Tag Archives: identity

Ghost Center (revised)

Your ghost center
looks like a pineapple:
gray leaves for a crown,
deep scaly skin.

It breathes irregularly,
lives by remote sensing.
Seeks your fear,
sings when it’s closing in.

Its spines pressed against
the inside of your chest
remind you of waiting for
your father’s wrath after school.

Someday you’ll find it, you swear,
and core it.
Eat its purple flesh.
Digest it, get rid of it.

But until then
it shall grow without stopping.
Your ghost center claims to be
your friend, pretends it’s your heart

though it only beats
when you see yourself
in a mirror and realize
you don’t know that man.

You can feel it then,
riffing stop-time
as it seethes
and strangles from within.

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Limousine

That day, the doctor came in
looking serious.  “Mr. Brown,
you’re becoming a limousine.”

Evidently I’m carrying
passengers, and not necessarily
ones I’d choose on my own.

“Will I at least get to wear
something special?  I’d even settle
for a good hat,”  I begged.

“No, I’m afraid not,” he said in a puzzled tone.
“You don’t get to drive the limousine,
you are the limousine.”

Well, It’s not a bad life.
I’m getting used to it.
I’m comfortable

and when the noise in the back
gets to be too much,
I raise the glass and forget it.

Once in a while
a voice will catch me right
and I’ll listen longer than usual,

maybe repeat what it says
to a friend or two
when I get a rare moment off,

changing the names (of course)
as confidentiality is key in this job.
I’ve seen some wild things so far

but the strangest moments
have come when only one rider
is present.  Sometimes

they’re filled with chatter,
other times they ride silently
absorbed in their own concerns.

When that happens I make up
stories about them, stories
where I’m a player for a change.

The person gets out of me,
I turn back into my old self,
we sit on the curb and talk.

But I know that’s just a crock.
These folks don’t care about me
as long as they get where they’re going.

I sit in the lot
and wait for them to come back
for the ride home from their gala nights,

their weddings, their funerals. 
I am nothing until they board and settle in.
I don’t know what to call myself

when I’m not filled:
a car, a box,
a shadow in an unlit space.

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Fade

It’s past time
for the fade
to begin:

watch us
pretending the lines are stark
and obvious still, that answers
and decisions are clear
and unambiguous.  We can’t
live as we have, we can’t even be
as simple as we’d like to claim:
black, white, left, right,
right, wrong…simple boxes
that won’t hold our outcroppings
and amorphous truths.

Truth is they never did well
by us, forced us to compress
and cut and try to stuff ourselves
into plain cubes,
but we did what we could
and denied our ornery natures
so we could fit;
now that the boxes themselves
are shown to be fragile and breakable
we’re at a loss to explain
ourselves.

If there are no
boxes that fit us, how will we
get along in such a demanding world?

The answer is that we will fade,
let our deceitful edges
disappear into the general,
let ourselves get lost in the Big
and accept that unique
and easily definable shape is a myth
made for containment.

But we’re not ready
just yet, and we’ll remain solid
and square looking for our square holes
while everything around us gets rounder
and larger and nothing stays in one place
for long.

We long for days
that never existed
except by agreement,
and now that the agreement’s broken,
we have to learn to fade,
become obvious ghosts
who will not refuse
to acknowledge the freedom
of the death of category,
even as we deny
the new joy available to us:

the tingle of pleasure
as we pass
through all those walls…

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Ostrakon (formerly “Clones”)

A tap on your shoulder
brings you face to face
with your clone.

He sits down across from you
at the worn coffeehouse table
and begins.  “Ok, this will sound crazy, I know,

and we don’t have much time, so listen…here’s the short version:
cloning’s been around longer than anyone
knows.  You and I, we’re two of a privileged kind.

I can’t explain more than this right now,
but all of us who’ve been cloned
must choose at some point…You’ve got

five minutes to decide if you want to trade places
with me.”  You see his tailored clothes,
his air of health, his face

exuding the spiritual centering
you wish you had…Sputtering
your demands for an explanation, you stare

at the missing finger, the horrible
scar from the wound running up the back
of his hand and into his sleeve.

“Yes, that’s important, and how I got it
is a part of who you’ll be, part of how I’ve lived,
it’ll be part of how you live

if you choose to be me…but
I can’t explain any more of any of this
until after you choose,

and if you choose to remain in your life,
you will never learn it at all.  So hurry…we’re down
to seconds now…”

You stare at his face,
your face, so perfect, glowing
with what you’ve always wanted:

peace, and security, and joy
contained in every pore.
Your ten fingers tap the table,

your face looks into his,
or his into yours…is this really how
this has to happen? Do you

have to pay a cost
that can be reckoned fully
only after spending it?

You ask yourself, how can you choose
such a thing?  Remain this self or become a better self —
the greatest mystery of all time is here to be solved,

and there are only
seconds to think.
What to decide?

The cleaver is on the table now between you,
his eyes are gentle and clear, and steady on yours.
Who’s going to return to your family tonight?

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Whiz Kid Announces Comeback Tour

Gimme a wig and a mask
and something to write on
I’ll be your poodle
yelping for your pleasure

Gimme a gun and a facial
Lovely revolutionary
Stunner in the grass
with a good target in sight

Gimme the lonely charring
of a clean fire on an old life
I’ll plaster the ashes into a wall
and hang a good photo there

Gimme your answer do
o daisy o flower of passion o weed
Lumber into my forebrain
and hand me a reason to lie

Gimme some tumbledown
some relic some ancestry to defend
I’ll open a window and shove a stick in the sash
All for you and your temporary needs

Gimme a reason and a flimsy premise
I’ll be gone before my voice is thin
Ragged as childbirth in a hospital gown
I’m a dog for the training and I’m all yours

Then gimme a bed and a nightfall or two
Get me up when I can be myself
Get me a bus ticket for a long long ride
I’ll be there before morning and do it again

What I remember is that I was always the gimme
the go to the response the left behind genius
I was young once and thought I could be myself
So gimme a face and I’ll try to make it my own

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Way Station

Over there, behind the gas station,
something is ending. Nothing uplifting
about it: a man older than his age
falls asleep and freezes sitting up
on a flat rock, all his possessions around him.

In front of the station
a family fuels up, cleans out the car,
heads out to fun and frolic.  They’ll collect presents
and memories, turn around, head home
when it’s over.

The station remains.
Journeys are its business,
endings and beginnings
and transitory stops.  The attendants
barely notice the ambulance in the field

until it’s pulling out and they wonder
what happened.  One goes out back, shrugs,
collects the apparent trash, tosses it in the barrel.
It covers the diapers and the juice packs.
When it’s full, someone on another shift

will put in a dumpster and it will be carted
to a barge, sent elsewhere to rest.  In a thousand years
an archaeologist will pull it out of the earth
and demand it answer him when he asks
who these people were who left so much behind.

Nothing is going to answer him honestly.

No one’s going to understand the significance
of these tinfoil bags entombed
with a laminated, fragmentary photo of a young man
with his arm around a Vietnamese girl
and his helmet perched devilishly on his head.

They will make up stories then
of a culture full of warrior honor,
long-term family ties and care for tradition.  The infants
in the arms of the elders. The relics
were preserved together as a map of where these people had been.

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Fun

The mind
blanks in the presence
of fun…

who’s that there,
smiling and laughing?

It’s not you.  You
stay here as the other proceeds
willy nilly into the Big Empty.

You hold yourself apart
to dominate the explanation

you decide will justify
the abdication of identity.
Just a kid, you tell yourself,

I was just a kid coming out
to play.  Back in the box now, Junior.

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Ah, Americans

welcome to admitting
you belong under the flag
of scarlet
bone and
vein

unwitting
stamp of pain
for many (leading to comfort
for others on a bed of skins
and feathers)

when you went overseas
that one time
and claimed to be
Canadian to avoid being associated
with the loud couple on the first floor

no one was fooled

and they sneered at you

ah, Americans

best defined
as

impatient
and dedicated to the proposition
that everything
can be found in

either/or

so if you aren’t like them
(demanding the room they desired
and embarrassed by the bidet
they didn’t pay to have that in their room
no sir)

you must not be them

but you are, you are
from your sneakers to your nerves
at the maze of small streets

what if you got lost
and couldn’t speak the language?

(and you couldn’t)

what if you were shown to be
idiots
out of place in the old world?

(and you were, you were)

who wouldn’t be able to tell?

who in the street wouldn’t know at once
that you at last
understood
what it means
not to fit in?

who wouldn’t see
the flag
in your frightened
faces?

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Pothole

If I walked by me on the street
I wouldn’t know me from a pothole,
and I’ve been a pothole.  I’ve tripped
people up and ruined their days.
I’m one ugly son of a bitch,

by which I mean I think I am one
beautiful son of a bitch,
and you just can’t get close enough
to see and agree.  (Even I
can’t, so don’t try.)  I’m short sharp cliffs
and rubble at the bottom
and you don’t even notice me
unless you step on me or drive by,

which is how I get along.
Even when patched (which happens
now and then, some well-meaning
fool takes pity and fills me)
I come back as big and rough as ever.

I try to think of myself, sometimes,
as the Rift Valley,
full of origins and the mud of ages.
I tell myself all those pebbles at the bottom
hide relics

until the next time I shudder slightly
at the rupture of a tire, the curse
of the tripped pedestrian who was simply
trying to get somewhere when they encountered
me.  When it’s over I snicker

and tell myself,
yeah, I’m a damn pothole and I’m OK
not seeing myself for what I am
until I cause some hurt to another,
it’s my nature, negative scorpion on a frog’s back,
created by some flaw in the making,
some resistance to repair,
some blindness and suspension
of desire to be whole.  After all,

a cussing out
is better than nothing.

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Form/Roll/Die

You follow their instructions
and become one of them,
all of you in line, all as rigid as posts
in the prairie —
here are your slots,
your holes — get in there
and stand, hold up
the fence and hold back
anyone threatening
to get by you.

You are there a long time,

Late one day, a wind
takes you down.
Cracked but still sound,
you tumble toward the ditch.

Not long after a boy takes you home,
balancing you
on the back of his bike.
Sets you by the side
of the fire pit
in his backyard strewn
with roadside junk where he
makes sculptures. He and his friends
sit on you and smoke, talking
of how they were fated
to be here.  It’s a crapshoot,
one of them says one night:
how some end up stiff and accepted,
others remain rootless, fluid,
free.

You hold them up.
It’s your job: settle into the ground,
support
another person in the role
they serve.

It’s no crapshoot, you think.
From assigned form
to accidental roll to
the final cast die, you just do
what you were meant to do.

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Limbo

if limbo exists,
you’ll be required to register
as biracial before entry.
everyone will be indistinct,
and camps outside the borders
will crowd the fences, coaxing you
to choose one or the other, threatening you
if you dare to seem unsure of your label,
refusing to accept your protestations
that you’re neither, that you’re both,
that you’re something else entirely.

but under a cool tree in the dead center of limbo
a sage sits singing of the genius of fresh invention. 

he rises cross legged
still seated
into the air and says

there’s no reason to choose a road.
this is a destination of its own.

the ones outside the fence try to drown him out.
you have to crowd close to hear him.

when you look at the ground,

you’re astonished to see six inches
between your soles and the earth.

why, then,
are you so careful when you step?

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The Narrative

the narrative
is simple:

you’ve got natives
and their descendants
immigrants by choice
and their descendants
involuntary immigrants
and their descendants

crossbloods of all the above

and that’s it.

plenty of nuances,
tragedies, subplots,
myths, legends,
stories, tall tales,
obfuscations, and
damn lies disguised
as statistics roil
the air here,

but the narrative itself
sits under all of them

like antiphony
in the choir

tugging the earlobes
turning the head back and forth

never quite clear
but always present
cutting a channel
through the dirt
that holds us all

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Three Men And A Shadow

From here I can see
he’s obviously still
the kid I used to hate
with his false arrogance
and secret shame,
always lying about something
he’d done or not done,
always thinking of girls,
of pills stolen from the medicine drawer,
broken open, poured into
a glass full of water and choked down
as he sweated grades,
expectations,
failure.  To think of him now, groggy
and ashamed to find himself
waking up the in morning
is to feel no pity
and to have all the regret
heaving inside again…

and it only takes a small turn away from him
to see the young husband I used to scorn,
shuffling off ill-dressed to jobs
he thought beneath him, finding ways
to smile at people he thought neglected
his genius, avoiding the evidence
of his own lazy magical thought
about everything always working out
somehow, watching him insomniac pacing
long nights of neglect and loneliness
as if he was alone in this
as the house piled higher with things,
things, things…

Face on, now,
with the fat old man,
gray and bloated, reeking of smoke
and disappointment, imagining
that what has worked in the past
will work again (even though
it never worked at all),
suspecting that the finding of a late love
is perhaps not enough to save him,
pretending
all his choices were the right ones
because that’s what he still believes
in the still long nights of pacing
and worrying, of staring at small screens
hoping the magic of certainty
will return, light up his fingers,
and illuminate the slowly dimming
remainder he knows is lessening
as he stares frozen ahead,
still stuck in the backstory…

and there,
behind each of them,
the shadow I always called
the Real Me.  The slender
man, perfect, fanatic,
holding fast
to a parcel of words clamped together
into solid new worlds
that I imagine will last longer
than these reflections.
That may exist for a long time
after me, 
without needing
the others to do so. 

Was it worth it
to go this route, I wonder,
to sneer at those three,
turn away from seeing them
and focus on
the blinding light, the vision
of a body of work left behind
that made that shadow seem
so solid and preferable? 

I chased that light
all these years, saying it was
what made me, but perhaps all it was
depended upon each of them in turn
and it was wrong of me
to claim, “but really, I’m something else…”
every time I got too dismissive
of those ways of being.  Maybe
I should have taken better care of them.
Maybe the shadow I thought was the real me
would have been a better man
if I’d been better to the men I thought
I never was.

I can’t speak ill of
any of them now.
Stroke their heads,
let them go,

think about what I am now
instead of what I was:
poet, artist, failure
at the general business of living;
as always, a shadow
of my self.

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No Names

Definition
of a name:
what holds us
in place
while we’re polished
faceted
made shiny

acceptable facsimiles
pulled out of our
rough and ready true shapes
presented
as honest selves

Names
ought to be given up

I’ll be you
You be me
We’ll fuck them up
by not being
what’s expected of us

as we sit in settings
made by others
to show us off
as gems
of the art of
artificial beauty

That makes us lies

Lying world
makes us up as we go along
and we do the shining
from our cut up selves

End this
anonymously
Give up identity
Don’t let them make you
your own alias

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Et Cetera

Let us lie
and say we are unhappy
with our lives: the lack of money,
the unrelenting longing for
love/sex/contact, our voices unheard,
thoughts unacknowledged,
et cetera.

Let us lie and say we want
a colorless
world.  That we imagine our groups
catapulted over the walls
into erasure, imagine heritage
a myth. Imagine the lies
we could tell ourselves
about no boundaries, total freedom,
and other things: et cetera.

And so, forth
into the breach we make
by rejecting the fact
that most of us struggle
to stay alive,
wishing to preserve
the lives we have or make them
better, not to transform them
int other lives, or lose our current selves
to perfection:

let us lie and say
no part of us is happy
to be what we are now.  Let us lie
and say we desire to be
not ourselves, when the truth is

that all we want is to be
is exactly as warty and prejudiced
and venal, etc., as we are now,
that all we want

is an easier way
to be those things.  We’re happy enough
to know what we want because we have it already,
just not enough of it,
not all the time,
et cetera.

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