Tag Archives: heritage

Auction

stiff-standing
antique figurines
are being sold
at auction

one’s an iron jockey
holding a hitching ring
clad in red and white
and blackface paint

another is 
offering cigars from a wooden hand
the old wood’s
brown through and through

people are bidding them up
for (they say) the sake of
historical preservation
and the marking of bad memory

hard to believe
the prices such things command
among people who profess
to understand the offenses they bear

it seems the privilege
of being able to buy and sell
the past
is not cheap


Colonialism (Plastic Shaman)

New poem.

The road 
from my ancestors
to me
is grassy and grown,
as green as it ever was,
still kind to the feet of those
born to it.

I don’t recognize
this toll road you’ve made,
the one
you are calling
“The Way Of The Elders.”  

You read a book
of some half-understood
road maps
and made a turnpike
from it.
You’ve decorated the road 
in trappings you don’t own,
maybe tricking yourself into full belief,
at the least
into believing others
will pay to travel it

and maybe they will
but I’m not one of them. 

Those aren’t paving stones,
those are chunks of asphalt.
Those aren’t standing stones,
those are concrete falsehoods.

I know this weight you sell
and it’s not the solidity
of the spirit
but that of
a plastic shaman’s boot
upon my neck, upon
my ancestors’ necks.

Don’t,
says every gene of theirs
in every cell of mine.
Don’t.
Don’t pretend this is real.
Don’t pretend
that by stepping on me
and by stepping on them
that you are walking
any ancient path

except the one 
that led you to our soil
in the first place.


Whiteness

New Poem.

I’ve taken to calling it
“Whiteness,” that 

low hum,
that cloud of unknowing.

It just keeps running.
I don’t know how to turn it off.

It’s caused amnesia 
at a cellular level.

Try to put a finger on Whiteness
and it slides away

like mercury:
liquid, metal, baffling.

If I spoke magic I’d conjure it thus
and try to hold it still: come, be bound,

tsunami of broken mirrors,
snowfield of washed crosses,

tangle of lilies, thicket of oleanders,
angular dramas, spoiled seeds…

Can you truly say
it is not its own distinct thing?

It cannot be defined any longer
as absence or default.

If I stare into Whiteness
long enough and hard enough 

I lose myself in it — no surprise;
it was built in such a way

that one can’t help
but stare into it:

the far end
of a hall

of locked doors.
A television permanently tuned

to a news station that promises
your story will be read soon,

right after this word,
right after this word from our sponsor.

It’s not about the nature
of individuals, exactly,

except when it is —
except when

one of them doesn’t see how
they’re soaking in it;

except when they call it
“the norm”

to cancel out
“the other.”

It’s not about how hard or soft
someone has

or hasn’t had it, exactly,
except when it is —

except when
it silently opens a stuck door

and things are even a touch easier
for someone who denies

or doesn’t even realize that they
carry that key with them everywhere.

It’s not about
anything other than 

itself, really, and that
is the problem: how

slippery it is
with its privileges, how slick it is

without admitting it,
how invisible it is to itself.

But I can see it tonight
as I stand under the eaves

of my father’s house, rain coming down
just beyond my nose; there’s

Whiteness in my face, in my ear,
in my blood, all over me

whispering,
be one with me…

I don’t know.  
Maybe

it’s that flag
of bones it’s wrapped in,

maybe it’s knowing how many bones
were abandoned

in deserts far and near
under that flag, 

maybe it’s knowing
how many bones drifted down

to the seabeds
of the Middle Passage. 

Maybe it’s
the long goodbye 

I’d have to make
to my otherness

once I accept
the name for my own, 

or maybe it goes back, all the way back
to those childhood Saturdays 

where the question at playtime
was always

whether I wanted to be the cowboy
or the Indian

and I always chose what felt closest.
It was fine until

one day
someone asked

why I always wanted
to be the bad guy

and never
the cowboy.

Hello, Whiteness,
is what I should have said then

but I was young and uneasy,
afraid not to play along.

I hung up my cap guns
soon after that for safety’s sake — 

but we were just getting started,
Whiteness and me.

Whiteness started haunting me, needling me,
kept repeating:

why do you always want
to be the bad guy?

in that supple voice.
It spit that

a million different ways
and they all meant the same:

why celebrate
difference? why you gotta 

be like that? calm down
and sink into me

like you would a milk bath, 
like you would surrender to

a horizon wiping blizzard.
Go to sleep. I promise

it will be warmer
eventually.

That voice eventually faded into
a low hum, a cloud of unknowing.

Whiteness, let me tell you,
maybe I’m wrong, 

maybe it’s amnesia
at a cellular level,

but maybe I fear you so much
because

I can’t recall anyone
ever saying 

it made them warmer
to die a little.


Brown Heart

New Poem.

brown heart

color of august
arms race
sweat singers

try not to think about this too hard:
did you want love? did you come here
for love? did you expect 
love?

sorry
brown heart

but love’s not

here — white heart’s broken
today 
sad face can offer you nothing
today
sorry

white heart broken
in westside bin
by garage door
wedged open so
breath and air
get out and in
sorry it says
SORRY
at least I
sly and shaky
stay alive this way
SORRY
no time for you
brown heart

today nothing
from white broken heart
for brown heart

love is
not there ever
brown heart
no matter
its stolen beats
and its claims
to love you
white heart is never more than
guardedly there
and never there
for you at all

love you
brown heart
that’s your song
you love you
you love you
for white heart knows
the same song too
you love you
you love you

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Want to hear it as a recording with guitar?  


When He Broke Us

Originally posted 7/28/2013.

When He nearly broke us
on a knee and a treaty
our mystery belonging broke

Our knowledge of stone’s tongue broke

Our river dreaming broke

The river bed opened
and drained itself down
to bones

When He nearly broke us
on a promise and a prayer

we ended  — almost
Couldn’t speak to each other
After war came famine and
our children were taken
They returned much later looking more
like Him
Had no tongue to use with us
Who were we then
without them 

but when He cracked us

He did not finish it

We found glue among little stones
We found our old words there
We saw old life in new seams

When He cracked us

we saw his self capitalization at last
for what it was
and gently took it from his hands

When he cracked us
he cracked himself

He tried to wear our clothes
They fell from him

He tried to steal our names
We called them back to us

His children learned to see him
as unnaturally starved
despite leaning toward obese

They say they feel bad about when he broke us
Little breakers feeling sad in fancy hats
they don’t see as stolen property

They keep banging at us and calling it a tribute
Their hammers ring just as loud 
as when their fathers first cracked us
as when we first stood up to it
as when we first became unbreakable

and the singers
and the dancers
and the drums
our drums
drown their hammering 
in the renewed flood 
of our river dreaming


What You Call Me In Daylight I Call Myself In The Dark

Originally posted 2/24/2012.
Original title, “The Names You Call Us.”

Whatever you decide about how we should look
is how we look to you.

Whatever you decide you can somewhat pronounce
is what we are supposed to call ourselves.

You pick a petal and call it a flower
as if calling out a part conjured the whole,

as if naming a peak
described the range — 

Pike’s Peak for the Rockies,
Mount Rushmore for the Black Hills.

What should I be called?
Should I let you buy me a collar

with “half-breed”
or “wanna-be” on a tag?

Should I shelve
everything I have lived through

so I can sit in your easy box and beam up at you
with your pink bow on my head?

Should I stop cursing you under my breath
when you aren’t listening?

Perhaps I should speak up knowing
none of it will matter much to you

as I seem to fit in this world
without really trying — no surprise,

I was taught how to try
from the day I was born.

In the dark I echo you,
calling myself lost, traitor, hypocrite,

but not for the same reasons you give.
I do it because I know I have had to give up

one half of all my contradictions
every time I have tried to fit in.

Call me the wrong name, call me
the wrong kind, call me wrong simply for being;

all of the names you call me in the dark,
or when my back is turned,

are names I have called myself.
Y
ou needn’t keep trying to kill me

with your words. I have already
done so much of the job

that I don’t know my real name,
what it means,

or how it might have kept me alive
in a different time.


Terraforming Mars

Originally posted 12/31/2009.

Watching a show
on terraforming Mars
and can’t help but think
of Crazy Horse
when an astrobiologist says,

“To me, Mars is the lot next door.  
The lot is vacant,
so why not plant a garden?”

Crazy Horse,
if you’re listening,
please accept my apologies
for us all.

All that blank red dust, 
all the things we’ve learned,
yet we still think we know best.


It Just Is

Originally posted 11/30/2013.

I will again
call this place “ours”

when we can bury our dead our way
and be buried here that way 

when the old blood in the soil
stops weeping from loneliness

I will again
call this place “ours”

when we can plant trees here and feel safe
about our grandchildren living to see them

when those future forests again shrug
at our presence as matter of fact

I will again
call this place “ours”

when the names we give places
hold a music that pulls the land into shape

when we forget how to ghost dance
because it’s become unnecessary

when we don’t dance
for you

when we break the last camera
you’ve smuggled into our homes

when we stop you
from plucking

pointless feathers from thin air
and planting them in your hair

when we open up the shame vault and tell you
no your grandmother likely wasn’t

and if she was
it might have been by force

and ask you if it was by love
why you don’t know her name

I will again
call this place “ours”

when we stop being angry long enough
to pity you

and to laugh more than a little at you
when I realize

that I can call this place “ours”
any time I want

because after all this time
in spite of all that’s happened

it still is
it just is


A Short Summary Of The Story So Far

Originally posted 12/29/2010.

A fancy
pipe bomb
is found unexploded
in a suburban mailbox.

The maker has painted
the cylinder 
to resemble a piece
of Zia pottery.

The explosive inside 
is potent and unusual,
is wrapped in a coat
of tiny white men made of lead

The ends are packed
with small bits of steel 
cut into the shapes
of team mascots.

Attached to the bomb is a note that reads
“Welcome to the continent,”
and a feather from
a peregrine’s tail.

All over the country, people begin to avoid
their mailboxes, staying inside
to read their property deeds,
examining their family trees

for links to cavalry sergeants,
missionaries, traders, storekeepers,
farmers, ranchers, pioneers,
Congressmen, Senators, and Presidents.

Within weeks
more bombs are found.
Not a one ever explodes
but everyone’s afraid to breathe.

The suspects are certainly
hiding in plain sight
right around here somewhere.
The government has banned

casinos and dreamcatchers
and closed the roads to every reservation.
But the bombs keep appearing
in mailboxes, in car trunks,

in closets, on television,
in place names, in foodstuffs,
on the roads, near the rivers,
in the language itself.

Everywhere we look,
in fact,
there could be
a bomb.

 

How To Be Their “Indian, I Mean Native American” Colleague

Originally posted 1/19/2013.
Accessorize!
Hang a dreamcatcher
near your monitor.
Tell them your uncle
is an avowed shaman
at plumbing.
Hang no pictures of your parents;
stoically hint at a “plight”
when you mention them at all.
Squint, shade your eyes, and nod
to support the notion
that “the past is past.”
Smile wryly and often
when choking down
bile.
When faced with the questions
about surviving in the wild,

cryptically suggest “you know a few tricks.”
Pat their shoulders, firmly but gently,
when they cringe mightily before you
about rooting for the Redskins.
Always dress as a ghost might dress,
or how you think a ghost would dress
for becoming trapped between worlds.
Stifle your screams when you hear the words
“Cherokee grandmother, great-grandmother, oh,
somewhere back there somewhere there’s Cherokee…”
Turn down the offer
to join the gang
for drinks after work.
Get in the car and put your head down.
Be yourself for a minute
while they aren’t looking.

Neither Dad Nor Jethro Gibbs

Originally posted 10/26/2010, originally titled “Thirty Mescalero Men.”

My father
gave me 
my first knife
when I was six.

A man’s 
only half a man
without a knife, 
he told me then.

On a TV show
the tough but fair Marine
schools his team
on his Rules.  

Rule Number Nine,
he reminds them, is 

“Never go anywhere
without a knife,”  


which is
something

my father
would have said.

At fifty four I keep a box 
of more than sixty knives
under my bed
and never leave the house without one.

Some of the knives I carry
are old — I still have
my first, which was old
when I got it — 

but some are new,
and I cannot say

I’ll never buy another
or stop adding to the armory.

By all the rules 
and lessons I have learned
I am at least 
thirty men,

but I feel certain that neither Dad
nor Jethro Gibbs

would believe 
I’m any 
of them.


Polish Hall, Uxbridge, MA

Originally posted 12/19/2005.

nothing has changed
except for the higher prices
it’s now two seventy-five
for a jack on the rocks
and a bag of chips
is now seventy five cents

I could end up drinking here all the time
the way I used to drink here all the time
thirty-odd years ago

some of my old barmates are still drinking here
dave parker

sue something different now but born boulanger
rat guertin

we all get to talking
rat hits the rest room before he takes off and
suddenly i’m helping dave
push rat’s car

out into the center of the parking lot
while it’s locked and running
and then rat’s cussing us out
and we’re laughing our saggy asses off

the car looks like it was made in 1980


I’m wanting a cigarette bad

it’s damn cold out here
it’s warmer once we’re back in the bar 


six drinks
in one hour
seems about right

once again


Syntax

Originally posted 2/8/2013.

Side by side
is how we say it now

that we have been 
assimilated but when we were kids

side by each
is how they said it

in Woonsocket, in Fall River,
in New Bedford.

Here, we park the cars side by each.
You pass over my house, you stop on me, eh?

Does anyone still
throw the baby downstairs a cookie? 

That’s how they used to say it.
Our immigrant grandparents learned English

as a substitution code.
We called them Meme, Pepe, 

Ava, Avo, 
Nonni, Nunna.

Never Grammy, 
never Gramps.

Long gone is the syntax
we once mocked

and now wistfully repeat to incredulous offspring 
and outsider friends

even as nostalgia, that mind killer,
comes to us muttering hate about 

abuela, abuelo on the streets
in Social Coin now,

about the butchering of the airwaves
in Faurive and New Beige.


Drowning In A White Man

Originally posted 9/12/2011.

I’m drowning inside
a white man.

It seems
I’ll have to grow
thin white gills
and survive though
I won’t thrive —
what I would have
to give
in order to thrive,
I will not give.

No one gets to name
whatever it is I am inside
except me
and I don’t know
how to name
or save myself
other than to say
I’m drowning
in some white man:

can’t breathe,
chest is caving;

need some
smoky air,
some familiar horizon,
the sound of singers 
seated around 
a big, solid drum.

 


Banal

I am certain I’m supposed to be
something else — no idea what —

just something not so
banal

as a fifty four year old man
who looks white and therefore

for most observers
that’s all that counts

when in fact I grew up
shredded by a war between

my original parts
yet

I would never deny how much
I’ve been privileged by

looking right and male and white
and all the extra special entitled

treatment that attaches to that but
what I mean to say is

I’ve always felt so let down
because I’m not so obviously

other when inside it’s
all I think about most of the time and

what a relief it might have been to have
the misery right in my face

You’ll tell me I’m crazy
for saying that but

slots suck when you don’t fit them
except I sorta do at least to

the making eye of all who see me
To them I’m merely a common sort of hypocrite

of a certain age and visual
Take a look at the optics

Rest assured I do know I’m supposed to roll over
and die in a comfort  I’ve never really known

That’s certainly a banality
to be infected with

such all American confusion
You think I’m

you think I’m
you think I’m

just another Cherokee grandson
stuck in a shitty common myth looking for

some validation
some agreement that I might know

a little something worth knowing
when truth is I don’t know

anything for certain other than
the war at home was ugly and

war is hell long after it ends
it hasn’t ended yet

Looking at how you
are looking at me

it doesn’t look like
it ever will