Tag Archives: guitar

Settling The Guitar

into the lap.
hand on the gloss —
quick rubout of the spot
on the bass side.  first note
a B fretted high on the first string.
always, the same note to begin —

all art a recovery
from first stroke.  first stroke
always awkward, always the same.

settling the guitar into the lap —
angle its face up, music up
and out in ascent.
tough on the left wrist, though.
tough on the hands that have to work
the column of sound.

the wood’s too bright
to make this dark a song
this Sunday.

into the wood, settling
the guitar, the axe
on the leg.  chop at it —
and a beer would taste good
if only convention kept me
from opening one this early.
and I would have to stand up
and I’ve just settled the guitar,
the axe, the music into place.

settling the guitar into place
for playing.  chop wood, carry
a tune.  woodshedding a new song.
settling into place.

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Little Wing Blues

Playing my oldest guitar
on the couch,
noodling a familiar tune
while the fans whirl
and the sun shines
brightly, but not
brutally so; not too sad
this afternoon, glad to be
able to play. Yet
I fear this will end
before I learn to play
“Little Wing” as I want it
to be played, with it
coursing through me,
for when the song moves
under my fingers,
I do not move,
and that makes me fear
that time has run out.

It’s not a song I adore
the way I love a good old blues,
that storm that lurks
in every note, that sense
of chaos just beyond the order;
“Little Wing”
carries something else, the calm
after a massive blowdown,
a song to sing while sitting
with your head in your hands
on a massive fallen oak,
then look up and see the sun
bright, but not brutally so,
and a new clearing all around.

It’s not that I don’t play it well;
I play it well.  It’s not that the guitar
isn’t right for the sound I want; the guitar
is the right guitar and finds a voice
through the notes just fine, ringing
when it’s meant to ring, the high notes
belling at the right times; no, it’s not
that I don’t play it well or I’ve got
the wrong guitar;
I think instead it’s that
the storm is never done for me.
That’s why I love the blues, I think,
its center in the howl of the moment.

So I bend over this ancient body
once again, and hold its neck up
while try to imagine
how it is to walk through clouds
and be still at the same time;

how to find
the fallen oak and see it
as a throne, and not think
about what is crushed below it,
and not dwell on anything,
anything,
that has been taken from me.

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Pawn Shop Sniffle Blues

1.
Sneezy!  Sniffling
and raw-throated
for a couple of days now,
it’s as tired as a song
that’s been popular for too long —
can’t figure out why
it’s hung on — but it has
and I’m stuck
with the drip drip drip
in my head.

Dammit!  Wanted
to fly, to stand up and cheer
today, but I’m beat
and sickly, not quite sick
but run down enough to feel
energy sliding south
from my chest to my feet
where it’s going to pool
and harden and hold me still.

2.
I’m too broke to buy the necessary drugs

so it’s pawn shop time
again,
with me standing here stuffed up and red-eyed.

I bet they’re thinking that I’m crying
because I’m here again with a different guitar.
But it’s just the cold.  I’m never sad
when I stand at this counter.

Pawn shops are full of hope
and optimism — how many people
take the ticket and the cash
certain they’ll be back in time
and better off and better prepared to hold on
to what they left behind?

And on the other side of the wall,
all that dashed hope recycled for others
to find…

I pawn every guitar once
just so the wood can soak all that in.

3.
So I stop and buy
Nyquil and Dayquil
and a packet of foil-clad pills.

At home I mix and match
then float away
under my balloon head,

reach for the neck of the guitar
that isn’t there. 
I wouldn’t call this happiness,

but it’s not sorrow either.
Somewhere in between,
and at least I’m not sneezing.

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Just Another Guitar

It’s the stains under the strings
that make a guitar a guitar.
I’ve always read those stains before I bought one

but this one — a new guitar —
has none.  It’s up to me to sully it.
Up to me.

That magic name from Nazareth
on the headstock means nothing
if I can’t make it heard.  “Martin”

is just a spell without power
if a magician never learns its secret language;
it’s just another guitar.  Another one

in the collection.  A trophy
won without having been played for.
A symbol of consumption.

Having isn’t doing, isn’t being.
I play it now while thinking that I own a Martin
and am playing it, but when I am a player,

when that happens at last,
there won’t be any reason to speak of
the name.   It will be less a Martin

than a scarred and dirty beast
full up with me and who I am.
Up to me.  I bend to it and begin.

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Every Open Mic In Every City Has One…Or More

she was married when we first met
soon to be divorced

The only folksinger I ever knew
who could make this song
sound like evil on the wing

helped her out of a jam I guess
but I used a little too much force

was onstage every Tuesday at the Coco Bean
banging a criminally good looking
prewar Martin

we drove that car as far as we could
abandoned it out west
split up on the docks that night
both agreeing it was best

with his suburban cracktoned voice
and overly practiced and dogged sincerity
(belied by our awareness of his bad original repertoire

in which he played at Delta truth
while tossing winks and nudges at a racist belief
that he was the sole keeper of such perfectly primitive knowledge)

she turned around to look at me
as I was walking away
I heard her say over my shoulder
we’ll meet again someday
on the avenue
tangled up in blue

God we hated him
and we figured God hated us
for putting that nearly real wriggle in his fingers
and that perfect mahogany goddess in his hands
so we sniped and drank and paid little attention
even as the women fell into his lap
and when it was our turn we did what we could
to make them forget those songs
and the way the son of a bitch played them
we knew better
we were better

we’d be so much bigger
and more authentic
if only we had the money
for a sweet ass guitar like that

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Blues For A Relic

Born in New Jersey
around 1925 or so,
certainly no later than 1930
by the style of her yellow label.
Scarred and battered,
solid spruce and solid birch —
no plywood here —
repaired cracks,
stained face,
pitted and cranky tuning pegs,
a matchbook shred filling in
the nut on the first string
to keep it from buzzing;
one bridge pin
new white ivoroid,
the rest original black pearwood
with mother of pearl caps.

None of that is important.

What’s important is how easy she is to read
when you understand
the scrubbed bleaching
under the high frets that says
blues
,
the rubbed out tale
written on the back
of the steep V profile
of the still-straight
railroad track of the neck
that wails
blues
,
I sang the blues
my whole life.

I keep her close,
always within reach,
never in a case. 
She still sings
old and clear,
balanced and knowing,
though I can’t make her cry
the way she must have cried
in someone’s hands
for the better part
of her life —

for there must have been a better part
than this one, finding herself
with me and my amateur hands,
me with my own dents and marks,
my own damages, some repaired
and some still raw and shaking.
We work together and sometimes
it almost feels good when I set her aside
and figure we can try again tomorrow,
starting from where we left off.

She’s got forty years on me at least
and still as strong as ever.
I keep her close, with her promise
that maybe you can’t be satisfied,
but you can still keep trying.

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Rock Organs

Early Saturday morning, ears throbbing,
happily bruised from my first pit in years,
I stagger in from the Aggressions’ reunion gig,
drop the black leather jacket on the couch,
and settle into the recliner
for some “Antiques Roadshow.”

It’s a repeat — Ooh!  This is the one
with the ’52 Telecaster in, like,
mint condition that’s been sitting
in some guy’s closet untouched
since his father died.  Sick —
who the fuck leaves something like this

untouched for thirty years?
A guitar’s meant to be played.
And now the appraiser’s
creaming his gray suit over the fact
that the tweed case is mint too —
not a sticker to be seen.  He’s tossing

some incredible number for its value
at this dork who can’t believe it.
You can see the dollar signs rising
in his throat…while all I can think about
is wrapping my hands around that C-shaped neck,
plugging that mother into a Hot Rod Deluxe,

and burning out
every coil
of both pickups…but that’s
not going to happen, so
though I’m drunk, I pull one more beer
from the fridge and turn the TV off.

I learned a long time ago
that there’s a downside
to having a rock ‘n’ roll heart. As you age
the rest of you
doesn’t keep up, and you find yourself
with a churned up gut every time you see

someone who doesn’t have a clue put in charge
of a perfect tool of the trade.  If I could,
I’d get new organs to ease the burden
on the old ticker — say,
steel eardrums and elbows so I could
get as close to the stage as I want;

a rock ‘n’ roll bladder so I wouldn’t ever
miss a note; a black metal liver,
a hardcore bile duct, a blues rock forearm
so I could shake the strings forever
without my bursitis kicking up; shins
and thighs and feet as steady as reggae

and an ass tighter than Detroit funk.
This old heart of mine does what it can
but it could use a little help sometimes,
especially (like tonight) when I see some young punk sneering
at the old guy whose moves are all wrong
from the outside but whose soul is still eighteen

and ten feet tall and tequila bulletproof
in the face of the certain and unwelcome
slowdown of age.  Gimme shock treatment
and a transplant, a full set of new parts to be abused
all over again the way I used to do it —
and let me get my hands on that Tele,

because you assholes don’t have a clue
as to how to make it priceless.  It’s got no value
until it’s been scratched and dented,
until a thousand forgotten bands have been plastered
all over that obscenely clean case, until it’s worn
and everything’s been replaced at least once.

I should know.  My parts
are all original, and could stand
a little restoration, but they long to sing
and stomp and agress when needed.
Given half a chance, they could still rock the way
they used to.  Given half a chance more

and a new set of knees,
I could pull a Townshend leap
and clampdown like Strummer
on a stale old cover of a fresh idea.
Given a body like I used to have
and my current head still in place,
I could lay a million dollars at this guy’s feet

and steal
that wasted instrument back
to the home
it deserves to have…
and I wouldn’t need a new heart to do it,
because this one still beats hard

and loud.

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