it?  It’s about money, identity, and industry bent
to the service of getting something out there
that matters to someone, that gives someone else
a chance to believe in redemption
through the setting up masks we can believe in,
to spectacle aimed at a commerce in filling
the emptiness of our lives. And I’d lay odds every love poem
we honor from the old days
wasn’t written by a pure soul.
Some of those poems
were written for money, some to get laid,
some were written by cynics seeking fame
who knew exactly how a reader would take them to heart.

If I want to believe
in finding truth in the illusions foisted on me
by a trick of the light on a TV screen,
I will.  If I want to believe that Lady Gaga
might offer me some glimpse
into something worth considering,
I will.  You find your meaning
where it finds you.  And if I want to imagine Cordoba
tonight, while meditating on the afterimage of Pink suspended,
and if I then decide to write a poem that re-imagines her
drenched by Spanish fountains
under a twelfth century moon,  singing to her lover,
who dares to say that what it took to write it
was not worth doing?  I see Arabic script
and a moistened beauty
on the TV screen, and something is calling me to write
about them, even if neither is real.
Things are only worthless if you allow them no worth.

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Dimes And Pennies In Paper Rolls

Dime by dime
and penny by penny
you fill the paper rolls for the rent
and dream of folding money
in piles and drifts you’ll need to wade
to get to the door between you
and real life
while the rattle of old windows
mocks you scolding that
you’re not going far
with cold feet and thin socks
and cheap shoes and worn coats

Here’s news for you
this is the real life
vibrating with potential
and success defined in making do
and getting by with lovemaking
at odd hours and rough moments
when there’s nothing to do
and the cable’s unpaid
and the phone’s shut off
and the gas might go any minute
so you draw together and laugh
at the way your breath comes faster
as you kiss against the broken bed
and the gritty walls of bargain paint

So faster and harder than poverty can smash your mouths
you smash your mouths in love and hard wanting
and softer than the cold wind can slip under the door
you slip into the good sleep of afterwards

Those who dare to make things work
make them work rich or poor
and satisfaction comes to the wealthy
at least as much through sex
as it does through anything else

So don’t lie alone until the day you’ll be rich
as it may not come

Bring yourself to joy
with pennies and dimes in paper rolls
and find the embraces
in the always generous night

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What Is Poetry?

I first wrote this poem in 2008 for a sick friend, the extraordinary poet Brenda Moossy, who eventually passed from cancer.  Tonight, almost a year to the day from Brenda’s transition, the slam community is mourning the passing and celebrating the life of Gabrielle Bouliane, who left us tonight after a brief struggle with cancer.  In her last days, G was surrounded with the light and love of the whole extended slam poetry community.  I offer this again, amended now with her in mind.

All of the events recounted in the poem are things that I’ve witnessed in my many years in the Slam Family.  Those of us who’ve been around for a while may recall these incidents; others in the family may have heard of some of them; still others may not know of them at all.  I hope that even those of you who know or care nothing for slam as a form of poetry will still get a sense of how we are with each other, and why we are so close, even when we disagree.

When it comes right down to it, we’re a family.  And this is for my family, above all.

Bunny up, Gabrielle, and all of us.  Love to all, tonight and always…

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

WHAT IS POETRY?

1.
a hat in the middle of a quickly cleared dance floor
in a connecticut italian club

regie announces
“brenda’s purse got stolen
along with all the cash she needed to get home to arkansas
you know what to do”

and that hat is filled in five minutes
with more cash than brenda started with

2.
i don’t even remember your names
but there we were
in a dogs only downpour
strolling uncovered toward
an impromptu reading in the massachusetts woods
and not caring about the cold and wet
because everyone was together

3.
pat’s blurred vision
sucking down all the faces
for the last time
in a nyc high style lounge
because someone went and found him
in tompkins square park
huddled under newspapers
and said
“we’re all there
you need to be there”
and they got him past the bouncers
got him in for the last time

4.
ken talking incessantly
about sleater kinney and the wars against us all
for hours and hours on a bus
breaking the flow only when we sang
“uncle fucker” to reverend bill as loud as we could
over a cell phone
and none of us on that bus being embarrassed
to dance right down the steps
and into a baltimore club
to james brown
because we were going into share
words with friends

5.
high desert outside albuquerque
four of us fruitlessly watching
a clouded sky
for the perseid shower
and not feeling the need
to say a thing

6.
angela in a cheer costume
shaking pompoms and wheezing
“gimme a p-o-e-t-r-y”
at a crowd of people who never thought
of cheering for such a thing

7.
scowling at
“these kids these days”
with another guy named bill
in a seattle diner
while two crustpunks
drop poems of the road
on a microphone that hasn’t been silent
for a week
but both of us keeping our ears cocked
and noting every word
saying at the end
“that wasn’t bad”

8.
listening to you running lines
in an empty theater before a bout
putting an arm around you when you broke down
afraid that people had forgotten you were also a poet
assuring you that no one
had ever doubted that for a second

(gabrielle, when you first saw this poem
you loved it
and now, you are in it
what can I say except
we’re poets
and this is what poets do for each other)

9.
shadowing
the modern stars of all this twaddle
and all of us knowing there’s someone we don’t know
watching
out there
hearing this and saying
“i could do that better
if i ever get the nerve
if i ever get the chance”
and each of us praying that they do
and each of us looking for our role
in making it happen

10.
the mystery
of a blank screen
an open notebook
and wondering how it is
that all things are there before us
but we’re not capable
of bringing them forth
when we can see them right there
before us
plain as paradise

and trying anyway

11.
knowing i would never have known you
without this
and being more than grateful
that I have learned who I am
because of you

12.
holding your dear
shaking hands
unmercifully but with all the simple courage
i can give you
I say
you
you are this
you are one
alone
but not alone

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Salt And Sugar

The fast over,

he supped on honey
and hard bread,

the sweetness colliding
with the blood from his gums
where the sharp crust
had cut him,

and he smiled
redly,

the full moon in his mouth
losing its grandeur to his wet eyes.

This is the happiness
I have missed, and it hurts
like swords, like a song stretched
to the limits of my voice,

he thought,

as he let old pain
fall from him
in long streams of silver
to the icy soil
of the winter garden
where he knelt. 

But oh,
how I love to sing
in the moonlight,
naked, even if
the moonlight and the winter
are within me,
at least I am no longer
hungry, and
this salt and sugar

are all I need.

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Him

HE
woke me up

had to slap him around
until he gave up
bugging me for attention

between us
I think he liked it
and I will have a hard time
figuring out how to keep him
from doing it again

because I know he will
and I just can’t sleep
when he’s like that

tried to make him happy
with bedtime stories
and pictures and movies
but it seems

it just makes him want
to bug me
even more

damn him
and his demands

him poking his head up
at the worst moments

making himself known

as if I don’t have enough
to worry about
between work and money
and all this art begging
for release

like a relapse
to our youth
when he drove me
damn near crazy
always pointing out
what HE wanted

those days
I wanted it too
but now I’ve grown up
and I’m supposed to be
more in control

and still
HE wakes me up
in the middle of the night
first thing in the morning
add weird moments of the day to that
and it’s like he’s got
my number on speed dial
and can’t help but push it
press it
any time he sees something
he wants me to see

HE ought to know better
I don’t have time for that

or to make him feel
like I share his enthusiasm

when something catches
his single-focused
eye

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